By Andy Clark. Concert band. For concert band. Young Band. Command Series. Audio...(+)
By Andy Clark. Concert
band. For concert band.
Young Band. Command
Series. Audio recording
available separately
(item CL.WFR373). Grade
2.5. Score and set of
parts. Composed 2011.
Duration 3 minutes, 13
seconds. Published by
C.L. Barnhouse
(CL.011-4060-00
Look To The Skies Orchestre d'harmonie [Conducteur] - Débutant C.L. Barnhouse
Concert band - Grade 1 SKU: CL.024-4411-01 (A Glorious Fanfare). Y...(+)
Concert band - Grade 1
SKU:
CL.024-4411-01
(A
Glorious Fanfare).
Young Concert Band.
Rising Band Series for
Developing Bands! Audio
recording available
separately (item
CL.WFR386). Extra full
score. Composed 2015.
Duration 1 minute, 34
seconds. C.L. Barnhouse
#024-4411-01. Published
by C.L. Barnhouse
(CL.024-4411-01).
Music that is
highly inspirational and
well-scored best
describes the reasons why
you would want to perform
this outstanding new work
for band. An introduction
consisting of driving
percussion and powerful
chords leads us to a very
expressive theme that
musically illuminates the
strong message of hope.
The powerful ending will
leave a lasting impact
for your audience to
remember. A great way to
start the concert!
Elephant Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS127 Composed by Peter Sciaino. Fol...(+)
Band concert band - Grade
1
SKU: CF.BPS127
Composed by Peter
Sciaino. Folio. Bps. Set
of Score and Parts.
8+2+8+2+5+2+2+8+3+6+2+3+1
+1+2+2+12 pages. Duration
2 minutes, 39 seconds.
Carl Fischer Music
#BPS127. Published by
Carl Fischer Music
(CF.BPS127).
ISBN
9781491156209. UPC:
680160914746. 9 x 12
inches.
Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gate and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gait and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
NotesElephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however,
it’s their
trumpeting that makes
them stand out as the
instrumentalists of the
animal kingdom! In this
selection, an
elephant’s slow
gait and general demeanor
are represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young
percussionists. At m.
33 the trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or
“lunch-bag
mutes,†over their
bells (in their bells for
horn players). For the
trumpet players, the
mutes can be enhanced
with an additional
balled-up piece of paper
placed at the bottom of
the bag prior to slipping
it over the bell. Horns
should ball up the bag
itself and experiment
with placement to create
the most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age.Note to the
ConductorThis piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece.Younger students
will likely need a
reasonable amount of
practice in successfully
using the
“lunch-bag
mutes.†Allowing
additional rehearsal time
for this is
recommended.
Elephant Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS127F Composed by Peter Sciaino. Sw...(+)
Band concert band - Grade
1
SKU: CF.BPS127F
Composed by Peter
Sciaino. Sws. Bps. Full
score. 12 pages. Duration
2 minutes, 39 seconds.
Carl Fischer Music
#BPS127F. Published by
Carl Fischer Music
(CF.BPS127F).
ISBN
9781491156216. UPC:
680160914753. 9 x 12
inches.
Program
Notes Elephant is,
of course, inspired by
the incredible mammals of
the same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gate and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however,
it’s their
trumpeting that makes
them stand out as the
instrumentalists of the
animal kingdom! In this
selection, an
elephant’s slow
gate and general demeanor
are represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young
percussionists. At m.
33 the trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or
“lunch-bag
mutes,†over their
bells (in their bells for
horn players). For the
trumpet players, the
mutes can be enhanced
with an additional
balled-up piece of paper
placed at the bottom of
the bag prior to slipping
it over the bell. Horns
should ball up the bag
itself and experiment
with placement to create
the most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age.Note to the
ConductorThis piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece.Younger students
will likely need a
reasonable amount of
practice in successfully
using the
“lunch-bag
mutes.†Allowing
additional rehearsal time
for this is
recommended.
For Concert Band. Composed by James Barnes. Southern Music. Concert. Soft...(+)
For Concert Band.
Composed by James Barnes.
Southern Music. Concert.
Softcover. Southern Music
Company #S945CB.
Published by Southern
Music Company
(HL.172748).
Concert Band/Harmonie - Grade 3 SKU: BT.1267-05-140-MS Arranged by Peter ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1267-05-140-MS
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2005. 36 pages. Music
Sales #1267-05-140 MS.
Published by Music Sales
(BT.1267-05-140-MS).
9x12 inches.
English-German-French-Dut
ch.
Ray Charles
(1930-2004) was a
multitalented and
pioneering American
pianist and soul singer
who became very popular
in the late fifties, and
remained respected for
his music in the decades
that followed. By
incorporating gospel,
jazz, blues, and big band
elements, he helped shape
the sound of rhythm and
blues, and brought a
soulful sound to
everything from country
music to pop standards.
Ray Charles embodied the
American dream, starting
out a poor, blind boy
from the southern United
States and becoming an
international music
phenomenon; his nickname
was “the
Genius†for a good
reasonIn this arrangement
for concert band, Peter
Kleine Schaars presents
five of the songs
thatcontributed to Ray
Charles’ fame: I
Can’t Stop Loving
You, Hit the Road Jack,
Georgia on My Mind,
Hallelujah I Love Her So,
and Unchain My Heart.
