Grade 2

SKU: CL.015-2857-00

Composed by K. Harris. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR183). March. Score and set of parts. Composed 1997. Duration 2 minutes, 24 seconds. C.L. Barnhouse #015-2857-00. Published by C.L. Barnhouse (CL.015-2857-00).

Ken Harris definitely has a long tradition of writing exceptional marches for younger bands and his latest, Winning Tradition is one of his nicest. Tuneful and playable with modest technical requirements, you simply can’t go wrong with this quality march. Perfect for contest or concert performances. A Real Winner! Recorded on the CD King’s Mountain Adventure by The Washington Winds.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-0940538-210

Composed by Jerry Herman. Arranged by Naohiro Iwai. New Sounds for Concert Band. TV-Film-Musical-Show. Score Only. Composed 1994. De Haske Publications #DHP 0940538-210. Published by De Haske Publications (BT.DHP-0940538-210).

Mame became Broadway Grammy winning composer Jerry Herman’s second international success following that of Hello, Dolly!. Naohiro Iwai has chosen the biggest hits from Mame for his medley.

Mame war 1966 nach Hello, Dolly! der zweite weltweite Musical-Erfolg für den Broadwaykomponisten Jerry Herman - übertroffen vielleicht nur durch das spätere Ein Käfig voller Narren. Aus Mame, für das Herman mit einem Grammy für das beste Musical und einem weiteren Grammy als Komponist und Texter ausgezeichnet wurde, sind in diesem flotten Medley vier Titel verarbeitet.

Jerry Herman, est l’auteur de plusieurs grands succès de Broadway, dont Hello, Dolly! (1964) et l’inoubliable Cage aux Folles(1983), entre autres. La comédie musicale Mame (1966) fut son deuxième grand succès, dont le souvenir est indissociablement lié la créatrice du rôle principal, la délicieuse Angela Lansbury. Inspirée par un roman de Patrick Dennis, l’histoire de Mame est celle d’un petit garçon qui, la mort de ses parents la fin des années 1920, est recueilli par sa tante Mame, une femme un peu excentrique mais terriblement attachante, qui mène une vie de fêtes perpétuelles avec la “jet set” new-yorkaise. Difficile de ne se pas se laisser entraînerpar cet excellent arrangement de l’une des œuvres emblématiques de l’ ge d’or de Broadway.

Difficile non lasciarsi entusiasmare da questo eccellente arrangiamento di una delle opere emblematiche dell’et d’oro di Broadway. La commedia musicale Mame firmata Jerry Herman, è ispirata da un romanzo di Patrick Dennis. La storia è quella di un ragazzino che dopo la morte dei suoi genitori viene adottato dalla zia Mame, una donna eccentrica ma molto buona che conduce una vita da “jet-setter” a New York.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-0940538-010

Composed by Jerry Herman. Arranged by Naohiro Iwai. New Sounds for Concert Band. Original Light Music. Set (Score & Parts). Composed 1994. De Haske Publications #DHP 0940538-010. Published by De Haske Publications (BT.DHP-0940538-010).

Mame became Broadway Grammy winning composer Jerry Herman’s second international success following that of Hello, Dolly!. Naohiro Iwai has chosen the biggest hits from Mame for his medley.

Mame war 1966 nach Hello, Dolly! der zweite weltweite Musical-Erfolg für den Broadwaykomponisten Jerry Herman - übertroffen vielleicht nur durch das spätere Ein Käfig voller Narren. Aus Mame, für das Herman mit einem Grammy für das beste Musical und einem weiteren Grammy als Komponist und Texter ausgezeichnet wurde, sind in diesem flotten Medley vier Titel verarbeitet.

Jerry Herman, est l’auteur de plusieurs grands succès de Broadway, dont Hello, Dolly! (1964) et l’inoubliable Cage aux Folles(1983), entre autres. La comédie musicale Mame (1966) fut son deuxième grand succès, dont le souvenir est indissociablement lié la créatrice du rôle principal, la délicieuse Angela Lansbury. Inspirée par un roman de Patrick Dennis, l’histoire de Mame est celle d’un petit garçon qui, la mort de ses parents la fin des années 1920, est recueilli par sa tante Mame, une femme un peu excentrique mais terriblement attachante, qui mène une vie de fêtes perpétuelles avec la “jet set” new-yorkaise. Difficile de ne se pas se laisser entraînerpar cet excellent arrangement de l’une des œuvres emblématiques de l’ ge d’or de Broadway.

