| Upper-Hessian Country Dances Orchestre d'harmonie - Intermédiaire Schott
Score Concert Band; Winds - intermediate SKU: HL.49012037 For Wind Ban...(+)
Score Concert Band; Winds
- intermediate SKU:
HL.49012037 For
Wind Band - Score.
Composed by Ottmar
Gerster. Arranged by
Norbert Studnitzky. Sheet
music. Schott Harmonie
Serie (Concert Band).
Classical. Condensed
Score. 36 pages. Duration
12'. Schott Music #SHS
1002-10. Published by
Schott Music
(HL.49012037). ISBN
9790001100694.
8.25x11.75x0.123
inches. These four
entertaining movements
originated in the
Thirties. They are an
example of popular
original compositions of
high quality. The work
was originally written
for small orchestra.
Norbert Studnitzky has
arranged this series of
dances for wind band and
at the same time also
retained longer chamber
music pasages as in the
original work.Thus here
we have a work for wind
band which on the one
hand is suitable for
developing a musical
sense of humour in a
playful way and which can
also be performed on
stage with a group of
folk dancers.Ottmar
Gerster studied in
Frankfurt/main and then
taught composition an
several colleges of music
in Leipzig. his music
aims to be accesible to
all listeners, even when
he uses advanced
composition
techniques.
(2
Floten, 1 Oboe ad lib., 1
Fagott ad lib., 1
Klarinette in Es ad lib.,
3 Klarinetten in B, 2
Alt-Saxophone in Es, 1
Tenor-Saxophon in B, 3
Horner in F, 3 Trompeten
in B, 3 Posaunen, 2
Flugelhorner in B, 3
Tenorhorner in B, 1
Bariton, 2 Tuben, Pauken,
Schlagzeug: kleine
Trommel, grosse Trommel,
Triangel, Becken). $44.00 - Voir plus => Acheter | | |
| Sinfonia XVI: Transcendental Vienna Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-072-6 Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-072-6
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
score and set of parts.
Duration 7:00. Published
by Manhattan Beach Music
(MH.1-59913-072-6).
ISBN
9781599130729. Prog
ram Notes: It was a happy
coincidence that the
commission for SINFONIA
XVI: TRANSCENDENTAL
VIENNA came from the
Henry David Thoreau
School located in Vienna,
Virginia. Thoreau is one
of the magic names in
American culture: Henry
David Thoreau, one of the
leading figures of the
Transcendentalist
movement, centered in
19th-century New England,
left us a body of unique
philosophical and
poetical writings. To
utter the words, Walden
Pond, is to invoke an
America long past in
physical actuality, but
still present in the
minds and hearts of many
American citizens. The
name, Vienna, of course,
summons thoughts of the
Old World: culture, fine
food, wine, civilized
cities. While
contemplating the form
that SINFONIA XVI should
take, I found myself
thinking of two pillars
of Viennese culture:
expressionism and the
waltz. Musically
speaking, expressionism
reached a zenith in the
works of Arnold
Schoenberg and Alban
Berg. It was Berg, in
particular, that I wanted
to invoke in the outer
movements of my
composition. I knew I
would also have to
include a waltz, and an
invocation of the
mysterious forces that
are contained in both
expressionism and
transcendentalism. Thus
was the structure of the
work generated. The outer
movements with their
vision of the night sky
and the stars, Aldebaran
and Sirius, frame the
central movements, which
are essentially two
versions of the same
material, and are quieter
and less dramatic. The
outer movements are
symmetrical, and share
both pitch and rhythmic
materials. Accordingly, I
see the work as a ternary
form, with the central
movements forming a unit
within the outer frame: A
(Movement 1) B (Movements
2 & 3) A' (Movement 4).
Harmonically, the work
can be summarized by the
two pitch-series which
occur in the opening bars
of Movement 1: the
initial 12-note row, with
a tonal center on F-sharp
(measures 1-6), and the
subsequent D-minor Dorian
7-note row (beginning in
measure 14). Aspects of
these materials occur in
all four movements, but
they are most strongly
present in Movements 1
and 4. Note that the
12-note row is not
subjected to the usual
serial procedures, but
instead is treated as a
signifier and is left
unchanged. Since the
fourth movement takes up
where the first movement
leaves off, I can
conceive of one
interpretation of
SINFONIA XVI as an
evocation of Thoreau
himself contemplating two
of the brightest stars on
a clear, cold night.
