| Selections from Boris Godunov Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043752-140 Composed by Modes...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.DHP-1043752-140
Composed by Modest
Petrovich Mussorgsky.
Arranged by Tohru
Takahashi. The Great
Classics. Concert Piece.
Score Only. Composed
2004. De Haske
Publications #DHP
1043752-140. Published by
De Haske Publications
(BT.DHP-1043752-140).
English-German-French-
Dutch. Composer
Modest Moussorgsky
(1839-1881) came from the
prosperous environment of
Russian nobility. In
1865, after his
officer’s
education, he joined the
guard’s regiment
in St. Petersburg. Here
he met a number of
well-known
colleague-composers,
including Balakirev, Cui,
Rimsky- Korsakov and
Borodin. They strived to
develop a
“classical
style†of composing
while at the same time
retaining a strong
Russian influence. His
opera Boris Godunov tells
the tale of Boris, who
with the support of the
people, declared himself
Tsar, but totally fell
short of the role. The
opera became popular in
the re-orchestrated
version produced by
Rimsky-Korsakov in 1896.
Tohru Takahashi has
usedthe beautiful musical
themes of this opera in
Selections from Boris
Godunov - a captivating
work for concert band.
Moussorgskyâ€
s opera Boris
Godunov - gebaseerd
op het gelijknamige drama
van Aleksandr Pushkin
(waarin Boris Godunov
zichzelf met steun van
het volk uitroept tot
tsaar, maar in deze rol
compleet tekortschiet) -
werd populairin de
bewerking die
Rimsky-Korsakov in 1896
maakte. De
oorspronkelijke partituur
van Moussorgsky staat
echter vol originele
vondsten en
vooruitstrevende
harmonische, melodische
en instrumentale details.
Tohru Takahashi
gebruiktede prachtige
muzikale thematiek van
deze opera in
Selections from Boris
Godunov - een boeiend
werk voor
harmonieorkest.
Se
in Meisterwerk, die Oper
Boris Godunow,
schrieb Mussorgski auf
der Grundlage des
gleichnamigen Dramas von
Alexander Puschkin. In
diesem Stück
erklärt sich Boris
Godunow mit
Unterstützung des
Volkes selbst zum Zaren,
versagt aber kläglich
in dieser Rolle. Das Werk
ist voll von
einzigartigen Ideen und
damals sehr innovativen
harmonischen, melodischen
und instrumentalen
Details. Tohru Takahashi
verwendete in
Selections from Boris
Godunov die
wunderschönen
musikalischen Themen der
Oper - ein bezauberndes
Werk für
Blasorchester.
Com
positeur essentiellement
autodidacte, Modest
Moussorgski (1839-1881)
descend d’une
famille aisée de la
noblesse russe. Son
chef-d’oeuvre
lyrique Boris Godounov
est basé sur la
tragédie
d’Alexandre
Pouchkine, dans laquelle
Boris Godounov, tsar
autoproclamé et
soutenu par le peuple
faillit son rôle. En
1896, l’opéra
connaît le succès
dans une version
retouchée par
Rimski-Korsakov. La
version originale de
Moussorgski contient
cependant des idées
uniques, des détails
harmoniques,
mélodiques et
instrumentaux
innovateurs. Pour
réaliser cette
pièce captivante pour
Orchestre
d’Harmonie, Tohru
Takahashi a rassemblé
les superbes thèmes
musicaux de
l’opéra.
Compositore
essenzialmente
autodidatta, Modest
Mussorgski (1839-1881)
discende da una famiglia
agiata della nobilt
russa. Il suo capolavoro
lirico, Boris Godunov, si
basa sulla tragedia di
Alexander Puschkin, nella
quale Boris Godunov,
proclamatosi zar e
sostenuto dal popolo,
fallisce nel suo ruolo.
