As Time Goes By Orchestre d'harmonie [Conducteur] Alfred Publishing
By Herman Hupfeld. Arranged by Warren Barker. By Herman Hupfeld / arr. Warren Ba...(+)
By Herman Hupfeld.
Arranged by Warren
Barker. By Herman Hupfeld
/ arr. Warren Barker. For
Concert Band. Concert
Band. Pop Symphonic Band.
Conductor Score. 20
pages. Published by
Alfred Publishing.
Level: 5 (Medium
Advanced) (grade 5).
As Time Goes By Orchestre d'harmonie [Conducteur et Parties séparées] Alfred Publishing
By Herman Hupfeld. Arranged by Warren Barker. By Herman Hupfeld / arr. Warren Ba...(+)
By Herman Hupfeld.
Arranged by Warren
Barker. By Herman Hupfeld
/ arr. Warren Barker. For
Concert Band. Concert
Band. Pop Symphonic Band.
Level: Medium Advanced
(grade V). Conductor
Score and Parts. 146
pages. Duration 3:36.
Published by Alfred
Publishing.
Salute to the Cinema Orchestre d'harmonie [Conducteur] - Intermédiaire Alfred Publishing
(Featuring: Hooray for Hollywood / Singin' in the Rain / Over the Rainbow / As T...(+)
(Featuring: Hooray for
Hollywood / Singin' in
the Rain / Over the
Rainbow / As Time Goes By
/ A Day in the Life of a
Fool (Manha de
Carnaval)). Arranged by
Carl Strommen. Concert
Band. Concert Band. Pop
Concert Band. Movie.
Grade 3. Conductor Score.
40 pages
Salute to the Cinema Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: Hooray for Hollywood / Singin' in the Rain / Over the Rainbow / As T...(+)
(Featuring: Hooray for
Hollywood / Singin' in
the Rain / Over the
Rainbow / As Time Goes By
/ A Day in the Life of a
Fool (Manha de
Carnaval)). Arranged by
Carl Strommen. Concert
Band. Concert Band. Pop
Concert Band. Movie.
Grade 3. Conductor Score
and Parts. 242 pages
As Time Goes By Orchestre d'harmonie [Conducteur] - Intermédiaire Molenaar Edition
(From Casablanca). Composed by H. Hupveld. Arranged by Willy Hautvast. For conce...(+)
(From Casablanca).
Composed by H. Hupveld.
Arranged by Willy
Hautvast. For concert
band. Slow
Fox/Arrangements of
Modern Light Music/Pop
Music. Movie and Musical.
Recorded on Italienische
Lustspiel Ouverture
(ML.311039720). Grade 3.
Score only. Duration 3
minutes, 39 seconds.
Published by Molenaar
Edition
Wind Band - Grade 3 SKU: YM.G790820 Concert Band. New Sounds in Brass (NS...(+)
Wind Band - Grade 3
SKU: YM.G790820
Concert Band. New Sounds
in Brass (NSB). Musical
and Standard. Score &
Parts. Yamaha Music Media
#G790820. Published by
Yamaha Music Media
(YM.G790820).
New Sounds in
Concert Band Series (NSB)
Duration:
approx.5'00 Arranged
by Soichi Konagaya.
Cajun Folk Songs Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:40.
Published by Manhattan
Beach Music.
Cajun Folk Songs Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:40. Published
by Manhattan Beach Music.
By Timothy Loest. Concert Band/Wind Ensemble. FJH Concert Band. For centuries, p...(+)
By Timothy Loest. Concert
Band/Wind Ensemble. FJH
Concert Band. For
centuries, people have
looked into the heavens
and dreamed. Whether
gazing at the moon or
stars, thoughts of
distant places have
enchanted all of us.
Undoubtedly, the sheer
enormity of the universe
has fostered wonderment,
sparked exploration, and
inspired profound
questions that grapple
with the meaning of life
itself. Although the
title of this work evokes
images of space
exploration, it is really
a metaphor of the
profound journey that
occurs each time we
experience music. Music
has been defined as
humanly shaped sound for
expressive purposes. But
it is more than that.
