Taylor Swift: Eras Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Hal Leonard
Score and Parts Concert Band (Score and Parts) - Grade 2 SKU: HL.4008522 ...(+)
Score and Parts Concert
Band (Score and Parts) -
Grade 2
SKU:
HL.4008522
By Taylor
Swift. Arranged by
Johnnie Vinson. Discovery
Plus Concert Band.
Concert, Pop. Softcover.
Duration 335 seconds.
Published by Hal Leonard
(HL.4008522).
UPC:
196288176848.
9.0x12.0x0.742
inches.
Pop icon
Taylor Swift has
continued to expand her
popularity thanks to her
“Eras Tour” across
the country, and now a
concert film. Here is a
great-sounding medley for
young bands featuring
signature hits from her
various “eras.”
Includes: You Belong to
Me, Enchanted, I Knew You
Were Trouble, Shake It
Off, Look What You Made
Me Do, Cardigan, and
Anti-Hero.
What Child Is This? Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Editions Marc Reift (Swiss import)
Arranged by Ted Parson. Concert Band. For SATB Chorus and Concert Band. Swiss im...(+)
Arranged by Ted Parson.
Concert Band. For SATB
Chorus and Concert Band.
Swiss import. Christmas.
Level: Grade 3 . Score
and parts. Published by
Editions Marc Reift. (EMR
10567)
Score and Parts Concert Band (Score and Parts) - Grade 3 SKU: HL.4008730...(+)
Score and Parts
Concert Band (Score and
Parts) - Grade 3
SKU:
HL.4008730
Concert
Band, Grade 3 3:50 Score
and parts. Composed
by Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392302.
Published by Hal Leonard
(HL.4008730).
ISBN
9798350119473. UPC:
196288195238.
The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
Concert
Band, Grde 3 3:50
Score. Composed by
Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392301.
Published by Hal Leonard
(HL.4008731).
UPC:
196288195245.
The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
Ministry of Winds Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band (Score & Parts) - Grade 3 SKU: HL.44011055 Composed by Jacob...(+)
Concert Band (Score &
Parts) - Grade 3
SKU:
HL.44011055
Composed
by Jacob De Haan. De
Haske Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2010.
De Haske Publications
#1104939010. Published by
De Haske Publications
(HL.44011055).
Ministry of
Winds provides some
interesting food for
thought that Jacob de
Haan translates into
music. What if there was
a Ministry of Winds? It
would be in charge of the
advancement and
dissemination of music
throughout the nation, as
well as strengthening the
state through music and
providing its citizens
with entertainment,
support, comfort and joy.
All these aspects are
mirrored in Jacob de
Haan's composition,
culminating in all the
joy and happiness the
creation of this ministry
has provided to the
people.
Ministr
y of Winds is een
interessant hersenspinsel
van Jacob de Haan dat hij
omzette in muziek: hoe
zou het zijn, als we een
ministerie van
blaasmuziek hadden? Met
als taak de promotie en
de verspreiding van
muziek in het land?Zo'n
ministerie zou het land
een echt groepsgevoel
kunnen geven en de
burgers amusement,
kracht, trots en geluk
brengen. Al deze aspecten
komen terug in deze
compositie van Jacob de
Haan. Een compositie
waarin het volk
jubeltover het geluk dat
hen ten deel is gevallen
door de inspanningen van
het
ministerie!
Minist
ry of Winds ist ein
interessantes
Gedankenspiel, das Jacob
de Haan in Musik
umsetzte: Was ware, wenn
es ein Ministerium
für Blasmusik gabe?
Dessen Aufgabe ware die
Forderung und Verbreitung
der Musik im Staat, aber
auch durch die Musik den
Staat zu festigen und den
Bürgern
Unterhaltung, Kraft,
Trost und Glück zu
bringen. All diese
Aspekte spiegeln sich in
Jacob de Haans
Komposition wider, an
deren Ende das Volk
über das
Glück, das ihnen
durch das Schaff en des
Ministeriums zuteil
geworden ist,
jubelt!
The
Ministry of Winds est
une œuvre puissante
et solidement charpentee.
Elle alterne des passages
intenses et lyriques, et
un charmant theme baroque
qui se glisse avec
legerete a travers la
texture musicale.
L'œuvre contient
plusieurs motifs
recurrents. Peu a peu, la
trame prend la forme
d'une melodie
pentatonique
partiellement celtique.
Le tableau final est
eclatant.
Ministry of Winds
e un brano potente che
alterna passaggi intensi
e lirici a un piacevole
tema barocco che scivola
con leggerezza attraverso
la tessitura musicale. Il
brano contiene alcuni
motivi ricorrenti.
Procedendo
nell'esecuzione, la trama
assume la forma di una
melodia pentatonica dagli
accenti celtici, fino al
sorprendente finale.