Nel 1896, l’opera
conosce il successo in
una versione ritoccata da
Rimski Korsakov. La
versione originale di
Mussorgski contiene idee
uniche, dettagli
armonici, melodici e
strumenti innovativi. Per
trascrivere questo brano
per banda, Tohru
Takahashi ha raccolto i
superlativi temi musicali
dell’opera. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Selections from Boris Godunov Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043752-010 Composed by Modes...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.DHP-1043752-010
Composed by Modest
Petrovich Mussorgsky.
Arranged by Tohru
Takahashi. The Great
Classics. Concert Piece.
Set (Score & Parts).
Composed 2004. De Haske
Publications #DHP
1043752-010. Published by
De Haske Publications
(BT.DHP-1043752-010).
English-German-French-
Dutch. Composer
Modest Moussorgsky
(1839-1881) came from the
prosperous environment of
Russian nobility. In
1865, after his
officer’s
education, he joined the
guard’s regiment
in St. Petersburg. Here
he met a number of
well-known
colleague-composers,
including Balakirev, Cui,
Rimsky- Korsakov and
Borodin. They strived to
develop a
“classical
style†of composing
while at the same time
retaining a strong
Russian influence. His
opera Boris Godunov tells
the tale of Boris, who
with the support of the
people, declared himself
Tsar, but totally fell
short of the role. The
opera became popular in
the re-orchestrated
version produced by
Rimsky-Korsakov in 1896.
Tohru Takahashi has
usedthe beautiful musical
themes of this opera in
Selections from Boris
Godunov - a captivating
work for concert band.
Moussorgskyâ€
s opera Boris
Godunov - gebaseerd
op het gelijknamige drama
van Aleksandr Pushkin
(waarin Boris Godunov
zichzelf met steun van
het volk uitroept tot
tsaar, maar in deze rol
compleet tekortschiet) -
werd populairin de
bewerking die
Rimsky-Korsakov in 1896
maakte. De
oorspronkelijke partituur
van Moussorgsky staat
echter vol originele
vondsten en
vooruitstrevende
harmonische, melodische
en instrumentale details.
Tohru Takahashi
gebruiktede prachtige
muzikale thematiek van
deze opera in
Selections from Boris
Godunov - een boeiend
werk voor
harmonieorkest.
Se
in Meisterwerk, die Oper
Boris Godunow,
schrieb Mussorgski auf
der Grundlage des
gleichnamigen Dramas von
Alexander Puschkin. In
diesem Stück
erklärt sich Boris
Godunow mit
Unterstützung des
Volkes selbst zum Zaren,
versagt aber kläglich
in dieser Rolle. Das Werk
ist voll von
einzigartigen Ideen und
damals sehr innovativen
harmonischen, melodischen
und instrumentalen
Details. Tohru Takahashi
verwendete in
Selections from Boris
Godunov die
wunderschönen
musikalischen Themen der
Oper - ein bezauberndes
Werk für
Blasorchester.
Com
positeur essentiellement
autodidacte, Modest
Moussorgski (1839-1881)
descend d’une
famille aisée de la
noblesse russe. Son
chef-d’œuvre
lyrique Boris Godounov
est basé sur la
tragédie
d’Alexandre
Pouchkine, dans laquelle
Boris Godounov, tsar
autoproclamé et
soutenu par le peuple
faillit son rôle. En
1896, l’opéra
connaît le succès
dans une version
retouchée par
Rimski-Korsakov. La
version originale de
Moussorgski contient
cependant des idées
uniques, des détails
harmoniques,
mélodiques et
instrumentaux
innovateurs. Pour
réaliser cette
pièce captivante pour
Orchestre
d’Harmonie, Tohru
Takahashi a rassemblé
les superbes thèmes
musicaux de
l’opéra.
Compositore
essenzialmente
autodidatta, Modest
Mussorgski (1839-1881)
discende da una famiglia
agiata della nobilt
russa. Il suo capolavoro
lirico, Boris Godunov, si
basa sulla tragedia di
Alexander Puschkin, nella
quale Boris Godunov,
proclamatosi zar e
sostenuto dal popolo,
fallisce nel suo ruolo.
