Oriental Fantasy.
Composed by Albert
Ketèlbey. Arranged by
Tohru Takahashi. Great
Classics. Transcription.
Score Only. Composed
2013. 20 pages. Music
Sales #1883-12-140 MS.
Published by Music Sales
(BT.1883-12-140-MS).
9x12 inches.
English-German-French-Dut
ch.
A few
flavoursome introductory
bars carry the listener
off to a temple garden in
Manchuria in
North-eastern China.
Mysterious incantations
of the priests in the
temple and the scent of
incense set the scene,
while the melody tells of
two lovers. A Manchurian
wedding procession passes
by outside. In the street
the coolies are becoming
restless. Within the
temple, all is calm.
Again we hear the
incantations of the
priest before the
lovers’ theme is
heard in birdsong, with
short quotes from the
temple theme and coolie
theme to end the
piece.Vocal score
available separately:
1883-12-050 MS
De
sfeervolle inleidende
maten van dit werk nemen
de luisteraar mee naar
een tempelhof in
Mantsjoerije, in het
noordoosten van China.
Mysterieuze bezweringen
van de priesters in de
tempel en de geur van
wierook vormen het decor,
terwijl de melodie het
verhaal van twee
geliefden vertelt. Een
Mantsoerijse
bruiloftsstoet komt
buiten langs. Op straat
worden de koelies
onrustig. In de tempel
heerst een kalme sfeer.
Opnieuw horen we de
bezweringen van de
priesters voordat het
thema van de geliefden te
horen is in vogelzang,
met korte citaten uit het
tempel- en het
koeliethema ter
afsluiting van de
compositie.Vocal score
available separately:
1883-12-050
MS
Albert
Ketèlby entführt
schon in den ersten
Takten seines Werkes den
Zuhörer in einen
Tempelgarten in der
Mandschurei im Nordosten
Chinas. Geheimnisvolle
Beschwörungen der
Priester im Tempel, eine
vorüber ziehende
mandschurische
Hochzeitsprozession und
Unruhen unter den Kulis,
die von einem Tempelgong
beendet werden, kreieren
eine exotische Szenerie,
in der die Melodie die
Geschichte zweier
Liebender
erzählt.Chorstimmen
separat erhältlich:
1883-12-050
MS
Un’intro
duzione di alcune battute
ci accompagna nel
giardino di un tempio in
Manciuria, nel nord est
della Cina. I segreti dei
monaci e il profumo
penetrante
dell’incenso fanno
da sottofondo ad una
melodia che racconta di
due amanti.
All’esterno sfila
un corteo nuziale. Un
viaggio musicale in
questa, a noi poco
conosciuta, regione della
Cina.Vocal score
available separately:
1883-12-050 MS.
Easter Fantasy.
Composed by Michael
Bilkes. Musica Sacra.
Hymns & Chorals. Set
(Score & Parts). Composed
2005. De Haske
Publications #DHP
1053796-010. Published by
De Haske Publications
(BT.DHP-1053796-010).
English-German-French-
Dutch.
Based on
traditional Easter chants
Fantasia di Pasqua is a
tremendous work to
feature four of your
players in a religiously
inspired work. Often this
work is performed in
church concerts or
religious situations and,
as such, the composer
suggests that the quartet
may be utilised
performing from two
‘galleries’.
This creates a wonderful
double-choir effect that
befits the
Renaissance-like style of
such great composers as
Gabrieli. A truly
inspired work to bring a
touch of Renaissance
class to your
concerts.
In
Fantasia di Pasqua
speelt het (koper)kwartet
een cruciale rol. De
componist raadt aan dit
kwartet vanuit een
galerij te laten spelen:
de zo gecreëerde
dubbelkorigheid past bij
de enigszins
renaissancistische stijl
van hetwerk. De gebruikte
koraalmelodieën worden
alle - veelal dansrijk -
door het kwartet
uitgevoerd in diverse
cadansen, die mede door
de dubbelkorigheid
resulteren in een
levendige en afwisselende
uitvoering. Het kwartet
hoeft nietper se te
bestaan uit twee
trompetten (cornetten) en
twee trombones, maar kan
naar believen worden
samengesteld.
