Musica Helvetica Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125266-140 Composed by Jan d...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1125266-140
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2012. 44 pages.
De Haske Publications
#DHP 1125266-140.
Published by De Haske
Publications
(BT.DHP-1125266-140).
9x12 inches.
English-German-French-Dut
ch.
Every year a
competition for wind
orchestras and brass
bands takes place in
Wallberg, Switzerland.
Apart from a hymn and a
solo piece, all
orchestras also have a
compulsory piece to play.
The commission to create
a compulsory piece for
the 2012 competition fell
to Jan de Haan. The
composition is entitled
Musica Helvetica.
It takes the form of a
three-part concert work,
in which the last two
parts flow directly from
one to the other. The
first part, Musica
Prima, is a brisk
virtuoso opening with
jazz flavours woven in.
The following section,
Musica Sacra,
offers a contrast with an
extraordinarily colourful
instrumentation for the
gorgeous main theme.
Thefinal part, Musica
Alpina, is inspired
by the great variety of
scenery in Switzerland.
With its witty humour it
makes a worthy conclusion
to this beautiful
tryptich.
In het
Zwitserse Wallberg wordt
ieder jaar een concours
voor harmonieorkesten en
brassbands georganiseerd.
Naast een hymne en een
solowerk dienen alle
orkesten een verplicht
werk uit te voeren. Voor
het concours van 2012
werd eenopdracht
verstrekt aan Jan de
Haan. De compositie kreeg
Musica Helvetica
als titel mee. Het gaat
om een driedelig
concertwerk waarvan de
laatste twee delen
onafgebroken in elkaar
overgaan. Het eerste
deel, Musica
Prima,is een virtuoze
en flitsende opening met
hier en daar jazzy
invloeden. In contrast
daarmee staat het
expressieve volgende
deel, Musica
Sacra, waarin het
gedragen hoofdthema
prachtig wordt uitgewerkt
- de instrumentatieis
hier buitengewoon
kleurrijk. Het
afsluitende deel,
Musica Alpina, is
ge nspireerd op het
afwisselende landschap
van Zwitserland. Het is
grillig van structuur en
vormt een waardige
afsluiting van dit fraaie
drieluik.
Im
schweizerischen Wallberg
wird jedes Jahr ein
Wettbewerb für
Blasorchester und Brass
Bands ausgerichtet. Neben
einer Hymne und einem
Solowerk müssen alle
Orchester ein
Pfllichtstück spielen.
Vor dem Wettbewerb im
Jahr 2012 wurde der
Auftrag zu diesem
Pflichtstück an Jan de
Haan vergeben. Die
Komposition erhielt den
Titel Musica
Helvetica. Es handelt
sich dabei um ein
dreiteiliges Konzertwerk,
dessen letzten zwei Teile
direkt ineinander
übergehen. Der erste
Teil, Musica
Prima, ist eine
virtuose, flotte
Eröffnung mit
eingestreuten jazzigen
Einflüssen. Einen
Kontrast hierzu bildet
der folgende Teil,
Musica Sacra,
worin das Hauptthema
wunderschönausgearbeit
et wird - die
Instrumentierung ist hier
außergewöhnlich
farbig. Der letzte Teil,
Musica Alpina, ist
inspiriert vom
abwechslungsreichen
Landschaftsbild der
Schweiz. Mit seiner
launigen Struktur bildet
er einen würdigen
Abschluss dieses
schönen Triptychons.
Musica Helvetica Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125266-010 Composed by Jan d...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1125266-010
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1125266-010. Published by
De Haske Publications
(BT.DHP-1125266-010).
9x12 inches.
English-German-French-Dut
ch.
Every year a
competition for wind
orchestras and brass
bands takes place in
Wallberg, Switzerland.
Apart from a hymn and a
solo piece, all
orchestras also have a
compulsory piece to play.
The commission to create
a compulsory piece for
the 2012 competition fell
to Jan de Haan. The
composition is entitled
Musica Helvetica.
It takes the form of a
three-part concert work,
in which the last two
parts flow directly from
one to the other. The
first part, Musica
Prima, is a brisk
virtuoso opening with
jazz flavours woven in.
The following section,
Musica Sacra,
offers a contrast with an
extraordinarily colourful
instrumentation for the
gorgeous main theme.
Thefinal part, Musica
Alpina, is inspired
by the great variety of
scenery in Switzerland.
With its witty humour it
makes a worthy conclusion
to this beautiful
tryptich.
In het
Zwitserse Wallberg wordt
ieder jaar een concours
voor harmonieorkesten en
brassbands georganiseerd.