Music is a rocket ship,
lifting us upward and
propelling us to
celestial places - places
that allow us to realize
the depth of our
humanness and the
greatness of our Creator.
Score for this title:
B1307S. Extra part for
this title: B1307P.
Concert Band. Level:
Grade 3. Score and Set of
Parts. Published by The
FJH Music Company Inc.
Loch Lomond Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
Loch Lomond Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
Pop! Pop! Pop! Orchestre d'harmonie - Débutant Carl Fischer
Band Concert Band - Grade 1 SKU: CF.BPS125F Pop Goes the Weasel. C...(+)
Band Concert Band - Grade
1
SKU: CF.BPS125F
Pop Goes the
Weasel. Composed by
Traditional. Arranged by
Andrew Balent. Sws. Bps.
Full score. 12 pages.
Duration 1 minute, 26
seconds. Carl Fischer
Music #BPS125F. Published
by Carl Fischer Music
(CF.BPS125F).
ISBN
9781491156179. UPC:
680160914715. 9 x 12
inches.
This
beginning band
arrangement of Pop Goes
the Weasel is designed to
teach and perform basic
3/4 rhythms. The tempo
will be determined by the
ability of the group.
Begin rehearsing at a
slow tempo and gradually
increase the speed until
reaching the marked
allegro. Performance
Time: 1:30. This
beginning band
arrangement of Pop Goes
the Weasel is designed to
teach and perform basic
3/4 rhythms. The tempo
will be determined by the
ability of the
group.Begin rehearsing at
a slow tempo and
gradually increase the
speed until reaching the
marked
allegro.Performance Time:
1:30.
Pop! Pop! Pop! Orchestre d'harmonie - Débutant Carl Fischer
Band Concert Band - Grade 1 SKU: CF.BPS125 Pop Goes the Weasel. Co...(+)
Band Concert Band - Grade
1
SKU: CF.BPS125
Pop Goes the
Weasel. Composed by
Traditional. Arranged by
Andrew Balent. Folio.
Bps. Set of Score and
Parts.
8+2+8+2+5+2+2+8+3+6+2+3+1
+1+2+1+12 pages. Duration
1 minute, 26 seconds.
Carl Fischer Music
#BPS125. Published by
Carl Fischer Music
(CF.BPS125).
ISBN
9781491156162. UPC:
680160914708. 9 x 12
inches.
This
beginning band
arrangement of Pop Goes
the Weasel is designed to
teach and perform basic
3/4 rhythms. The tempo
will be determined by the
ability of the group.
Begin rehearsing at a
slow tempo and gradually
increase the speed until
reaching the marked
allegro. Performance
Time: 1:30. This
beginning band
arrangement of Pop Goes
the Weasel is designed to
teach and perform basic
3/4 rhythms. The tempo
will be determined by the
ability of the
group.Begin rehearsing at
a slow tempo and
gradually increase the
speed until reaching the
marked
allegro.Performance Time:
1:30.
A Gospel Christmas Orchestre d'harmonie - Intermédiaire/avancé Curnow Music
Concert Band/Harmonie - Grade 4 SKU: BT.CMP-0915-05-010 Composed by Steph...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.CMP-0915-05-010
Composed by Stephen
Bulla. Concert Band.
Gospel & Spiritual. Set
(Score & Parts). Composed
2005. Curnow Music #CMP
0915-05-010. Published by
Curnow Music
(BT.CMP-0915-05-010).
English.
Youâ
™ve got to love it
when Stephen Bulla goes
Gospel! Your musicians
surely will! The slow
introductory section sets
up the audience for a
rousing good time when
the band suddenly lets
rip with hand-clapping
up-tempo Gospel sounds.
Rhythmic and filled with
amazingly creative
harmonic ideas, this
superb arrangement takes
O Come Emmanuel,
Adeste Fidelis, and
Handel’s
Hallelujah Chorus
places that you probably
never imagined they could
go. Conductors seeking
high-quality new and
entertaining literature
for the Christmas concert
have come to the right
place. Definitely NOT the
“same oldâ€
Christmas
arrangement!