In
seiner Fantasia di
Pasqua verwendete
Michael Bilkes
traditionelle
Osterlieder. Ein Quartett
spielt hier eine
entscheidende Rolle. Dies
kann ein Blech- und/oder
Holzbläserquartett
sein, möglich ist auch
ein Posaunenchor (der
Komponist gibt hierzu
Tipps). In Kirchen kommt
die Fantasie besonders
schön zur Geltung,
wenn das Quartett von der
Empore herab spielt. Der
so kreierte
Doppelchor-Effekt passt
ausgezeichnet zum
Renaissance ähnlichen
Stil und verspricht eine
sehr lebhafte und
abwechslungsreiche
Aufführung.
Fantasia di
Pasqua, basata su melodie
tradizionali, utilizza un
quartetto, che riveste un
ruolo fondamentale nello
sviluppo del brano. Sono
possibili varie
combinazioni, come ad
esempio un quartetto di
ottoni e/o legni, come
anche un coro di
tromboni). Fantasia di
Pasqua è scritta in
uno stile simile alla
musica rinascimentale,
una scelta che si spiega
con il fatto che la
maggior parte delle
melodie corali datano di
questo periodo. Queste
melodie danzanti,
interpretate dal
quartetto, segnano la
trama del brano. La
bellezza del doppio coro
conferisce al brano un
carattere variegato e
divertente.
Easter Fantasy.
Composed by Michael
Bilkes. Musica Sacra.
Hymns and Chorals. Score
Only. Composed 2005. 24
pages. De Haske
Publications #DHP
1053796-140. Published by
De Haske Publications
(BT.DHP-1053796-140).
English-German-French-
Dutch.
Based on
traditional Easter chants
Fantasia di Pasqua is a
tremendous work to
feature four of your
players in a religiously
inspired work. Often this
work is performed in
church concerts or
religious situations and,
as such, thecomposer
suggests that the quartet
may be utilised
performing from two
galleries_x001A_. This
creates a wonderful
double-choir effect that
befits the
Renaissance-like style of
such great composers as
Gabrieli. A truly
inspired work tobring a
touch of Renaissance
class to your
concerts.
In
Fantasia di Pasqua
speelt het (koper)kwartet
een cruciale rol. De
componist raadt aan dit
kwartet vanuit een
galerij te laten spelen:
de zo gecreëerde
dubbelkorigheid past bij
de enigszins
renaissancistische stijl
van hetwerk. De gebruikte
koraalmelodieën worden
alle - veelal dansrijk -
door het kwartet
uitgevoerd in diverse
cadansen, die mede door
de dubbelkorigheid
resulteren in een
levendige en afwisselende
uitvoering. Het kwartet
hoeft nietper se te
bestaan uit twee
trompetten (cornetten) en
twee trombones, maar kan
naar believen worden
samengesteld.
In
seiner Fantasia di
Pasqua verwendete
Michael Bilkes
traditionelle
Osterlieder. Ein Quartett
spielt hier eine
entscheidende Rolle. Dies
kann ein Blech- und/oder
Holzbläserquartett
sein, möglich ist auch
ein Posaunenchor (der
Komponist gibt hierzu
Tipps). In Kirchen kommt
die Fantasie besonders
schön zur Geltung,
wenn das Quartett von der
Empore herab spielt. Der
so kreierte
Doppelchor-Effekt passt
ausgezeichnet zum
Renaissance ähnlichen
Stil und verspricht eine
sehr lebhafte und
abwechslungsreiche
Aufführung.
Fantasia di
Pasqua, basata su melodie
tradizionali, utilizza un
quartetto, che riveste un
ruolo fondamentale nello
sviluppo del brano. Sono
possibili varie
combinazioni, come ad
esempio un quartetto di
ottoni e/o legni, come
anche un coro di
tromboni). Fantasia di
Pasqua è scritta in
uno stile simile alla
musica rinascimentale,
una scelta che si spiega
con il fatto che la
maggior parte delle
melodie corali datano di
questo periodo. Queste
melodie danzanti,
interpretate dal
quartetto, segnano la
trama del brano. La
bellezza del doppio coro
conferisce al brano un
carattere variegato e
divertente.
Continuum Orchestre d'harmonie - Intermédiaire/avancé Hal Leonard
Concert Band (Score) - Grade 4 SKU: HL.4003031 Composed by Robert Buckley...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.4003031
Composed
by Robert Buckley.
MusicWorks Grade 4.
Contest, Festival. Score.
40 pages. Published by
Hal Leonard (HL.4003031).
UPC: 884088546427.
9x12 inches.
