Score and Parts Concert Band (Score and Parts) - Grade 3 SKU: HL.4008730...(+)
Score and Parts
Concert Band (Score and
Parts) - Grade 3
SKU:
HL.4008730
Concert
Band, Grade 3 3:50 Score
and parts. Composed
by Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392302.
Published by Hal Leonard
(HL.4008730).
ISBN
9798350119473. UPC:
196288195238.
The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
Concert
Band, Grde 3 3:50
Score. Composed by
Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392301.
Published by Hal Leonard
(HL.4008731).
UPC:
196288195245.
The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
Cruisin' Orchestre d'harmonie [Conducteur et Parties séparées] - Facile FJH
By William Owens. For concert band. FJH Young Band. Full set (score and parts). ...(+)
By William Owens. For
concert band. FJH Young
Band. Full set (score and
parts). Score only also
available: B1353S. Grade
2. Score and set of
parts. Composed 2007
When Hearts Tremble Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS75 Composed by Brant Karrick. SW...(+)
Band concert band - Grade
4.5
SKU: CF.SPS75
Composed by Brant
Karrick. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
3+12+12+6+12+12+12+6+6+6+
6+6+6+9+9+9+6+6+9+9+9+9+6
+12+6+9+3+9+9+40 pages.
Duration 6 minutes, 44
seconds. Carl Fischer
Music #SPS75. Published
by Carl Fischer Music
(CF.SPS75).
ISBN
9781491147702. UPC:
680160905201. 9 x 12
inches. Key: F
major.
When Hearts
Tremble is an emotion
packed piece dedicated to
musician friends lost all
to soon. This beautiful
composition by Brant
Karrick reflects on the
fragility of human
existence, joyous
memories of loved ones
and their effect on
everyone around them, and
maintaining hope for what
the future will hold when
all feels lost. This tour
de force piece perfectly
displays Karrick's
polished compositional
craft with impeccable
scoring, beautiful
melodic writing, and
exceptional
orchestrational
color. While the
day-to-day grind of our
lives can be filled with
overwhelming obligations,
goals and commitments, it
is sometimes very easy to
forget just how precious
and fragile life is . It
is so easy to get caught
up in our own personal
feelings and worries that
we sometimes don’t
realize and appreciate
the many blessings we
have, especially
friendships . On
Wednesday, November 18,
2015 the Jefferson High
School Band in Jefferson,
Georgia lost two of its
members to a fatal car
accident . The victims
were brothers . Music was
a constant part of their
lives, and the boys were
talented percussionists
in the marching band . To
help with the grieving
process the school and
community commissioned
this piece to celebrate
the lives of William and
Alex Trimble .As a
father, I cannot imagine
losing a child, let alone
two, and beginning this
piece was very difficult
as I felt extreme
anguish, especially for
the parents . But it was
decided the piece should
primarily reflect the
enthusiasm, youthful
spirits and positive
influence these two young
men demonstrated as they
were deeply loved by
their band mates,
community and family .
There are four main
themes, each representing
the feelings and emotions
that are certain to occur
after a loss of loved
ones . The first theme is
a short, introductory
fanfare, strong and bold,
to stand for courage . A
second dance-like melody
features a liltingly
mixed meter to portray a
youthful and carefree
innocence . This soon
changes into a third more
song-like, and stately
theme intended to provide
encouragement as we move
forward through life .The
middle of the piece
includes a soft
transition as two snare
drummers give voice to
the boys, allowing them
to thank their friends
and assuring them that it
will be okay . This moves
directly into a slow
melody introduced by the
saxophones (Alex, the
younger brother was also
a saxophonist) and is a
time for reflection and
allows for feelings of
sadness at losing beloved
friends . However, a
second statement of the
same theme, now at full
volume with a strong
percussion cadence,
intends to lift the
spirits and allows all
friends to unite in
joyous celebration of
life . Both the
enthusiastic dance theme
and stately lyrical theme
return, now in different
keys, and work their way
toward the highly
energetic burst of
glorious sound in the
short and wild coda .
When Hearts Tremble was
written to celebrate the
joys of youth and life,
and should remind us that
our friends and loved
ones are precious, and we
should live each day to
bring more joy into the
world and into the lives
of others .
Bist Du bei mir Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1053785-010 Composed by Johan...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1053785-010
Composed by Johann
Sebastian Bach. Arranged
by Jacob De Haan. Your
Favorite Classics. Set
(Score & Parts). Composed
2005. De Haske
Publications #DHP
1053785-010. Published by
De Haske Publications
(BT.DHP-1053785-010).