Drie
absolute kerstklassiekers
in een gospeljasje: O
Come Emmanuel,
Adeste Fidelis
(Komt allen
tezamen) en het
Hallelujah Chorus
uit Händel’s
Messiah. De
langzame introductie
bereidt het publiekvoor
op wat komen gaat, waarna
het orkest plotseling
losbarst met uptempo
gospelklanken. Levendige
ritmes en creatieve
harmonische ideeën
maken dit een bijzonder
en aanstekelijk
arrangement voor uw
eerstvolgende
kerstconcert.
Gro
Ÿartige Effekte! Das
Publikum wird nach einer
ruhigen Einleitung ganz
plötzlich von
schnellen
Gospelklängen geweckt
und zum Mitklatschen
animiert. Rhythmisch und
voll kreativer
harmonischer Ideen sind
in diesem superben
Arrangement die Lieder
O Come Emmanuel,
Adeste Fidelis
(Herbei, o ihr
Gläubigen) und
Händels Hallelujah
Chorus im Gospel-Stil
zu erkennen.
Unterhaltsame
Weihnachtsmusik auf
höchstem Niveau!
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2013.
Anglo Music Press
#AMP358140. Published by
Anglo Music Press
(HL.44012271).
UPC:
888680057664.
English-German-French-Dut
ch.
Looking Up,
Moving On was
commissioned by the Tokyo
Kosei Wind Orchestra and
was part of a tour
programme they gave in
May 2012, a tour which
included many areas that
had been devastated by
the 2011 earthquake and
tsunami.The theme of the
piece is the powerful
ability of mankind to
overcome such disasters
and look forward to a
positive future; it opens
in an appropriately
optimistic mood,
featuring bright
orchestral colours and
extensive syncopation. A
chorale-like fanfare is
soon introduced on horns
and euphonium, answered
by chirpy woodwinds. The
mood subsides until an
alto saxophone introduces
a brief quotation from
the composer's The Sun
Will RiseAgain, which
was written to raise
funds for victims of the
2011 disaster. The mood
soon changes and the
horns introduce a noble
theme under woodwind
flourishes. This leads to
the main Vivo
section of the piece
which is characterised
again by strong
syncopations as part of a
florid theme in the low
woodwinds. This melody
undergoes varied
development by all
sections of the band
until the horn fanfare
returns triumphally on
the brass. This is
extended and leads to a
faster coda which brings
together previous
material in counterpoint
to close the work in
optimistic mood.
Looking Up,
Moving On is
gecomponeerd in opdracht
van het Tokyo Kosei Wind
Orchestra. Het werk
maakte deel uit van een
programma uit mei 2012,
dat werd uitgevoerd
tijdens een tournee
waarbij veel regio's
werden bezocht die waren
verwoest door de
aardbeving en tsunami van
2011.Het thema van het
werk is het buitengewone
vermogen van de mens om
dergelijke rampen te
boven te komen en vooruit
te kijken naar een
positieve toekomst. De
opening is dan ook
optimistisch van
karakter, met heldere
orkestrale kleuren en een
rijkelijke syncopering.
Al snel wordt er een
koraalachtige fanfare
geintroduceerd door de
hoorns en het euphonium,
waarop een levendig
antwoord volgt in
dehoutblazerssectie. De
sfeer wordt dan steeds
kalmer totdat een
altsaxofoon een kort
citaat laat horen uit een
eerder werk van de
componist, The Sun
Will Rise Again, dat
werd geschreven om geld
in te zamelen voor de
slachtoffers van de ramp
uit 2011. De stemming
slaat vlug weer om: de
hoorns introduceren een
nobel thema, dat
weerklinkt onder
versieringen in het hout.
Dit leidt naar het Vivo,
het hoofdgedeelte, dat
eveneens wordt gekenmerkt
door sterke
syncoperingen, als
onderdeel van een
sierlijk thema in het
lage hout. De melodie
ondergaat een gevarieerde
ontwikkeling binnen alle
secties van het orkest,
totdat de hoornfanfare op
triomfantelijke wijze
terugkeert in het koper.
De fanfare wordt
vervolgens verder
uitgewerkt en voert ons
mee naar een snellere
coda, die voorafgaand
materiaal in contrapunt
samenbrengt en de
compositie in
optimistische stemming
afsluit.