This
exciting, innovative new
work from Robert Buckley
was commissioned by the
Troy University Symphony
Band in honor of the 37th
annual Southeastern
United States Concert
Band Clinic in Alabama.
Using a recurring
two-measure loop, this
uniquely constructed
piece is built up around
various musical building
blocks that are
constantly evolving and
transforming. The music
is dramatic and dynamic,
with full-blown ensemble
passages suddenly
dropping to quiet,
powerful moments without
ever losing the music's
continuous drive.
Following an exotic,
bluesy middle section the
piece builds,
accelerating to a
thrilling, rhythmic,
percussive finish. A real
tour de force! Duration:
7:00.
Concert Band SKU: BT.DHP-1053796-040 Easter Fantasy. Composed by M...(+)
Concert Band
SKU:
BT.DHP-1053796-040
Easter Fantasy.
Composed by Michael
Bilkes. Musica Sacra.
Hymns & Chorals. Set
(Score & Parts). Composed
2005. De Haske
Publications #DHP
1053796-040. Published by
De Haske Publications
(BT.DHP-1053796-040).
English-German-French-
Dutch.
Based on
traditional Easter chants
Fantasia di Pasqua is a
tremendous work to
feature four of your
players in a religiously
inspired work. Often this
work is performed in
church concerts or
religious situations and,
as such, the composer
suggests that the quartet
may be utilised
performing from two
‘galleries’.
This creates a wonderful
double-choir effect that
befits the
Renaissance-like style of
such great composers as
Gabrieli. A truly
inspired work to bring a
touch of Renaissance
class to your
concerts.
In
Fantasia di Pasqua
speelt het (koper)kwartet
een cruciale rol. De
componist raadt aan dit
kwartet vanuit een
galerij te laten spelen:
de zo gecreëerde
dubbelkorigheid past bij
de enigszins
renaissancistische stijl
van hetwerk. De gebruikte
koraalmelodieën worden
alle - veelal dansrijk -
door het kwartet
uitgevoerd in diverse
cadansen, die mede door
de dubbelkorigheid
resulteren in een
levendige en afwisselende
uitvoering. Het kwartet
hoeft nietper se te
bestaan uit twee
trompetten (cornetten) en
twee trombones, maar kan
naar believen worden
samengesteld.
In
seiner Fantasia di
Pasqua verwendete
Michael Bilkes
traditionelle
Osterlieder. Ein Quartett
spielt hier eine
entscheidende Rolle. Dies
kann ein Blech- und/oder
Holzbläserquartett
sein, möglich ist auch
ein Posaunenchor (der
Komponist gibt hierzu
Tipps). In Kirchen kommt
die Fantasie besonders
schön zur Geltung,
wenn das Quartett von der
Empore herab spielt. Der
so kreierte
Doppelchor-Effekt passt
ausgezeichnet zum
Renaissance ähnlichen
Stil und verspricht eine
sehr lebhafte und
abwechslungsreiche
Aufführung.
Kentish Dances Orchestre d'harmonie - Avancé Anglo Music
Concert Band - Grade 5 SKU: HL.44010964 Grade 5 - Score and Parts....(+)
Concert Band - Grade 5
SKU: HL.44010964
Grade 5 - Score and
Parts. Composed by
Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2008.
Duration 840 seconds.
Anglo Music Press
#AMP246. Published by
Anglo Music Press
(HL.44010964).
Ken
tish Dances was
commissioned by the
Bromley Youth Music Trust
for the Bromley Youth
Concert Band - Michael
Purton, conductor.
Bromley is in Kent, the
most southeasterly of all
the English counties.
Kent has a rich folk
history and, like many
parts of the country, its
own home-grown dance
tunes. What has become
known in England as
“country
dancing†became
popular during the
Elizabethan period
amongst the middle and
upper classes, who
preferred the style to
the more formal galliards
and pavans of the royal
court. This suite is
based on three dance
tunes that originated in
Kent; the first is a sort
of moto perpetuo based on
two lively 6/8 tunes,
“Dover
Castle†and
“The Fair Maid of
Wickham.†The
middle movement uses the
rather sombre
“Blackheath,â€
contrasting it with the
charming and apt
“Bromley
Bells.†The finale
uses the sprightly
“We Are All Right
at Canterbury and
Ramsgate Pier,â€
using the lilting
“Northdown
Waltz†as a lyrical
contrast.
Grade 5 - Score
Only. Composed by
Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2008.