Difficile non lasciarsi entusiasmare da questo eccellente arrangiamento di una delle opere emblematiche dell’et d’oro di Broadway. La commedia musicale Mame firmata Jerry Herman, è ispirata da un romanzo di Patrick Dennis. La storia è quella di un ragazzino che dopo la morte dei suoi genitori viene adottato dalla zia Mame, una donna eccentrica ma molto buona che conduce una vita da “jet-setter” a New York.

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-1165659-010

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2016. De Haske Publications #DHP 1165659-010. Published by De Haske Publications (BT.DHP-1165659-010).

English-German-French- Dutch.

This work is named after the Turkish word for ‘landscape’: Manzara. The title describes the marshland in Rheinland-Pfalz, which in 150 years has gradually been transformed into a wild landscape through the harvesting of peat. Different musical elements such as fugues and rhythmical patterns, as well as beautiful melodic themes, depict several aspects of the evolution and occurrences of this region. An exciting and challenging concert or contest piece!

Dit werk is genoemd naar een Turks woord voor landschap: Manzara. De muziek verklankt het veenmoerasland in Rijnland-Palts, dat geleidelijk is getransformeerd tot een wild landschap, door de winning van turf. Diverse muzikale elementen, zoals fuga’s, ritmische motieven, maar ook mooie melodieuze thema’s, beschrijven verschillende aspecten van de ontwikkelingen in deze regio. Een meeslepend en uitdagend concert- of wedstrijdwerk!

Manzara bedeutet auf Türkisch Landschaft“. Das Werk beschreibt eine Bruchlandschaft in Rheinland-Pfalz, die sich während des 150 Jahre währenden Torfabbaus in eine wilde Landschaft verwandelt hat. Verschiedene musikalische Elemente wie Fugen und rhythmische Figuren sowie wunderschöne Melodien beschreiben einige Aspekte der Entwicklung und Ereignisse dieser Region. Dieses spannende und anspruchsvolle Werk eignet sich hervorragend als Konzert- oder Wettbewerbsstück!
< br>Cette œuvre porte le nom d’un mot turc pour paysage : Manzara. Elle dépeint les marais de Rhénanie-Palatinat qui, en 150 ans, furent transformés progressivement en paysage sauvage par l’exploitation de la tourbe. Des éléments musicaux comme des fugues, des motifs rythmiques, ainsi que de magnifiques thèmes mélodiques, dépeignent plusieurs aspects et évènements de l’évolution de cette région. Un morceau de concert ou de concours vibrant et exigeant !

Manzara è una parola turca che significa “paesaggio”. L’opera descrive le paludi della Renania, area nota per l’eccezionale prosperare di torba negli ultimi centocinquant’anni . Mediante una notevole ricchezza di elementi musicali come fughe e originali espedienti ritmici, il lavoro di Jacob de Haan esprime i movimenti della natura e la variet dei suoi colori con incredibile efficacia. Perfetto come brano da concorso!

Concert Band/Harmonie - Grade 4

SKU: HL.44002185

Composed by Jerry Herman. Arranged by Naohiro Iwai. De Haske Concert Band. TV-Film-Musical-Show. Score Only. Composed 1994. De Haske Publications #940538. Published by De Haske Publications (HL.44002185).

UPC: 073999698756. 6.75x10.5 inches.

Mame became Broadway Grammy winning composer Jerry Herman's second international success following that of Hello, Dolly!. Naohiro Iwai has chosen the biggest hits from Mame for his medley.

Mame war 1966 nach Hello, Dolly! der zweite weltweite Musical-Erfolg fur den Broadwaykomponisten Jerry Herman - ubertroffen vielleicht nur durch das spatere Ein Kafig voller Narren. Aus Mame, fur das Herman mit einem Grammy fur das beste Musical und einem weiteren Grammy als Komponist und Texter ausgezeichnet wurde, sind in diesem flotten Medley vier Titel verarbeitet.