Naast een hymne en een
solowerk dienen alle
orkesten een verplicht
werk uit te voeren. Voor
het concours van 2012
werd eenopdracht
verstrekt aan Jan de
Haan. De compositie kreeg
Musica Helvetica
als titel mee. Het gaat
om een driedelig
concertwerk waarvan de
laatste twee delen
onafgebroken in elkaar
overgaan. Het eerste
deel, Musica
Prima,is een virtuoze
en flitsende opening met
hier en daar jazzy
invloeden. In contrast
daarmee staat het
expressieve volgende
deel, Musica
Sacra, waarin het
gedragen hoofdthema
prachtig wordt uitgewerkt
- de instrumentatieis
hier buitengewoon
kleurrijk. Het
afsluitende deel,
Musica Alpina, is
ge nspireerd op het
afwisselende landschap
van Zwitserland. Het is
grillig van structuur en
vormt een waardige
afsluiting van dit fraaie
drieluik.
Im
schweizerischen Wallberg
wird jedes Jahr ein
Wettbewerb für
Blasorchester und Brass
Bands ausgerichtet. Neben
einer Hymne und einem
Solowerk müssen alle
Orchester ein
Pfllichtstück spielen.
Vor dem Wettbewerb im
Jahr 2012 wurde der
Auftrag zu diesem
Pflichtstück an Jan de
Haan vergeben. Die
Komposition erhielt den
Titel Musica
Helvetica. Es handelt
sich dabei um ein
dreiteiliges Konzertwerk,
dessen letzten zwei Teile
direkt ineinander
übergehen. Der erste
Teil, Musica
Prima, ist eine
virtuose, flotte
Eröffnung mit
eingestreuten jazzigen
Einflüssen. Einen
Kontrast hierzu bildet
der folgende Teil,
Musica Sacra,
worin das Hauptthema
wunderschönausgearbeit
et wird - die
Instrumentierung ist hier
außergewöhnlich
farbig. Der letzte Teil,
Musica Alpina, ist
inspiriert vom
abwechslungsreichen
Landschaftsbild der
Schweiz. Mit seiner
launigen Struktur bildet
er einen würdigen
Abschluss dieses
schönen Triptychons.
By Freddie Mercury. Arranged by Andrea Ravizza. Concert band. As performed by th...(+)
By Freddie Mercury.
Arranged by Andrea
Ravizza. Concert band. As
performed by the Queen.
Pop Music. Level: Grade
3. Score and set of
parts. Duration 2:40.
Published by Scomegna
Edizioni Musicali
(Italian import).
Composed by
Richard Summers. Primer
Band (PPS). Full score.
With Standard notation.
12 pages. Carl Fischer
Music #PPS49F. Published
by Carl Fischer Music
(CF.PPS49F).
ISBN
9781491152614. UPC:
680160910113.
Exemp
lary is
a mature musicalÂ
piece for beginning
bands. Even though
only the first six
notes of the Bb-major
scale are used
with simple rhythms,
students and teachers
will find many, fun
musical challenges
that provide
opportunities for for
growth. As the title
suggests, performances
of Exemplary should
serve as a desirable
model, be worthy of
imitation, and should
represent the absolute
best in
musicianship. Exemplar
y is a mature musical
piece for beginning
bands. Even though only
the first six notes of
the Bb-major scale are
used, and simple
rhythms are used to
compose this piece, it
has many musical
challenges that will
enhance students’
musical growth. There are
some very musical ideas
and sections in this
piece that should be
explored. Just as this
title suggests, Exemplary
should serve as a
desirable model, be
worthy of imitation, and
should represent the best
possible example of its
kind. If you describe
something as exemplary,
it should be extremely
good. With all of these
challenges, the piece
also has some nice
melodies and is fun to
play. Â Notes to the
ConductorThere are
marcato and legato
styles, many dynamic
markings (sometimes
different between
woodwinds, brass, and
percussion) major and
minor third intervals,
and challenging beginning
percussion writing (that
should not be
overplayed). Four-measure
phrasing should be
observed. When a
crescendo occurs, it
should connect to the
next note without taking
a breath. These are
teachable concepts that
will benefit the
musicianship of the
students and take them to
a higher level of
performance. Â .
Composed by
Richard Summers. Primer
Band (PPS). Set of Score
and Parts. With Standard
notation.
8+2+8+2+5+2+2+8+2+3+2+6+3
+1+1+2+1+12+2 pages.
Duration 2 minutes. Carl
Fischer Music #PPS49.