Looking Up,
Moving Down wurde vom
Tokyo Kosei Wind
Orchestra in Auftrag
gegeben und war Teil des
Konzertprogramms einer
Tour im Mai 2012, welche
viele Gebiete einschloss,
die vom Erdbeben und
Tsunami im Jahr 2011
zerstort worden waren.
Thema dieses Stuckes ist
die gewaltige Fahigkeit
der Menschheit, uber
solche Katastrophen
hinwegzukommen und voll
Optimismus in die Zukunft
zu blicken; es beginnt
dementsprechend in einer
positiven Stimmung mit
strahlenden
Orchesterfarben und einer
ausgepragten
Synkopierung. Schon bald
wird eine choralartige
Fanfare auf den Hornern
und im Euphonium
vorgestellt, die von
munteren Holzblasern
beantwortet wird. Die
Stimmung flaut ab, bis
einAltsaxophon ein kurzes
Zitat aus The Sun Will
Rise Again anspielt,
das der Komponist zur
Spendenbeschaffung fur
die Opfer des Unglucks
2011 geschrieben hatte.
Kurz darauf folgt ein
Stimmungswechsel und die
Horner prasentieren ein
stattliches Thema,
begleitet von Fanfaren in
den Holzblasern. Dies
fuhrt zum mit Vivo
uberschriebenen Hauptteil
des Stuckes, der wiederum
von starken
Synkopierungen gepragt
ist, die Teil eines
bluhenden Themas in den
tiefen Holzblasern sind.
Diese Melodie durchlauft
eine vielgestaltige
Entwicklung durch alle
Instrumentengruppen des
Blasorchesters, bis das
Blech mit der Hornfanfare
triumphal zuruckkehrt.
Dies wird erweitert und
fuhrt zu einer
schnelleren Coda, in dem
verschiedenes zuvor
gehortes Material
kontrapunktisch
zusammenkommt, um das
Werk in einer
optimistischen Stimmung
zu beenden.
Looking Up,
Moving On est une
commande du Tokyo Kosei
Wind Orchestra. Cette
piece faisait partie du
programme de la tournee
effectuee par l'orchestre
en mai 2012, qui s'est
produit dans de
nombreuses regions
devastees par le
tremblement de terre et
le tsunami de 2011.La
composition a pour theme
l'immense capacite
humaine a surmonter de
telles catastrophes et
envisager l'avenir de
facon positive. Elle
debute justement dans un
climat optimiste
comportant de vives
couleurs orchestrales et
des passages syncopes.
Les cors et les euphonium
introduisent bientot une
fanfare en forme de
choral a laquelle
repondent des bois
petillants. L'ambiance
s'apaise jusqu'a ce
qu'unsaxophone alto
introduise un court
extrait de The Sun
Will Rise Again, du
meme compositeur, une
piece ecrite pour
collecter des fonds en
faveur des victimes du
desastre de 2011. Le
climat change hativement
lorsque les cors
introduisent un theme
noble par-dessus des
fioritures executees par
les bois. Vient ensuite
la principale section
vivo de la piece, qui se
caracterise, encore une
fois, par des syncopes
tres marquees dans le
cadre d'un theme fleuri
assure dans le registre
grave des bois. Cette
melodie fait l'objet de
divers developpements par
tous les pupitres de
l'orchestre jusqu'au
retour triomphant de la
fanfare soutenue par les
cuivres. Celle-ci se
prolonge pour mener a une
coda plus rapide qui
rassemble les elements
precedents en contrepoint
pour clore la piece dans
un climat optimiste.
Call of the Valley Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135394-010 Bad Orb Impres...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135394-010
Bad Orb
Impressions. Composed
by Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece. Set
(Score & Parts). Composed
2013. De Haske
Publications #DHP
1135394-010. Published by
De Haske Publications
(BT.DHP-1135394-010).
9x12 inches.
English-German-French-Dut
ch.
The inspiration
for this three-part work
goes back to the
International European
Youth Wind Music
Festival, of which the
patron has been Jacob de
Haan several times. It
begins in a festive march
tempo, then sacred music,
instrumental groups
playing off_x001E_stage
and a little march for
brass and _x001D_flutes.