English-German-French-
Dutch.
The song
Bist du bei mir,
geh’ ich mit
Freuden zum Sterben und
zu meiner Ruh’
(BWV 508) was composed by
Johann Sebastian Bach for
his second wife Anna
Magdalena (1701-1760),
who he married in
1721.The popularity of
this song is probably due
to the magnificent,
sensitive melody that
fits wonderfully with the
text, in which a loved
one is told that even
death is beautiful
“as long as you are
there with me.â€
This beautiful
arrangement by Jacob de
Haan is suitable for use
in any
concert.
Het lied
Bist du bei mir,
geh’ ich mit
freuden zum Sterben und
zu meiner Ruh (BWV 508)
werd gecomponeerd door
Johann Sebastian Bach
voor zijn tweede vrouw
Anna Magdalena
(1701-1760), met wie hij
in 1721 trouwde. Dit lied
dankt
zijnongeëvenaarde
populariteit
waarschijnlijk aan de
schitterende, gevoelige
melodie die prachtig
aansluit bij de tekst,
waarin een geliefde te
horen krijgt dat zelfs de
dood mooi is
‘zolang jij bij me
bent’. Dit
prachtige arrangementvoor
blaasorkest, geschreven
door Jacob de Haan, is
geschikt voor vele
gelegenheden.
B
ist du bei mir
schrieb Johann Sebastian
Bach für seine zweite
Frau Anna Magdalena. Die
Melodie passt
vorzüglich zum Text
eines unbekannten
Dichters, der besagt,
dass selbst der Tod
keinen Schrecken mehr
birgt, solange nur der
geliebte Mensch da ist.
Jacob de Haan schuf aus
der beliebten,
besinnlichen Melodie eine
gefühlvolle
Bearbeitung für
Blasorchester.
Nel
1721 Johann Sebastian
Bach sposa in seconde
nozze Anna Magdalena
Wilcken. Le dedica
l’aria Bist du
bei mir BWV 508. La
notoriet di questa aria
è ineguagliabile per
la sua tenerezza che si
evolve in perfetta
armonia con un testo
potente nel quale il
poeta ci regala una bella
visione
dell’amore. Jacob
de Haan ha realizzato un
superlativo arrangiamento
per banda, adatto a tutte
le occasioni.
Bist Du bei mir Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1053785-140 Composed by Johan...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1053785-140
Composed by Johann
Sebastian Bach. Arranged
by Jacob De Haan. Your
Favorite Classics. Score
Only. Composed 2005. 12
pages. De Haske
Publications #DHP
1053785-140. Published by
De Haske Publications
(BT.DHP-1053785-140).
English-German-French-
Dutch.
The song
Bist du bei mir,
geh’ ich mit
Freuden zum Sterben und
zu meiner Ruh’
(BWV 508) was composed by
Johann Sebastian Bach for
his second wife Anna
Magdalena (1701-1760),
who he married in
1721.The popularity of
this song is probably due
to the magnificent,
sensitive melody that
fits wonderfully with the
text, in which a loved
one is told that even
death is beautiful
“as long as you are
there with me.â€
This beautiful
arrangement by Jacob de
Haan is suitable for use
in any
concert.
Het lied
Bist du bei mir,
geh’ ich mit
freuden zum Sterben und
zu meiner Ruh (BWV 508)
werd gecomponeerd door
Johann Sebastian Bach
voor zijn tweede vrouw
Anna Magdalena
(1701-1760), met wie hij
in 1721 trouwde. Dit lied
dankt
zijnongeëvenaarde
populariteit
waarschijnlijk aan de
schitterende, gevoelige
melodie die prachtig
aansluit bij de tekst,
waarin een geliefde te
horen krijgt dat zelfs de
dood mooi is
‘zolang jij bij me
bent’. Dit
prachtige arrangementvoor
blaasorkest, geschreven
door Jacob de Haan, is
geschikt voor vele
gelegenheden.
B
ist du bei mir
schrieb Johann Sebastian
Bach für seine zweite
Frau Anna Magdalena. Die
Melodie passt
vorzüglich zum Text
eines unbekannten
Dichters, der besagt,
dass selbst der Tod
keinen Schrecken mehr
birgt, solange nur der
geliebte Mensch da ist.