Concert Band - Grade 4 SKU: ML.013766100 The Life of Entgen Luijten(+)
Concert Band - Grade 4
SKU: ML.013766100
The Life of Entgen
Luijten. Composed by
Suzanne Welters. Full
set. Molenaar Edition
#013766100. Published by
Molenaar Edition
(ML.013766100).
Limbricht, near
Sittard, in the late 17th
century. Throughout her
life, Entgen Luijten is
used to going her own
way, in family matters,
in business and in love.
She is supported in this
by a great knowledge of
nature, which she also
regularly uses to help
her fellow villagers. But
then, because of some
unfortunate incidents,
she is accused of
witchcraft. The lord of
the castle is eager for a
confession, for which he
uses every means made
available to him by the
Inquisition. But what if
Entgen holds out against
all
odds?
Limbricht,
nabij Sittard, eind
zeventiende eeuw. Haar
leven lang is Entgen
Luijten gewend haar eigen
weg te gaan, in
familiekwesties, in zaken
en in de liefde. Ze wordt
daarin gesteund door een
grote kennis van de
natuur, die ze ook
regelmatig aanwendt om
haar dorpsgenoten te
helpen. Maar dan wordt ze
vanwege een paar
ongelukkige voorvallen
beschuldigd van hekserij.
De kasteelheer is gebrand
op een bekentenis,
waarvoor hij gebruikmaakt
van alle middelen die de
inquisitie hem ter
beschikking stelt. Maar
wat als Entgen tegen alle
verwachtingen in
standhoudt?
Limbri
cht, près de Sittard, à
la fin du XVIIe siècle.
Tout au long de sa vie,
Entgen Luijten a
l'habitude de suivre sa
propre voie, que ce soit
dans les affaires
familiales,
professionnelles ou
amoureuses. Elle s'appuie
pour cela sur une grande
connaissance de la
nature, qu'elle met
d'ailleurs
régulièrement au
service de ses
concitoyens. Mais à la
suite d'incidents
malheureux, elle est
accusée de sorcellerie.
Le seigneur du château
est avide d'aveux et
utilise pour cela tous
les moyens mis à sa
disposition par
l'Inquisition. Mais que
se passera-t-il si Entgen
résiste contre vents et
marées
?
Limbricht, in
der Nähe von Sittard, im
späten 17. Jahrhundert.
Entgen Luijten ist es
gewohnt, ihr Leben lang
ihren eigenen Weg zu
gehen, in
Familienangelegenheiten,
im Geschäft und in der
Liebe. Unterstützt wird
sie dabei durch ein
großes Wissen über die
Natur, das sie auch
regelmäßig einsetzt, um
ihren Mitbürgern zu
helfen. Doch dann wird
sie aufgrund einiger
unglücklicher Vorfälle
der Hexerei bezichtigt.
Der Schlossherr will ein
Geständnis und setzt
dafür alle Mittel ein,
die ihm die Inquisition
zur Verfügung stellt.
Aber was, wenn Entgen
allen Widrigkeiten zum
Trotz durchhält?
(Featuring: Look to the Stars / If You Love These People / Goodbye My Son / ...(+)
(Featuring: Look to the
Stars / If You Love These
People / Goodbye My Son /
Oil Rig / What Are You
Going
to Do When You Are Not
Saving the World?).
Composed
by Hans Zimmer
[Superman].
Arranged by Michael
Story.
Concert Band. Concert
Band;
Part(s); Score;
SmartMusic.
Pop Young Band. Form:
Medley. Movie. Grade 2.
250
pages. Published by
Alfred
Music
(Featuring: Look to the Stars / If You Love These People / Goodbye My Son / Oil ...(+)
(Featuring: Look to the
Stars / If You Love These
People / Goodbye My Son /
Oil Rig / What Are You
Going to Do When You Are
Not Saving the World?).
By Hans Zimmer
[Superman]. Arranged by
Michael Story and Michael
Story. Concert Band.
Concert Band; Score.
Man of Steel, Suite from Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: Look to the Stars / DNA / Goodbye My Son / Launch / Krypton's Last...(+)
(Featuring: Look to the
Stars / DNA / Goodbye My
Son
/ Launch / Krypton's Last
/
If You Love These People
/
Flight / What Are You
Going
to Do When You Are Not
Saving the World?).
Composed
by Hans Zimmer (1957-).
Arranged by Ralph Ford.
Concert Band. Concert
Band;
Part(s); Score;
SmartMusic.
Pop Concert Band. Form:
Medley; Suite. Movie.
Grade
3.5. 344 pages. Published
by
Alfred Music
(Featuring: What Is Hip? / You're Still a Young Man / Down to the Night Club). A...(+)
(Featuring: What Is Hip?
/ You're Still a Young
Man / Down to the Night
Club). Arranged by Victor
Lopez. Concert Band.