Jerry Herman, est l'auteur de plusieurs grands succes de Broadway, dont Hello, Dolly! (1964) et l'inoubliable Cage aux Folles(1983), entre autres. La comedie musicale Mame (1966) fut son deuxieme grand succes, dont le souvenir est indissociablement lie a la creatrice du role principal, la delicieuse Angela Lansbury. Inspiree par un roman de Patrick Dennis, l'histoire de Mame est celle d'un petit garcon qui, a la mort de ses parents a la fin des annees 1920, est recueilli par sa tante Mame, une femme un peu excentrique mais terriblement attachante, qui mene une vie de fetes perpetuelles avec la jet set new-yorkaise. Difficile de ne se pas se laisser entrainerpar cet excellent arrangement de l'une des œuvres emblematiques de l'age d'or de Broadway.

Difficile non lasciarsi entusiasmare da questo eccellente arrangiamento di una delle opere emblematiche dell'eta d'oro di Broadway. La commedia musicale Mame firmata Jerry Herman, e ispirata da un romanzo di Patrick Dennis. La storia e quella di un ragazzino che dopo la morte dei suoi genitori viene adottato dalla zia Mame, una donna eccentrica ma molto buona che conduce una vita da jet-setter a New York.

Concert Band/Harmonie - Grade 5

SKU: BT.GOB-000304-010

Composed by Jan Bosveld. Set (Score & Parts). 26 pages. Gobelin Music Publications #GOB 000304-010. Published by Gobelin Music Publications (BT.GOB-000304-010).

An Astrological Composition.

Astrology is based on the principle that each sort of time has its own quality. In order to determine the quality of a particular moment, an astrologer looks at the position of the planets in the solar sustemat that moment. Each planet has specific types of energies and its location provides unique information for a certain moment on Earth. Thus: its position in the sky tells something about what happens on Earth.

In this composition the typesof energies of four planets are musically translated. The four planet were not randomly chosen. There are two pairs, whose influence and energy are opposite.

Venus and Mars.
Venus represents the feminine principle: harmony, beauty,art, and the ability to make relationships and to keep the peace. Venus connects, and communicates in order to maintain the balance.
Mars represent the masculine principle: winning, impulsiveness, enthusiasm, and sexual energy for procreation.He creates war enabling the strongest to triumph. Mars is musically depicted in a stirring march in which enthusiasm characterises the masculine character.

Saturn and Jupiter.
Saturn represents concentration and withdrawal: the strongnotion of responsibility, seriousness, self-discipline and melancholy. Saturn is the hermit who will conquer his fears and worries in minimal conditions and by self-chastisement. This contemplative character is depicted in the music as if it isalmost standing still, which also reflects the given character of this planet.
Jupiter represents growth and expansion: the positive, self-confidence, the good Samaritan, the healer. Jupiter is the philosopher who will make the world a betterplace, sees future possibilities, and searches for eternal values. He is the prophet who sometimes rants and raves his doctrine and proclamations, resulting musically in a whirling and upbeat finale. not looking back at what has been but searchingfor new challenges.

Heaven and Earth was commisioned by the Music Lending and Information Centre (MUI), a department of the library for the province of Gelderland in Arnhem, The Netherlands.Een astrologische compositie.

Astrologie is gebaseerd op het principe dat elke tijd zijn eigen kwaliteit heeft. Tijd voor koffie of het was je tijd nog niet als bijvoorbeeld een baan aan je neus voorbij is gegaan.
Om de kwaliteit van een moment te lezen kijkt deastroloog naar de stand van de planeten in ons zonnestelsel op dat tijdstip. Elke planeet heeft specifieke energieën en de plaats aan de hemel geeft unieke informatie over een bepaald moment op aarde. Oftewel: de stand aan de hemel (Ouranos) verteltiets over wat er op aarde (Gaia) gebeurt.

In deze compositie worden de energieën van vier planeten muzikaal vertaald. De vier planeten zijn niet lukraak gekozen. Het zijn twee paren, die qua invloed en energie tegenovergesteldzijn.

