By Michael Jackson. Arranged by Michael Brown. Score and Parts. Young Band (Concert Band). Softcover. Published by Hal Leonard

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1115042-140

Composed by Rod Temperton. Arranged by Naohiro Iwai. New Sounds for Concert Band. Pop & Rock. Score Only. Composed 2011. 36 pages. De Haske Publications #DHP 1115042-140. Published by De Haske Publications (BT.DHP-1115042-140).

9x12 inches.

Over the years much has been written and broadcast about Michael Jackson. Naohiro Iwai has created a powerful medley by letting the music of the undisputed ‘King of Pop’ speak for itself. The medley contains the hits Thriller, I’ll Be There and I Want You Back. Don’t stop ’til you get enough!

Michael Jackson: alles wat over hem kan worden beweerd is al gezegd, geschreven en uitgezonden. Naohiro Iwai laat liever de muziek van deze onbetwistbare ‘King of Pop’ voor zich spreken. Zie hier een overtuigende medley voor harmonieorkestvan de nummers Thriller, I’ll be There en I Want You Back.

Über Michael Jackson wurde schon viel geschrieben, gesagt und gezeigt. Naohiro Iwai lässt die Musik des unangefochtenen King of Pop“ sprechen in seinem überzeugenden Blasorchestermedley aus den Hits Thriller, I’ll be There und I Want You Back.

Michael Jackson, le « roi de la pop », restera un pilier de l’histoire de la musique et une source d’inspiration énorme pour plusieurs générations. Disparu, il y a tout juste un an, Naohiro Iwai lui rend hommage avec ce medley de trois de ses plus grands succès : Thriller, I’ll be There et I Want You Back.

Di Michael Jackson si è parlato, scritto e mostrato tanto, forse troppo. In questo coinvolgente medley che raggruppa Thriller, I’ll Be There e I Want You Back, Naohiro Iwai lascia semplicemente parlare la musica dell’indiscusso “King of pop”.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1115042-010

Composed by Rod Temperton. Arranged by Naohiro Iwai. New Sounds for Concert Band. Pop & Rock. Set (Score & Parts). Composed 2011. De Haske Publications #DHP 1115042-010. Published by De Haske Publications (BT.DHP-1115042-010).

9x12 inches.

Over the years much has been written and broadcast about Michael Jackson. Naohiro Iwai has created a powerful medley by letting the music of the undisputed ‘King of Pop’ speak for itself. The medley contains the hits Thriller, I’ll BeThere and I Want You Back. Don’t stop ’til you get enough!

Michael Jackson: alles wat over hem kan worden beweerd is al gezegd, geschreven en uitgezonden. Naohiro Iwai laat liever de muziek van deze onbetwistbare ‘King of Pop’ voor zich spreken. Zie hier een overtuigende medley voor harmonieorkestvan de nummers Thriller, I’ll be There en I Want You Back.

Über Michael Jackson wurde schon viel geschrieben, gesagt und gezeigt. Naohiro Iwai lässt die Musik des unangefochtenen King of Pop“ sprechen in seinem überzeugenden Blasorchestermedley aus den Hits Thriller, I’ll be There und I Want You Back.

Michael Jackson, le « roi de la pop », restera un pilier de l’histoire de la musique et une source d’inspiration énorme pour plusieurs générations. Disparu, il y a tout juste un an, Naohiro Iwai lui rend hommage avec ce medley de trois de ses plus grands succès : Thriller, I’ll be There et I Want You Back.

Di Michael Jackson si è parlato, scritto e mostrato tanto, forse troppo. In questo coinvolgente medley che raggruppa Thriller, I’ll Be There e I Want You Back, Naohiro Iwai lascia semplicemente parlare la musica dell’indiscusso “King of pop”.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1125265-140

Composed by Michael Jackson. Arranged by Takashi Hoshide. Pop & Rock. Score Only. Composed 2012. 32 pages. De Haske Publications #DHP 1125265-140. Published by De Haske Publications (BT.DHP-1125265-140).

9x12 inches. English-German-French-Dut ch.

Jackson 5 Medley features the catchiest hits from one of the most successful family pop groups of all time, arranged for concert band by Takashi Hoshide. Includes the songs I’ll Be There, I Want You Back, ABC and Never Can Say Goodbye.