Published by Carl Fischer
Music (CF.PPS49).
ISBN
9781491151938. UPC:
680160909438.
Exemp
lary is
a mature musicalÂ
piece for beginning
bands. Even though
only the first six
notes of the Bb-major
scale are used
with simple rhythms,
students and teachers
will find many, fun
musical challenges
that provide
opportunities for for
growth. As the title
suggests, performances
of Exemplary should
serve as a desirable
model, be worthy of
imitation, and should
represent the absolute
best in
musicianship. Exemplar
y is a mature musical
piece for beginning
bands. Even though only
the first six notes of
the Bb-major scale are
used, and simple
rhythms are used to
compose this piece, it
has many musical
challenges that will
enhance students’
musical growth. There are
some very musical ideas
and sections in this
piece that should be
explored. Just as this
title suggests, Exemplary
should serve as a
desirable model, be
worthy of imitation, and
should represent the best
possible example of its
kind. If you describe
something as exemplary,
it should be extremely
good. With all of these
challenges, the piece
also has some nice
melodies and is fun to
play. Â Notes to the
ConductorThere are
marcato and legato
styles, many dynamic
markings (sometimes
different between
woodwinds, brass, and
percussion) major and
minor third intervals,
and challenging beginning
percussion writing (that
should not be
overplayed). Four-measure
phrasing should be
observed. When a
crescendo occurs, it
should connect to the
next note without taking
a breath. These are
teachable concepts that
will benefit the
musicianship of the
students and take them to
a higher level of
performance. Â .
Four Pictures Orchestre d'harmonie - Facile EMB (Editio Musica Budapest)
Concert Band - Grade 2 SKU: BT.EMBZ12368SET Composed by Ãrpád BalÃ...(+)
Concert Band - Grade 2
SKU:
BT.EMBZ12368SET
Composed by Ãrpád
Balázs. EMB Concert
Band Series. Concert
Piece. Set (Score &
Parts). Composed 2011.
210 pages. Editio Musica
Budapest #EMBZ12368SET.
Published by Editio
Musica Budapest
(BT.EMBZ12368SET).
Four Pictures Orchestre d'harmonie - Facile EMB (Editio Musica Budapest)
Concert Band - Grade 2 SKU: BT.EMBZ12368 Composed by Ãrpád Baláz...(+)
Concert Band - Grade 2
SKU: BT.EMBZ12368
Composed by Ãrpád
Balázs. EMB Concert
Band Series. Concert
Piece. Score Only.
Composed 1983. 20 pages.
Editio Musica Budapest
#EMBZ12368. Published by
Editio Musica Budapest
(BT.EMBZ12368).
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000915-140 Composed by Harrie...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000915-140
Composed by Harrie
Janssen. Score Only.
Gobelin Music
Publications #GOB
000915-140. Published by
Gobelin Music
Publications
(BT.GOB-000915-140).
Based on the
poems by German poet Carl
Hauptmann (late
Romanticism) and the
English poet William
Wordsworth (early
Romanticism).
Carl Hauptmann was in
poor health as a child,
but highly intelligent.
He studied philosophy,
psychology and biology.
In the latter he was
admitted to the degree of
doctor. His marriage
provided financial
independence, so that he
could focus on his
studies. Hauptmann
wrote various novels,
plays, poetry and
scientific works.
Night
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now the covering veil is
lifting quite: come
and look! See the
magicland before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
the dreaming country
sleeps. By the path
the shadow black and hogh
of a beach. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O my
soul! Drink of
solitude!
Carl
Hauptmann
Wordsworth 'introduced' a
new type of poetry, based
on the speech of the
common man. This was his
answer to the poetry of
the classicism which was
bound by rigid rules. His
definition of poetry was:
the spontaneous overflow
of powerful feelings from
emotions recollected in
tranquility.
My
heart leaps up when I
behold a rainbow in the
sky
My heart
leaps up when I behold A
rainbow in the sky:
So was it when my life
began. So is it now I
am a man. So be it
when I shall grow
old, Or let me
die! The Child is
father of the Man.
And I could wish my days
to be Bound each to each
by natural
piety.
William
Wordsworth
In a
truly poetic manner
Harrie Janssen has
transformed the
contemplative thoughts of
the poets into two
compositions for Concert
Band.
Two
Symphonic Interludes is
gebaseerd op gedichten
van de Duitse dichter
Carl Hauptmann (laat
Romantiek) en de Engelse
dichter William
Wordsworth (vroeg
Romantiek).