Venus en Mars.
Venus vertegenwoordigt het vrouwelijke principe: harmonieus, schoonheid, de kunst, het vermogen om verbindingen aan te gaan en de vrede te bewaren. Venus geeft door en verbindt om de balans te bewaren.
Marsvertegenwoordigt het mannelijke principe: winnen, anderen aftroeven, impulsief en enthousiast, seksuele energie voor de voortplanting. Mars creëert oorlog om de sterkste te laten zegevieren.
Venus staat tot Mars als vrede staat tot oorlog, alsverbinden staat tot verbreken, als harmonie staat tot competitie.

Jupiter en Saturnus.
Jupiter vertegenwoordigt groei en expansie: het positieve zelfvertrouwen, de weldoener, de genezer. Jupiter is de filosoof die de wereld wilverbeteren, vooruitkijkend en zoekend naar eeuwige waarden, de profeet die soms al te bombastisch zijn leer verkondigt.
Saturnus vertegenwoordigt concentratie en inkrimping: het sterke verantwoordelijkheidsbese f, soberheid, zelfdiscipline enmelancholie. Saturnus is de kluizenaar die onder minimale voorwaarden en zelfkastijding zijn angsten wil overwinnen. De harde, serieuze werker die volgens vaste regels stug doorgaat om aan zijn hoge eisen te voldoen.
Jupiter staat tot Saturnusals uitbreiding staat tot inkrimping, als zelfvertrouwen staat tot faalangst, als vrijheid staat tot structuur.

Gobelin Music Publications.

Concert Band/Harmonie - Grade 5

SKU: BT.GOB-000304-140

Composed by Jan Bosveld. Score Only. Gobelin Music Publications #GOB 000304-140. Published by Gobelin Music Publications (BT.GOB-000304-140).

An Astrological Composition.

Astrology is based on the principle that each sort of time has its own quality. In order to determine the quality of a particular moment, an astrologer looks at the position of the planets in the solar sustemat that moment. Each planet has specific types of energies and its location provides unique information for a certain moment on Earth. Thus: its position in the sky tells something about what happens on Earth.

In this composition the typesof energies of four planets are musically translated. The four planet were not randomly chosen. There are two pairs, whose influence and energy are opposite.

Venus and Mars.
Venus represents the feminine principle: harmony, beauty,art, and the ability to make relationships and to keep the peace. Venus connects, and communicates in order to maintain the balance.
Mars represent the masculine principle: winning, impulsiveness, enthusiasm, and sexual energy for procreation.He creates war enabling the strongest to triumph. Mars is musically depicted in a stirring march in which enthusiasm characterises the masculine character.

Saturn and Jupiter.
Saturn represents concentration and withdrawal: the strongnotion of responsibility, seriousness, self-discipline and melancholy. Saturn is the hermit who will conquer his fears and worries in minimal conditions and by self-chastisement. This contemplative character is depicted in the music as if it isalmost standing still, which also reflects the given character of this planet.
Jupiter represents growth and expansion: the positive, self-confidence, the good Samaritan, the healer. Jupiter is the philosopher who will make the world a betterplace, sees future possibilities, and searches for eternal values. He is the prophet who sometimes rants and raves his doctrine and proclamations, resulting musically in a whirling and upbeat finale. not looking back at what has been but searchingfor new challenges.

Heaven and Earth was commisioned by the Music Lending and Information Centre (MUI), a department of the library for the province of Gelderland in Arnhem, The Netherlands.Een astrologische compositie.

Astrologie is gebaseerd op het principe dat elke tijd zijn eigen kwaliteit heeft. Tijd voor koffie of het was je tijd nog niet als bijvoorbeeld een baan aan je neus voorbij is gegaan.
Om de kwaliteit van een moment te lezen kijkt deastroloog naar de stand van de planeten in ons zonnestelsel op dat tijdstip. Elke planeet heeft specifieke energieën en de plaats aan de hemel geeft unieke informatie over een bepaald moment op aarde. Oftewel: de stand aan de hemel (Ouranos) verteltiets over wat er op aarde (Gaia) gebeurt.

In deze compositie worden de energieën van vier planeten muzikaal vertaald. De vier planeten zijn niet lukraak gekozen. Het zijn twee paren, die qua invloed en energie tegenovergesteldzijn.

