Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Joyful Variations Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Based on Beethoven's Ode to Joy ). By Brian Beck. Concert Band. Concert Band; ...(+)
(Based on Beethoven's
Ode to Joy ). By Brian
Beck. Concert Band.
Concert Band; Part(s);
Score; SmartMusic. Alfred
Concert Band. Form:
Variations. Grade 3.5.
272 pages. Published by
Alfred Music
Concert Band (Score) - Grade 4 SKU: HL.4003893 Composed by James Curnow. ...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.4003893
Composed
by James Curnow.
MusicWorks Grade 4.
Concert. 32 pages.
Published by Hal Leonard
(HL.4003893).
UPC:
888680010225. 9x12
inches.
A powerful
work for the symphonic
band, Ode to the
Spirit of Man is
based on thematic
material taken from the
fourth movement of
Beethoven's Symphony
No. 9 and developed
into a fantasy of
kaleidoscopic nature. The
opening is a joyful
expression of the spirit
of freedom and is based
on the composer's own
themes derived from
Beethoven's music.
Throughout the work,
various themes from the
symphony are interwoven,
including Alla Marcia,
Scherzo, Andante
maestoso and finally
the uplifting Ode to
Joy. Duration:
5:15.
Joyful Rock Orchestre d'harmonie - Débutant Alfred Publishing
Arranged by Scott Watson. Concert Band. Concert Band; SmartMusic. Alfred Debut S...(+)
Arranged by Scott Watson.
Concert Band. Concert
Band; SmartMusic. Alfred
Debut Series. Grade 1.
Conductor Score and
Parts. 118 pages.
Duration 2:30:00.
Published by Alfred Music
Publishing
First Concert Folio Orchestre d'harmonie [Partition + CD] - Débutant Carl Fischer
Pieces for Grade 1 Bands - Full Score with Piano Reduction and CD. By Andrew Bal...(+)
Pieces for Grade 1 Bands
- Full Score with Piano
Reduction and CD. By
Andrew Balent, Johann
A.P. Schulz, James
Pierpont. Edited by
Andrew Balent, Joseph
Compello. Arranged by
Andrew Balent; Joseph
Compello. For Flute,
Oboe, Clarinet, Alto
Saxophone, Bass Clarinet,
Euphonium, Tenor
Saxophone, Trumpet, Horn,
Tenor, Bassoon, Tuba,
Percussion. Sounds
Spectacular. Score and
Audio CD. 76 pages.
Published by Carl
Fischer.
Composed by Ludwing van Beethoven. Arranged by Naoya Wada. Concert Band Seri...(+)
Composed by Ludwing van
Beethoven. Arranged by
Naoya
Wada. Concert Band
Series.
Composed 2020. Duration 2
minutes, 45 seconds.
Published by C.L.
Barnhouse
Joyful Variants Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4883-01 Based on Themes of Beethoven. Composed...(+)
Grade 3
SKU:
CL.012-4883-01
Based on Themes of
Beethoven. Composed
by Ludwig van Beethoven.
Arranged by Wada. Concert
Band. Extra full score.
Composed 2020. Opus III
Wind Orchestra
Publications
#012-4883-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4883-01).
Celebrate and
praise this legendary
composer! Joyful Variants
is a powerful setting
using the famous theme of
Ode to Joy from the ninth
symphony of Ludwig van
Beethoven. This joyous
work includes quotations
of melodies from other
Beethoven works, cleverly
hidden. Find them all,
then you will be a
Beethoven master! An
excellent choice for
concert opener or encore
piece. Brilliant and
exciting music!
A Caribbean Sailing Trip Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3.5 SKU: BT.DHP-1216331-215 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3.5
SKU:
BT.DHP-1216331-215
Composed by Peter Kleine
Schaars. Peter's Compact
Collection. Original
Light Music. Score Only.
Composed 2021. 18 pages.
De Haske Publications
#DHP 1216331-215.
Published by De Haske
Publications
(BT.DHP-1216331-215).
English-German-French-
Dutch.
With this
composition in a rumba
style, Peter Kleine
Schaars invites us to
enjoy a relaxed sailing
trip in the waters of the
Caribbean. The feeling of
freedom on the boat is
mirrored by an extensive
melody surrounded by a
palette of colourful
harmonies the shades of
the water while the
clever percussion sets
the course of the ship.
Who wouldn’t dream
of such an adventure?
Although the musical
themes and accompaniments
have been constructed
from combinations of
rhythmic cells that occur
less often, the
composition sounds very
natural and flowing.
Assuming the rhythmic
cells 1 to 8 are part of
the basic skills of your
band, in this
composition, the accent
rather lies on cells 9 to
13. The instrumentation
is created in such a way
that these ‘new
cells’ occur in
all parts, so that all
musicians of the band
become familiar with this
rhythmic development.
Met deze
compositie in rumbastijl
neemt Peter Kleine
Schaars ons voor een
relaxte zeiltocht mee
naar de Caribische
wateren. Het vrije gevoel
op de boot wordt
weerspiegeld door een
uitgestrekte melodie te
midden van een palet van
kleurrijke harmonieën
de schakeringen van het
water terwijl de
uitgekiende percussie de
rechte koers van het
schip bepaalt. Wie droomt
er nou niet van
zo’n avontuur?
Hoewel de muzikale
thema’s en
begeleidingen zijn
opgebouwd uit combinaties
van enkele minder vaak
voorkomende ritmische
cellen, klinkt de
compositie heel
natuurlijk en vloeiend.