Carl
Hauptmann had als kind
een zeer zwakke
gezondheidmaar was zeer
intelligent. Hij
studeerde Filosofie,
Psychologie en Biologie.
In het laatste vak
promoveerde hij. Het
huwelijk zorgde voor
financiele
onafhankelijkheid zodat
hij zich kon richten op
zijn verdere studie.
Hauptmannschreef enkele
romans, toneelstukken,
poëzie en
wetenschappelijke
werken.
NIGHT -
Carl Hauptmann
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now thecovering veil is
lifting quite: come
and look! See the
magic land before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
thedreaming country
sleeps. By the path
the shadow black and hogh
of a beech. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O
mysoul! Drink of
solitude!
Wordsworth
'introduceerde' een nieuw
soort poëzie,
gebaseerd op de taal van
de gewone man. Het was
een reactie op de aan
strenge regels gebonden
poëzie van het
Classicisme. Zijn
definitievan poëzie
luidde: 'the spontaneous
overflow of powerful
feelings from emotions
recollected in
tranquility'.
My
heart leaps up when I
behold a rainbow in the
sky - William
Wordsworth
My
heart leaps up whenI
behold A rainbow in
the sky: So was it
when my life began.
So is it now I am a
man. So be it when I
shall grow old, Or
let me die! The Child
is father of the Man.
And I could wish my days
to be
Sean O'Loughlin : Elation Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
By Sean O'Loughlin. For concert band (flute, oboe (opt. flute 2), clarinet 1 in ...(+)
By Sean O'Loughlin. For
concert band (flute, oboe
(opt. flute 2), clarinet
1 in Bb, clarinet 2 in
Bb, bass clarinet in Bb,
bassoon, alto saxophone
in Eb, tenor saxophone in
Bb, baritone saxophone in
Eb, trumpet 1 in Bb,
trumpet 2 in Bb, horn in
F, trombon
Olympica Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-0930469-010 Festival Overt...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-0930469-010
Festival Overture for
Band. Composed by Jan
Van der Roost. Sovereign
Series. Concert Piece.
Set (Score & Parts).
Composed 1993. De Haske
Publications #DHP
0930469-010. Published by
De Haske Publications
(BT.DHP-0930469-010).
9x12
inches.
This
“Grand
Overture†was
commissioned by the
“Nagano Community
Band†- Japan- on
occasion of its jubilee
in 1992 and is dedicated
to the band’s
conductor, Ikuo
Inagaki.The work is based
upon three main themes,
each symbolising a
certain theme. The first
part is characterized by
its bright themes played
mainly by the brass,
accompanied by the
woodwinds and festive
percussion. This part
symbolizes the jubilee
which is the origin of
the composition. This is
followed by a bouncing
allegro, in which each
register of the band
displays brilliant
techniques. Especially
the woodwinds come to the
fore! This movement
depicts the
industriousness and
enthousiasm shown by the
members of
the“Nagano
Community Band†in
the carrying out of their
hobby. A third, main
theme, is choral-like in
character and is
displayed both in the
(soft) brass as well as
in the warm medium
register of the reeds.
Here, nature’s
beaty in and around the
city of Nagano is
musically celebrated.
Following a
“chamber-music
episode†(featuring
the flute, oboe,
clarinet, alto-saxophone
and horn) the initial
allegro re-occurs,
weaving its way towards a
grandiose finale, in
which the two previous
themes are once again
apparent. Due to its very
colourful scoring and the
enormous diversity of
musical thoughts and
ideas, this composition
is a fascinating and
memorable piece, worthy a
jubilee overture!
Olympica
is gebaseerd op drie
hoofdthema’s. Het
eerste thema wordt
gekenmerkt door een
stralende thematiek in
het koper, omspeeld door
het hout en feestelijk
slagwerk. Dan volgt een
pittig en virtuoos
allegro, waarin met
namede houtblazers
uitgebreid aan bod komen.
Het derde thema is
koraalmatig van karakter.
Na een kamermuziekpassage
komt het allegro terug,
dat uitmondt in een
grootse finale. De
kleurrijke instrumentatie
en veelzijdigheid van
dezecompositie maken een
sprankelend optreden
mogelijk.
Die
olympischen Winterspiele
1998, die nach 26 Jahren
wieder einmal in Japan
stattfanden, sind
unvergessen: Mit 2302
Teilnehmer war eine
Rekordteilnehmerzahl
erreicht und die
deutschen Sportler
kehrten mit einer
Rekordanzahl von 29
Medaillen nach Hause. Das
Blasorchester der
Austragungsstadt Nagano
gab im Hinblick auf
dieses große Ereignis
Olympica in
Auftrag - ein farbig
instrumentiertes Werk mit
abwechslungsreichen
musikalischen Ideen, das
fasziniert!