The third movement is a
parade in which the
various sections of the
ensemble head towards the
stage from different
directions. Even without
the effective
choreography of the
musicians, Call of the
Valley is an
impressive concert band
composition.
Jacob
de Haan haalde zijn
inspiratie voor dit
driedelige werk bij het
Hessische kuuroord Bad
Orb en het tweejaarlijkse
Blaasmuziekfestival van
de Europese Jeugd,
waarvan hij meerdere
keren beschermheer was.
In het werk verwerkte de
componist verschillende
e_x001D_ecten die
betrekking hebben op het
festival. Zo hoort men in
de vallei verschillende
orkesten door elkaar
spelen, een indrukwekkend
e_x001D_ect dat ook in de
compositie werd verwerkt.
Ook kan men ervoor kiezen
om tijdens het werk het
orkest op te splitsen en
het podium te laten
verlaten en marcherend
weer richting podium te
stappen. Een spectaculair
en vernieuwend
werk!
Die
Inspiration für
dieses dreiteilige Werk
geht auf das
Internationale
Blasmusikfest der Jugend
Europas zurück,
dessen Schirmherr schon
mehrfach Jacob de Haan
war. Es beginnt in
festlich marschierendem
Tempo, gefolgt von
sakraler Musik, abseits
der Bühne
spielenden
Instrumentengruppen und
einem kleinen Marsch
für Blechbläser
und Flöten. Der dritte
Satz ist eine Parade, bei
der sich das geteilte
Orchester aus
verschiedenen Richtungen
auf die Bühne zu
bewegt. Auch ohne die
effektvolle
Positionierung der
Musiker ist Call of
the Valley ein
eindrucksvolles
Blasorchesterwerk.
Un
festival di musica per
_x001E_ati per banda
giovanile che si tiene a
Hesse in Germania, e al
quale Jacob de Haan ha
più volte partecipato
in veste di giurato, è
servito da ispirazione
per comporre questo
brano. L’inizio
vede un tempo festivo che
simboleggia
l’arrivo delle
bande. Sonorit maestose
disegnano un concerto di
musica sacra, seguite da
suoni che evocano le
interpretazioni di varie
orchestre. Un gruppo di
sax interpreta un piccolo
valzer, un altro gruppo
che unisce ottoni,
_x001D_auti e ottavino
suona una piccola marcia.
Nel _x001E_finale
dell’opera,
l’orchestra
riprende i temi dei due
gruppi.
Call of the Valley Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135394-140 Bad Orb Impres...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135394-140
Bad Orb
Impressions. Composed
by Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece.
Score Only. Composed
2013. 24 pages. De Haske
Publications #DHP
1135394-140. Published by
De Haske Publications
(BT.DHP-1135394-140).
9x12 inches.
English-German-French-Dut
ch.
The inspiration
for this three-part work
goes back to the
International European
Youth Wind Music
Festival, of which the
patron has been Jacob de
Haan several times. It
begins in a festive march
tempo, then sacred music,
instrumental groups
playing off_x001E_stage
and a little march for
brass and _x001D_flutes.
The third movement is a
parade in which the
various sections of the
ensemble head towards the
stage from different
directions. Even without
the effective
choreography of the
musicians, Call of the
Valley is an
impressive concert band
composition.
Jacob
de Haan haalde zijn
inspiratie voor dit
driedelige werk bij het
Hessische kuuroord Bad
Orb en het tweejaarlijkse
Blaasmuziekfestival van
de Europese Jeugd,
waarvan hij meerdere
keren beschermheer was.
In het werk verwerkte de
componist verschillende
e_x001D_ecten die
betrekking hebben op het
festival. Zo hoort men in
de vallei verschillende
orkesten door elkaar
spelen, een indrukwekkend
e_x001D_ect dat ook in de
compositie werd verwerkt.
Ook kan men ervoor kiezen
om tijdens het werk het
orkest op te splitsen en
het podium te laten
verlaten en marcherend
weer richting podium te
stappen. Een spectaculair
en vernieuwend
werk!