Ervan uitgaande dat de
ritmische cellen 1 tot en
met 8 tot de
basisvaardigheden van uw
orkest behoren, ligt in
deze compositie de nadruk
vooral op de cellen 9 tot
en met 13. De
instrumentatie is
dusdanig dat deze
‘nieuwe
cellen’ voorkomen
in alle partijen, zodat
alle musici van het
orkest vertrouwd raken
met deze ritmische
ontwikkeling.
Mit
dieser Komposition im
Rumba-Stil lädt uns
Peter Kleine Schaars zu
einem entspannten
Segeltörn in der
Karibik ein. Das
Gefühl der Freiheit an
Bord spiegelt sich in
einer ausgedehnten
Melodie wider, die von
einer Reihe farbiger
Harmonien den Bewegungen
des Wassers umrahmt wird,
während das Schlagzeug
geschickt den Kurs des
Schiffes hält. Wer
träumt nicht von einem
solchen Abenteuer? Obwohl
die musikalischen Themen
und die Begleitung aus
einer Kombination
verschiedener
Rhythmus-Einheiten
bestehen, die nur
vereinzelt vorkommen,
klingt die Komposition
sehr natürlich und
fließend. Da die
Rhythmus-Einheiten 1 bis
8 sicher zu den
Grundfertigkeiten Ihres
Ensembles gehören,
liegt der Schwerpunkt
dieser Komposition eher
auf den
Rhythmus-Einheiten 9 bis
13. Die Instrumentierung
ist so angelegt, dass
diese neuen
Rhythmus-Einheiten“
in allen
Stimmenvorkommen, sodass
alle Orchestermitglieder
mit diesen Rhythmen
vertraut gemacht werden.
For
Alto Saxophone and
Concert Band.
Composed by Piet Swerts.
De Haske Concert Band.
Solo & Concerto. Score
Only. Composed 2005. De
Haske Publications
#1053826. Published by De
Haske Publications
(HL.44005579).
UPC:
884088058272.
English-German-French-Dut
ch.
Dance of Uzume
is a concertino that is
based on a Japanese myth:
out of anger toward her
brother Susanowa, the
storm god, the sun
goddess Amaterasu hides
in a cave. The goddess of
joy, Uzume, succeeds in
luring the sun goddess
out of the cave by
dancing wildly. The joy
and laughter of the other
gods as they watch Uzume
arouses Amaterasu's
curiosity and with her
appearance, the light on
earth returns. This
fantastic new original
work will make a much
needed addition to the
advanced repertoire for
saxophone and concert
band. A version for
saxophone and piano is
also
available.
Piet
Swerts componeerde
Dance of Uzume op
verzoek van de Japanse
topsaxofonist Nobuya
Sugawa. Het werk is
gebaseerd op een Japanse
mythe: uit woede op haar
broer Susanowa, de god
van de storm, verschuilt
de zonnegodin
Amaterasuzich in een
grot. De vreugdegodin
Uzume weet de godin van
de zon echter met een
wilde dans uit de grot te
lokken. Het gelach van de
andere goden wekt
namelijk de
nieuwsgierigheid van
Amaterasu en met haar
verschijning komt
hetlicht terug op aarde.
Dit verhaal wordt in de
muziek meesterlijk
weerspiegeld.
Dies
es Concertino fur
Altsaxophon und
Blasorchester basiert auf
einer japanischen Sage:
Aus Arger uber ihren
Bruder Susanowa, den Gott
des Sturms, versteckt
sich die Sonnengottin
Amaterasu in einer Hohle
und kann erst durch den
Tanz von Uzume, der
Gottin der Freude, wieder
hervorgelockt werden. Mit
ihr kehrt auch das Licht
wieder auf die Erde
zuruck. Piet Swerts'
anspruchsvolles und
abwechslungsreiches Werk
besteht aus einem
konzertanten Dialog
zwischen dem Solisten und
dem Orchester. Lebhafte
und lyrische Themen, ein
sehr melodischer
Mittelteil, Blues und
Marsch ahnliche Motive
sowie ostliche Anklange
sind eine lohnende
Herausforderung fur
Saxophonisten und bieten
vielAbwechslung fur das
gesamte Blasorchester.
Dance of Uzume
(La danse d'Uzume) est un
dialogue virtuose et
lyrique entre le soliste
et l'accompagnement. La
trame se developpe sur un
tempo unique et rapide.
Ce concertino raconte un
episode de la mythologie
japonaise. Ulceree par
les mefaits de son frere
Susanowo, dieu du vent et
des tempetes, Amaterasu,
deesse du Soleil, se
confine dans une caverne,
privant le monde de sa
lumiere. Ne supportant
plus l'obscurite, les
autres dieux se
reunissent devant
l'entree de la caverne
pour trouver un moyen de
la faire sortir. Uzume,
la deesse de la gaiete,
se met alors a danser
frenetiquement.
Intriguee, Amaterasu
parait enfin et le monde
retrouve la lumiere du
soleil.
Dance of
Uzume e un dialogo
virtuoso e lirico tra il
solista e
l'accompagnamento. La
trama si sviluppa su un
tempo unico e rapido.
Questo concertino narra
un episodio della
mitologia giapponese.
Devastata dai misfatti di
suo fratello Susanowo,
Dio del vento e delle
tempeste, Amaterasu, Dea
del Sole, si rifugia in
una caverna, privando il
mondo della luce. Non
sopportando piu
l'oscurita, gli altri Dei
si riuniscono davanti
all'entrata della caverna
per trovare un mezzo per
farla uscire. Uzume, la
Dea della gioia, inizia
una danza frenetica.