Venus en Mars.
Venus vertegenwoordigt het vrouwelijke principe: harmonieus, schoonheid, de kunst, het vermogen om verbindingen aan te gaan en de vrede te bewaren. Venus geeft door en verbindt om de balans te bewaren.
Marsvertegenwoordigt het mannelijke principe: winnen, anderen aftroeven, impulsief en enthousiast, seksuele energie voor de voortplanting. Mars creëert oorlog om de sterkste te laten zegevieren.
Venus staat tot Mars als vrede staat tot oorlog, alsverbinden staat tot verbreken, als harmonie staat tot competitie.

Jupiter en Saturnus.
Jupiter vertegenwoordigt groei en expansie: het positieve zelfvertrouwen, de weldoener, de genezer. Jupiter is de filosoof die de wereld wilverbeteren, vooruitkijkend en zoekend naar eeuwige waarden, de profeet die soms al te bombastisch zijn leer verkondigt.
Saturnus vertegenwoordigt concentratie en inkrimping: het sterke verantwoordelijkheidsbese f, soberheid, zelfdiscipline enmelancholie. Saturnus is de kluizenaar die onder minimale voorwaarden en zelfkastijding zijn angsten wil overwinnen. De harde, serieuze werker die volgens vaste regels stug doorgaat om aan zijn hoge eisen te voldoen.
Jupiter staat tot Saturnusals uitbreiding staat tot inkrimping, als zelfvertrouwen staat tot faalangst, als vrijheid staat tot structuur.

Gobelin Music Publications.

Concert Band/Harmonie - Grade 2

SKU: BT.GOB-000756-140

Composed by William Vean. Score Only. 36 pages. Gobelin Music Publications #GOB 000756-140. Published by Gobelin Music Publications (BT.GOB-000756-140).

‘Panem et Circenses’, Bread and Games were essential for keeping the citizens of ancient Rome in check.
While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody.
There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights.

In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum.
1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music.
2.Swor dfight: We can hear that the fights were not mere child’s play in this part.On the contrary, they were a matter of life and death and were fought accordingly.
3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one’s handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public.
4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner’s due reward.

‘Panem et Circenses’, brood en (circus)spelen, essentieel in het Romeinse leven om de burgers in het gareel te houden.
Het brood was vooral voor de allerarmsten bedoeld, maar de spelen, dat was volksvermaak nummer één.
Erwaren verschillende soorten spelen, de Strijdwagen racen, vooral in trek bij de vrouwen, de dierengevechten of jachtpartijen, waar leeuwen, tijgers, buffels of beren tegen elkaar of tegen mensen opgehitst werden. Maar favoriet warentoch wel de gevechten der Gladiatoren.

William Vean beschrijft in ‘Bread and Games’ één van de vele gevechten in het aloude Colosseum.
1. Entrance of the Gladiators: Met krachtige (hoorn)signalen wordt de aandachtvan het volk gevraagd waarna de Gladiatoren op heldhaftige marsmuziek de Arena binnentreden.
2. Swordfight: Dat de gevechten geen kinderspel waren horen we in dit deel. Het gaat er hard aan toe, en de gevechten waren vaak op levenen dood.
3. Mercy of the Emperor: In enkele gevallen had een gewonde Gladiator geluk. Dit hing af van de stemming van het publiek. Wapperende zakdoeken betekende geluk, met de duim naar beneden wijzen betekende geen pardon.De Keizer had het laatste woord maar volgde meestal de stemming van het publiek.
4. Lap of Honour: Gladiatoren werden meestal uit slaven, veroordeelde misdadigers of krijgsgevangen geselecteerd. Winnen was daarom erg belangrijk.Dit betekende roem, eer en soms zelfs rijkdom. (vergelijkbaar met onze sporthelden) Een ereronde was dus wel op zijn plaats.

Concert Band/Harmonie - Grade 2

SKU: BT.GOB-000756-010

Composed by William Vean. Set (Score & Parts). 116 pages. Gobelin Music Publications #GOB 000756-010. Published by Gobelin Music Publications (BT.GOB-000756-010).

‘Panem et Circenses’, Bread and Games were essential for keeping the citizens of ancient Rome in check.
While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody.
There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights.