Die
Inspiration für
dieses dreiteilige Werk
geht auf das
Internationale
Blasmusikfest der Jugend
Europas zurück,
dessen Schirmherr schon
mehrfach Jacob de Haan
war. Es beginnt in
festlich marschierendem
Tempo, gefolgt von
sakraler Musik, abseits
der Bühne
spielenden
Instrumentengruppen und
einem kleinen Marsch
für Blechbläser
und Flöten. Der dritte
Satz ist eine Parade, bei
der sich das geteilte
Orchester aus
verschiedenen Richtungen
auf die Bühne zu
bewegt. Auch ohne die
effektvolle
Positionierung der
Musiker ist Call of
the Valley ein
eindrucksvolles
Blasorchesterwerk.
Un
festival di musica per
_x001E_ati per banda
giovanile che si tiene a
Hesse in Germania, e al
quale Jacob de Haan ha
più volte partecipato
in veste di giurato, è
servito da ispirazione
per comporre questo
brano. L’inizio
vede un tempo festivo che
simboleggia
l’arrivo delle
bande. Sonorit maestose
disegnano un concerto di
musica sacra, seguite da
suoni che evocano le
interpretazioni di varie
orchestre. Un gruppo di
sax interpreta un piccolo
valzer, un altro gruppo
che unisce ottoni,
_x001D_auti e ottavino
suona una piccola marcia.
Nel _x001E_finale
dell’opera,
l’orchestra
riprende i temi dei due
gruppi.
Flying Cadets Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4439-75 March. Composed by King...(+)
Concert band - Grade 3
SKU:
CL.012-4439-75
March. Composed by
King. Concert Band.
Heritage of the March
Series. Audio recording
available separately
(item CL.WFR389).
Oversized, spiral-bound
score. Composed 2016.
Duration 2 minutes, 11
seconds. Opus III Wind
Orchestra Publications
#012-4439-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4439-75).
The vault of
musical treasures at the
C.L. Barnhouse Co. has
yielded another classic
march composed by the
great Karl King, now
masterfully arranged by
James Swearingen. It goes
without saying that King
was a master at creating
tuneful marches that have
certainly stood the test
of time. You can be
assured that this latest
edition is certain to be
a real crowd pleaser of
monumental proportion. A
musical treat!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Concert band - Grade 3 SKU: CL.012-4439-01 March. Composed by King...(+)
Concert band - Grade 3
SKU:
CL.012-4439-01
March. Composed by
King. Concert Band.
Heritage of the March
Series. Audio recording
available separately
(item CL.WFR389). Extra
full score. Composed
2016. Duration 2 minutes,
11 seconds. Opus III Wind
Orchestra Publications
#012-4439-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4439-01).
The vault of
musical treasures at the
C.L. Barnhouse Co. has
yielded another classic
march composed by the
great Karl King, now
masterfully arranged by
James Swearingen. It goes
without saying that King
was a master at creating
tuneful marches that have
certainly stood the test
of time. You can be
assured that this latest
edition is certain to be
a real crowd pleaser of
monumental proportion. A
musical treat!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Flying Cadets Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4439-00 March. Composed by King...(+)
Concert band - Grade 3
SKU:
CL.012-4439-00
March. Composed by
King. Concert Band.
Heritage of the March
Series. Audio recording
available separately
(item CL.WFR389). Score
and set of parts.
Composed 2016. Duration 2
minutes, 11 seconds. Opus
III Wind Orchestra
Publications
#012-4439-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4439-00).
The vault of
musical treasures at the
C.L. Barnhouse Co. has
yielded another classic
march composed by the
great Karl King, now
masterfully arranged by
James Swearingen. It goes
without saying that King
was a master at creating
tuneful marches that have
certainly stood the test
of time. You can be
assured that this latest
edition is certain to be
a real crowd pleaser of
monumental proportion. A
musical treat!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Concert Band - Grade 0.5 SKU: AP.51026S Composed by Brian Balmages. Conce...(+)
Concert Band - Grade 0.5
SKU: AP.51026S
Composed by Brian
Balmages. Concert Band;
Performance Music
Ensemble; Single Titles.
MakeMusic First
Performance Band.
Programmatic. Score.
Duration 1:45. MakeMusic
#00-51026S. Published by
MakeMusic (AP.51026S).
ISBN 9781470669010.