Jacob de Haan schuf aus
der beliebten,
besinnlichen Melodie eine
gefühlvolle
Bearbeitung für
Blasorchester.
Nel
1721 Johann Sebastian
Bach sposa in seconde
nozze Anna Magdalena
Wilcken. Le dedica
l’aria Bist du
bei mir BWV 508. La
notoriet di questa aria
è ineguagliabile per
la sua tenerezza che si
evolve in perfetta
armonia con un testo
potente nel quale il
poeta ci regala una bella
visione
dell’amore. Jacob
de Haan ha realizzato un
superlativo arrangiamento
per banda, adatto a tutte
le occasioni.
We, The People Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant C.L. Barnhouse
(Concert March). Composed by James Swearingen. For concert band. Young Band. Sou...(+)
(Concert March). Composed
by James Swearingen. For
concert band. Young Band.
Sound Foundations. Grade
1. Score and parts.
Duration 1 minute, 15
seconds. Published by
C.L. Barnhouse
Under the Double Eagle Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
By Richard Wagner (1813-1883). Arranged by James Swearingen. For concert band. Y...(+)
By Richard Wagner
(1813-1883). Arranged by
James Swearingen. For
concert band. Young Band.
Rising Band. Leading to
Command of the Concert
Band!. Grade 2. Score and
parts. Composed 2010.
Duration 1 minutes, 32
seconds. Published by
C.L. Barnhouse
There's No Place
Like. Composed by
Robert Allen. Arranged by
Larry Clark. FS-SWS. Carl
Fischer Young Performance
Series. Score and Set of
Parts. With Standard
notation.
16+8+2+4+4+2+2+5+2+2+4+4+
4+6+3+2+3+2+1+2+2 pages.
Carl Fischer Music
#YPS38. Published by Carl
Fischer Music (CF.YPS38).
ISBN 9780825852152.
UPC: 798408052157. 9 X 12
inches. Key: Eb major.
Text: Al Stillman. Al
Stillman.
The
classic holiday favorite
by Al Stillman and Robert
Allen is presented here
in a playable arrangement
for concert band. It is
my hope that this
arrangement will be
equally satisfying for
the young band with ample
rehearsal time or for the
more mature band that
wants a holiday favorite
they can perform with
limited rehearsal. The
piece is presented first
in a lush chorale format
with the use of extended
jazz harmonies. Special
care should be given to
balancing and tuning the
inner voices for the most
pleasant sound. After the
lush opening on the
famous refrain the
arrangement moves to the
bridge in an up-tempo
swing. In this section
the percussion is written
to imitate a drum set,
but if a set is available
it may be preferable to
use it in order to get
the right feel. Following
the bridge is another
statement of the refrain
followed by a hymn-style
section by the reeds with
jazz interjections by the
brass straight out of the
famous Perry Como
rendition. This is
followed by a D.S. to the
bridge, one more refrain
and then a short coda It
has been my pleasure to
have the opportunity to
write this arrangement. I
hope you and your
students enjoy it and
find it useful for your
program. -LARRY CLARK New
York, NY 2003. The
classic holiday favorite
by Al Stillman and Robert
Allen is presented here
in a playable arrangement
for concert band. It is
my hope that this
arrangement will be
equally satisfying for
the young band with ample
rehearsal time or for the
more mature band that
wants a holiday favorite
they can perform with
limited rehearsal.The
piece is presented first
in a lush chorale format
with the use of extended
jazz harmonies. Special
care should be given to
balancing and tuning the
inner voices for the most
pleasant sound. After the
lush opening on the
famous refrain the
arrangement moves to the
bridge in an up-tempo
swing. In this section
the percussion is written
to imitate a drum set,
but if a set is available
it may be preferable to
use it in order to get
the right feel. Following
the bridge is another
statement of the refrain
followed by a
“hymn-styleâ€
section by the reeds with
jazz interjections by the
brass straight out of the
famous Perry Como
rendition. This is
followed by a D.S. to the
bridge, one more refrain
and then a short coda It
has been my pleasure to
have the opportunity to
write this arrangement. I
hope you and your
students enjoy it and
find it useful for your
program.-LARRY CLARKNew
York, NY 2003.
Olympia Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant FJH
By Brian Balmages. Arranged by Brian Balmages. Beginning Band. FJH Beginning Ban...(+)
By Brian Balmages.
Arranged by Brian
Balmages. Beginning Band.
