Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2013.
Anglo Music Press
#AMP358140. Published by
Anglo Music Press
(HL.44012271).
UPC:
888680057664.
English-German-French-Dut
ch.
Looking Up,
Moving On was
commissioned by the Tokyo
Kosei Wind Orchestra and
was part of a tour
programme they gave in
May 2012, a tour which
included many areas that
had been devastated by
the 2011 earthquake and
tsunami.The theme of the
piece is the powerful
ability of mankind to
overcome such disasters
and look forward to a
positive future; it opens
in an appropriately
optimistic mood,
featuring bright
orchestral colours and
extensive syncopation. A
chorale-like fanfare is
soon introduced on horns
and euphonium, answered
by chirpy woodwinds. The
mood subsides until an
alto saxophone introduces
a brief quotation from
the composer's The Sun
Will RiseAgain, which
was written to raise
funds for victims of the
2011 disaster. The mood
soon changes and the
horns introduce a noble
theme under woodwind
flourishes. This leads to
the main Vivo
section of the piece
which is characterised
again by strong
syncopations as part of a
florid theme in the low
woodwinds. This melody
undergoes varied
development by all
sections of the band
until the horn fanfare
returns triumphally on
the brass. This is
extended and leads to a
faster coda which brings
together previous
material in counterpoint
to close the work in
optimistic mood.
Looking Up,
Moving On is
gecomponeerd in opdracht
van het Tokyo Kosei Wind
Orchestra. Het werk
maakte deel uit van een
programma uit mei 2012,
dat werd uitgevoerd
tijdens een tournee
waarbij veel regio's
werden bezocht die waren
verwoest door de
aardbeving en tsunami van
2011.Het thema van het
werk is het buitengewone
vermogen van de mens om
dergelijke rampen te
boven te komen en vooruit
te kijken naar een
positieve toekomst. De
opening is dan ook
optimistisch van
karakter, met heldere
orkestrale kleuren en een
rijkelijke syncopering.
Al snel wordt er een
koraalachtige fanfare
geintroduceerd door de
hoorns en het euphonium,
waarop een levendig
antwoord volgt in
dehoutblazerssectie. De
sfeer wordt dan steeds
kalmer totdat een
altsaxofoon een kort
citaat laat horen uit een
eerder werk van de
componist, The Sun
Will Rise Again, dat
werd geschreven om geld
in te zamelen voor de
slachtoffers van de ramp
uit 2011. De stemming
slaat vlug weer om: de
hoorns introduceren een
nobel thema, dat
weerklinkt onder
versieringen in het hout.
Dit leidt naar het Vivo,
het hoofdgedeelte, dat
eveneens wordt gekenmerkt
door sterke
syncoperingen, als
onderdeel van een
sierlijk thema in het
lage hout. De melodie
ondergaat een gevarieerde
ontwikkeling binnen alle
secties van het orkest,
totdat de hoornfanfare op
triomfantelijke wijze
terugkeert in het koper.
De fanfare wordt
vervolgens verder
uitgewerkt en voert ons
mee naar een snellere
coda, die voorafgaand
materiaal in contrapunt
samenbrengt en de
compositie in
optimistische stemming
afsluit.
Looking Up,
Moving Down wurde vom
Tokyo Kosei Wind
Orchestra in Auftrag
gegeben und war Teil des
Konzertprogramms einer
Tour im Mai 2012, welche
viele Gebiete einschloss,
die vom Erdbeben und
Tsunami im Jahr 2011
zerstort worden waren.
Thema dieses Stuckes ist
die gewaltige Fahigkeit
der Menschheit, uber
solche Katastrophen
hinwegzukommen und voll
Optimismus in die Zukunft
zu blicken; es beginnt
dementsprechend in einer
positiven Stimmung mit
strahlenden
Orchesterfarben und einer
ausgepragten
Synkopierung. Schon bald
wird eine choralartige
Fanfare auf den Hornern
und im Euphonium
vorgestellt, die von
munteren Holzblasern
beantwortet wird. Die
Stimmung flaut ab, bis
einAltsaxophon ein kurzes
Zitat aus The Sun Will
Rise Again anspielt,
das der Komponist zur
Spendenbeschaffung fur
die Opfer des Unglucks
2011 geschrieben hatte.