Met zijn zonen Jackie, Tito en Jermaine richtte vader Joe Jackson al in 1964 de popgroep Jacksons op. Toen ook Marlon en de bijzonder getalenteerde Michael er in 1966 bij kwamen, boekten The Jackson 5 hun grootste successen.De Japanse arrangeur Takashi Hoshide koos voor zijn Jackson 5 Medley de evergreens I’ll Be There, I Want You Back, ABC en Never Can Say Goodbye.

Die Familien-Band The Jacksons wurde bereits 1964 vom Vater Joe Jackson gegründet, doch erst als zu den Brüdern Jackie, Tito und Jermaine auch Marlon und das Ausnahmetalent Michael im Jahr 1966 dazu stießen, feierte die Gruppe unter dem Namen The Jackson 5 ihre größten Erfolge. Der japanische Arrangeur Takashi Hoshide wählte für sein Jackson 5 Medley die eingängigen Songs I’ll Be There, I Want You Back, ABC und Never Can Say Goodbye.

Fond� �© en 1964 l’initiative de leur père Joe Jackson, le groupe The Jackson Brothers ne comptait alors que 3 frères de la famille : Jackie, Tito et Jermaine. Plus tard, se rajouteront les cadets Marlon et Michael et le groupe optera pour son nom définitif The Jackson Five. L’arrangeur japonais Takashi Hoshide a choisi quatre grands succès du groupe soul : I’ll Be There, I Want You Back, ABC et Never Can Say Goodbye.

Fondata nel 1964 da Joe Jackson, il gruppo The Jackson Brothers comprendeva solo 3 fratelli: Jackie, Tito e Jermaine. Solo più tardi si sarebbero aggiunti Marlon e Michael, e con loro il nome definitivo sarebbe diventato The Jackson Five. Takashi Hoshide ha scelto di arrangiare per banda quattro grandi successi dei fratelli Jackson: I’ll Be There, I Want You Back, ABC e Never Can Say Goodbye.

Composed by Michael Jackson. Arranged by Takashi Hoshide. Pop and Rock. Set (Score and Parts). Composed 2012. De Haske Publications #DHP 1125265-010. Published by De Haske Publications

Score Only Concert Band (SCORE) - Grade 2

SKU: HL.4006381

By The Backstreet Boys. By Andreas Carlsson and Max Martin. Arranged by Michael Brown. Discovery Plus Concert Band. Pop. Softcover. 12 pages. Duration 464 seconds. Published by Hal Leonard (HL.4006381).

UPC: 888680987688. 9.0x12.0x0.02 inches.

This signature hit by the Backstreet Boys was recorded in 1999 and hailed by many as the pop ballad of that year. With a catchy melody passed from section to section and a relaxed rock tempo, this arrangement works perfectly for younger players.

Concert Band (Score)

SKU: HL.44013267

Concert Band Score. Composed by Michael Jackson. Arranged by Takashi Hoshide. De Haske Concert Band. Classical, Pop. Softcover. 32 pages. Duration 465 seconds. De Haske Publications #1125265010. Published by De Haske Publications (HL.44013267).

UPC: 888680903220.

Jacks on 5 Medley features the catchiest hits from one of the most successful family pop groups of all time, arranged for concert band by Takashi Hoshide. Includes the songs Ill Be There, I Want You Back, ABC and Never Can Say Goodbye.

(Featuring: Do You Want to Know a Secret? / From Me to You / I Saw Her Standing There / She Loves You). By John Lennon and Paul McCartney [The Beatles]. Arranged by Jack Bullock. Concert Band. Concert Band; Part(s); Score. Pop Concert Band. Form: Medley. Pop/Rock. Grade 3. 242 pages. Published by Alfred Music Publishing

By The Backstreet Boys, The Jackson 5, One Direction, and BTS. Arranged by Michael Brown. Young Concert Band. Pop. Softcover. Published by Hal Leonard

By Carl Strommen. Concert Band. For Concert Band. Carl Fischer Young Performance Series. Grade 2.5. Full Score. Standard notation. Duration 3:01. Published by Carl Fischer

By Larry Neeck. Bestseller. Young Concert Band. Command. Level: Grade 2. Score and set of parts. Composed 2004. Duration 0:03:08. Published by C.L. Barnhouse.

By John Lennon, Paul McCartney, and The Beatles. Arranged by Michael Brown. Young Concert Band. Movies, Pop, Rock. Softcover. Published by Hal Leonard

Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Double Bass, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1, Percussion 2 and more. - Grade 3.5

SKU: CF.CPS225

Composed by Larry Clark. Concert Band (CPS). Set of Score and Parts. With Standard notation. 12+12+6+12+24+24+6+4+6+6+ 6+6+8+8+8+4+4+6+6+6+8+2+1 +6+2+4+10+32+4 pages. Duration 6 minutes, 9 seconds. Carl Fischer Music #CPS225. Published by Carl Fischer Music (CF.CPS225).