FJH Beginning Band. This
fanfare captures the
spirit of Olympia, the
birthplace of the Olympic
Games. The Games began in
776 B.C. In honor of
Zeus. Since then, they
have become the central
location for heroes and
champions to compete for
the highest honors in the
world. This work also
serves as a reminder that
heroes are all around us
- in teachers who stay
after school to help
students, in parents who
strive to give their
children the best
possible lives, and most
of all in students
themselves, the young
champions of our world
who see nothing between
them and their dreams.
The mallet part calls for
multiple sets of bells
(or other metallic
instruments such as the
vibraphone). Certainly,
two to three players can
really make this an
effective part. There are
two Percussion 1 parts
included: a normal part
and an advanced part. The
level of the snare
drummer will determine
which part should be
used. However, both parts
may be used
simultaneously if
percussionists are
available. Score for this
title: B1270S. Extra part
for this title: B1270P.
Concert Band. Level: 1.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Arranged by Robert W. Smith. Concert Band. Concert Band. Belwin Beginning Band. ...(+)
Arranged by Robert W.
Smith. Concert Band.
Concert Band. Belwin
Beginning Band. Form:
Fanfare. Christmas;
Winter. Grade 1.
Conductor Score and
Parts. 144 pages.
Duration 2:06:00.
Published by Belwin
Publishing
Grade 3 - Score
Only. Composed by
James Curnow. Curnow
Music Concert Band.
Holiday. 16 pages. Curnow
Music #125909130.
Published by Curnow Music
(HL.44007401).
UPC:
884088251697. 9x12
inches.
Here is a
little musical sleigh
ride you won't forget!
Sleigh bells, a whip
crack, and the momentum
of a joyous ride across
the snow make this a sure
winner for your holiday
concert. Christmas
Troika serves as a
delightful concert opener
or will slide gracefully
into any spot on your
program. There are great
opportunities to study
staccato and legato
articulations side by
side, and you'll find a
load of other great
teaching opportunities
included as you prepare
this captivating musical
experience for your
listeners.
The Beatles Remembered Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: Do You Want to Know a Secret? / From Me to You / I Saw Her Standing ...(+)
(Featuring: Do You Want
to Know a Secret? / From
Me to You / I Saw Her
Standing There / She
Loves You). By John
Lennon and Paul McCartney
[The Beatles]. Arranged
by Jack Bullock. Concert
Band. Concert Band;
Part(s); Score. Pop
Concert Band. Form:
Medley. Pop/Rock. Grade
3. 242 pages. Published
by Alfred Music
Publishing
The Beatles Remembered Orchestre d'harmonie [Conducteur] - Intermédiaire Alfred Publishing
Featuring: Do You Want to Know a Secret? / From Me to You / I Saw Her Standin...(+)
Featuring: Do You Want
to Know a Secret? / From
Me to You / I Saw Her
Standing There / She
Loves You. Composed
by John Lennon and Paul
McCartney [The Beatles].
Arranged by Jack Bullock.
Concert Band; Score. Pop
Concert Band. Form:
Medley. Rock. 36 pages.
Published by Alfred Music
(AP.39548S).
Ulterior Overture Orchestre d'harmonie - Intermédiaire/avancé Curnow Music
Concert Band/Harmonie - Grade 4 SKU: BT.CMP-1118-07-140 Composed by Willi...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.CMP-1118-07-140
Composed by William
Himes. Concert Band.
Concert Piece. Score
Only. Composed 2007. 44
pages. Curnow Music #CMP
1118-07-140. Published by
Curnow Music
(BT.CMP-1118-07-140).
9x12 inches.
English.
And now
for something completely
different! Who but
William Himes would think
of deconstructing and the
reconstructing the
birthday song into this
amazingly creative
overture? And, who else
could do it so well? The
cognitive and the
affective domains are
both in for a treat as
you prepare this
intriguing new work for
performance. Be sure to
hear the CD demo and look
closely at the score.
There are some amazing
things going on
here.Unexpected!
Dit werk is
geschreven in opdracht
van de Palatine Concert
Band uit Palatine in
Illinois (VS), ter
gelegenheid van het
vijftigjarig bestaan in
2005. Zoals de titel al
suggereert, is de muziek
gebaseerd op een
verborgen thema, datin
veel subtiele
verschijningen opduikt.
Om de mijlpaal voor het
orkest kracht bij te
zetten creëerde de
componist een vrolijke,
feestelijke klank, ge
nspireerd op een zeer
bekende melodie. (De
identiteit daarvan mag
echter niet
wordenprijsgegeven omdat
zelfs de titel
onder copyright valt.