Kurz darauf folgt ein
Stimmungswechsel und die
Horner prasentieren ein
stattliches Thema,
begleitet von Fanfaren in
den Holzblasern. Dies
fuhrt zum mit Vivo
uberschriebenen Hauptteil
des Stuckes, der wiederum
von starken
Synkopierungen gepragt
ist, die Teil eines
bluhenden Themas in den
tiefen Holzblasern sind.
Diese Melodie durchlauft
eine vielgestaltige
Entwicklung durch alle
Instrumentengruppen des
Blasorchesters, bis das
Blech mit der Hornfanfare
triumphal zuruckkehrt.
Dies wird erweitert und
fuhrt zu einer
schnelleren Coda, in dem
verschiedenes zuvor
gehortes Material
kontrapunktisch
zusammenkommt, um das
Werk in einer
optimistischen Stimmung
zu beenden.
Looking Up,
Moving On est une
commande du Tokyo Kosei
Wind Orchestra. Cette
piece faisait partie du
programme de la tournee
effectuee par l'orchestre
en mai 2012, qui s'est
produit dans de
nombreuses regions
devastees par le
tremblement de terre et
le tsunami de 2011.La
composition a pour theme
l'immense capacite
humaine a surmonter de
telles catastrophes et
envisager l'avenir de
facon positive. Elle
debute justement dans un
climat optimiste
comportant de vives
couleurs orchestrales et
des passages syncopes.
Les cors et les euphonium
introduisent bientot une
fanfare en forme de
choral a laquelle
repondent des bois
petillants. L'ambiance
s'apaise jusqu'a ce
qu'unsaxophone alto
introduise un court
extrait de The Sun
Will Rise Again, du
meme compositeur, une
piece ecrite pour
collecter des fonds en
faveur des victimes du
desastre de 2011. Le
climat change hativement
lorsque les cors
introduisent un theme
noble par-dessus des
fioritures executees par
les bois. Vient ensuite
la principale section
vivo de la piece, qui se
caracterise, encore une
fois, par des syncopes
tres marquees dans le
cadre d'un theme fleuri
assure dans le registre
grave des bois. Cette
melodie fait l'objet de
divers developpements par
tous les pupitres de
l'orchestre jusqu'au
retour triomphant de la
fanfare soutenue par les
cuivres. Celle-ci se
prolonge pour mener a une
coda plus rapide qui
rassemble les elements
precedents en contrepoint
pour clore la piece dans
un climat optimiste.
Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
8+2+4+8+8+2+2+2+2+2+2+4+4
+4+2+2+3+3+3+4+1+1+1+1+3+
12+2 pages. Duration 3
minutes, 11 seconds. Carl
Fischer Music #CPS224.
Published by Carl Fischer
Music (CF.CPS224).
ISBN 9781491152508.
UPC:
680160910007.
Rainb
ow in the Clouds is
based on an old
traditional spiritual,
possibly an
African-American song
from the 19th century,
entitled God Put a
Rainbow in the
Clouds. Composer
Carol Brittin Chambers
was inspired by poetic
Maya Angelou to create of
setting of this beautiful
song. It is lush and
beautiful throughout and
will highlight the
musicianship of your
students. This would
serve as a welcome change
of pace piece on your
program for concert or
contest. Rainbow in
the Clouds was
commissioned by the
Pflugerville Middle
School Wind Ensemble in
Pflugerville, Texas,
directed by Shauna
Satrom. The piece
premiered in May 2017, in
memory and celebration of
Luis Ham, who was an
Assistant Principal at
Pflugerville Middle
School.This piece is
based on an old
traditional spiritual,
possibly an
African-American song
from the nineteenth
century, entitled God Put
a Rainbow in the Clouds.
The first time I heard
reference to this song
was in a Maya Angelou
video, in which she sings
a portion of it:
“When it looked
like the sun
wouldn’t shine
anymore, Oh, God put a
rainbow in the
clouds.†In the
video, Dr. Angelou honors
those who have
demonstrated kindness to
her in the past, and she
suggests that we all try
to be a blessing to
others. The Pflugerville
community believed that
Mr. Ham, with his
positive outlook, was
definitely a
“rainbow in the
clouds†for other
people.The piece begins
with a full ensemble
introduction, followed by
a woodwind treatment of
the first verse with a
fairly reserved tempo and
straight eighth-note
rhythm. When brass pick
up the melody on the
second phrase, we start
to hear the song more
like the original
spiritual, with
dotted-eighth, sixteenth
rhythms. The middle
section of the piece at
m. 22 begins to move at a
slightly quicker tempo,
and the mood becomes
lighter. This section
becomes a
call-and-response between
a euphonium solo and
upper woodwinds. The
final section of the
piece involves everyone
playing together joyously
and full, eventually
winding down with two
more solo statements in
flute and euphonium.Note
to the Conductor:Use this
piece to introduce or
reinforce the following
musical concepts:Lyrical,
expressive playing varied
stylesSolo
responsibilitiesKey
changes, tempo
changes.
Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 12
pages. Carl Fischer Music
#CPS224F. Published by
Carl Fischer Music
(CF.CPS224F).
ISBN
9781491153185. UPC:
680160910687.
Rainb
ow in the Clouds is
based on an old
traditional spiritual,
possibly an
African-American song
from the 19th century,
entitled God Put a
Rainbow in the
Clouds. Composer
Carol Brittin Chambers
was inspired by poetic
Maya Angelou to create of
setting of this beautiful
song. It is lush and
beautiful throughout and
will highlight the
musicianship of your
students. This would
serve as a welcome change
of pace piece on your
program for concert or
contest. Rainbow in
the Clouds was
commissioned by the
Pflugerville Middle
School Wind Ensemble in
Pflugerville, Texas,
directed by Shauna
Satrom. The piece
premiered in May 2017, in
memory and celebration of
Luis Ham, who was an
Assistant Principal at
Pflugerville Middle
School.This piece is
based on an old
traditional spiritual,
possibly an
African-American song
from the nineteenth
century, entitled God Put
a Rainbow in the Clouds.
The first time I heard
reference to this song
was in a Maya Angelou
video, in which she sings
a portion of it:
“When it looked
like the sun
wouldn’t shine
anymore, Oh, God put a
rainbow in the
clouds.†In the
video, Dr. Angelou honors
those who have
demonstrated kindness to
her in the past, and she
suggests that we all try
to be a blessing to
others. The Pflugerville
community believed that
Mr. Ham, with his
positive outlook, was
definitely a
“rainbow in the
clouds†for other
people.The piece begins
with a full ensemble
introduction, followed by
a woodwind treatment of
the first verse with a
fairly reserved tempo and
straight eighth-note
rhythm. When brass pick
up the melody on the
second phrase, we start
to hear the song more
like the original
spiritual, with
dotted-eighth, sixteenth
rhythms. The middle
section of the piece at
m. 22 begins to move at a
slightly quicker tempo,
and the mood becomes
lighter. This section
becomes a
call-and-response between
a euphonium solo and
upper woodwinds. The
final section of the
piece involves everyone
playing together joyously
and full, eventually
winding down with two
more solo statements in
flute and euphonium.Note
to the Conductor:Use this
piece to introduce or
reinforce the following
musical concepts:Lyrical,
expressive playing varied
stylesSolo
responsibilitiesKey
changes, tempo
changes.
Suite Orchestre d'harmonie - Intermédiaire EMB (Editio Musica Budapest)
Concert Band - Grade 3 SKU: BT.EMBZ14840SET For Concert Band. Comp...(+)
Concert Band - Grade 3
SKU:
BT.EMBZ14840SET
For Concert Band.
Composed by Istvan Bogar.
EMB Concert Band Series.
Concert Piece. Set (Score
& Parts). Composed 2013.
330 pages. Editio Musica
Budapest #EMBZ14840SET.
Published by Editio
Musica Budapest
(BT.EMBZ14840SET).
István
Bogár's series of
movements intended for
youngsters is colourfully
instrumented, evocative
music, rich in melodic
invention in character it
is most closely akin to
Tchaikovsky's Nutcracker
ballet music. In the
opening movement (Little
march), little boys
wearing paper shakos on
their heads and carrying
wooden swords play at
soldiers. The following
movement, Humming, is the
only movement in the
suite that is calm and in
odd-numbered rhythm in it
the children gather
flowers in their little
baskets, and meanwhile
hum pleasant tunes. The
third movement is a funny
game, with its tempo
sometimes speeding up,
sometimes slowing down,
but by the end really
going wild.The titleof
the finale is Game of
tag. The tiny formal
sections and interludes
in this lively, cheerful
music are linked together
by a recurring rondo
theme, and the chase ends
with a brief coda.
Das schwungvolle
Werk richtet sich an
Nachwuchsbands, die gerne
etwas Neues ausprobieren.
