(Soloist and Concert Band). Arranged by David Marlatt. Concert Band. Concert Band. Eighth Note Publications. Sacred; Spiritual. Grade 3. Conductor Score and Parts. 112 pages. Published by Eighth Note Publications

By Traditional. Arranged by David Marlatt. Traditional. For Concert Band. (Vocal Solo). Ontario Band Association Festival List. Level: Grade 2. Conductor Score and Parts. Duration 00:03:30. Published by Eighth Note Publications.

Band Bass Clarinet, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Marimba, Oboe, Percussion, Suspended Cymbal, Timpani, Triangle, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2 and more. - Grade 3

SKU: CF.CPS224

Composed by Carol Brittin Chambers. Concert Band (CPS). Set of Score and Parts. With Standard notation. 8+2+4+8+8+2+2+2+2+2+2+4+4 +4+2+2+3+3+3+4+1+1+1+1+3+ 12+2 pages. Duration 3 minutes, 11 seconds. Carl Fischer Music #CPS224. Published by Carl Fischer Music (CF.CPS224).

ISBN 9781491152508. UPC: 680160910007.

Rainb ow in the Clouds is based on an old traditional spiritual, possibly an African-American song from the 19th century, entitled God Put a Rainbow in the Clouds.  Composer Carol Brittin Chambers was inspired by poetic Maya Angelou to create of setting of this beautiful song. It is lush and beautiful throughout and will highlight the musicianship of your students.  This would serve as a welcome change of pace piece on your program for concert or contest.
Rainbow in the Clouds was commissioned by the Pflugerville Middle School Wind Ensemble in Pflugerville, Texas, directed by Shauna Satrom. The piece premiered in May 2017, in memory and celebration of Luis Ham, who was an Assistant Principal at Pflugerville Middle School.This piece is based on an old traditional spiritual, possibly an African-American song from the nineteenth century, entitled God Put a Rainbow in the Clouds. The first time I heard reference to this song was in a Maya Angelou video, in which she sings a portion of it: “When it looked like the sun wouldn’t shine anymore, Oh, God put a rainbow in the clouds.” In the video, Dr. Angelou honors those who have demonstrated kindness to her in the past, and she suggests that we all try to be a blessing to others. The Pflugerville community believed that Mr. Ham, with his positive outlook, was definitely a “rainbow in the clouds” for other people.The piece begins with a full ensemble introduction, followed by a woodwind treatment of the first verse with a fairly reserved tempo and straight eighth-note rhythm. When brass pick up the melody on the second phrase, we start to hear the song more like the original spiritual, with dotted-eighth, sixteenth rhythms. The middle section of the piece at m. 22 begins to move at a slightly quicker tempo, and the mood becomes lighter. This section becomes a call-and-response between a euphonium solo and upper woodwinds. The final section of the piece involves everyone playing together joyously and full, eventually winding down with two more solo statements in flute and euphonium.Note to the Conductor:Use this piece to introduce or reinforce the following musical concepts:Lyrical, expressive playing varied stylesSolo responsibilitiesKey changes, tempo changes.

Band Bass Clarinet, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Marimba, Oboe, Percussion, Suspended Cymbal, Timpani, Triangle, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2 and more. - Grade 3

SKU: CF.CPS224F

Composed by Carol Brittin Chambers. Concert Band (CPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #CPS224F. Published by Carl Fischer Music (CF.CPS224F).

ISBN 9781491153185. UPC: 680160910687.

Rainb ow in the Clouds is based on an old traditional spiritual, possibly an African-American song from the 19th century, entitled God Put a Rainbow in the Clouds.  Composer Carol Brittin Chambers was inspired by poetic Maya Angelou to create of setting of this beautiful song. It is lush and beautiful throughout and will highlight the musicianship of your students.  This would serve as a welcome change of pace piece on your program for concert or contest.
Rainbow in the Clouds was commissioned by the Pflugerville Middle School Wind Ensemble in Pflugerville, Texas, directed by Shauna Satrom. The piece premiered in May 2017, in memory and celebration of Luis Ham, who was an Assistant Principal at Pflugerville Middle School.This piece is based on an old traditional spiritual, possibly an African-American song from the nineteenth century, entitled God Put a Rainbow in the Clouds. The first time I heard reference to this song was in a Maya Angelou video, in which she sings a portion of it: “When it looked like the sun wouldn’t shine anymore, Oh, God put a rainbow in the clouds.” In the video, Dr. Angelou honors those who have demonstrated kindness to her in the past, and she suggests that we all try to be a blessing to others. The Pflugerville community believed that Mr. Ham, with his positive outlook, was definitely a “rainbow in the clouds” for other people.The piece begins with a full ensemble introduction, followed by a woodwind treatment of the first verse with a fairly reserved tempo and straight eighth-note rhythm. When brass pick up the melody on the second phrase, we start to hear the song more like the original spiritual, with dotted-eighth, sixteenth rhythms. The middle section of the piece at m. 22 begins to move at a slightly quicker tempo, and the mood becomes lighter. This section becomes a call-and-response between a euphonium solo and upper woodwinds. The final section of the piece involves everyone playing together joyously and full, eventually winding down with two more solo statements in flute and euphonium.Note to the Conductor:Use this piece to introduce or reinforce the following musical concepts:Lyrical, expressive playing varied stylesSolo responsibilitiesKey changes, tempo changes.