Laten we gewoon zeggen
dat het een lied is dat
vaak wordt gezongen bij
de viering van een
verjaardag.)
Das
ist wirklich einmal etwas
ganz anderes! Wer
außer William Himes
käme schon auf die
verrückte Idee, das
bekannte Lied Happy
Birthday to You
vollkommen auseinander zu
nehmen und dann zu einer
erstaunlich kreativen
Ouvertüre neu
zusammenzusetzen? Und das
hört sich dann sogar
richtig toll an! Schon
das Einstudieren dieser
überraschenden
Ouvertüre macht einen
Riesenspaß, der sich
dann mit Sicherheit auch
aufs Publikum
überträgt.
Ulterior Overture Orchestre d'harmonie - Intermédiaire/avancé Curnow Music
Concert Band/Harmonie - Grade 4 SKU: BT.CMP-1118-07-010 Composed by Willi...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.CMP-1118-07-010
Composed by William
Himes. Concert Band.
Concert Piece. Set (Score
and Parts). Composed
2007. Curnow Music #CMP
1118-07-010. Published by
Curnow Music
(BT.CMP-1118-07-010).
9x12 inches.
English.
And now
for something completely
different! Who but
William Himes would think
of deconstructing and the
reconstructing the
birthday song into this
amazingly creative
overture? And, who else
could do it so well? The
cognitive and the
affective domains are
both in for a treat as
you prepare this
intriguing new work for
performance. Be sure to
hear the CD demo and look
closely at the score.
There are some amazing
things going on
here.Unexpected!
Dit werk is
geschreven in opdracht
van de Palatine Concert
Band uit Palatine in
Illinois (VS), ter
gelegenheid van het
vijftigjarig bestaan in
2005. Zoals de titel al
suggereert, is de muziek
gebaseerd op een
verborgen thema, datin
veel subtiele
verschijningen opduikt.
Om de mijlpaal voor het
orkest kracht bij te
zetten creëerde de
componist een vrolijke,
feestelijke klank, ge
nspireerd op een zeer
bekende melodie. (De
identiteit daarvan mag
echter niet
wordenprijsgegeven omdat
zelfs de titel
onder copyright valt.
Laten we gewoon zeggen
dat het een lied is dat
vaak wordt gezongen bij
de viering van een
verjaardag.)
Das
ist wirklich einmal etwas
ganz anderes! Wer auÃ?er
William Himes käme
schon auf die
verrückte Idee, das
bekannte Lied Happy
Birthday to You
vollkommen auseinander zu
nehmen und dann zu einer
erstaunlich kreativen
Ouvertüre neu
zusammenzusetzen? Und das
hört sich dann sogar
richtig toll an! Schon
das Einstudieren dieser
überraschenden
Ouvertüre macht einen
RiesenspaÃ?, der sich
dann mit Sicherheit auch
aufs Publikum
überträgt.
Concert Band - Grade 2 SKU: AP.49150 Composed by Michael Kamuf. Concert B...(+)
Concert Band - Grade 2
SKU: AP.49150
Composed by Michael
Kamuf. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble. Belwin Young
Band. Patriotic;
programmatic. Score and
Part(s). 159 pages.
Duration 3:10. Belwin
Music #00-49150.
Published by Belwin Music
(AP.49150).
ISBN
9781470646622. UPC:
038081564883.
English.
This
optimistic yet driving
work was inspired by the
President Theodore
Roosevelt quote, believe
you can and you're
halfway there. The
beginning lyrical section
introduces contrasting
themes that are developed
further in a heroic and
energetic fast section.
Varying textures, bold
harmonies, and fun
percussion writing propel
this piece---Halfway
There by Michael Kamuf is
a perfect choice for
concerts and festivals!
(3:10) This title is
available in MakeMusic
Cloud.
Concert Band - Grade 2 SKU: AP.49150S Composed by Michael Kamuf. Concert ...(+)
Concert Band - Grade 2
SKU: AP.49150S
Composed by Michael
Kamuf. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble. Belwin Young
Band. Programmatic.
Score. 24 pages. Duration
3:10. Belwin Music
#00-49150S. Published by
Belwin Music (AP.49150S).
ISBN 9781470646646.
UPC: 038081564890.
English.
This
optimistic yet driving
work was inspired by the
President Theodore
Roosevelt quote, believe
you can and you're
halfway there. The
beginning lyrical section
introduces contrasting
themes that are developed
further in a heroic and
energetic fast section.