In den vier Sätzen
spielt es mit Tempi,
Klangfarben und Rhythmen
und wird dabei von einem
wiederkehrenden
Rondothema
zusammengehalten. Das
fulminante Ende wird alle
begeistern, die das Werk
hören und spielen.
Concert Band/Harmonie - Grade 4 SKU: BT.1750-10-010-MS Arranged by Naohir...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1750-10-010-MS
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Pop & Rock. Set
(Score & Parts). Composed
2010. Music Sales
#1750-10-010 MS.
Published by Music Sales
(BT.1750-10-010-MS).
9x12 inches.
English-German-French-Dut
ch.
Four
unforgettable disco songs
come together in one
stunning medley. Up fi
rst is the 1979 dance
floor hit I’m in
the Mood for Dancing by
The Nolans. Next the
medley quiets down with a
charming love song,
Lovin’ You, a song
Minnie Riperton dedicated
to her daughter. You
Can’t Hurry Love
was a huge success for
The Supremes in 1966 and
Phil Collins repeated
their success in 1983
making the song immortal.
This exciting medley ends
with Olivia
Newton-John’s
hit-song Xanadu, from her
1980 musical of the same
name.
Vier
Evergreens aus der
Disco-Ära in einem
Blasorchester-Medley: Den
Anfang macht
I’m in the Mood
for Dancing, mit dem
die Geschwister- Combo
The Nolans 1979 auf vier
Kontinenten die Menschen
auf die Tanzflächen
jagte. Danach folgt als
Ruhepunkt das bezaubernde
Liebeslied
Lovin’ You,
das Minnie Riperton 1975
ihrer kleinen Tochter
widmete. You
Can’t Hurry
Love war in der
Originalversion von 1966
für die Supremes
ein Riesenhit - Phil
Collins wiederholte
diesen Erfolg 1983 und
machte den Song
unsterblich. Den
Abschluss von Naohiro
Iwais mitreißendem
Medley bildet Olivia
Newton-Johns Hit
Xanadu aus dem
gleichnamigen Musical von
1980.
Questo medley
racchiude quattro
standard degli anni della
musica disco: I’m
in the Mood for Dancing
delle Nolan Sisters
anticipa le deliziose
note della ballata
Lovin’ You di
Minnie Ripperton. Nel
1966, The Supremes
conoscono la gloria con
la versione originale di
Can’t Hurry Love.
Nel 1983, Phil Collins
replica il successo dei
Supremes e rende la
canzone immortale. Per
concludere il suo medley,
Naohiro Iwai ha scelto
Xanadu (1980) la canzone
della commedia musicale
interpretata da Olivia
Newton John.
Concert Band/Harmonie - Grade 4 SKU: BT.1750-10-140-MS Arranged by Naohir...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1750-10-140-MS
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Pop & Rock. Score
Only. Composed 2010. 44
pages. Music Sales
#1750-10-140 MS.
Published by Music Sales
(BT.1750-10-140-MS).
9x12 inches.
English-German-French-Dut
ch.
Four
unforgettable disco songs
come together in one
stunning medley. Up fi
rst is the 1979 dance
floor hit I’m in
the Mood for Dancing by
The Nolans. Next the
medley quiets down with a
charming love song,
Lovin’ You, a song
Minnie Riperton dedicated
to her daughter. You
Can’t Hurry Love
was a huge success for
The Supremes in 1966 and
Phil Collins repeated
their success in 1983
making the song immortal.
This exciting medley ends
with Olivia
Newton-John’s
hit-song Xanadu, from her
1980 musical of the same
name.
Vier
Evergreens aus der
Disco-Ära in einem
Blasorchester-Medley: Den
Anfang macht
I’m in the Mood
for Dancing, mit dem
die Geschwister- Combo
The Nolans 1979 auf vier
Kontinenten die Menschen
auf die Tanzflächen
jagte. Danach folgt als
Ruhepunkt das bezaubernde
Liebeslied
Lovin’ You,
das Minnie Riperton 1975
ihrer kleinen Tochter
widmete. You
Can’t Hurry
Love war in der
Originalversion von 1966
für die Supremes
ein Riesenhit - Phil
Collins wiederholte
diesen Erfolg 1983 und
machte den Song
unsterblich. Den
Abschluss von Naohiro
Iwais mitreißendem
Medley bildet Olivia
Newton-Johns Hit
Xanadu aus dem
gleichnamigen Musical von
1980.