Concert Band; Score;
SmartMusic. Pop Concert
Band. Form: Medley. Funk;
Pop. Grade 3.5. 52 pages.
Published by Alfred Music
(Featuring: What Is Hip? / You're Still a Young Man / Down to the Night Club). A...(+)
(Featuring: What Is Hip?
/ You're Still a Young
Man / Down to the Night
Club). Arranged by Victor
Lopez. Concert Band.
Concert Band; Part(s);
Score. Pop Concert Band.
Form: Medley. Funk; Pop.
Grade 3.5. Published by
Alfred Music
(Steady As The Beating Drum / Mine, Mine, Mine / Colours Of The Wind / If I Neve...(+)
(Steady As The Beating
Drum / Mine, Mine, Mine /
Colours Of The Wind / If
I Never Knew You). By St.
Schwartz / A. Menken.
Arranged by Hans van der
Heide. For Concert Band.
Film / Selections of
Opera/Musical/Movies/TV /
Cartoon / Arrangements of
Modern Light Music. Movie
and Musical. Grade 3.
Score
Odysseia Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-140 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-140
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2008. 52
pages. De Haske
Publications #DHP
1084443-140. Published by
De Haske Publications
(BT.DHP-1084443-140).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
Odysseia Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-010 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-010
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2008.
De Haske Publications
#DHP 1084443-010.
Published by De Haske
Publications
(BT.DHP-1084443-010).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
Comet Ride Orchestre d'harmonie [Conducteur et Parties séparées] - Facile FJH
By Brian Balmages. Intermediate Wind Band/Ensemble. FJH Developing Band. So what...(+)
By Brian Balmages.
Intermediate Wind
Band/Ensemble. FJH
Developing Band. So what
would it be like if
someone could actually
grab on to one of these
comets and take a ride
through the solar system?
Comet Ride seeks to
convey that very feeling.
The opening bold section
describes the sighting of
the comet and builds as
it gets closer and
closer. The piece then
takes off, launching a
wild comet ride filled
with excitement and
energy. Eventually, the
sheer beauty and awe of
outer space becomes the
focus of the work before
the piece builds once
again into a final roller
coaster of excitement.
Score for this title:
B1291S. Extra part for
this title: B1291P.
Concert Band. Level: 1.5.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Trombadour Rag Orchestre d'harmonie - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.0-931329-08-6 Composed by Stephen Kent Goo...(+)
Concert band - Grade 3
SKU:
MH.0-931329-08-6
Composed by Stephen Kent
Goodman. Suitable for
advanced middle school,
high school, community
and college bands.
Conductor Full Score.
Duration 3:00. Published
by Manhattan Beach Music
(MH.0-931329-08-6).
ISBN
9780931329081.
What
if Troubadours abandoned
their lutes and took up
the slide trombone? and
marched, in ragtime,
playing smears? what
then? On- and off-kilter
fun, high spirits,
glorious melody. Go,
trombadours, go! Ensemble
instrumentation: 1
Piccolo, 8 Flute 1-2, 2
Oboe 1-2, 2 Bassoon 1-2,
1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 1 Eb
Alto Clarinet, 2 Bb Bass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Cornet 1,
3 Bb Cornet 2, 3 Bb
Cornet 3, 2 Horn in F
1-2, 2 Horn in F 3-4, 4
Trombone 1-2, 2 Tr ombone
3, 3 Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
3 Mallet Percussion, 4
Drums.
Taylor Swift: Eras Orchestre d'harmonie [Conducteur] - Facile Hal Leonard
Concert Band (Score) - Grade 2 SKU: HL.4008523 By Taylor Swift. Arranged ...(+)
Concert Band (Score) -
Grade 2
SKU:
HL.4008523
By Taylor
Swift. Arranged by
Johnnie Vinson. Discovery
Plus Concert Band.
Concert, Pop. Softcover.
Duration 220 seconds.
Published by Hal Leonard
(HL.4008523).
UPC:
196288176855.
9.0x12.0x0.073
inches.
Pop icon
Taylor Swift has
continued to expand her
popularity thanks to her
“Eras Tour” across
the country, and now a
concert film. Here is a
great-sounding medley for
young bands featuring
signature hits from her
various “eras.”
Includes: You Belong to
Me, Enchanted, I Knew You
Were Trouble, Shake It
Off, Look What You Made
Me Do, Cardigan, and
Anti-Hero.
(Angels We Have Heard on High - Away in a Manger - O Come, All Ye Faithful). Arr...(+)
(Angels We Have Heard on
High - Away in a Manger -
O Come, All Ye Faithful).
Arranged by James
Swearington. For young
concert band. Command
Series. Grade 2. Score
and set of parts.