Varying textures, bold
harmonies, and fun
percussion writing propel
this piece---Halfway
There by Michael Kamuf is
a perfect choice for
concerts and festivals!
(3:10) This title
available in MakeMusic
Cloud.
Grade 2 SKU: CL.015-3251-00 Composed by Huckeby. Young Concert Band. Elem...(+)
Grade 2
SKU:
CL.015-3251-00
Composed by Huckeby.
Young Concert Band.
Elementary Series. Audio
recording available
separately (item
CL.WFR330). Lighter.
Score and set of parts.
Composed 2003. Duration 2
minutes, 23 seconds. C.L.
Barnhouse #015-3251-00.
Published by C.L.
Barnhouse
(CL.015-3251-00).
Your young band
will love this one! Take
a rock beat, mix it with
energetic melodic lines,
shake it up with a little
creative flair, and there
you have it.a classic
rock tune which will
knock their socks off.
But, beware of the
pitfalls.your young
students will want to
play this one at EVERY
rehearsal. It's a great
young band concert
closer! DON'T MISS THIS
ONE!
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1398S Score Only. C...(+)
Concert Band Concert Band
- Grade 2.5
SKU:
FJ.B1398S
Score
Only. Composed by
Mark Lortz. Concert Band.
FJH Young Band. Score.
Duration 2:00. The FJH
Music Company Inc
#98-B1398S. Published by
The FJH Music Company Inc
(FJ.B1398S).
English.
This
short vibrant fanfare is
sure to be one of the
year's most popular and
exciting concert openers!
Utilizing modern
harmonies, driving
melodies, and a wealth of
percussion, the work
creates a high level of
energy. Bell tones
throughout combine with
the metallic sounds of
the percussion to really
show the influence of the
title as the piece builds
to a riveting finish.
This work will not tax
your ensemble, but it
will blow your audience
out of the water!
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Young concert band - Grade 2 SKU: CL.011-4117-01 Composed by Neeck. Young...(+)
Young concert band -
Grade 2
SKU:
CL.011-4117-01
Composed by Neeck. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR377). Extra
full score. Composed
2012. Duration 2 minutes,
24 seconds. C.L.
Barnhouse #011-4117-01.
Published by C.L.
Barnhouse
(CL.011-4117-01).
First came the
beat, And Then There Were
Drums. Feature your
entire percussion section
in this upbeat, easy
rocker. The rock groove
provides a solid
foundation for the
musical interplay between
the band and the
individual percussion
instruments. Percussion
parts are solidly scored,
but not difficult,
allowing your drummers,
and your entire band to
shine.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Band concert band - Grade 5 SKU: CF.SPS51 Composed by Brant Karrick. SWS ...(+)
Band concert band - Grade
5
SKU: CF.SPS51
Composed by Brant
Karrick. SWS FS.
Symphonic Performance
Series. Set of Score and
Parts. With Standard
notation.
16+16+4+4+16+16+16+8+4+4+
4+4+16+8+8+12+12+12+16+16
+12+12+12+8+12+16+12+3+30
+21+36 pages. Duration 6
minutes, 8 seconds. Carl
Fischer Music #SPS51.
Published by Carl Fischer
Music (CF.SPS51).
ISBN
9780825888519. UPC:
798408088514. 9x12
inches.
Quirksâ€
”a word defined as a
sudden sharp turn or an
unpredictable peculiarity
of behavior or
action—demonstrate
s the capricious nature
of the title in its
musical character. The
music vacillates between
fast and slow, happy and
sad, extroverted and
introverted, and just
never goes where you
expect. There is plenty
of interplay between
winds and percussion as
the four and three notes
of the main motive are
tossed about the many
instrumental colors. This
is a tour-de-force,
destined to become a band
standard for more
advanced bands. You must
give this a careful
listen.
Composed by
Brant Karrick. SWS FS.
Symphonic Performance
Series. Full score. With
Standard notation. 36
pages. Duration 6
minutes, 8 seconds. Carl
Fischer Music #SPS51F.
Published by Carl Fischer
Music (CF.SPS51F).
ISBN 9780825888526.
UPC: 798408088521. 9x12
inches.