Intrigata, Amaterasu
appare all'entrata e il
mondo ritrova la luce del
sole.
Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
16+4+8+16+16+4+4+4+4+4+4+
8+8+8+4+4+6+6+6+8+2+2+2+6
+12+24+4 pages. Duration
3 minutes, 55 seconds.
Carl Fischer Music
#CPS226. Published by
Carl Fischer Music
(CF.CPS226).
ISBN
9781491152522. UPC:
680160910021.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 24
pages. Carl Fischer Music
#CPS226F. Published by
Carl Fischer Music
(CF.CPS226F).
ISBN
9781491153208. UPC:
680160910700.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Theme from 9th
Symphony, Mvt. 4.
Arranged by Stanton.
Concert Band.
Build-A-Band. Score and
set of parts. Composed
2020. Duration 2 minutes,
48 seconds. C.L.
Barnhouse #026-4894-00.
Published by C.L.
Barnhouse
(CL.026-4894-00).
Your band will
sound BIG on this setting
of Ode To Joy scored
especially for bands with
limited or unbalanced
instrumentation. As
conductor, you get to
create a unique band
sound using the strengths
of your instrumentation
and following the
suggested flexible
interplay between
sections. All players
will appreciate that they
get to share the melodic
spotlight. Optional parts
for guitar, piano, bass
and percussion can be
utilized to fill in the
band using the
Build-A-Band format. This
flexible system of
scoring really works! A
good choice for a massed
band of elementary,
middle and high school
musicians. First
class!
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1063946-140 Composed by Itaru...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1063946-140
Composed by Itaru Sakai.
Inspiration Series. Score
Only. Composed 2006. 60
pages. De Haske
Publications #DHP
1063946-140. Published by
De Haske Publications
(BT.DHP-1063946-140).
9x12 inches.
English-German-French-Dut
ch.
The Hida High
School is in a highland
city called Takayama in
Gifu Prefecture. Takayama
City has some of the
highest mountains in
Japan, atmospheric rows
of houses and streets,
and a beautiful
landscape. The
magnificent views from
these mountains can be
described as a paradise
above the clouds. When
the composer visited
there in the summer of
2001, the lovely flowers
spreading through the
valley and the refreshing
air welcomed him. The
flowers looked as if they
were fashionably dressed
and fully enjoying
conversation and a short
summer at a reunion
party. The composer was
inspired by this scenery
to compose this piece.
The musical party opens
with happy greetings of a
reunion andjoyful themes
follow one after another.
A light xylophone solo, a
waltz and an adagio
featuring alternate solos
by alto saxophone,
euphonium and trumpet
lead to a brilliant
finale featuring brass
and percussion played in
irregular time. A
beautiful musical picture
that your band will enjoy
performing for many
years.
Takayama
is een hooggelegen stad
in de Gifu-prefectuur
(Japan). Het oostelijke
stadsdeel Tatamidaira
ligt tussen schitterende
bergen die behoren tot de
noordelijke Japanse
Alpen. Toen de componist
in de zomer deze plaats
bezocht,werd hij ge
nspireerd tot het
schrijven van Alpine
Flowers’
Party! Het muzikale
festijn begint met
opgewekte klanken, waarna
meer vrolijke scènes
elkaar opvolgen. Een
xylofoonsolo, een wals en
een adagio met wisselende
solo’svoor
altsaxofoon, euphonium en
trompet leiden naar een
briljante finale met veel
maatwisselingen, waarin
het koper en het slagwerk
de leiding nemen op weg
naar een spetterend
slot.
Als Itaru
Sakai im Sommer 2001 die
reizvolle Region um den
Berg Tatamidaira in Japan
besuchte, wurde er von
einem Meer von Blumen
empfangen. Sie sahen aus,
als würden sie in
festlichem Aufzug eine
unterhaltsame Party
feiern und den kurzen
Sommer genießen. Diese
Szenerie inspirierte den
Komponisten zu Alpine
Flowers’
Party! Die
musikalische Party
beginnt mit einer
herzlichen
Begrüßung, dann
folgt ein fröhlicher
Programmpunkt dem
anderen. Ein spritziges
Xylophonsolo, ein Walzer
und ein Adagio mit
abwechselnden Soli für
Altsaxophon, Euphonium
und Trompete führen zu
einem brillanten Finale,
in dem Blechbläser und
Schlagzeug im Vordergrund
stehen. Feiern Sie
mit!
Soggiornando nel
cuore della splendida
catena montuosa delle
Alpi giapponesi, Itaru
Sakai è sorpreso del
dolce profumo e dai
colori dei fiori. Si
lascia ispirare dalla
bellezza armoniosa che si
rivela ai suoi occhi. Ha
inizio il delizioso
festival dei fiori
alpini. La conversazione
è animata. Un assolo
di xilofono apporta un
tocco di leggerezza, un
valzer fa piroettare lo
sviluppo del tema, ed in
seguito un adagio snoda i
soli e accompagna il
brano verso un finale
brillante.
Alpine Flowers' Party! Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1063946-010 Composed by Itaru...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1063946-010
Composed by Itaru Sakai.
Inspiration Series. Set
(Score & Parts). Composed
2006. De Haske
Publications #DHP
1063946-010. Published by
De Haske Publications
(BT.DHP-1063946-010).
9x12 inches.