Anglo Music Press
#AMP246. Published by
Anglo Music Press
(HL.44010965).
Kentish Dances
was commissioned by the
Bromley Youth Music Trust
for the Bromley Youth
Concert Band - Michael
Purton, conductor.
Bromley is in Kent, the
most southeasterly of all
the English counties.
Kent has a rich folk
history and, like many
parts of the country, its
own home-grown dance
tunes. What has become
known in England as
country dancing became
popular during the
Elizabethan period
amongst the middle and
upper classes, who
preferred the style to
the more formal galliards
and pavans of the royal
court. This suite is
based on three dance
tunes that originated in
Kent; the first is a sort
of moto perpetuo based on
two lively 6/8 tunes,
Dover Castle and The Fair
Maid of Wickham. The
middle movement uses the
rather sombre Blackheath,
contrasting it with the
charming and apt Bromley
Bells. The finale uses
the sprightly We Are All
Right at Canterbury and
Ramsgate Pier, using the
lilting Northdown Waltz
as a lyrical
contrast.
Diptych. Composed
by Jan Van der Roost.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2011. 36 pages.
De Haske Publications
#DHP 1115075-140.
Published by De Haske
Publications
(BT.DHP-1115075-140).
9x12 inches.
English-German-French-Dut
ch.
Diptyque
is the French word for
“diptych,â€
meaning a hinged two-part
image. The first section
of this two-part musical
painting has an Oriental
feel, with characteristic
pentatonic melody lines
and chords. The second
section is a cheerful
Saltarello dance that
brings out the subtleties
of the woodwind section.
A juxtaposition of
Eastern and Western
music, Diptyque
reminds listeners of the
power of music in
transcending all
cultural, religious and
political
boundaries.
Dip
tyque is het Franse
woord voor
‘diptychon’,
een ander woord voor
tweeluik. Het eerste deel
van dit muzikale beeld
heeft oriëntaalse
flair. Karakteristieke
pentatonische
melodielijnen en
akkoorden voeren de
boventoon. Hettweede deel
vormt qua stijl en
karakter een groot
contrast, het is een
levendige saltarello
waarin de kwaliteiten van
de houtblazers goed naar
voren komen. En de
muzikale boodschap? Deze
prachtige combinatie van
oosterse en
westersemuziek neemt alle
culturele, religieuze en
politieke grenzen
weg!
Diptyque
I> ist das
französische Wort
für
Diptychon“, ein
zweiteiliges Bild. Der
erste Teil dieses
zweiteiligen
musikalischen Bildes hat
ein orientalisches Flair
mit charakteristischen
pentatonischen
Melodielinien und
Akkorden. Im Kontrast
dazu ist der zweite Teil
ein heiterer
Saltarello-Tanz, der die
Finessen der
Holzbläser hervorhebt.
Die Botschaft dieser
Nebeneinanderstellung
östlicher und
westlicher Musik ist,
dass die Musik alle
kulturellen,
religiösen oder
politischen Grenzen
aufzuheben
vermag!
Diptyque è un
titolo perfetto per
questa composizione in
due parti. La prima, dal
carattere maestoso,
s’ispira ad
un’antica canzone
per bambini chiamata
Akkatobai, originaria
della citt giapponese di
Nagasaki. Il secondo
affresco offre un vivace
contrasto in termini di
stile e tempi. Gaio e
luminoso, esso riflette
l’isola di Kyushu
nel sud del Giappone. La
giustapposizione delle
due parti di questo
dittico vuole
rappresentare
l’intesa tra
oriente e occidente,
evocando al contempo
l’universalit
della musica.
Diptych. Composed
by Jan Van der Roost.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2011. De
Haske Publications #DHP
1115075-010. Published by
De Haske Publications
(BT.DHP-1115075-010).
9x12 inches.
English-German-French-Dut
ch.
Diptyque
is the French word for
“diptych,â€
meaning a hinged two-part
image. The first section
of this two-part musical
painting has an Oriental
feel, with characteristic
pentatonic melody lines
and chords. The second
section is a cheerful
Saltarello dance that
brings out the subtleties
of the woodwind section.
A juxtaposition of
Eastern and Western
music, Diptyque
reminds listeners of the
power of music in
transcending all
cultural, religious and
political
boundaries.