Composed by Ed Kiefer.
Symphonic Band (SPS).
Full score. With Standard
notation. 16 pages. Carl
Fischer Music #SPS82F.
Published by Carl Fischer
Music (CF.SPS82F).
ISBN 9781491153277.
UPC:
680160910779.
Resig
nation was
composed in memory of
one of Ed Kiefer's best
friends. Evoking the
struggle of coming to
grips with the loss of a
dear friend, the piece is
based on the hymn, My
Shepherd Will Supply My
Need. It is dramatic,
heartfelt, and
overwhelmingly beautiful.
As Hans Christian
Andersen once said, When
words fail, music
speaks.. Dr. David S.
Kirby Commission
Consortium Phillip Riggs,
Commission
CoordinatorNorthwest
District Bandmasters
AssociationRodney
Workman, Past-Chair
Andrew Jimeson,
ChairWestern North
Carolina Bandmasters
AssociationAllen Klaes,
ChairNorth Carolina
School of Science and
MathPhillip Riggs,
DirectorA.C. Reynolds
High School BandSean
Smith, DirectorSouth
Caldwell High School
BandJason Childers,
DirectorJay M. Robinson
Symphonic BandAndrew
Carter, DirectorApex High
School BandDaniel Jarvis,
DirectorPanther Creek
High School BandDavid
Robinson, DirectorEastern
Randolph High School
BandCarolina Perez,
DirectorStanley County
Concert Band/Pfeiffer
University Concert
BandCarmella Hedrick, Tim
Hedrick and Frank Poolos,
DirectorsLenoir Rhyne
University Wind
SymphonyDr. Daniel Kiser,
ConductorDr. Christopher
NegrelliNumerous
colleagues, fellow
teachers, and former
studentsProgram
NotesThere is no possible
way I could compose a
piece of music worthy of
the memory of my close
friend, Dr. David Kirby,
who died very suddenly at
an early age. Neither
could I write a piece
that could come close to
reflecting his kind
spirit, wit, personality
or talent. In fact, it
was almost impossible for
me to write anything at
all. My own grief and the
stages of my
grief kept getting in
the way. I ended up with
a setting of the
hymn-tune, Resignation.
Resigned. To the fact
that he is no longer
with us. I know he is
in a better place, but we
are not. We miss him very
much. And so, My Shepherd
Will Supply My Need seems
to speak to those of us
he left behind. I
apologize if this piece
does not reflect your
special feelings for him
or help you celebrate his
moving on. Unfortunately,
I could only put down
what I have come to
accept and hope in some
way it may speak to any
of you that knew him or
to others of you who have
also lost a close friend.
My Shepherd Will Supply
My Need. That is my
hope and my hope for
you.Although technically
very easy, this
composition requires a
maturity of musicianship
to be performed properly.
The Bb contrabass
clarinet part is integral
to the composition, but
there are cues in the
tuba part if you need
them. Â Make sure you
bring horns to the fore
at m. 53 and the low
brass at m. 59 so the
melody can be heard
without effort.
Exaggerate dynamics to
bring more emotion to the
piece. Be careful not to
diminuendo too soon near
the end or it will be
difficult to diminish
even further at the very
end, where the lone
clarinetist holds over a
couple of measures,
fading into nothing. I
hope your students will
enjoy this piece and take
from it a greater
appreciation for the way
making music can express
feelings.
Composed by Ed Kiefer.
Symphonic Band (SPS). Set
of Score and Parts. With
Standard notation.
4+4+2+4+8+8+2+1+2+2+2+2+2
+2+3+6+6+9+2+2+3+3+3+3+4+
1+1+1+1+1+16+2 pages.
Duration 2 minutes, 58
seconds. Carl Fischer
Music #SPS82. Published
by Carl Fischer Music
(CF.SPS82).
ISBN
9781491152591. UPC:
680160910090. Key: Bb
major.
Resignation
was composed in
memory of one of Ed
Kiefer's best friends.
Evoking the struggle of
coming to grips with the
loss of a dear friend,
the piece is based on the
hymn, My Shepherd Will
Supply My Need. It is
dramatic, heartfelt, and
overwhelmingly beautiful.
As Hans Christian
Andersen once said, When
words fail, music
speaks.. Dr. David S.