In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum.
1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music.
2.Swor dfight: We can hear that the fights were not mere child’s play in this part.On the contrary, they were a matter of life and death and were fought accordingly.
3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one’s handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public.
4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner’s due reward.

‘Panem et Circenses’, brood en (circus)spelen, essentieel in het Romeinse leven om de burgers in het gareel te houden.
Het brood was vooral voor de allerarmsten bedoeld, maar de spelen, dat was volksvermaak nummer één.
Erwaren verschillende soorten spelen, de Strijdwagen racen, vooral in trek bij de vrouwen, de dierengevechten of jachtpartijen, waar leeuwen, tijgers, buffels of beren tegen elkaar of tegen mensen opgehitst werden. Maar favoriet warentoch wel de gevechten der Gladiatoren.

William Vean beschrijft in ‘Bread and Games’ één van de vele gevechten in het aloude Colosseum.
1. Entrance of the Gladiators: Met krachtige (hoorn)signalen wordt de aandachtvan het volk gevraagd waarna de Gladiatoren op heldhaftige marsmuziek de Arena binnentreden.
2. Swordfight: Dat de gevechten geen kinderspel waren horen we in dit deel. Het gaat er hard aan toe, en de gevechten waren vaak op levenen dood.
3. Mercy of the Emperor: In enkele gevallen had een gewonde Gladiator geluk. Dit hing af van de stemming van het publiek. Wapperende zakdoeken betekende geluk, met de duim naar beneden wijzen betekende geen pardon.De Keizer had het laatste woord maar volgde meestal de stemming van het publiek.
4. Lap of Honour: Gladiatoren werden meestal uit slaven, veroordeelde misdadigers of krijgsgevangen geselecteerd. Winnen was daarom erg belangrijk.Dit betekende roem, eer en soms zelfs rijkdom. (vergelijkbaar met onze sporthelden) Een ereronde was dus wel op zijn plaats.

Concert Band/Harmonie - Grade 3

SKU: BT.1160-04-010-MS

Composed by Andrew Lloyd Webber. Arranged by Naohiro Iwai. New Sounds for Concert Band. TV-Film-Musical-Show. Set (Score & Parts). Composed 2004. Music Sales #1160-04-010 MS. Published by Music Sales (BT.1160-04-010-MS).

The award-winning musical Cats by Andrew Lloyd Webber has beenperformed all over the world and is now the longest running musical inLondon and on Broadway. The romantic song Memory, with its beautiful melody, is a real classic. In this touching arrangement by Naohiro Iwai the alto saxophone shines as a solo instrument. A magnificent piece for your next concert.

Das mehrfach preisgekrönte Musical Cats von Andrew Lloyd Webber wurde weltweit aufgeführt und ist das mittlerweile am längsten laufende Musical in London und am Broadway. Das romantische Memory ist wohl das populärste Lied daraus. Naohiro Iwais gefühlvolle Bearbeitung ist ganz dem Altsaxophon als Soloinstrument gewidmet und wird auch Ihr Publikum in seinen Bann ziehen.

Concert Band

SKU: AP.12-0571571824

Composed by Simon Dobson. Concert Band; Performance Music Ensemble; Single Titles. Faber Edition. Funk; Rock. Score. Faber Music #12-0571571824. Published by Faber Music (AP.12-0571571824).

ISBN 9780571571826. English.

Firefly was composed by award-winning composer Simon Dobson (b.1981) to provide an entertaining uptempo concert work for community and youth bands. This arrangement for concert band, composed in funk-rock style, and is based on the groove beat with which it opens. Dobson says, Firefly was written as a break from my more serious music and as a hat tip to the various types of beat-orientated music I listen to. It was first performed by Oslofjord Brass in Norway and in its wind version by Harmonie Shostakovich, Switzerland.

Concert Band - Grade 2.5

SKU: AP.37811S

Composed by James Barnes. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Score. 20 pages. Alfred Music #00-37811S. Published by Alfred Music (AP.37811S).

UPC: 038081434346. English.

Desperate Pursuit is a driving and dramatic overture from the pen of award-winning composer, James Barnes. Based on the D Phrygian scale, the piece gets its name from the rapid, rhythmic motion of the piece. The intensity of Phrygian mode, colorful low woodwind and wispy percussion writing in the contrasting lyrical section of the work, and the dramatic, pulsating timpani part throughout the piece combine to bring a frantic quality to the music.