ISBN 9781491152515. UPC: 680160910014.

Tarta n Tapestries is an original piece that sets out to emulate Scottish folk music. Composer Larry Clark has created a concert overture in triple meter to capture the essence of music from Scotland. After a lilting first section,  lush and beautiful moments weave a tapestry of sounds with the lyrical, middle section of the piece. There is an optional part for bagpipes, and an optional ending should you chose to use this instrument as part of the piece. Alert your contest music committee about this strong new piece for advancing groups.
Tartan Tapestries was commissioned by Friends of the Arts for the Saint Andrew's School Band in Boca Raton, Florida. The band program at Saint Andrew’s School is under the direction of Andrea Wolgin. The premiere took place on November 29, 2017.When I was asked by their conductor Ms. Wolgin to write a piece for the Saint Andrew’s School, I asked her what kind of involvement she wanted the students to have in the process. We discussed several options for having the students involved in the process of creating with the type of piece they wanted.  We set up a “Skype” meeting with members of the band to discuss the piece. During this discussion, the consensus of the students was that they wanted a piece depicting the Scottish influence to the school. They also wanted a piece that would challenge all sections of the band and to include bagpipes if possible. I asked that the students be involved in helping to name the piece once it was completed, for which they agreed and were very helpful. Armed with this information, I set out to compose a piece for them, and Tartan Tapestries is the result.The piece begins with a fanfare gesture based upon rhythms and harmonies that appear throughout the piece. I chose the lilting triple feel to the piece, to bring about the Scottish flavor. I wanted the fanfare to be bardic sounding, to depict the strength of the Scottish people and for the piece to have a dynamic opening. The fanfare contains material that alludes to the main theme and with a bit of dissonance and tension that is resolved in the main body of the piece.The main theme is a lilting original melody, but one that I hope with have the essence of Scottish folk songs. The main idea is followed by a more modal and dark sounding secondary theme, first stated in the horns. This material is later used in the development section of the piece. The main theme returns several times, with different and varied orchestrations and harmonic treatments. This is followed by a short transition leading to the more lyrical and slower second section of the piece. A transparent presentation of the lyrical theme, which is based on aspects of the main theme, is presented first by a solo flute. This section is a nod to famous composer Malcom Arnold’s wonderful works for orchestra in its style and orchestration. After a transition or bridge section with a solo euphonium, the piece builds to a dramatic climax of the lyrical theme by the full band. This subsides to a return of the solo flute to end this second section of the piece, followed by a transition back the main theme.The solo bagpipes play a central role in the return of the main theme and take center stage after being heard in the distance earlier in the work. The piece brings back a shortened version of the darker secondary theme, followed by a hint of the fanfare material that builds to one last statement of the main theme by the full band, before leading to a dramatic coda to complete the work.It has been my pleasure to have been given the opportunity to compose this piece for the Saint Andrew’s School Band! I thank Andrea Wolgin for making it happen, and I hope that you enjoy it as much as I have enjoyed bringing the piece to life.–Larry ClarkLakeland, Florida 2017.

Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Double Bass, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1, Percussion 2 and more. - Grade 3.5

SKU: CF.CPS225F

Composed by Larry Clark. Concert Band (CPS). Full score. With Standard notation. 32 pages. Carl Fischer Music #CPS225F. Published by Carl Fischer Music (CF.CPS225F).

ISBN 9781491153192. UPC: 680160910694.