English-German-French-Dut
ch.
The Hida High
School is in a highland
city called Takayama in
Gifu Prefecture. Takayama
City has some of the
highest mountains in
Japan, atmospheric rows
of houses and streets,
and a beautiful
landscape. The
magnificent views from
these mountains can be
described as a paradise
above the clouds. When
the composer visited
there in the summer of
2001, the lovely flowers
spreading through the
valley and the refreshing
air welcomed him. The
flowers looked as if they
were fashionably dressed
and fully enjoying
conversation and a short
summer at a reunion
party. The composer was
inspired by this scenery
to compose this piece.
The musical party opens
with happy greetings of a
reunion andjoyful themes
follow one after another.
A light xylophone solo, a
waltz and an adagio
featuring alternate solos
by alto saxophone,
euphonium and trumpet
lead to a brilliant
finale featuring brass
and percussion played in
irregular time. A
beautiful musical picture
that your band will enjoy
performing for many
years.
Takayama
is een hooggelegen stad
in de Gifu-prefectuur
(Japan). Het oostelijke
stadsdeel Tatamidaira
ligt tussen schitterende
bergen die behoren tot de
noordelijke Japanse
Alpen. Toen de componist
in de zomer deze plaats
bezocht,werd hij ge
nspireerd tot het
schrijven van Alpine
Flowers’
Party! Het muzikale
festijn begint met
opgewekte klanken, waarna
meer vrolijke scènes
elkaar opvolgen. Een
xylofoonsolo, een wals en
een adagio met wisselende
solo’svoor
altsaxofoon, euphonium en
trompet leiden naar een
briljante finale met veel
maatwisselingen, waarin
het koper en het slagwerk
de leiding nemen op weg
naar een spetterend
slot.
Als Itaru
Sakai im Sommer 2001 die
reizvolle Region um den
Berg Tatamidaira in Japan
besuchte, wurde er von
einem Meer von Blumen
empfangen. Sie sahen aus,
als würden sie in
festlichem Aufzug eine
unterhaltsame Party
feiern und den kurzen
Sommer genießen. Diese
Szenerie inspirierte den
Komponisten zu Alpine
Flowers’
Party! Die
musikalische Party
beginnt mit einer
herzlichen
Begrüßung, dann
folgt ein fröhlicher
Programmpunkt dem
anderen. Ein spritziges
Xylophonsolo, ein Walzer
und ein Adagio mit
abwechselnden Soli für
Altsaxophon, Euphonium
und Trompete führen zu
einem brillanten Finale,
in dem Blechbläser und
Schlagzeug im Vordergrund
stehen. Feiern Sie
mit!
Soggiornando nel
cuore della splendida
catena montuosa delle
Alpi giapponesi, Itaru
Sakai è sorpreso del
dolce profumo e dai
colori dei fiori. Si
lascia ispirare dalla
bellezza armoniosa che si
rivela ai suoi occhi. Ha
inizio il delizioso
festival dei fiori
alpini. La conversazione
è animata. Un assolo
di xilofono apporta un
tocco di leggerezza, un
valzer fa piroettare lo
sviluppo del tema, ed in
seguito un adagio snoda i
soli e accompagna il
brano verso un finale
brillante.
Canzona Di Bacco Orchestre d'harmonie - Intermédiaire Beriato Music
Concert Band (SCORE) - Grade 4.5 SKU: HL.4007849 Composed by Oliver Waesp...(+)
Concert Band (SCORE) -
Grade 4.5
SKU:
HL.4007849
Composed
by Oliver Waespi. Beriato
Music Concert Band Set.
Concert. Softcover.
Duration 675 seconds.
Beriato Music #033673.
Published by Beriato
Music (HL.4007849).
UPC:
196288105480.
This
piece comprises a series
of variations on the
melody of “Ami,
dans cette vieâ€
(“Friend, in this
lifeâ€), an 18th
century French song. Like
the famous poem
“Canzona de
Bacco†by Lorenzo
de' Medici, this song
invites the listener to
enjoy life, friendships,
love and wine while there
is still time to do so.
The epicurean nature of
this text contrasts with
a deeply melancholic
melody, a contradiction
which is explored in the
present work. After a
somewhat turbulent first
part, the original melody
is revealed in a serene
and pensive middle
section which highlights
several soloists. In the
last movement, the
atmosphere is transformed
to become increasingly
exuberant, like a Bacchus
incantation. The piece
concludes with a final
dazzling statement of the
original theme. Canzona
di Bacco was commissioned
by the Vesoul Municipal
Wind Band, who premiered
the work on 24 June 2022
at the Edwige
Feuillère Theatre in
Vesoul (France), under
the direction of Mathieu
Anguenot.
Canzona Di Bacco Orchestre d'harmonie - Intermédiaire Beriato Music
Concert Band (SCORE+PARTS) - Grade 4.5 SKU: HL.4007848 Composed by Oliver...(+)
Concert Band
(SCORE+PARTS) - Grade 4.5
SKU: HL.4007848
Composed by Oliver
Waespi. Beriato Music
Concert Band Set.
Concert. Softcover.
Duration 675 seconds.
Beriato Music #033673.
Published by Beriato
Music (HL.4007848).
UPC: 196288105473.
9.0x12.0
inches.
This piece
comprises a series of
variations on the melody
of “Ami, dans cette
vieâ€
(“Friend, in this
lifeâ€), an 18th
century French song. Like
the famous poem
“Canzona de
Bacco†by Lorenzo
de' Medici, this song
invites the listener to
enjoy life, friendships,
love and wine while there
is still time to do so.