Dip
tyque is het Franse
woord voor
‘diptychon’,
een ander woord voor
tweeluik. Het eerste deel
van dit muzikale beeld
heeft oriëntaalse
flair. Karakteristieke
pentatonische
melodielijnen en
akkoorden voeren de
boventoon. Hettweede deel
vormt qua stijl en
karakter een groot
contrast, het is een
levendige saltarello
waarin de kwaliteiten van
de houtblazers goed naar
voren komen. En de
muzikale boodschap? Deze
prachtige combinatie van
oosterse en
westersemuziek neemt alle
culturele, religieuze en
politieke grenzen
weg!
Diptique
I> ist das
französische Wort
für
Diptychon“, ein
zweiteiliges Bild. Der
erste Teil dieses
zweiteiligen
musikalischen Bildes hat
ein orientalisches Flair
mit charakteristischen
pentatonischen
Melodielinien und
Akkorden. Im Kontrast
dazu ist der zweite Teil
ein heiterer
Saltarello-Tanz, der die
Finessen der
Holzbläser hervorhebt.
Die Botschaft dieser
Nebeneinanderstellung
östlicher und
westlicher Musik ist,
dass die Musik alle
kulturellen,
religiösen oder
politischen Grenzen
aufzuheben
vermag!
Diptyque è un
titolo perfetto per
questa composizione in
due parti. La prima, dal
carattere maestoso,
s’ispira ad
un’antica canzone
per bambini chiamata
Akkatobai, originaria
della citt giapponese di
Nagasaki. Il secondo
affresco offre un vivace
contrasto in termini di
stile e tempi. Gaio e
luminoso, esso riflette
l’isola di Kyushu
nel sud del Giappone. La
giustapposizione delle
due parti di questo
dittico vuole
rappresentare
l’intesa tra
oriente e occidente,
evocando al contempo
l’universalit
della musica.
Band Concert Band SKU: PR.115402080 For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.115402080
For
Wind Ensemble.
Composed by Chen Yi. Sws
score. Premiered by the
Bowling Green Wind
Symphony, conducted by
Prof. Bruce Moss, at the
31st Annual New Music
Festival on Oct. 23,
2010, at the Bowling
Green State University in
OH. Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2010.
8+8+8+8+8+8+4+4+4+8+8+4+4
+4+4+8+4+8+4+4+4+4+4+4+2+
2+2+56 pages. Duration 11
minutes. Theodore Presser
Company #115-40208.
Published by Theodore
Presser Company
(PR.115402080).
ISBN
9781491102244. UPC:
680160597376. 9 x 12
inches.
Commissione
d by and dedicated to the
Mid-American Conference
Band Directors
Association,Wind was
premiered by the Bowling
Green Wind Symphony. The
Chinese character
pronouncedfeng can mean
wind, or the winds and
can also mean view, folk
songs, style, and manner.
Chen Yi usesa Western
wind ensemble to sound
the Eastern feeling of
the winds in the work,
which consistsof two
movements: Introduction
and Rondo. Wind for
wind ensemble is
premiered by the Bowling
Green Wind Symphony,
conducted by Prof. Bruce
Moss, at the 31st Annual
New Music Festival on
Oct. 23, 2010, at the
Bowling Green State
University in OH.
 “Windâ€,
or “the
winds†means
“view, folk songs,
style and mannerâ€
in Chinese. I used a
western wind ensemble to
sound the eastern feeling
of the winds in my
piece. Wind consists
of two movements:
Introduction and
Rondo.—Chen
Yi.
Band Concert Band - Grade 2 SKU: CF.YPS186 Composed by Traditional. Arran...(+)
Band Concert Band - Grade
2
SKU: CF.YPS186
Composed by Traditional.
Arranged by Gene Milford.
SWS FS. Carl Fischer
Young Performance Series.
Set of Score and Parts.
With Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+4+6+3+2+4+12+20
pages. Duration 3
minutes, 50 seconds. Carl
Fischer Music #YPS186.
Published by Carl Fischer
Music (CF.YPS186).
ISBN 9781491147382.
UPC: 680160904884. 9 x 12
inches. Key: F
minor.
Journey of
the Magi is a fantastical
piece based on the
well-known Christmas
carol We Three Kings of
Orient Are. After an
introduction reflecting
the nobility and Eastern
origins of the travelers,
there are three
contrasting settings of
the carol's verse and two
of the chorus. The royal
caravan then fades in to
the distance as the three
Kings continue their
journey and search.
Composed by Traditional.
Arranged by Gene Milford.