Nel 1896, l’opera
conosce il successo in
una versione ritoccata da
Rimski Korsakov. La
versione originale di
Mussorgski contiene idee
uniche, dettagli
armonici, melodici e
strumenti innovativi. Per
trascrivere questo brano
per banda, Tohru
Takahashi ha raccolto i
superlativi temi musicali
dell’opera. $211.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Selections from Boris Godunov Orchestre d'harmonie - Avancé De Haske Publications
Concert Band - Grade 5 SKU: BT.DHP-1043752-040 Composed by Modest Petrovi...(+)
Concert Band - Grade 5
SKU:
BT.DHP-1043752-040
Composed by Modest
Petrovich Mussorgsky.
Arranged by Tohru
Takahashi. The Great
Classics. Concert Piece.
Set (Score & Parts).
Composed 2004. De Haske
Publications #DHP
1043752-040. Published by
De Haske Publications
(BT.DHP-1043752-040).
English-German-French-
Dutch. Composer
Modest Moussorgsky
(1839-1881) came from the
prosperous environment of
Russian nobility. In
1865, after his
officer’s
education, he joined the
guard’s regiment
in St. Petersburg. Here
he met a number of
well-known
colleague-composers,
including Balakirev, Cui,
Rimsky- Korsakov and
Borodin. They strived to
develop a
“classical
style†of composing
while at the same time
retaining a strong
Russian influence. His
opera Boris Godunov tells
the tale of Boris, who
with the support of the
people, declared himself
Tsar, but totally fell
short of the role. The
opera became popular in
the re-orchestrated
version produced by
Rimsky-Korsakov in 1896.
Tohru Takahashi has
usedthe beautiful musical
themes of this opera in
Selections from Boris
Godunov - a captivating
work for concert band.
Moussorgskyâ€
s opera Boris
Godunov - gebaseerd
op het gelijknamige drama
van Aleksandr Pushkin
(waarin Boris Godunov
zichzelf met steun van
het volk uitroept tot
tsaar, maar in deze rol
compleet tekortschiet) -
werd populairin de
bewerking die
Rimsky-Korsakov in 1896
maakte. De
oorspronkelijke partituur
van Moussorgsky staat
echter vol originele
vondsten en
vooruitstrevende
harmonische, melodische
en instrumentale details.
Tohru Takahashi
gebruiktede prachtige
muzikale thematiek van
deze opera in
Selections from Boris
Godunov - een boeiend
werk voor
harmonieorkest.
Se
in Meisterwerk, die Oper
Boris Godunow,
schrieb Mussorgski auf
der Grundlage des
gleichnamigen Dramas von
Alexander Puschkin. In
diesem Stück
erklärt sich Boris
Godunow mit
Unterstützung des
Volkes selbst zum Zaren,
versagt aber kläglich
in dieser Rolle. Das Werk
ist voll von
einzigartigen Ideen und
damals sehr innovativen
harmonischen, melodischen
und instrumentalen
Details. Tohru Takahashi
verwendete in
Selections from Boris
Godunov die
wunderschönen
musikalischen Themen der
Oper - ein bezauberndes
Werk für
Blasorchester.
Com
positeur essentiellement
autodidacte, Modest
Moussorgski (1839-1881)
descend d’une
famille aisée de la
noblesse russe. Son
chef-d’oeuvre
lyrique Boris Godounov
est basé sur la
tragédie
d’Alexandre
Pouchkine, dans laquelle
Boris Godounov, tsar
autoproclamé et
soutenu par le peuple
faillit son rôle. En
1896, l’opéra
connaît le succès
dans une version
retouchée par
Rimski-Korsakov. La
version originale de
Moussorgski contient
cependant des idées
uniques, des détails
harmoniques,
mélodiques et
instrumentaux
innovateurs. Pour
réaliser cette
pièce captivante pour
Orchestre
d’Harmonie, Tohru
Takahashi a rassemblé
les superbes thèmes
musicaux de
l’opéra.