The epicurean nature of
this text contrasts with
a deeply melancholic
melody, a contradiction
which is explored in the
present work. After a
somewhat turbulent first
part, the original melody
is revealed in a serene
and pensive middle
section which highlights
several soloists. In the
last movement, the
atmosphere is transformed
to become increasingly
exuberant, like a Bacchus
incantation. The piece
concludes with a final
dazzling statement of the
original theme. Canzona
di Bacco was commissioned
by the Vesoul Municipal
Wind Band, who premiered
the work on 24 June 2022
at the Edwige
Feuillère Theatre in
Vesoul (France), under
the direction of Mathieu
Anguenot.
A Farewell to Arms Orchestre d'harmonie - Intermédiaire Molenaar Edition
Concert Band - Grade 5 SKU: ML.013656080 Composed by Harrie Janssen. Full...(+)
Concert Band - Grade 5
SKU: ML.013656080
Composed by Harrie
Janssen. Full set.
Molenaar Edition
#013656080. Published by
Molenaar Edition
(ML.013656080).
A thrilling and
joyous spectacle! That's
the best way to describe
A Farewell to Arms. The
chorale Mach mit mir,
Gott, nach deiner Gut,
BWV 377, inspired a
magnificent piece of
music in which all the
instrumental sections of
the orchestra shine. The
composer uses traditional
techniques such as the
fugato and the chorale.
With lots of percussion
and epic themes, this
masterpiece is a perfect
opening
number.
Een
spannend en vrolijk
spektakel! Dat is de
beste manier om A
Farewell to Arms te
beschrijven. Het koraal
Mach mit mir, Gott, nach
deiner Gut, BWV 377,
inspireerde tot een
prachtig stuk muziek
waarin alle instrumentale
secties van het orkest
schitteren. De componist
gebruikt traditionele
technieken zoals het
fugato en het koraal. Met
veel percussie en epische
thema's is dit
meesterwerk een perfect
openingsnummer
Un
spectacle palpitant et
joyeux ! C'est la
meilleure façon de
décrire L'Adieu aux
armes. Le choral Mach mit
mir, Gott, nach deiner
Gut, BWV 377, a inspiré
un magnifique morceau de
musique dans lequel
toutes les sections
instrumentales de
l'orchestre brillent. Le
compositeur utilise des
techniques
traditionnelles telles
que le fugato et le
choral. Avec beaucoup de
percussions et des
thèmes épiques, ce
chef-d'oeuvre est une
oeuvre d'ouverture
parfaite.
Ein
spannendes und freudiges
Spektakel! So lässt sich
A Farewell to Arms am
besten beschreiben. Der
Choral Mach mit mir,
Gott, nach deinem Gut,
BWV 377, inspirierte ein
großartiges Stück
Musik, in dem alle
Instrumentalgruppen des
Orchesters brillieren.
Der Komponist verwendet
traditionelle Techniken
wie das Fugato und den
Choral. Mit viel
Schlagwerk und epischen
Themen ist dieses
Meisterwerk eine perfekte
Eröffnungsnummer.
Joyful Variations Orchestre d'harmonie [Conducteur] - Intermédiaire Alfred Publishing
Concert Band - Grade 3.5 SKU: AP.37838S Based on Beethoven's Ode to Jo...(+)
Concert Band - Grade 3.5
SKU: AP.37838S
Based on Beethoven's
Ode to Joy. Composed
by Brian Beck. Concert
Band; MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Alfred Concert Band.
Form: Variations. Score.
28 pages. Alfred Music
#00-37838S. Published by
Alfred Music (AP.37838S).
UPC: 038081433295.
English.
The
grandeur and beauty of
Joyful Variations takes
the listener on a journey
through one of the most
famous melodies ever
written---Beethoven's
theme from Symphony No.
9. Noble fanfares open
and close these
variations, set in
ternary form, while
sweeping renditions of
the theme provide color
and lyricism in a
contrasting Adagio
section. An excellent
piece to open or close
any concert! This title
is available in MakeMusic
Cloud.
Rosen aus dem Suden Orchestre d'harmonie [Conducteur] - Intermédiaire Baton Music
By Johann Strauss, Jr. (1825-1899). Arranged by Roger Niese. For concert band. B...(+)
By Johann Strauss, Jr.
(1825-1899). Arranged by
Roger Niese. For concert
band. Baton Music
Orchestral Series.
Walzer. Grade 3. Full
score and parts. Duration
10:00. Published by Baton
Music
Composed by Wilco
Moerman. Set (Score &
Parts). 48 pages. Gobelin
Music Publications #GOB
001140-010. Published by
Gobelin Music
Publications
(BT.GOB-001140-010).
In Theme Park
Fun! your orchestra pays
a visit to an amusement
park. During your visit,
you will experience some
spectacular rides and
attractions this theme
park offers. The
uniqueness of Theme Park
Fun! is the interplay
between music and(moving)
images. Animations and
illustrations support the
visual
composition.
Pa
rt 1: The Entrance &
Parade [with
animation] The
opening of the park is a
fact. A day full of fun
and pleasure awaits! You
and the other visitors
willbe confronted with
all the rides,
attractions and
adventures the theme park
has to offer. Which ride
shall we do first?! There
is so much to do and
experience on this day in
the park! A parade of
colorful floats and park
figures is passing
by. Letthe fun
begin!