Kirby Commission
Consortium Phillip Riggs,
Commission
CoordinatorNorthwest
District Bandmasters
AssociationRodney
Workman, Past-Chair
Andrew Jimeson,
ChairWestern North
Carolina Bandmasters
AssociationAllen Klaes,
ChairNorth Carolina
School of Science and
MathPhillip Riggs,
DirectorA.C. Reynolds
High School BandSean
Smith, DirectorSouth
Caldwell High School
BandJason Childers,
DirectorJay M. Robinson
Symphonic BandAndrew
Carter, DirectorApex High
School BandDaniel Jarvis,
DirectorPanther Creek
High School BandDavid
Robinson, DirectorEastern
Randolph High School
BandCarolina Perez,
DirectorStanley County
Concert Band/Pfeiffer
University Concert
BandCarmella Hedrick, Tim
Hedrick and Frank Poolos,
DirectorsLenoir Rhyne
University Wind
SymphonyDr. Daniel Kiser,
ConductorDr. Christopher
NegrelliNumerous
colleagues, fellow
teachers, and former
studentsProgram
NotesThere is no possible
way I could compose a
piece of music worthy of
the memory of my close
friend, Dr. David Kirby,
who died very suddenly at
an early age. Neither
could I write a piece
that could come close to
reflecting his kind
spirit, wit, personality
or talent. In fact, it
was almost impossible for
me to write anything at
all. My own grief and the
stages of my
grief kept getting in
the way. I ended up with
a setting of the
hymn-tune, Resignation.
Resigned. To the fact
that he is no longer
with us. I know he is
in a better place, but we
are not. We miss him very
much. And so, My Shepherd
Will Supply My Need seems
to speak to those of us
he left behind. I
apologize if this piece
does not reflect your
special feelings for him
or help you celebrate his
moving on. Unfortunately,
I could only put down
what I have come to
accept and hope in some
way it may speak to any
of you that knew him or
to others of you who have
also lost a close friend.
My Shepherd Will Supply
My Need. That is my
hope and my hope for
you.Although technically
very easy, this
composition requires a
maturity of musicianship
to be performed properly.
The Bb contrabass
clarinet part is integral
to the composition, but
there are cues in the
tuba part if you need
them. Â Make sure you
bring horns to the fore
at m. 53 and the low
brass at m. 59 so the
melody can be heard
without effort.
Exaggerate dynamics to
bring more emotion to the
piece. Be careful not to
diminuendo too soon near
the end or it will be
difficult to diminish
even further at the very
end, where the lone
clarinetist holds over a
couple of measures,
fading into nothing. I
hope your students will
enjoy this piece and take
from it a greater
appreciation for the way
making music can express
feelings.
Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
16+4+8+16+16+4+4+4+4+4+4+
8+8+8+4+4+6+6+6+8+2+2+2+6
+12+24+4 pages. Duration
3 minutes, 55 seconds.
Carl Fischer Music
#CPS226. Published by
Carl Fischer Music
(CF.CPS226).
ISBN
9781491152522. UPC:
680160910021.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 24
pages. Carl Fischer Music
#CPS226F. Published by
Carl Fischer Music
(CF.CPS226F).
ISBN
9781491153208. UPC:
680160910700.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Composed by Carol Brittin Chambers. Score and part(s). 12 116 pages. Duration ...(+)
Composed by Carol Brittin
Chambers. Score and
part(s). 12 116 pages.
Duration 2 minutes, 58
seconds. Carl Fischer
#FPS0134. Published by
Carl Fischer (CF.FPS134).
Composed by
Traditional. Arranged by
Sean O'Loughlin. Closer.
Carl Fischer Symphonic
Performance Series. Full
score. With Standard
notation. 36 pages.
Duration 5 minutes, 34
seconds. Carl Fischer
Music #SPS28F. Published
by Carl Fischer Music
(CF.SPS28F).
ISBN
9780825874482. UPC:
798408074487. 9x12
inches. Key: Bb
major.
If you are
looking for a challenging
Christmas piece that is
well worth the effort,
look no further then this
magnum opus from
composer/arranger Sean
O'Loughlin. You will hear
a potpourri of Christmas
favorites cleverly weaved
together with snippets of
symphonic music
favorites. Try to spot
the tributes to
Tchaikovsky, Stravinsky,
Gershwin, Bartok and even
Bernstein along the way.
This piece is ideal as an
opener or closer for your
holiday concert.
Concert Band - Grade 3.5 SKU: AP.36-50105336 Composed by Kelly Bennette. ...(+)
Concert Band - Grade 3.5
SKU:
AP.36-50105336
Composed by Kelly
Bennette. Concert Band;
Performance Music
Ensemble. Concert Band -
LudwigMasters. Score.