(Featuring the Trombone Section). By James Weldon Johnson. Arranged by Michael Story and Michael Story. Concert Band. Concert Band. Belwin Beginning Band. Spiritual. Grade 1. Conductor Score and Parts. 138 pages

By Traditional. Arranged by Jan Sedlak. Concert Band. Swiss import. Traditional; Spiritual. Level: Grade 3 . Score and parts. Published by Editions Marc Reift. (EMR 10540)

By Traditional. Arranged by Jan Sedlak. Concert Band. For SATB Chorus and Concert Band. Swiss import. Traditional; Spiritual. Level: Grade 3 . Score and parts. Published by Editions Marc Reift. (EMR 10543)

By Traditional. Arranged by Jan Sedlak. Concert Band. Swiss import. Traditional; Spiritual. Level: Grade 3+. Score and parts. Published by Editions Marc Reift. (EMR 10535)

By Traditional. Arranged by Gordon Macduff. Concert Band. For SATB Chorus and Concert Band. Swiss import. Traditional; Spiritual. Level: Grade 3+. Score and parts. Published by Editions Marc Reift. (EMR 10532)

By Traditional. Arranged by Jan Sedlak. Concert Band. Swiss import. Traditional; Spiritual. Level: Grade 3+. Score and parts. Published by Editions Marc Reift. (EMR 10535)

By Traditional. Arranged by Gordon Macduff. Concert Band. For Alphorn and Concert Band. Swiss import. Traditional; Spiritual. Level: Grade 3. Score and parts. Published by Editions Marc Reift. (EMR 10684)

By Traditional. Arranged by Gordon Macduff. Concert Band. Swiss import. Traditional; Spiritual. Level: Grade 3+. Score and parts. Published by Editions Marc Reift. (EMR 10632)

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Gong, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 2

SKU: CF.YPS214F

Composed by George Sweet. Young Band (YPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #YPS214F. Published by Carl Fischer Music (CF.YPS214F).

ISBN 9781491153017. UPC: 680160910519.

This new piece from composer George Sweet is a delightful combination of Scotland the Brave and Amazing Grace. Each tune on its own is wonderful, but in Sweet's setting, they are masterfully layered to reflect the composer's Scottish-American heritage. This presentation of a Scottish melody with Americana-inspired harmonies is a stunning example of compositional craft.
Bravery and Grace is a setting of the unofficial Scottish national anthem, Scotland the Brave. While the melody is taken from Scotland the Brave, the accompaniment and harmony both have a “Western Americana” feel, reminiscent of composers like Roy Harris and Aaron Copland.  This combination of a Scottish melody with American harmony is a reflection of the composer’s Scottish-American Heritage.The piece begins with a fragment of Scotland the Brave presented in a lush and reflective context. The main theme is performed in full by the upper voices at m. 9. The middle voices perform the material at m. 17, and the lower voices perform it again at m. 33. This results in a loud passage representing pipers at m. 46. The traditional spiritual Amazing Grace appears suddenly at m. 51 in a somewhat polytonal setting. This is, once again, reminiscent of practices of the aforementioned American composers.  After this lyrical presentation, a fragment of the main theme returns at m. 66. This is followed by a broad restatement of the theme at m. 70 and a brisk conclusion with a final flair of polytonality.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Gong, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 2

SKU: CF.YPS214

Composed by George Sweet. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6 +3+3+1+1+1+2+3+16+2 pages. Duration 2 minutes, 49 seconds. Carl Fischer Music #YPS214. Published by Carl Fischer Music (CF.YPS214).

ISBN 9781491152331. UPC: 680160909834. Key: Bb major.