Quirksâ€
”a word defined as a
sudden sharp turn or an
unpredictable peculiarity
of behavior or
action—demonstrate
s the capricious nature
of the title in its
musical character. The
music vacillates between
fast and slow, happy and
sad, extroverted and
introverted, and just
never goes where you
expect. There is plenty
of interplay between
winds and percussion as
the four and three notes
of the main motive are
tossed about the many
instrumental colors. This
is a tour-de-force,
destined to become a band
standard for more
advanced bands. You must
give this a careful
listen.
Digital Prisms Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
By Larry Clark. Concert Band. For Concert Band. Carl Fischer Young Performance S...(+)
By Larry Clark. Concert
Band. For Concert Band.
Carl Fischer Young
Performance Series. Grade
2-2.5. Full Score.
Standard notation. 24
pages. Published by Carl
Fischer
Concert Band Concert Band - Grade 2 SKU: FJ.B1825 Composed by Tyler S. Gr...(+)
Concert Band Concert Band
- Grade 2
SKU:
FJ.B1825
Composed by
Tyler S. Grant. Concert
Band. FJH Young Band.
Score and Part(s). The
FJH Music Company Inc
#98-B1825. Published by
The FJH Music Company Inc
(FJ.B1825).
UPC:
241444423424.
English.
This
invigorating fanfare
seeks to convey the
optimism and achievement
associated with an
anniversary celebration.
Excitement and energy
radiate into every
section in the ensemble.
A fantastic concert
opener with limited
technical demands,
leaving your ensemble
fresh and ready to tackle
the rest of the
program!
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Concert Band Concert Band - Grade 2 SKU: FJ.B1825S Score Only. Com...(+)
Concert Band Concert Band
- Grade 2
SKU:
FJ.B1825S
Score
Only. Composed by
Tyler S. Grant. Concert
Band. FJH Young Band.
Score. The FJH Music
Company Inc #98-B1825S.
Published by The FJH
Music Company Inc
(FJ.B1825S).
English.
This
invigorating fanfare
seeks to convey the
optimism and achievement
associated with an
anniversary celebration.
Excitement and energy
radiate into every
section in the ensemble.
A fantastic concert
opener with limited
technical demands,
leaving your ensemble
fresh and ready to tackle
the rest of the
program!
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545.
Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion.
Nordanvind Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Se...(+)
Band concert band - Grade
4.5
SKU: CF.SPS71
Composed by Carl
Strommen. Set of Score
and Parts. With Standard
notation.
2+16+4+8+8+8+4+4+2+4+4+4+
4+6+6+6+4+4+4+4+6+6+6+6+4
+8+3+2+12+2+4+28 pages.
Duration 6 minutes, 26
seconds. Carl Fischer
Music #SPS71. Published
by Carl Fischer Music
(CF.SPS71).
ISBN
9781491143544. UPC:
680160901043. Key: G
minor.
Nordanvind
is a tour de force
symphonic rhapsody that
is built on three
Scandinavian folk songs.
Composer Carl Strommen
has composed these
Viking-influenced
melodies into a concert
setting that brings out
all of the history of the
Scandinavian people. The
piece is at times bold
and aggressive, at other
times beautiful. Carl
employs all of the
instrumental colors of
the concert band to
create a new work for
more advanced
ensembles. Modern
Scandinavians are
descendants of the
Vikings, an adventuresome
people who were known for
their love of the sea,
their naval prowess, and
as fierce fighters . The
Scandinavian Vikings were
warriors from Denmark,
Norway, and Sweden who
traded, raided and
settled in various parts
of Europe, Russia, the
North Atlantic islands,
and the northeastern
coast of North America
.Starting around 1850,
over one million Swedes
left their homeland for
the United States in
search of religious
freedom and open farm
land . Augustana College
was founded in 1860 by
graduates of Swedish
universities and is
located on the
Mississippi River in Rock
Island, Illinois . Home
of the
“Vikings,â€
Augustana College is the
oldest Swedish- American
institution of higher
learning in the United
States . This powerful
and lively piece takes
inspiration from Swedish
history and from Swedish
folk songs and hymns
.Havsdrake (Dragon of the
Sea)The Nordanvind or
“North Windâ€
blows a cold wind during
a journey of a group of
courageous Viking rowers
. The
“Dragon-shipâ€
or long ships designed
for raiding and war was a
sophisticated, fast ship
able to navigate in very
shallow water . To
musically portray these
magnificent seafaring
vessels, the director is
encouraged to use an
Ocean Drum (or a rain
stick) during the
introduction . Wind
players may consider
blowing air through their
instruments to suggest
the North wind . Adding
men’s voices to
accompany the haunting
low brass and percussive
“rowerâ€
sounds can be helpful in
creating the dark and
ominous portrayal of
Viking adventurers
.Slangpolska efter Byss -
KalleIn Sweden, a
“polska†is a
partner dance where the
dancers spin each other
(släng in Swedish
“to sling or
tossâ€) .