Questo medley
racchiude quattro
standard degli anni della
musica disco: I’m
in the Mood for Dancing
delle Nolan Sisters
anticipa le deliziose
note della ballata
Lovin’ You di
Minnie Ripperton. Nel
1966, The Supremes
conoscono la gloria con
la versione originale di
Can’t Hurry Love.
Nel 1983, Phil Collins
replica il successo dei
Supremes e rende la
canzone immortale. Per
concludere il suo medley,
Naohiro Iwai ha scelto
Xanadu (1980) la canzone
della commedia musicale
interpretata da Olivia
Newton John.
By Various. Concert Band. For 1st/2nd Baritone BC. Swiss import. Light Music; Po...(+)
By Various. Concert Band.
For 1st/2nd Baritone BC.
Swiss import. Light
Music; Pop. Level: Grade
2+. Part. Published by
Editions Marc Reift. (EMR
1430-27)
By Various. Concert Band. For 1st Bb Trumpet (Cornet). Swiss import. Light Music...(+)
By Various. Concert Band.
For 1st Bb Trumpet
(Cornet). Swiss import.
Light Music; Pop. Level:
Grade 2+. Part. Published
by Editions Marc Reift.
(EMR 1430-14)
By Various. Concert Band. For Eb Baritone Saxophone. Swiss import. Light Music; ...(+)
By Various. Concert Band.
For Eb Baritone
Saxophone. Swiss import.
Light Music; Pop. Level:
Grade 2+. Part. Published
by Editions Marc Reift.
(EMR 1430-12)
By Various. Concert Band. For Bb Tenor Saxophone. Swiss import. Light Music; Pop...(+)
By Various. Concert Band.
For Bb Tenor Saxophone.
Swiss import. Light
Music; Pop. Level: Grade
2+. Part. Published by
Editions Marc Reift. (EMR
1430-11)
By Various. Concert Band. For Tuba BC/Bass Guitar. Swiss import. Light Music; Po...(+)
By Various. Concert Band.
For Tuba BC/Bass Guitar.
Swiss import. Light
Music; Pop. Level: Grade
2+. Part. Published by
Editions Marc Reift. (EMR
1430-32)
By Various. Concert Band. For 2nd Bb Trombone TC. Swiss import. Light Music; Pop...(+)
By Various. Concert Band.
For 2nd Bb Trombone TC.
Swiss import. Light
Music; Pop. Level: Grade
2+. Part. Published by
Editions Marc Reift. (EMR
1430-24)
By Various. Concert Band. For 1st/2nd Baritone BC. Swiss import. Light Music; Po...(+)
By Various. Concert Band.
For 1st/2nd Baritone BC.
Swiss import. Light
Music; Pop. Level: Grade
2+. Part. Published by
Editions Marc Reift. (EMR
1430-27)
By Various. Concert Band. For Tuba BC/Bass Guitar. Swiss import. Light Music; Po...(+)
By Various. Concert Band.
For Tuba BC/Bass Guitar.
Swiss import. Light
Music; Pop. Level: Grade
2+. Part. Published by
Editions Marc Reift. (EMR
1430-32)
By Various. Concert Band. For 2nd/3rd Bb Trumpet (Cornet). Swiss import. Light M...(+)
By Various. Concert Band.
For 2nd/3rd Bb Trumpet
(Cornet). Swiss import.
Light Music; Pop. Level:
Grade 2+. Part. Published
by Editions Marc Reift.
(EMR 1430-15)
By Various. Concert Band. For 2nd Bb Trombone TC. Swiss import. Light Music; Pop...(+)
By Various. Concert Band.
For 2nd Bb Trombone TC.
Swiss import. Light
Music; Pop. Level: Grade
2+. Part. Published by
Editions Marc Reift. (EMR
1430-24)
By Various. Concert Band. For Bb Bass Trombone BC. Swiss import. Light Music; Po...(+)
By Various. Concert Band.
For Bb Bass Trombone BC.
Swiss import. Light
Music; Pop. Level: Grade
2+. Part. Published by
Editions Marc Reift. (EMR
1430-39)
By Various. Concert Band. For Eb Baritone Saxophone. Swiss import. Light Music; ...(+)
By Various. Concert Band.
For Eb Baritone
Saxophone. Swiss import.
Light Music; Pop. Level:
Grade 2+. Part. Published
by Editions Marc Reift.
(EMR 1430-12)