This new piece from composer George Sweet is a delightful combination of Scotland the Brave and Amazing Grace. Each tune on its own is wonderful, but in Sweet's setting, they are masterfully layered to reflect the composer's Scottish-American heritage. This presentation of a Scottish melody with Americana-inspired harmonies is a stunning example of compositional craft.
Bravery and Grace is a setting of the unofficial Scottish national anthem, Scotland the Brave. While the melody is taken from Scotland the Brave, the accompaniment and harmony both have a “Western Americana” feel, reminiscent of composers like Roy Harris and Aaron Copland.  This combination of a Scottish melody with American harmony is a reflection of the composer’s Scottish-American Heritage.The piece begins with a fragment of Scotland the Brave presented in a lush and reflective context. The main theme is performed in full by the upper voices at m. 9. The middle voices perform the material at m. 17, and the lower voices perform it again at m. 33. This results in a loud passage representing pipers at m. 46. The traditional spiritual Amazing Grace appears suddenly at m. 51 in a somewhat polytonal setting. This is, once again, reminiscent of practices of the aforementioned American composers.  After this lyrical presentation, a fragment of the main theme returns at m. 66. This is followed by a broad restatement of the theme at m. 70 and a brisk conclusion with a final flair of polytonality.

By Ted Parson. Concert Band. Swiss import. Traditional / Spiritual. Grade 4. Score and parts

By Jerome Naulais. Concert Band. Swiss import. Traditional / Spiritual. Grade 4. Score and parts. Published by Editions Marc Reift

BandQuest Series Grade 3. By Adolphus Hailstork. For Concert Band. Score and full set of parts. American Composers Forum Concert Band. Set of parts. Size 9x12 inches. Published by American Composers Forum.

By Ted Parson. Concert Band. Swiss import. Traditional / Spiritual. Grade 4. Score and parts

By Traditional Spiritual. Arranged by Andrew Balent. For concert band. FJH Young Band. Score only. Full set (score and parts) also available: B1176. Grade 2. Score only. Composed 2003. Duration 2:09. Published by The FJH Music Company Inc

By Traditional Spiritual. Arranged by Andrew Balent. Young Band. FJH Young Band. Full set (score and parts). Score only also available: S. Concert Band. Level: Grade 2. Score and Set of Parts. Composed 2003. Published by The FJH Music Company Inc.

By Marcel Saurer. For 3 trombones and wind band (concert band). Swiss import. Traditional; Spiritual. Level: 3 . Score and parts. Published by Editions Marc Reift. (EMR 10528)

Arranged by Jerome Naulais. Concert Band. Swiss import. Traditional; Spiritual. Level: Grade 2. Score and parts. Published by Editions Marc Reift. (EMR 10702)

(BandQuest Series). By Adolphus Hailstork. For Concert Band (Score). BandQuest. 22 pages. Published by American Composers Forum

By Ted Parson. Concert Band. Swiss import. Traditional / Spiritual. Grade 4. Score and parts. Published by Editions Marc Reift

Arranged by Jerome Naulais. Concert Band. Swiss import. Traditional; Spiritual. Level: Grade 2. Score and parts. Published by Editions Marc Reift. (EMR 10702)

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor Full Score. Duration 6:00. Published by Manhattan Beach Music.

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 6:00. Published by Manhattan Beach Music.

Concert Band/Harmonie - Grade 3

SKU: BT.CMP-0017-95-010

Composed by Traditional. Arranged by William Himes. Concert Band. Hymns & Chorals. Set (Score & Parts). Composed 1995. Curnow Music #CMP 0017-95-010. Published by Curnow Music (BT.CMP-0017-95-010).

De alom bekende spiritual Joshua Fit the Battle of Jericho (and the walls came tumbling down…) vormde de basis voor dit swingende arrangement. Jericho: een traditional die door componist en arrangeur William Himes ineen aanstekelijk nieuw jasje is gestoken!

Concert Band/Harmonie - Grade 2.5

SKU: BT.AMP-045-141

Composed by Traditional. Arranged by Philip Sparke. Debut Series (Anglo). Gospel & Spiritual. Score Only. Composed 2003. Anglo Music Press #AMP 045-141. Published by Anglo Music Press (BT.AMP-045-141).

Philip Sparke has taken this traditional melody and produced an attractive arrangement for concert band. The piece is ideal for use in Christmas concerts and is guaranteed to get everyone’s toes tapping - players and audience alike.

Philip Sparke schuf eine gelungene Umsetzung der traditionellen Gospelmelodie Mary’s Boy Child für Blasorchester, die schon von vielen berühmten Künstlern und Gruppen, wie z.B. Jester Hairston, Harry Belafonte oder Boney M. interpretiert wurde. Jetzt kann sich auch Ihr Blasorchester in die Riege dieser berühmten Interpreten einreihen!

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 9:00. Published by Manhattan Beach Music.