Tarta n Tapestries is an original piece that sets out to emulate Scottish folk music. Composer Larry Clark has created a concert overture in triple meter to capture the essence of music from Scotland. After a lilting first section,  lush and beautiful moments weave a tapestry of sounds with the lyrical, middle section of the piece. There is an optional part for bagpipes, and an optional ending should you chose to use this instrument as part of the piece. Alert your contest music committee about this strong new piece for advancing groups.
Tartan Tapestries was commissioned by Friends of the Arts for the Saint Andrew's School Band in Boca Raton, Florida. The band program at Saint Andrew’s School is under the direction of Andrea Wolgin. The premiere took place on November 29, 2017.When I was asked by their conductor Ms. Wolgin to write a piece for the Saint Andrew’s School, I asked her what kind of involvement she wanted the students to have in the process. We discussed several options for having the students involved in the process of creating with the type of piece they wanted.  We set up a “Skype” meeting with members of the band to discuss the piece. During this discussion, the consensus of the students was that they wanted a piece depicting the Scottish influence to the school. They also wanted a piece that would challenge all sections of the band and to include bagpipes if possible. I asked that the students be involved in helping to name the piece once it was completed, for which they agreed and were very helpful. Armed with this information, I set out to compose a piece for them, and Tartan Tapestries is the result.The piece begins with a fanfare gesture based upon rhythms and harmonies that appear throughout the piece. I chose the lilting triple feel to the piece, to bring about the Scottish flavor. I wanted the fanfare to be bardic sounding, to depict the strength of the Scottish people and for the piece to have a dynamic opening. The fanfare contains material that alludes to the main theme and with a bit of dissonance and tension that is resolved in the main body of the piece.The main theme is a lilting original melody, but one that I hope with have the essence of Scottish folk songs. The main idea is followed by a more modal and dark sounding secondary theme, first stated in the horns. This material is later used in the development section of the piece. The main theme returns several times, with different and varied orchestrations and harmonic treatments. This is followed by a short transition leading to the more lyrical and slower second section of the piece. A transparent presentation of the lyrical theme, which is based on aspects of the main theme, is presented first by a solo flute. This section is a nod to famous composer Malcom Arnold’s wonderful works for orchestra in its style and orchestration. After a transition or bridge section with a solo euphonium, the piece builds to a dramatic climax of the lyrical theme by the full band. This subsides to a return of the solo flute to end this second section of the piece, followed by a transition back the main theme.The solo bagpipes play a central role in the return of the main theme and take center stage after being heard in the distance earlier in the work. The piece brings back a shortened version of the darker secondary theme, followed by a hint of the fanfare material that builds to one last statement of the main theme by the full band, before leading to a dramatic coda to complete the work.It has been my pleasure to have been given the opportunity to compose this piece for the Saint Andrew’s School Band! I thank Andrea Wolgin for making it happen, and I hope that you enjoy it as much as I have enjoyed bringing the piece to life.–Larry ClarkLakeland, Florida 2017.

Grade 3

SKU: CL.012-3895-01

Composed by McKinzey. Concert Band. Symphony Band Series. Audio recording available separately (item CL.WFR368). Extra full score. Composed 2010. Duration 1 minute, 56 seconds. Opus III Wind Orchestra Publications #012-3895-01. Published by Opus III Wind Orchestra Publications (CL.012-3895-01).

Fingers will fly and ears will perk up to this unique quick-step march titled Half Step March by Kyle McKinzey. As the title suggests, it is a flurry of chromatic runs and licks that will make your students WANT to practice, and have your audience’s toes tapping. For many, it will bring back memories of the old circus marches. You will be able to see clowns running about, trapeze artists flying around and much more. A great opener to a concert, or a quick encore piece that will leave them wanting more.

By McKinzey. For concert band. Concert Band. Symphony Band Series. Grade 3.5. Score and parts. Composed 2010. Duration 1 minutes, 56 seconds. Published by C.L. Barnhouse

Concert Band/Harmonie - Grade 2

SKU: BT.CMP-0892-05-140

Composed by Paul Curnow. Young Band. Concert Piece. Score Only. Composed 2005. 19 pages. Curnow Music #CMP 0892-05-140. Published by Curnow Music (BT.CMP-0892-05-140).

English.

Have your Drummers been patiently (or impatiently) standing at the back of the band while you rehearsed that expressive piece? Reward their equanimity with this fiery and percussive addition to Paul Curnow’s impressive and growing catalogue of works for Concert Band. This enticing new composition lies well within the command of a solid Grade 2 band while bringing the smoldering energy of Latin music to your concert stage. Written as a celebration of cultural diversity and infused with easy syncopation and lots of interweaving rhythm, there is certain to be a special place for Fiesta de San Pedro in your next concert, and in cross-cultural teaching.

Uw slagwerkers zullen met deze compositie helemaal in hun nopjes zijn, want zij spelen hierin een belangrijke rol. San Pedro, een havenstad in het zuiden van de zonnige Amerikaanse staat Californië, herbergt vele culturen, die inFiesta de San Pedro worden weerspiegeld in diverse - met name Latijns-Amerikaanse - ritmes. Dit is een boeiend en temperamentvol werk voor jonge muzikanten, die zo op een motiverende manier in aanraking komen met verschillendemuziekstijle n.