Part 2:
The Haunted House [with
animation] The
only ride in the park
that is not related to
fun, is the Haunted
House. Here visitors will
be challenged to visit a
house full of ghosts,
creepy figures and
otherominous things. The
clock strikes twelve,
there is no turning back.
Ghosts are whispering,
yelling, screaming...
Fortunately it is almost
one oclock, so we can
leave this creepy place
quickly.
Part
3: The Swinging Galleon
[withillustrations]What a huge pirate
ship! Each time you swing
back and forth, you will
feel that weird feeling
in your stomach. When you
are thrown completely
into the top you will
have a fantastic view
over the park, but you
can not enjoy itfor long.
Before you know the ship
swings back the other
way.
Part 4:
The Fairy Tale Ride [with
illustrations] Aft
er all those exciting and
spectacular rides and
attractions, it is time
for a peaceful tour in
The Fairy Tale
Ride.Surrounded by a
fairytale setting, you
will discover fable
figures, talking animals
and colorful designs.
Such a beauty and
tranquility. Having had
this experience, we are
ready again for the big
rides in the
park!
Part 5:
The Bumper Cars[with
illustrations] Now
its time to crawl behind
the wheel of the Bumper
Cars! Shall we all chase
the conductor?! Before
you know you are hit by
another visitor or you
will bump against someone
else. In this tough ride
you can prove yourselfas
a real driver, or perhaps
as a really bad
one.
Part 6:
The Roller Coaster [with
illustrations] The
largest, fastest and
scariest ride in the park
... we should definitely
do the Roller Coaster!
All together in the
train,
theover-the-shoulder
restraints are
lowering... be ready to
ride. The train leaves
the station and is
heading for the big lift
hill. It will be very
scary when the train
reaches the top and the
train will be plunged
down the first drop!
Loops,corkscrews and
other spectacular coaster
elements will follow...
Before you know it, the
ride of your life is
over. Shall we ride it
again?!
Part 7:
Leaving the Park [with
animation] Unfortu
nately everything comes
to an end. Thisday in the
theme park is over, but
we have a lot new
experiences to talk
about! The memories of
all the funny and
spectacular rides will
come up when we walk
through the park to the
exit. Just one look over
the shoulder, the
amusement park figuresare
waving at us. Hopefully
we will come back again
soon!
In
'Theme Park Fun!' bezoek
je met de hele
muziekvereniging een
pretpark. Tijdens het
bezoek word je op
muzikale wijze
geconfronteerd met een
aantal spectaculaire
attracties die het
pretpark rijk is. Het
unieke van 'Theme Park
Fun!'is het samenspel
tussen muziek en
beeld.
Deel 1:
'The Entrance & Parade'
[met
animatiefilm] De
opening van het pretpark
is een feit. De dag vol
plezier kan beginnen en
de bezoekers worden hier
geconfronteerdmet alle
attracties en avonturen
die ze in het pretpark
staan te wachten. In
welke attractie zullen we
als eerst stappen?! Er is
zoveel te doen en te
beleven deze dag in het
pretpark! Een parade met
parkfiguren en kleurrijke
praalwagenskomt voorbij,
de pret kan
beginnen!
Deel
2: 'The Haunted House'
[met
animatiefilm] De
enige attractie in het
pretpark die geen 'pret'
uitstraalt, is het
spookhuis. Hier worden de
bezoekers uitgedaagd om
zichte begeven in een
huis vol spoken, geesten
en andere onheilspellende
dingen. De klok slaat 12
keer, er is geen weg meer
terug. Gefluister...,
geschreeuw... Gelukkig
slaat de klok bijna 1 uur
en kunnen we deze ongure
plek snel
verlaten.
Deel3
: 'The Swinging Galleon'
[met
illustraties] Wat
een groot piratenschip!
Elke keer wanneer je heen
en weer schommelt, voel
je dat rare gevoel in je
buik. Wanneer je helemaal
in de top geslingerd
bentheb je een
fantastisch uitzicht over
het pretpark, maar je
kunt er niet lang van
genieten. Voor je het
weet zwaait het schip
weer de andere kant
op.
Deel 4:
'The Fairy Tale Ride'
[met
illustraties] Na
al die spannendeen
spectaculaire attracties
is het tijd voor een
rustig ritje in 'The
Fairy Tale Ride'. Omgeven
door een sprookjesachtige
omgeving waan je je
tussen elfjes, pratende
dieren en kleurrijke
decors. Wat een
schoonheid en rust,
hierna.
Composed by Wilco
Moerman. Score Only.
Gobelin Music
Publications #GOB
001140-140. Published by
Gobelin Music
Publications
(BT.GOB-001140-140).
In Theme Park
Fun! your orchestra pays
a visit to an amusement
park. During your visit,
you will experience some
spectacular rides and
attractions this theme
park offers. The
uniqueness of Theme Park
Fun! is the interplay
between music and(moving)
images. Animations and
illustrations support the
visual
composition.
Pa
rt 1: The Entrance &
Parade [with
animation] The
opening of the park is a
fact. A day full of fun
and pleasure awaits! You
and the other visitors
willbe confronted with
all the rides,
attractions and
adventures the theme park
has to offer. Which ride
shall we do first?! There
is so much to do and
experience on this day in
the park! A parade of
colorful floats and park
figures is passing
by. Letthe fun
begin!
Part 2:
The Haunted House [with
animation] The
only ride in the park
that is not related to
fun, is the Haunted
House. Here visitors will
be challenged to visit a
house full of ghosts,
creepy figures and
otherominous things. The
clock strikes twelve,
there is no turning back.