Duration 4:00.
LudwigMasters
Publications
#36-50105336. Published
by LudwigMasters
Publications
(AP.36-50105336).
ISBN
9798892703017. UPC:
659359844355.
English.
Safely
scored, Acclamation
Overture by Kelly
Bennette is playable by
less experienced bands.
It is a rewarding
challenge, well worth the
effort and---to add to it
all---it is an enjoyable
work to play. (4:00).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band - Grade 3.5 SKU: AP.36-50100336 Composed by Kelly Bennette. ...(+)
Concert Band - Grade 3.5
SKU:
AP.36-50100336
Composed by Kelly
Bennette. Concert Band;
Performance Music
Ensemble. Concert Band -
LudwigMasters. Score and
Part(s). Duration 4:00.
LudwigMasters
Publications
#36-50100336. Published
by LudwigMasters
Publications
(AP.36-50100336).
UPC:
659359998041.
English.
Safely
scored, Acclamation
Overture by Kelly
Bennette is playable by
less experienced bands.
It is a rewarding
challenge, well worth the
effort and---to add to it
all---it is an enjoyable
work to play. (4:00).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Call of Courage Orchestre d'harmonie - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-3419-00 Composed by Pastore. Young Concert Band. Comm...(+)
Grade 2
SKU:
CL.011-3419-00
Composed by Pastore.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR336). Overture.
Score and set of parts.
Composed 2005. Duration 2
minutes, 53 seconds. C.L.
Barnhouse #011-3419-00.
Published by C.L.
Barnhouse
(CL.011-3419-00).
This dynamic
piece will let your band
sound their very best!
After a slow and delicate
introduction, the
exuberant sound of this
piece makes it a natural
choice as a concert or
contest opener. Includes
a few easy examples of
mixed meters and has
ample percussion parts to
keep your drummers
involved and interested!
A worthwhile selection
that will pay big
dividends to your band
program!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Call of Courage Orchestre d'harmonie - Facile C.L. Barnhouse
Grade 2.5 SKU: CL.011-3419-01 Composed by Pastore. Young Concert Band. Co...(+)
Grade 2.5
SKU:
CL.011-3419-01
Composed by Pastore.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR336). Extra full
score. Composed 2005.
Duration 2 minutes, 53
seconds. C.L. Barnhouse
#011-3419-01. Published
by C.L. Barnhouse
(CL.011-3419-01).
This dynamic
piece will let your band
sound their very best!
After a slow and delicate
introduction, the
exuberant sound of this
piece makes it a natural
choice as a concert or
contest opener. Includes
a few easy examples of
mixed meters and has
ample percussion parts to
keep your drummers
involved and interested!
A worthwhile selection
that will pay big
dividends to your band
program!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
By Igor Stravinsky (1882-1971). Arranged by Andrew Balent. Concert Band. For Con...(+)
By Igor Stravinsky
(1882-1971). Arranged by
Andrew Balent. Concert
Band. For Concert Band.
Carl Fischer Concert
Performance Series. Grade
3.5. Score and Set of
Parts. Standard notation.
Duration 4:49
By Igor Stravinsky (1882-1971). Arranged by Andrew Balent. Concert Band. For Con...(+)
By Igor Stravinsky
(1882-1971). Arranged by
Andrew Balent. Concert
Band. For Concert Band.
Carl Fischer Concert
Performance Series. Grade
3.5. Full Score. Standard
notation. Duration 4:49
Trombone Concerto Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Trombone Solo - Grade 4 SKU: BT.DHP-1094662-010 ...(+)
Concert Band/Harmonie and
Trombone Solo - Grade 4
SKU:
BT.DHP-1094662-010
Composed by Satoshi
Yagisawa. Solo Spectrum.
Concert Piece. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094662-010.
Published by De Haske
Publications
(BT.DHP-1094662-010).
9x12 inches.
English-German-French-Dut
ch.
Satoshi
Yagisawa’s
Trombone Concerto
is both impressive and
original at the same
time. It features a
slow-fast-slow structure
with each movement being
connected to the next.
The second movement, with
its rich choralelike
writing, is especially
noteworthy, bringing out
the warmest and most
delicate sounds of the
trombone. Yagisawa also
takes extreme care in how
the soloist and band
interact with each other,
creating an unforgettable
work!