Concert Band - Grade 2.5

SKU: AP.37811

Composed by James Barnes. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Concert Band Classics. Score and Part(s). 268 pages. Duration 3:50. Alfred Music #00-37811. Published by Alfred Music (AP.37811).

UPC: 038081434339. English.

Desperate Pursuit is a driving and dramatic overture from the pen of award-winning composer, James Barnes. Based on the D Phrygian scale, the piece gets its name from the rapid, rhythmic motion of the piece. The intensity of Phrygian mode, colorful low woodwind and wispy percussion writing in the contrasting lyrical section of the work, and the dramatic, pulsating timpani part throughout the piece combine to bring a frantic quality to the music. (3:50).

Band concert band - Grade 2

SKU: KJ.JB83

Composed by Hannah Mahr and Timothy Mahr. Bandworks. Score and parts. Neil A. Kjos Music Company #JB83. Published by Neil A. Kjos Music Company (KJ.JB83).

ISBN 9788402702678. UPC: 8402702678.

Filled with rousing melodic material and beautiful harmonies, this gallant horn feature from award-winning composer Timothy Mahr and his daughter Hannah is guaranteed to both challenge and delight your students.

Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tambourine, Timpani, Triangle and more. - Grade 1.5

SKU: CF.FPS87F

Composed by Alan Lee Silva. SWS. Carl Fischer First Plus Performance Series. Full score. With Standard notation. 16 pages. Duration 2 minutes, 17 seconds. Carl Fischer Music #FPS87F. Published by Carl Fischer Music (CF.FPS87F).

ISBN 9780825873942. UPC: 798408073947. 9x12 inches.

Sparkling fanfare gestures and celebratory music are the theme of this dynamic new piece from composer Alan Lee Silva. Open harmonies are used with memorable melodies in this exciting new work for developing bands. You can hear Silva's influences with his truly American style in this winning new piece.

(Featuring: 'S Wonderful / Love Is Here to Stay / They Can't Take That Away from Me / Embraceable You). Composed by George and Ira Gershwin. Arranged by Brent Heisinger. Concert Band. Concert Band; Part(s); Score. Alfred Concert Band. Form: Medley. Love; Masterwork Arrangement; Standard. Grade 4.5. 316 pages. Published by Alfred Music

Concert Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Brake Drum, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum and more. - Grade 2-2.5

SKU: CF.YPS64

Composed by Joseph Compello. FS-SWS. Carl Fischer Young Performance Series. Score and Set of Parts. With Standard notation. 32+8+2+4+4+2+2+10+4+2+4+4 +8+6+3+2+6+3+1+2+6 pages. Carl Fischer Music #YPS64. Published by Carl Fischer Music (CF.YPS64).

ISBN 9780825864612. UPC: 798408064617. 9 X 12 inches. Key: Bb major.

A winning and moderately easy concert piece that takes its name from one of the moons of Jupiter, Callisto is a vibrantly scored set of two variations on a fragment of a theme from the Jupiter movement of Gustav Holst's orchestral suite, The Planets. The characteristic flatted-7th of much English folk music is retained in both the quick opening section and the slow, reflective variation that forms the B section of this clever and appealing overture-style piece.

Score and Parts. By Johan De Meij. Arranged by Paul Lavender. Amstel Concert Bands. Size 9x12 inches. Published by Amstel Music.

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-0950646-015

Composed by George Frideric Handel. Arranged by Jan de Haan. Musica Sacra. Concert Piece. Set (Score & Parts). Composed 1995. De Haske Publications #DHP 0950646-015. Published by De Haske Publications (BT.DHP-0950646-015).

Tochter Zion, also known as See the Conquering Hero Comes, is the most famous chorus from the oratorio Judas Maccabaeus (1746) by the composer George Frideric Handel (1685-1759). The heroic epic based on the Biblical story about commander-in-chief Judas Maccabaeus, was used by Handel to celebrate the English victory over the rebellious Scottish. The first performance of this patriotic work - written in the pleasing, rich baroque style that Handel’s music is known for - was conducted by himself; the success was huge. The chorus See the Conquering Hero Comes was added later, in 1748, drawn from another oratorio (Joshua).