Ghosts are whispering,
yelling, screaming...
Fortunately it is almost
one oclock, so we can
leave this creepy place
quickly.
Part
3: The Swinging Galleon
[withillustrations]What a huge pirate
ship! Each time you swing
back and forth, you will
feel that weird feeling
in your stomach. When you
are thrown completely
into the top you will
have a fantastic view
over the park, but you
can not enjoy itfor long.
Before you know the ship
swings back the other
way.
Part 4:
The Fairy Tale Ride [with
illustrations] Aft
er all those exciting and
spectacular rides and
attractions, it is time
for a peaceful tour in
The Fairy Tale
Ride.Surrounded by a
fairytale setting, you
will discover fable
figures, talking animals
and colorful designs.
Such a beauty and
tranquility. Having had
this experience, we are
ready again for the big
rides in the
park!
Part 5:
The Bumper Cars[with
illustrations] Now
its time to crawl behind
the wheel of the Bumper
Cars! Shall we all chase
the conductor?! Before
you know you are hit by
another visitor or you
will bump against someone
else. In this tough ride
you can prove yourselfas
a real driver, or perhaps
as a really bad
one.
Part 6:
The Roller Coaster [with
illustrations] The
largest, fastest and
scariest ride in the park
... we should definitely
do the Roller Coaster!
All together in the
train,
theover-the-shoulder
restraints are
lowering... be ready to
ride. The train leaves
the station and is
heading for the big lift
hill. It will be very
scary when the train
reaches the top and the
train will be plunged
down the first drop!
Loops,corkscrews and
other spectacular coaster
elements will follow...
Before you know it, the
ride of your life is
over. Shall we ride it
again?!
Part 7:
Leaving the Park [with
animation] Unfortu
nately everything comes
to an end. Thisday in the
theme park is over, but
we have a lot new
experiences to talk
about! The memories of
all the funny and
spectacular rides will
come up when we walk
through the park to the
exit. Just one look over
the shoulder, the
amusement park figuresare
waving at us. Hopefully
we will come back again
soon!
In
'Theme Park Fun!' bezoek
je met de hele
muziekvereniging een
pretpark. Tijdens het
bezoek word je op
muzikale wijze
geconfronteerd met een
aantal spectaculaire
attracties die het
pretpark rijk is. Het
unieke van 'Theme Park
Fun!'is het samenspel
tussen muziek en beeld.
Deel 1: 'The
Entrance & Parade' [met
animatiefilm] De
opening van het pretpark
is een feit. De dag vol
plezier kan beginnen en
de bezoekers worden hier
geconfronteerdmet alle
attracties en avonturen
die ze in het pretpark
staan te wachten. In
welke attractie zullen we
als eerst stappen?! Er is
zoveel te doen en te
beleven deze dag in het
pretpark! Een parade met
parkfiguren en kleurrijke
praalwagenskomt voorbij,
de pret kan
beginnen!
Deel
2: 'The Haunted House'
[met
animatiefilm] De
enige attractie in het
pretpark die geen 'pret'
uitstraalt, is het
spookhuis. Hier worden de
bezoekers uitgedaagd om
zichte begeven in een
huis vol spoken, geesten
en andere onheilspellende
dingen. De klok slaat 12
keer, er is geen weg meer
terug. Gefluister...,
geschreeuw... Gelukkig
slaat de klok bijna 1 uur
en kunnen we deze ongure
plek snel
verlaten.
Deel3
: 'The Swinging Galleon'
[met
illustraties] Wat
een groot piratenschip!
Elke keer wanneer je heen
en weer schommelt, voel
je dat rare gevoel in je
buik. Wanneer je helemaal
in de top geslingerd
bentheb je een
fantastisch uitzicht over
het pretpark, maar je
kunt er niet lang van
genieten. Voor je het
weet zwaait het schip
weer de andere kant
op.
Deel 4:
'The Fairy Tale Ride'
[met
illustraties] Na
al die spannendeen
spectaculaire attracties
is het tijd voor een
rustig ritje in 'The
Fairy Tale Ride'. Omgeven
door een sprookjesachtige
omgeving waan je je
tussen elfjes, pratende
dieren en kleurrijke
decors. Wat een
schoonheid en rust,
hierna.
From the HBO Series. Composed by Ramin Djawadi. Arranged by Michael Kamuf. Con...(+)
From the HBO Series.
Composed
by Ramin Djawadi.
Arranged by
Michael Kamuf. Concert
Band;
Performance Music
Ensemble;
Single Titles. Pop Young
Band. Pop; TV. Score and
Parts. 252 pages.
Duration
1:45. Alfred Music
#00-47408.
Published by Alfred Music
From the HBO Series. Composed by Ramin Djawadi. Arranged by Michael Kamuf. C...(+)
From the HBO Series.
Composed
by Ramin Djawadi.
Arranged by
Michael Kamuf. Concert
Band;
Performance Music
Ensemble;
Single Titles. Pop Young
Band. Pop; TV. Score. 24
pages. Duration 1:45.
Alfred
Music #00-47408S.
Published
by Alfred Music
(A Medley of Circus March Themes). Arranged by Douglas E. Wagner. Concert Band. ...(+)
(A Medley of Circus March
Themes). Arranged by
Douglas E. Wagner.