Stehen Ihre Schlagzeuger auch oft ungeduldig im Hintergrund, während die übrigen Register die ausdrucksvollen Stücke des Programms absolvieren? Belohnen Sie ihre Geduld und lassen Sie ihnen mit dieser Komposition von Paul Curnow alle Aufmerksamkeit zukommen. Mit leichter Synkopierung und vielen ineinander verwobenen Rhythmen gebührt der Fiesta de San Pedro ein ganz besonderer Platz in Ihrem nächsten Konzertprogramm!

Concert Band - Grade 1

SKU: AP.36-50105340

Composed by David M. Martin. Concert Band; Performance Music Ensemble. Beginning Band. Score. Duration 2:00. LudwigMasters Publications #36-50105340. Published by LudwigMasters Publications (AP.36-50105340).

ISBN 9798892703055. UPC: 659359547515. English.

Imagine yourself on a camel ride through the desert. Your ride, the ship of the desert, has an awkward, rolling gait, and as you sway back and forth you gaze upon the mysteries and wonders of the arid land. If that doesn't convince your students to want to play David Martin's Desert Secrets!, the clever writing will! (2:00).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band - Grade 1

SKU: AP.36-50100340

Composed by David M. Martin. Concert Band; Performance Music Ensemble. Beginning Band. Score and Part(s). Duration 2:00. LudwigMasters Publications #36-50100340. Published by LudwigMasters Publications (AP.36-50100340).

UPC: 659359629242. English.

Imagine yourself on a camel ride through the desert. Your ride, the ship of the desert, has an awkward, rolling gait, and as you sway back and forth you gaze upon the mysteries and wonders of the arid land. If that doesn't convince your students to want to play David Martin's Desert Secrets!, the clever writing will! (2:00).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

By Bill Calhoun. For concert band. Carl Fischer Concert Performance Series. Grade 3-3.5. Score and parts. Duration 3 minutes, 44 seconds. Published by Carl Fischer

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3

SKU: CF.CPS124F

Composed by Bill Calhoun. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. 24 pages. Duration 3 minutes, 44 seconds. Carl Fischer Music #CPS124F. Published by Carl Fischer Music (CF.CPS124F).

ISBN 9780825888168. UPC: 798408088163. 9x12 inches.

Composer Bill Calhoun combines two popular Christmas carols into one sophisticated concert-style piece. It is bold and serious, containing shifting modalities and moves effortlessly from major to minor, and back again, many times throughout this effective setting. If you want to play something stunning and unexpected for your next holiday concert, then this is one that deserves serious consideration.

Grade 2

SKU: CL.011-3330-01

Composed by Neeck. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR333). Extra full score. Composed 2004. Duration 3 minutes, 8 seconds. C.L. Barnhouse #011-3330-01. Published by C.L. Barnhouse (CL.011-3330-01).

Want an impressive full sounding composition for your very young players that’s based on one of the world’s most beloved melodies? If so, then Larry Neeck’s Fanfare For A New World definitely fills the bill. Ranges are modest as the piece goes back and forth between the marcato style of the fanfare and the contrasting legato style of the main theme. Includes a large number of interesting yet playable percussion parts. Perfect for any occasion for second year bands. Very nice!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Concert Band Concert Band - Grade 3.5

SKU: XC.RCB2108

Composed by Larry Clark. Rhapsody Concert Band Series. Concert and Contest. Concert and Contest. Score and Parts. Excelcia Music Publishing #RCB2108. Published by Excelcia Music Publishing (XC.RCB2108).

UPC: 812598037036. 9 x 12 inches.

Art is Life! This sentiment is abundant in this wonderful new work for concert band by Larry Clark. Full of flourish and thick brass writing harkening back to the days of Alfred Reed, Ars Vitae has everything you could want in a contest and festival work.

Concert Band - Grade 3.5

SKU: XC.RCB2108FS

Composed by Larry Clark. Rhapsody Concert Band Series. Concert and Contest. Concert and Contest. Score Only. Excelcia Music Publishing #RCB2108FS. Published by Excelcia Music Publishing (XC.RCB2108FS).

UPC: 812598036497. 9 x 12 inches.

Art is Life! This sentiment is abundant in this wonderful new work for concert band by Larry Clark. Full of flourish and thick brass writing harkening back to the days of Alfred Reed, Ars Vitae has everything you could want in a contest and festival work.