Aldebaran is an orange,
first-magnitude star,
located in the
constellation Taurus;
Sirius, the Dog Star, is
the brightest star in the
sky, and is located in
the constellation Canis
Major. Thoreau interrupts
his star-gazing to
entertain some inward
thoughts, waking dreams,
as it were, then returns
his gaze to the splendid
night sky and all its
treasures. Although many
other interpretations of
the material are
possible, it is important
to remember that the
abstract materials of the
piece -- pitch, rhythm,
structure -- are what
count the most. Ensemble
instrumentation: 1
Piccolo, 4 Flute 1, 4
Flute 2, 3 Oboe, 1 Eb
Clarinet (opt.), 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3
Bass Clarinet, 3 Bassoon,
3 Eb Alto Saxophone 1, 3
Eb Alto Saxophone 2, 2 Bb
Tenor Saxophone, 2 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 Horn
1, 2 Horn 2, 3 Trombone
1, 3 Trombone 2, 3
Euphonium B.C., 2
Euphonium T.C., 5 Tuba, 2
Timpani, 3 Percussion 1,
3 Percussion 2, 3
Percussion 3, 3
Percussion 4. $135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sinfonia IX: A Concert in the Park Orchestre d'harmonie - Intermédiaire Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-071-8 Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-071-8
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
Full Score. Duration
10:00. Published by
Manhattan Beach Music
(MH.1-59913-071-8).
ISBN
9781599130712. Prog
ram Notes: Stylistically
diverse -- tranquil,
spirited pastoral,
sensitive, energetic --
exhibiting a remarkable
palette, the five
movements of SINFONIA IX
form a unique symphonic
statement. Movement I,
Prelude, is about
contrasts: A lazy,
smooth, motive in brasses
alternates with, and then
joins, an active and
detached motive in
woodwinds. The spirited
Movement II, Morley's
Ghost, is an intricate
canonic collage and
homage to that venerable
theoretician & composer,
Thomas Morley. By
contrast, movement III,
Dialog, speaks in a
relaxed, lyrical, and
pastoral language as it
develops its gently
rising and falling
motives. Movement IV,
Waltz, innocently
celebrates the joys of
childhood with a lilting
melody and rondo form.
For the rousing Finale,
Movement V begins with a
martial call of
repeated-notes, heralding
a headstrong journey of
power and excitement.
Like a number of the
composer's other works,
SINFONIA IX is based on
earlier material: A brass
sextet, written in 1966
when the composer was
nineteen years old, forms
the raw material for the
first, third and fifth
movements, while a later
work, Martin's Waltz (a
children's piece for
flutes and clarinets
composed in 1975) is the
basis of the fourth
movement. The second
movement, however, is a
fanciful contrapuntal
commentary on Thomas
Morley's 16th-century
canzonet, Fire and
Lightning. SINFONIA IX is
dedicated to John
Raforth, a distinguished
band director and music
educator at West High
School in Madison,
Wisconsin. The work was
commissioned by his
friends and former
students, and was
completed in 1977. Its
first publication some
twenty years later is a
result of the increasing
attention paid by
university band directors
to the earlier Sinfonias,
particularly Sinfonia III
(Hymns and Dances);
Sinfonia V (Sinfonia
Sacra et Profana); and
now, Sinfonia IX. Whereas
the first two works are
wind ensemble
compositions that have
been championed equally
by the concert band,
Sinfonia IX is the
composer's first
college-level Sinfonia
written especially for
concert band. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1-2, 2
Oboe, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3 Bb
Bass Clarinet, 2 Bassoon,
4 Eb Alto Saxophone, 2 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 3
Trombone 1, 3 Trombone 2,
3 Baritone B.C., 2
Baritone T.C., 4 Tuba, 3
String Bass, 2 Timpani, 5
Percussion. $25.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Fruehlingsstimmen Walzer, Op. 410 (Voices of Spring) Orchestre d'harmonie [Conducteur et Parties séparées] LudwigMasters Publications
Concert Band; Orchestra 1.1.2.1: 2.2.1.0: Perc(2): Pno Cond Sc in set: Str (9-8-...(+)
Concert Band; Orchestra
1.1.2.1: 2.2.1.0:
Perc(2): Pno Cond Sc in
set: Str (9-8-7-6-5 in
set) SKU:
AP.36-A742502
Arranged by Johann
Strauss Jr. and ed./arr.
by Adolphe Dumont. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A742502.
Published by
LudwigMasters
Publications
(AP.36-A742502). UPC:
659359906169.
English. JOHANN
STRAUSS II (1825-1899)
initially wrote
FRÜHLINGSSTIMMEN, Op.
410 (VOICES OF SPRING) as
a concert aria. He
dedicated the piece, with
a libretto by Richard
Genée, to
pianist-composer Alfred
Grünfeld. When Bertha
Schwarz (stage name,
Bianca Bianchi) sang the
first performance at the
Theater an der Wien on
March 1, 1883, the
audience loved it so much
that they demanded an
encore. The composer
wasted no time in
arranging a purely
orchestral version, which
the Strauss Orchestra
premiered only seventeen
days later. The waltz
achieved great success
during his Russian tour
in 1886. This edition for
reduced orchestra was
arranged by Adolphe
Dumont. Instrumentation:
1.1.2.1: 2.2.1.0:
Perc(2): Pno Cond Sc in
set: Str (9-8-7-6-5 in
set). Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $50.00 - Voir plus => Acheter | | |
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