Compositore
essenzialmente
autodidatta, Modest
Mussorgski (1839-1881)
discende da una famiglia
agiata della nobilt
russa. Il suo capolavoro
lirico, Boris Godunov, si
basa sulla tragedia di
Alexander Puschkin, nella
quale Boris Godunov,
proclamatosi zar e
sostenuto dal popolo,
fallisce nel suo ruolo.
Nel 1896, l’opera
conosce il successo in
una versione ritoccata da
Rimski Korsakov. La
versione originale di
Mussorgski contiene idee
uniche, dettagli
armonici, melodici e
strumenti innovativi. Per
trascrivere questo brano
per banda, Tohru
Takahashi ha raccolto i
superlativi temi musicali
dell’opera. $211.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mars -- God of War Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Eighth Note Publications
By David Marlatt. Concert Band. Concert Band; Part(s); Score. Eighth Note Public...(+)
By David Marlatt. Concert
Band. Concert Band;
Part(s); Score. Eighth
Note Publications. Grade
1.5. 224 pages. Published
by Eighth Note
Publications
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Zion Orchestre d'harmonie Theodore Presser Co.
Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet...(+)
Concert Band Bass
Clarinet, Bassoon 1,
Bassoon 2, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3,
Contrabassoon, English
Horn, Euphonium, Flute 1,
Flute 2, Flute 3, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3 and more.
SKU: PR.16500092L
For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L). UPC:
680160039531. 11 x 17
inches. Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland. $105.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Verso il Sole Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053848-010 A Tribute to t...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1053848-010
A Tribute to the
Sun. Composed by
Lorenzo Bocci. Applause
Series. Original Light
Music. Set (Score &
Parts). Composed 2005. 32
pages. De Haske
Publications #DHP
1053848-010. Published by
De Haske Publications
(BT.DHP-1053848-010).
English-German-French-
Dutch. Since the
beginning of mankind
people have realized that
the warmth and the light
of the sun were necessary
to develop life on earth
- by creating winds in
the air, by generating
rains through the
evaporation of sea water
and by allowing plants to
grow. The sun creates the
dynamism of the chain of
life. This is the reason
why ancient populations
adored the sun as the god
of cosmic order as
opposed to the god of
chaos or night, who
generated fear and the
necessity of defense.
This piece is a tribute
to the sun (Verso il
Sole) as an existential
symbol of life and
energy.
Sinds de
mensheid bestaat, hebben
mensen zich gerealiseerd
dat de warmte en het
licht van de zon nodig
waren voor de
ontwikkeling van het
leven op aarde. De zon
zorgt voor de dynamiek
van de cirkel van het
leven. Lorenzo Bocci
schreefdit werk als een
hulde aan de zon
(Verso il Sole) -
existentieel symbool van
leven en
energie.
Seit
Menschengedenken ist
bekannt, dass die
Wärme und das Licht
der Sonne notwendig
für alles Leben auf
der Erde ist. Sie bildet
den Antrieb des
Kreislaufs des Lebens.
Alte Völker verehrten
die Sonne als Gott der
Ordnung des Weltalls, als
Gegenspieler des Gottes
des Chaos und der Nacht.
Verso il Sole - an
die Sonne - ist ein
Tribut des italienischen
Komponisten Lorenzo Bocci
an die Sonne als das
existentielle Symbol des
Lebens und der Energie.
Lassen Sie die Sonne in
Ihr
Konzert!