UPC: 038081587831.
English.
The plan
is set. The team is
assembled. Everything is
in motion until one
person goes rogue in a
brazen attempt to keep
everyone else out of
harm's way. Will they
save the mission, or will
they jeopardize the
entire team? Only time
will tell. Going Rogue by
Brian Balmages is a
high-stakes adventure
with incredible harmonies
and colors, yet extremely
playable by first-year
students! (1:45).
Composed by
Michael J. Miller. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+2+4+5+4+4+4+8+12+6+
6+1+1+10+16+4+4+4+2
pages. Duration 3
minutes, 9 seconds. Carl
Fischer Music #YPS205.
Published by Carl Fischer
Music (CF.YPS205).
ISBN 9781491152256.
UPC: 680160909759. Key: F
major.
Cornish
Coastal Walk is a
beautiful new composition
depicting the majestic
cliffs and coastline of
the Cornwall region in
England. Composer Michael
Miller provides young
bands with an opportunity
to stretch their musical
muscles with this lush
and tuneful piece in 3/4
time. Directors will find
in this piece a strong
vehicle to teach
phrasing, beauty of tone,
and musicianship to young
bands. In the far
southwest of England
reaching out towards the
Celtic Sea is the county
Cornwall. A peninsula,
Cornwall is surrounded by
some of the
world’s most
picturesque scenery
including beaches,
cliffs, and rolling
hills. Separated from the
rest of England by the
river Tamar, the Cornish
take great pride in their
culture including the
pasty (a stuffed pastry
and preferred lunch of
miners), Cornish cream
tea (not to be confused
with rival Devon cream
tea where the cream goes
under the jam), and well
known national heritage
sights such as Rough Tor
(Cornwall’s
highest point), and
Tintagel Castle (rumored
birth place of King
Arthur).In the spring and
summer of 2017, I had the
pleasure to visit
Cornwall, while my wife
was a visiting scholar at
the University of Exeter
in the neighboring county
of Devon. One July
afternoon, while she was
making field observations
(she’s a Cultural
Anthropologist), I
decided to take a stroll
along the cliffs as was
recommended by a friend.
I set out from Boscastle,
a small inlet village
where one can enjoy the
most delicious black
currant ice cream, and I
trekked up and down the
cliffs for three or four
miles before finally
arriving in Tintagel. I
had planned to continue
on to Trebarwith Strand,
home of the fantastic
Port William tavern, but
greatly underestimated
the difficulty of the
terrain.Along my walk I
witnessed some of the
most breathtaking views I
have ever seen. The coast
of this particular region
of Cornwall is both
majestic and peaceful. It
is frighteningly
powerful, but also loving
and kind. It is the type
of place where people
have for years looked out
over the sea longing for
their loved ones to
return. I hope this music
brings you the same inner
peace I found on my hike
that day.This piece is
dedicated to Neil and his
sidekick Derek, without
whom I might have been
just another tourist.
Composed
by Michael J. Miller.
Young Band (YPS). Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS205F.
Published by Carl Fischer
Music (CF.YPS205F).
ISBN 9781491152935.
UPC:
680160910434.
Corni
sh Coastal Walk is a
beautiful new composition
depicting the majestic
cliffs and coastline of
the Cornwall region in
England. Composer Michael
Miller provides young
bands with an opportunity
to stretch their musical
muscles with this lush
and tuneful piece in 3/4
time. Directors will find
in this piece a strong
vehicle to teach
phrasing, beauty of tone,
and musicianship to young
bands. In the far
southwest of England
reaching out towards the
Celtic Sea is the county
Cornwall. A peninsula,
Cornwall is surrounded by
some of the
world’s most
picturesque scenery
including beaches,
cliffs, and rolling
hills. Separated from the
rest of England by the
river Tamar, the Cornish
take great pride in their
culture including the
pasty (a stuffed pastry
and preferred lunch of
miners), Cornish cream
tea (not to be confused
with rival Devon cream
tea where the cream goes
under the jam), and well
known national heritage
sights such as Rough Tor
(Cornwall’s
highest point), and
Tintagel Castle (rumored
birth place of King
Arthur).In the spring and
summer of 2017, I had the
pleasure to visit
Cornwall, while my wife
was a visiting scholar at
the University of Exeter
in the neighboring county
of Devon. One July
afternoon, while she was
making field observations
(she’s a Cultural
Anthropologist), I
decided to take a stroll
along the cliffs as was
recommended by a friend.