Duration 3 minutes, 34
seconds. Published by
C.L. Barnhouse
Orchestra Concert Band SKU: PR.116400500 Composed by Carter Pann. Folio. ...(+)
Orchestra Concert Band
SKU: PR.116400500
Composed by Carter Pann.
Folio. Set of Score and
Parts.
28+2+2+2+2+2+2+2+2+2+2+2+
2+2+2+2+2+2+2+2+2+2+2+2+2
+2+2+2+4+16+16+20+20+10
pages. Duration 5
minutes. Theodore Presser
Company #116-40050.
Published by Theodore
Presser Company
(PR.116400500).
ISBN
9781491130773. UPC:
680160676729. 9 x 12
inches.
TINY TATTOO
was written after the
composer visited a
“treetopâ€
bistro at Big Sur,
California. The
restaurant is named
Nepenthe, after an
ancient Greek elixir
fabled to relieve any and
all sorrows. This
spot-on-the-cliff made
such an impression on
Pann that musical ideas
immediately started
flowing, giving rise to
the opening hook of this
5-minute orchestral work.
Written as a gift to
conductor Alastair
Willis, TINY TATTOO is a
highly catchy and
colorful work with
exciting percussion
parts, equally suitable
for advanced student
orchestras, professional
ensembles, and everything
in between. TINY
TATTOO (2017) was written
after visiting a
“treetopâ€
bistro at Big Sur,
California with my wife
after driving the entire
day up from L.A. The
restaurant is called
“Nepenthe,â€
named after an ancient
Greek elixir fabled to
relieve one from any and
all sorrows. This
spot-on-the-cliff made
such an impression on me
(in my exhausted state)
that I immediately began
humming the opening
minimal hook in what is
now this piece. Any
well-known excerpts
containted within the
work are happy
accidents.Tiny Tattoo was
written as a gift to
conductor Alastair
Willis.
SKU: GI.G-10580 Philosopher and Practitioner in Dialogue. Composed...(+)
SKU: GI.G-10580
Philosopher and
Practitioner in
Dialogue. Composed by
William Perrine. Music
Education. 430 pages. GIA
Publications #10580.
Published by GIA
Publications
(GI.G-10580).
ISBN
9781622776375.
Cont
ributors: Travis J. Cross
(University of
California–Los
Angeles) • David J.
Elliott (New York
University) •
Marissa Silverman
(Montclair State
University) • Jacob
Wallace (South Dakota
State University) •
Randall Everett Allsup
(Teachers College,
Columbia University)
• Cynthia Johnston
Turner (Wilfrid Laurier
University) •
Carolyn Barber
(University of
Nebraska-Lincoln) •
John Kratus (Independent
Scholar) • Vincent
C. Bates (Weber State
University) •
Thomas G. Warner, Jr.
(North Carolina
Agricultural and
Technical State
University) • Ben
Hawkins (Transylvania
University) •
Thomas A. Regelski (SUNY
Fredonia School of Music,
Helsinki University of
Finland) • Paul
Woodford (Western
University) •
Charles Peltz (New
England Conservatory of
Music) In the wind band
profession—as in
every great
discipline—it is
critical to take stock in
the big questions about
where we are heading, and
why, as we move through
the twenty-first century.
This thought-provoking
book contains seven
high-level exchanges
between a leading wind
band practitioner and a
music education
philosopher. Each section
of The Future of the Wind
Band grapples with the
most profound issues
facing the music
education profession and
the path of instrumental
music education in our
schools: Relevance: What
relevance, if any, does
the wind band have both
to today’s
students and to culture
more broadly in the
twenty-first century?
What relevance does the
band experience hold for
students’ everyday
life? Repertoire: What is
the relationship between
the repertoire performed
by wind ensembles and the
larger musical world?
Pedagogy: What
constitutes best practice
in terms of musical
pedagogy and rehearsal
technique within the
large-ensemble
experience? Creativity:
Can the wind band
function as a vehicle for
enhancing the individual
creativity of its
members? Economic
Justice: How do issues of
social class and the
distribution of wealth
relate to broader
questions of social
justice within the
context of instrumental
music education?
Professional Ethics: What
are the primary ethical
responsibilities of the
wind band conductor?
Democratic Citizenship:
What relationship, if
any, can be drawn between
membership in the wind
band and citizen
participation in
democracy? Such exchanges
can only strengthen our
profession and pay rich
dividends in our musical
and educational work with
the students we serve.
Editor of this book,
William (Bill) M. Perrine
is Associate Professor of
Music and Director of
Instrumental Activities
at Concordia University
in Ann Arbor, Michigan,
where he directs the wind
ensemble, marching band,
and community
orchestra.
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.46500013L
For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L).
UPC:
680160600151. 11 x 14
inches.
I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band
SKU:
PR.465000130
For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130).
ISBN
9781598064070. UPC:
680160600144. 9x12
inches.
Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.