Dès
les débuts de
l’humanité,
l’homme a pris
conscience que la chaleur
et la lumière du
soleil étaient
nécessaires au
développement de la
vie terrestre. Le soleil
est le principe actif du
cycle de vie. Ainsi, de
nombreuses cultures et
civilisations anciennes
vénéraient le
Soleil comme le dieu de
l’ordre cosmique,
par opposition aux forces
du chaos ou de la nuit,
qui suscitaient la
crainte et un esprit de
défense. Verso il Sole
(“Vers le Soleil
â€) est un hommage
musical au Soleil en tant
que symbole existentiel,
source de vie et
d’énergie. <
br>Dagli inizi
dell’umanit ,
l’uomo è stato
cosciente del fatto che
il calore e la luce del
sole erano necessari allo
sviluppo della vita
terrestre. Il sole è
il principio attivo del
circolo della vita.
Numerose culture e civilt
antiche venerarono il
Sole come il Dio
dell’ordine
cosmico, in
contrapposizione a Dio
del caos o della notte,
che generava paura e
necessit di difesa. Verso
il Sole è un omaggio
musicale al Sole come
simbolo esistenziale,
sorgente di vita ed
energia. $125.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Verso il Sole Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053848-140 A Tribute to t...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1053848-140
A Tribute to the
Sun. Composed by
Lorenzo Bocci. Applause
Series. Original Light
Music. Score Only.
Composed 2005. 32 pages.
De Haske Publications
#DHP 1053848-140.
Published by De Haske
Publications
(BT.DHP-1053848-140).
English-German-French-
Dutch. Since the
beginning of mankind
people have realized that
the warmth and the light
of the sun were necessary
to develop life on earth
- by creating winds in
the air, by generating
rains through the
evaporation of sea water
and by allowing plants to
grow. The sun creates the
dynamism of the chain of
life. This is the reason
why ancient populations
adored the sun as the god
of cosmic order as
opposed to the god of
chaos or night, who
generated fear and the
necessity of defense.
This piece is a tribute
to the sun (Verso il
Sole) as an existential
symbol of life and
energy.
Sinds de
mensheid bestaat, hebben
mensen zich gerealiseerd
dat de warmte en het
licht van de zon nodig
waren voor de
ontwikkeling van het
leven op aarde. De zon
zorgt voor de dynamiek
van de cirkel van het
leven. Lorenzo Bocci
schreefdit werk als een
hulde aan de zon
(Verso il Sole) -
existentieel symbool van
leven en
energie.
Seit
Menschengedenken ist
bekannt, dass die
Wärme und das Licht
der Sonne notwendig
für alles Leben auf
der Erde ist. Sie bildet
den Antrieb des
Kreislaufs des Lebens.
Alte Völker verehrten
die Sonne als Gott der
Ordnung des Weltalls, als
Gegenspieler des Gottes
des Chaos und der Nacht.
Verso il Sole - an
die Sonne - ist ein
Tribut des italienischen
Komponisten Lorenzo Bocci
an die Sonne als das
existentielle Symbol des
Lebens und der Energie.
Lassen Sie die Sonne in
Ihr
Konzert!
Dès
les débuts de
l’humanité,
l’homme a pris
conscience que la chaleur
et la lumière du
soleil étaient
nécessaires au
développement de la
vie terrestre. Le soleil
est le principe actif du
cycle de vie. Ainsi, de
nombreuses cultures et
civilisations anciennes
vénéraient le
Soleil comme le dieu de
l’ordre cosmique,
par opposition aux forces
du chaos ou de la nuit,
qui suscitaient la
crainte et un esprit de
défense. Verso il Sole
(“Vers le Soleil
â€) est un hommage
musical au Soleil en tant
que symbole existentiel,
source de vie et
d’énergie. <
br>Dagli inizi
dell’umanit ,
l’uomo è stato
cosciente del fatto che
il calore e la luce del
sole erano necessari allo
sviluppo della vita
terrestre. Il sole è
il principio attivo del
circolo della vita.
Numerose culture e civilt
antiche venerarono il
Sole come il Dio
dell’ordine
cosmico, in
contrapposizione a Dio
del caos o della notte,
che generava paura e
necessit di difesa. Verso
il Sole è un omaggio
musicale al Sole come
simbolo esistenziale,
sorgente di vita ed
energia. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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