Slangpolska efter Byss -
Kalle is attributed to
Byss-Kalle, who was a
notable Swedish folk
musician, specifically a
nyckelharpa player .
Slangpolska efter Byss -
Kalle is a traditional
“polskaâ€
dance song most often
played on the Nyckelharpa
or keyed fiddle and is
commonly heard in pubs
and at festive events
throughout Sweden .
Approximately 10,000
nyckelharpa players live
in Sweden today, and the
Swedish and the American
Nyckelharpa Associations
are dedicated to this
Swedish National
instrument . The director
is encouraged to share
video and audio examples
of the nyckelharpa
playing the original
Slangpolska efter Byss -
Kalle .Tryggare Kan Ingen
Vara (Children of the
Heavenly Father)Tryggare
Kan Ingen Vara Is a
traditional Swedish
melody, possibly of
German roots, and was
believed to be arranged
as a hymn by the Swedish
hymn writer, Karolina
Wilhelmina Sandell-Berg
(1832–1903) . As a
daughter of a Swedish
Lutheran minister, she
began writing poems as a
teenager and is said to
have written over 1,700
different texts . There
are two different
accounts as to the
inspiration for this hymn
. The first story is that
Lina (as she was called)
wrote the hymn to honor
her father and to say
thank you to him for
raising her and
protecting her . A second
belief is of her
witnessing the tragic
death of her father . She
and her father were on a
boat, when a wave threw
her father overboard . It
was said that the
profound effect of
watching her father drown
is what caused Lina to
write the text to this
hymn . Although this is a
treasured song to people
of Swedish descent
everywhere, it speaks to
all people about a father
tending and nourishing
his children, and
protecting them from evil
.SPS71FThe Augustana
College Concert
BandFounded in 1874, the
Augustana Band program is
one of the oldest
continuously active
collegiate band programs
in the country . The
Concert Band is one of
two bands on campus and
was formed more than
thirty years ago . The
Concert Band attracts
students of every skill
level and from a wide
variety of majors .
Students in the ensemble
play a large part in
choosing their music for
performance, which
include works from the
standard repertoire,
orchestral
transcriptions, and the
latest compositions from
leading composers .Rick
Jaeschke began his
musical career as a
clarinet player in the
1st US Army Band . He
received a Bachelor of
Music degree from
Susquehanna University, a
Masters of Music from
James Madison University,
and a doctorate from
Columbia University in
New York . He was also
fortunate to study
conducting with Donald
Hunsburger and with
Frederick Fennell .Dr .
Jaeschke taught band and
choir at Great Mills High
School in Southern
Maryland, and for fifteen
years, he was the
district Music Supervisor
in Armonk, New York,
where he taught high
school concert and jazz
bands, beginning band,
and music technology .
During that time, the
music program flourished,
and the high school band
consistently received
Gold Medals in the New
York State Festivals, as
well as in national, and
international festivals .
As a clarinet and
saxophone player, Dr .
Jaeschke performed in the
New York metropolitan
area with the Rockland
Symphony Orchestra, the
Putnam Symphony
Orchestra, Fine Arts
Symphony Orchestra, and
served as the concert
master for the Hudson
Valley Wind Symphony .For
several years, Dr .
Jaeschke served as the
Fine Arts Coordinator for
the District 204 schools
in Naperville, IL, a
district selected as One
of the Best 100 Schools
in America for Music .
Currently, Dr . Jaeschke
is an Associate Professor
at Augustana College
where he teaches music
and music education
courses, and directs the
Concert Band . He has
served on various
educational boards, is a
National edTPA scorer,
and has presented at
state, national and
international music
conferences . He lives
with his family in
Bettendorf Iowa, and
enjoys any opportunity to
explore the open water in
his sea kayak .
At the Threshold Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Bill Calhoun. Score and part(s). 24 136 pages. Duration 4 minutes,...(+)
Composed by Bill Calhoun.
Score and part(s). 24
136 pages. Duration 4
minutes, 22 seconds. Carl
Fischer #YPS0165.
Published by Carl Fischer
(CF.YPS165).