Dieses
Solowerk für Posaune
und Blasorchester setzt
sich aus drei
ununterbrochenen
Sätzen zusammen, die
in einer
schnell-langsam-schnellen
Struktur
zusammenhängen.
Besonders der zweite Satz
holt mit
choralähnlichen
Anklängen das Beste
dem warmen und weichen
Klang der Posaune heraus.
Aber auch die
musikalische Interaktion
mit dem Blasorchester
spielt hier eine große
Rolle, sodass alle
Musiker und Zuhörer
garantiert auf Ihre
Kosten kommen!
Questo brano è
formato da tre movimenti
che si intrecciano senza
interruzione. Il primo
apre con una breve
introduzione seguita da
una cadenza solistica e
da un passaggio pieno di
vivacit . Il secondo
movimento si caratterizza
per una tessitura simile
a quella di un corale,
nel quale il solista
svela le sfumature
tipiche del suo
strumento. Il terzo
movimento è scritto
nello stile di una
marcia. Più che un
brano per strumento solo
in cui il solista domina
e l’orchestra
l’accompagna,
Trombone Concerto
è una vera
conversazione musicale
tra i protagonisti.
Trombone Concerto Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Trombone Solo - Grade 4 SKU: BT.DHP-1094662-140 ...(+)
Concert Band/Harmonie and
Trombone Solo - Grade 4
SKU:
BT.DHP-1094662-140
Composed by Satoshi
Yagisawa. Solo Spectrum.
Concert Piece. Score
Only. Composed 2009. 44
pages. De Haske
Publications #DHP
1094662-140. Published by
De Haske Publications
(BT.DHP-1094662-140).
9x12 inches.
English-German-French-Dut
ch.
Satoshi
Yagisawa’s
Trombone Concerto
is both impressive and
original at the same
time. It features a
slow-fast-slow structure
with each movement being
connected to the next.
The second movement, with
its rich choralelike
writing, is especially
noteworthy, bringing out
the warmest and most
delicate sounds of the
trombone. Yagisawa also
takes extreme care in how
the soloist and band
interact with each other,
creating an unforgettable
work!
Dieses
Solowerk für Posaune
und Blasorchester setzt
sich aus drei
ununterbrochenen
Sätzen zusammen, die
in einer
schnell-langsam-schnellen
Struktur
zusammenhängen.
Besonders der zweite Satz
holt mit
choralähnlichen
Anklängen das Beste
dem warmen und weichen
Klang der Posaune heraus.
Aber auch die
musikalische Interaktion
mit dem Blasorchester
spielt hier eine große
Rolle, sodass alle
Musiker und Zuhörer
garantiert auf Ihre
Kosten kommen!
Questo brano è
formato da tre movimenti
che si intrecciano senza
interruzione. Il primo
apre con una breve
introduzione seguita da
una cadenza solistica e
da un passaggio pieno di
vivacit . Il secondo
movimento si caratterizza
per una tessitura simile
a quella di un corale,
nel quale il solista
svela le sfumature
tipiche del suo
strumento. Il terzo
movimento è scritto
nello stile di una
marcia. Più che un
brano per strumento solo
in cui il solista domina
e l’orchestra
l’accompagna,
Trombone Concerto
è una vera
conversazione musicale
tra i protagonisti.
Firebird Suite Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé C.L. Barnhouse
Berceuse and Finale. By Igor Stravinsky. Arranged by Robert Longfield. Transcrip...(+)
Berceuse and Finale. By
Igor Stravinsky. Arranged
by Robert Longfield.
Transcription. Concert
Band. Level: Grade 4.
Score and set of parts.
Composed 1998. Duration
0:06:12. Published by
C.L. Barnhouse.
Surprises Orchestre d'harmonie - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-3367-00 Composed by Mitchell Parish. Young Concert Ba...(+)
Grade 2
SKU:
CL.011-3367-00
Composed by Mitchell
Parish. Young Concert
Band. Command Series.
Audio recording available
separately (item
CL.WFR333). Score and set
of parts. Composed 2004.
Duration 2 minutes, 33
seconds. C.L. Barnhouse
#011-3367-00. Published
by C.L. Barnhouse
(CL.011-3367-00).
What a
surprise! An absolutely
delightful original
composition for mid-level
bands which features a
bright tempo, mixed
meters, independent
playing in the parts and
an eclectic style that
jumps around all over the
place! Everyone in the
band has interesting
parts to play and there
are ample percussion
parts to keep all your
drummers interested. Will
challenge groups at this
level but it’s
well worth the effort and
your students will love
it! It’s unique
and it’s cool!
Very highly
recommended!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.