< I>Tochter Zion, ook bekend als See the Conquering Hero Comes, is het beroemdste koor uit het oratorium Judas Maccabaeus (1746) van de componist Georg Friedrich Händel (1685-1759). Het op het Bijbelse verhaal overlegeraanvoerder Judas de Maccabeeër gebaseerde heldenepos werd door Händel gebruikt om de overwinning van de Engelsen op de in opstand gekomen Schotten te vieren. De première van dit patriottische werk - geschreven in de aangename,rijke barokstijl waar Händels muziek om bekendstaat - werd door hemzelf gedirigeerd, het succes was enorm. In 1748 is het koor See the Conquering Hero Comes toegevoegd, dat afkomstig was uit een ander oratorium (Josua).

Tochter Zion, auch als See the Conquering Hero Comes bekannt, ist der berühmteste Choral aus dem Oratorium Judas Maccabaeus von Georg Friedrich Händel. Dieses Werk - das im gefälligen, üppig barocken Stil, der für Händels Musik typisch ist, geschrieben wurde - arrangierte der zeitgenössische niederländische Komponist Jan de Haan für Blechbläserquartett und Orgel.

Tochter Zion ( Toi la gloire) est le plus célèbre chœur de l’oratorio Judas Macchabée de Georg Friedrich Haendel (1685-1759). La création de cette œuvre patriotique a eu lieu sous la direction du compositeur. Écrite dans le style baroque, elle déploie toute la richesse et la subtilité de la musique d’Haendel. Judas Macchabée est couronné de succès.

Concert Band

SKU: SU.91140210

For Concert Band. Composed by Edward Knight. Concert Band/Wind Ensemble. Score & Parts. Subito Music Corporation #91140210. Published by Subito Music Corporation (SU.91140210).

Inventor of the Cherokee syllabary.Natural and cohesive mixed meter; optional rhythm section.GRADE 4Instrumentation: Concert Band [2fl, ob, 3cl, bcl, bn, 2asx, tsx, bari; 3tp, 4hn, 3tb, euph, tba; timp, elec bs, elec gtr, drm set (or 2perc), glock/xylo, mar, vibr]
Duration: 3'
Composed: 2018
Published by: Subito Music Publishing
AMERICAN WONDERS is a set of lyrical symphonic band works created by composer Edward Knight in collaboration with nationally known music educator Michael Raiber, and award-winning journalist M.J. Alexander, inspired by episodes from American history. These cross-curricular pieces focus on specific areas of musical growth in individual musicianship and ensemble experience. Each piece has unique features that offer musicians and teachers learning experiences beyond typical repertoire for bands at these performance levels.

Concert Band - Grade 2

SKU: AP.49454S

Composed by Jordan Schmidt, Kane Brown, Matt McGinn, and Taylor Phillips. Arranged by Douglas E. Wagner. Concert Band; Performance Music Ensemble; Single Titles. Pop Young Band. Country; Light Concert; Pop; Pop/Rock; Radio. Score. Duration 1:50. Alfred Music #00-49454S. Published by Alfred Music (AP.49454S).

ISBN 9781470660789. UPC: 038081577579. English.

Country music singer and songwriter Kane Brown's music has soared to the top of the charts within a few short years, winning the American Music Awards category Favorite Country Male Artist twice (2018 and 2019), along with Video of the Year in 2021. Like I Love Country Music, arranged by Douglas E. Wagner, is from the artist's third studio album Different Man, released in 2022, and is full of all the American country music feels. So much fun to play! (1:50).

Grade 3

SKU: CL.012-1595-75

Composed by Sheldon. Concert Band. Command Series. Audio recording available separately (items CL.WFR194 & CL.WFR315). Oversized, spiral-bound score. Composed 1981. Duration 5 minutes, 5 seconds. Opus III Wind Orchestra Publications #012-1595-75. Published by Opus III Wind Orchestra Publications (CL.012-1595-75).

A fine overture full of beautiful sonorities that attainable by mid-level bands. The lively opening theme and expressive andante section are a winning combination that make this quality composition for concert or competition performances. One of Mr. Sheldons finest!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.