I set out from Boscastle,
a small inlet village
where one can enjoy the
most delicious black
currant ice cream, and I
trekked up and down the
cliffs for three or four
miles before finally
arriving in Tintagel. I
had planned to continue
on to Trebarwith Strand,
home of the fantastic
Port William tavern, but
greatly underestimated
the difficulty of the
terrain.Along my walk I
witnessed some of the
most breathtaking views I
have ever seen. The coast
of this particular region
of Cornwall is both
majestic and peaceful. It
is frighteningly
powerful, but also loving
and kind. It is the type
of place where people
have for years looked out
over the sea longing for
their loved ones to
return. I hope this music
brings you the same inner
peace I found on my hike
that day.This piece is
dedicated to Neil and his
sidekick Derek, without
whom I might have been
just another tourist.
Concert
Band, Grade 2.5 6:50
Score. Composed by
Otto M. Schwarz. Concert.
Softcover. Duration 410
seconds. Hal Leonard
#SDP0672101. Published by
Hal Leonard (HL.4007970).
With its height
of 4,808 meters,
Mont-Blanc is called
“the roof of
Europe.†The
highest mountains on our
planet have been
insurmountable for a long
time. Only in the past
250 years have those
giants been mounted.
Crystal-hunter Jacques
Balmat and Michel-Gabriel
Paccard, a doctor, were
the first to climb
Mont-Blanc, in 1786. Many
paths lead to
Mont-Blanc's peak: the
regular ascent goes
through the magnificent
“voie royale of
Saint-Gervais-les-
Bains,†which was
opened in August 1855 by
the Englishmen Hudson,
Kennedy, and Smythe.
Today's most common route
to climb up, starting
from Saint-Gervais via
Aiguille du Gou ter
(3,863m), Do me du Gou
ter (4,304m), and Are te
des Bosses (4,547m), was
first used in 1861. Otto
M. Schwarz composed this
work inspired by
“the roof of
Europe†with its
luminous and huge
glaciers. Early in the
morning, mountain
climbers set off to the
peak; they witness the
sunrise, and experience
the hazards that the
journey up to the summit
brings along. A snowstorm
and falling rocks at Are
te des Bosses aggravate
their journey. A sudden
change of weather,
however, enables them to
reach the top after a
strenuous ascent. This
piece invites you to an
imaginary journey from
Saint-Gervais-les-Bains
via the “voie
royale†to the top
of Mont-Blanc.
Movement II -
'Sundowner'. Composed
by Paul Basler. Carl
Fischer Concert
Performance Series. Set
of Score and Parts. With
Standard notation.
4+4+2+4+4+4+2+2+2+2+2+2+4
+4+4+2+2+3+3+2+3+4+1+1+1+
2+12 pages. Carl Fischer
Music #CPS97. Published
by Carl Fischer Music
(CF.CPS97).
ISBN
9780825870606. UPC:
798408070601. Key: F
minor.
Sundowner,
the second movement to
Ngoma za Kenya, is a
quiet interlude,
depicting that time of
the day when one relaxes
under a favorite tree,
sipping a drink, having a
bite to eat and talking
with friends while the
sun goes down over the
African savannah.
Composer Paul Basler uses
a wide array of harmonic
shifts and colors in this
musically satisfying
piece.
Movement II -
'Sundowner'. Composed
by Paul Basler. Carl
Fischer Concert
Performance Series. Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #CPS97F.
Published by Carl Fischer
Music (CF.CPS97F).
ISBN 9780825870613.
UPC:
798408070618.
Sundo
wner, the second movement
to Ngoma za Kenya, is a
quiet interlude,
depicting that time of
the day when one relaxes
under a favorite tree,
sipping a drink, having a
bite to eat and talking
with friends while the
sun goes down over the
African savannah.
Composer Paul Basler uses
a wide array of harmonic
shifts and colors in this
musically satisfying
piece.