Concert Band. Concert
Band. Belwin Concert
Band. Form: March. Grade
3. Score only. 36 pages.
Published by Belwin Music
Band concert band - Grade 4.5 SKU: CF.SPS75 Composed by Brant Karrick. SW...(+)
Band concert band - Grade
4.5
SKU: CF.SPS75
Composed by Brant
Karrick. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
3+12+12+6+12+12+12+6+6+6+
6+6+6+9+9+9+6+6+9+9+9+9+6
+12+6+9+3+9+9+40 pages.
Duration 6 minutes, 44
seconds. Carl Fischer
Music #SPS75. Published
by Carl Fischer Music
(CF.SPS75).
ISBN
9781491147702. UPC:
680160905201. 9 x 12
inches. Key: F
major.
When Hearts
Tremble is an emotion
packed piece dedicated to
musician friends lost all
to soon. This beautiful
composition by Brant
Karrick reflects on the
fragility of human
existence, joyous
memories of loved ones
and their effect on
everyone around them, and
maintaining hope for what
the future will hold when
all feels lost. This tour
de force piece perfectly
displays Karrick's
polished compositional
craft with impeccable
scoring, beautiful
melodic writing, and
exceptional
orchestrational
color. While the
day-to-day grind of our
lives can be filled with
overwhelming obligations,
goals and commitments, it
is sometimes very easy to
forget just how precious
and fragile life is . It
is so easy to get caught
up in our own personal
feelings and worries that
we sometimes don’t
realize and appreciate
the many blessings we
have, especially
friendships . On
Wednesday, November 18,
2015 the Jefferson High
School Band in Jefferson,
Georgia lost two of its
members to a fatal car
accident . The victims
were brothers . Music was
a constant part of their
lives, and the boys were
talented percussionists
in the marching band . To
help with the grieving
process the school and
community commissioned
this piece to celebrate
the lives of William and
Alex Trimble .As a
father, I cannot imagine
losing a child, let alone
two, and beginning this
piece was very difficult
as I felt extreme
anguish, especially for
the parents . But it was
decided the piece should
primarily reflect the
enthusiasm, youthful
spirits and positive
influence these two young
men demonstrated as they
were deeply loved by
their band mates,
community and family .
There are four main
themes, each representing
the feelings and emotions
that are certain to occur
after a loss of loved
ones . The first theme is
a short, introductory
fanfare, strong and bold,
to stand for courage . A
second dance-like melody
features a liltingly
mixed meter to portray a
youthful and carefree
innocence . This soon
changes into a third more
song-like, and stately
theme intended to provide
encouragement as we move
forward through life .The
middle of the piece
includes a soft
transition as two snare
drummers give voice to
the boys, allowing them
to thank their friends
and assuring them that it
will be okay . This moves
directly into a slow
melody introduced by the
saxophones (Alex, the
younger brother was also
a saxophonist) and is a
time for reflection and
allows for feelings of
sadness at losing beloved
friends . However, a
second statement of the
same theme, now at full
volume with a strong
percussion cadence,
intends to lift the
spirits and allows all
friends to unite in
joyous celebration of
life . Both the
enthusiastic dance theme
and stately lyrical theme
return, now in different
keys, and work their way
toward the highly
energetic burst of
glorious sound in the
short and wild coda .
When Hearts Tremble was
written to celebrate the
joys of youth and life,
and should remind us that
our friends and loved
ones are precious, and we
should live each day to
bring more joy into the
world and into the lives
of others .
Theme from 9th
Symphony, Mvt. 4.
Composed by Ludwig van
Beethoven. Arranged by
Stanton. Concert Band.
Extra full score. C.L.
Barnhouse #026-4894-01.
Published by C.L.
Barnhouse
(CL.026-4894-01).
Your band will
sound BIG on this setting
of Ode To Joy scored
especially for bands with
limited or unbalanced
instrumentation. As
conductor, you get to
create a unique band
sound using the strengths
of your instrumentation
and following the
suggested flexible
interplay between
sections. All players
will appreciate that they
get to share the melodic
spotlight. Optional parts
for guitar, piano, bass
and percussion can be
utilized to fill in the
band using the
Build-A-Band format. This
flexible system of
scoring really works! A
good choice for a massed
band of elementary,
middle and high school
musicians. First
class!
By Ludwig van Beethoven (1770-1827). Arranged by Robert Sheldon. Concert Band. C...(+)
By Ludwig van Beethoven
(1770-1827). Arranged by
Robert Sheldon. Concert
Band. Concert Band;
Masterworks; Part(s);
Score. Sound Innovations
for Band. Classical;
Masterwork Arrangement;
Romantic. Grade 1. 130
pages. Published by
Alfred Music
Ode to Joy Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
Concert Band - Grade 1 SKU: AP.39603S Composed by Ludwig van Beethoven. A...(+)
Concert Band - Grade 1
SKU: AP.39603S
Composed by Ludwig van
Beethoven. Arranged by
Robert Sheldon. Concert
Band; Masterworks;
Performance Music
Ensemble; Single Titles.
Sound Innovations for
Concert Band. Classical;
Masterwork Arrangement;
Romantic. Score. 8 pages.
Alfred Music #00-39603S.
Published by Alfred Music
(AP.39603S).
UPC:
038081454603.
English.
The
musical setting of Ode to
Joy by Ludwig van
Beethoven in the final
movement of his Ninth
Symphony is one of the
best-known melodies of
all time. This young band
arrangement allows
first-year players to
experience a full band
setting of this important
theme. (1:30) Correlates
to Sound Innovations for
Concert Band Book 1,
Level 5.