SWS. Carl Fischer Young
Performance Series. Full
score. With Standard
notation. 20 pages.
Duration 3 minutes, 50
seconds. Carl Fischer
Music #YPS186F. Published
by Carl Fischer Music
(CF.YPS186F).
ISBN
9781491148082. UPC:
680160905584. 9 x 12
inches.
Journey of
the Magi is a fantastical
piece based on the
well-known Christmas
carol We Three Kings of
Orient Are. After an
introduction reflecting
the nobility and Eastern
origins of the travelers,
there are three
contrasting settings of
the carol's verse and two
of the chorus. The royal
caravan then fades in to
the distance as the three
Kings continue their
journey and search.
Dorian Haiku Orchestre d'harmonie - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.41921S Composed by Scott Watson. Concert...(+)
Concert Band - Grade 1.5
SKU: AP.41921S
Composed by Scott Watson.
Concert Band; Performance
Music Ensemble; Single
Titles. Challenger Band
Series. Multicultural.
Score. 8 pages. Alfred
Music #00-41921S.
Published by Alfred Music
(AP.41921S).
UPC:
038081471198.
English.
In Dorian
Haiku, two centuries-old
cultural artifacts---one
Western (the Dorian mode)
and one Eastern (Haiku
poetry)---are fused
together, resulting in an
engaging and beautiful
composition for
intermediate band. This
unique work offers many
wonderful opportunities
for teaching both musical
and cross-curricular
concepts.
Concert Band - Grade 5 SKU: HL.44010826 Grade 5 - Score and Parts....(+)
Concert Band - Grade 5
SKU: HL.44010826
Grade 5 - Score and
Parts. Composed by
Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2010.
Duration 960 seconds.
Anglo Music Press
#AMP295010. Published by
Anglo Music Press
(HL.44010826).
Atlantic
Odyssey was commissioned
by the band program at
Oakton High School in
Vienna, VA, and its
director, Dr. Cheryl
Newton. The piece is in
two extended movements
and seeks to portray an
imaginary yacht journey
off the eastern seaboard
of the USA. The first
movement, Sunrise at Sea
and the Ocean Awakes,
opens with an atmospheric
depiction of dawn at sea.
Floating woodwinds soar
above surging brass until
a climax heralds the
rising sun. Daylight
reveals distant horizons
and the prospect of a
calm voyage, but the sea
is never tamed and a
light breeze whips up
spray around the boat
until a couple of high
waves rock the boat
alarmingly. But the sea
soon calms again and the
journey continues
serenely. The second
movement, Homeward Bound
and Spindrift, sees us
turn for home, the boat
scything calmly through
the gentle waves in
perfect sailing
conditions. But once
again conditions change,
a stiff breeze tugs at
the sails and for a
moment we are once again
at the mercy of the wind
and waves. A moment of
calm returns but we are
suddenly sprayed by
spindrift as a gale picks
up. The boat is in danger
of overturning but we
manage to trim the sail
and take advantage of the
strong winds to enjoy and
exhilarating journey
home.
Grade 5 - Score
Only. Composed by
Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2010.
Duration 960 seconds.
Anglo Music Press
#AMP295140. Published by
Anglo Music Press
(HL.44010827).
Atlantic
Odyssey was commissioned
by the band program at
Oakton High School in
Vienna, VA, and its
director, Dr. Cheryl
Newton. The piece is in
two extended movements
and seeks to portray an
imaginary yacht journey
off the eastern seaboard
of the USA. The first
movement, Sunrise at Sea
and the Ocean Awakes,
opens with an atmospheric
depiction of dawn at sea.
Floating woodwinds soar
above surging brass until
a climax heralds the
rising sun. Daylight
reveals distant horizons
and the prospect of a
calm voyage, but the sea
is never tamed and a
light breeze whips up
spray around the boat
until a couple of high
waves rock the boat
alarmingly. But the sea
soon calms again and the
journey continues
serenely. The second
movement, Homeward Bound
and Spindrift, sees us
turn for home, the boat
scything calmly through
the gentle waves in
perfect sailing
conditions. But once
again conditions change,
a stiff breeze tugs at
the sails and for a
moment we are once again
at the mercy of the wind
and waves. A moment of
calm returns but we are
suddenly sprayed by
spindrift as a gale picks
up. The boat is in danger
of overturning but we
manage to trim the sail
and take advantage of the
strong winds to enjoy and
exhilarating journey
home.