Ray Charles
(1930-2004) was een
vernieuwend Amerikaans
pianist en soulzanger die
populair werd in de jaren
vijftig en geliefd bleef
in de decennia die
volgden. Hij gaf mede
vorm aan de sound van de
rhythm & blues en hij gaf
een soulachtigeklank aan
alle muziek van country
tot aan popstandards -
waarin hij gospel, jazz,
blues en
bigband-elementen
verwerkte. Dit
arrangement bevat vijf
van de songs die
bijdroegen aan de roem
van Ray Charles: I
Can’t StopLoving
You, Hit the Road Jack,
Georgia on My Mind,
Hallelujah I Love Her
So en Unchain My
Heart.
Ray
Charles, dem Hollywood
jüngst mit einer Oscar
preisgekrönten
Filmproduktion huldigte,
ist die Verkörperung
des amerikanischen
Traums: Vom armen,
blinden Jungen aus den
Südstaaten wurde er
zum internationalen
musikalischen
Phänomen; seinen
Spitznamen Genie trug er
völlig zu Recht. In
dieser Bearbeitung für
Blasorchester
präsentiert Peter
Kleine Schaars fünf
der Lieder, die zu Ray
Charles' Ruhm beitrugen.
Ray
Charles è un vero
mito: cinque decenni di
successi, una carriera
eccezionale ricca di
decine di successi che
hanno fatto il giro del
mondo diventando fonte di
ispirazione per intere
generazioni di giovani
artisti. Soprannominato
“The Geniusâ€,
questo pioniere del R&B e
della soul music, cieco
dall’et di sette
anni, ha composto alcune
delle canzoni memorabili
della musica nera
americana tra cui I
Can’t Stop Loving
You, Hit the Road Jack,
Georgia on My Mind,
Hallelujah I Love Her
so e Unchain My
Heart.
A Tribute to Ray Charles Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1267-05-010-MS Arranged by Peter ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1267-05-010-MS
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2005. Music
Sales #1267-05-010 MS.
Published by Music Sales
(BT.1267-05-010-MS).
9x12 inches.
English-German-French-Dut
ch.
Ray Charles
(1930-2004) was a
multitalented and
pioneering American
pianist and soul singer
who became very popular
in the late fifties, and
remained respected for
his music in the decades
that followed. By
incorporating gospel,
jazz, blues, and big band
elements, he helped shape
the sound of rhythm and
blues, and brought a
soulful sound to
everything from country
music to pop standards.
Ray Charles embodied the
American dream, starting
out a poor, blind boy
from the southern United
States and becoming an
international music
phenomenon; his nickname
was “the
Genius†for a good
reasonIn this arrangement
for concert band, Peter
Kleine Schaars presents
five of the songs
thatcontributed to Ray
Charles’ fame: I
Can’t Stop Loving
You, Hit the Road Jack,
Georgia on My Mind,
Hallelujah I Love Her So,
and Unchain My Heart.
Ray Charles
(1930-2004) was een
vernieuwend Amerikaans
pianist en soulzanger die
populair werd in de jaren
vijftig en geliefd bleef
in de decennia die
volgden. Hij gaf mede
vorm aan de sound van de
rhythm & blues en hij gaf
een soulachtigeklank aan
alle muziek van country
tot aan popstandards -
waarin hij gospel, jazz,
blues en
bigband-elementen
verwerkte. Dit
arrangement bevat vijf
van de songs die
bijdroegen aan de roem
van Ray Charles: I
Can’t StopLoving
You, Hit the Road Jack,
Georgia on My Mind,
Hallelujah I Love Her
So en Unchain My
Heart.
In den
fünfziger Jahren
erlangte der Pianist und
Soulsänger Ray Charles
große, bis heute
ungebrochene
Popularität. In dieser
Bearbeitung für
Blasorchester
präsentiert Peter
Kleine Schaars fünf
der Lieder, die
wesentlich zu Ray
Charles’ Ruhm
beitrugen und auch heute
noch ein hoch
ansteckendes Soul-Fieber
unter Musikern und
Zuhörern auslösen
können.
Ray
Charles è un vero
mito: cinque decenni di
successi, una carriera
eccezionale ricca di
decine di successi che
hanno fatto il giro del
mondo diventando fonte di
ispirazione per intere
generazioni di giovani
artisti. Soprannominato
“The Geniusâ€,
questo pioniere del R&B e
della soul music, cieco
dall’et di sette
anni, ha composto alcune
delle canzoni memorabili
della musica nera
americana tra cui I
Can’t Stop Loving
You, Hit the Road Jack,
Georgia on My Mind,
Hallelujah I Love Her
so e Unchain My
Heart.
Flame and Glory Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1135413-140 Vatra I Slava<...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1135413-140
Vatra I Slava.
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2013. 24
pages. De Haske
Publications #DHP
1135413-140. Published by
De Haske Publications
(BT.DHP-1135413-140).
9x12 inches.
English-German-French-Dut
ch.
This opening
piece was commissioned by
a youth orchestra, which
explains why it has such
a lot of dynamism, energy
and optimism. However, it
begins in a stately and
noble fashion, in the
lower range of the wind
orchestra. Soon the
rhythmical drive takes
over, imbuing this piece
with a vibrant and
energetic character. Some
lovely melodic lines and
themes are also
integrated within this
fast section. Wind music
in Croatia is developing
apace as more and more
ensembles are excited by
the next generation of
composers finding so much
success worldwide. For
this reason, the
Vatroslav Lisinski Music
School commissioned this
short but effective piece
from Jan Van der Roost.
The premièretook place
in Zagreb on April 24
2013, conducted by Mario
Komazin.
Dit
openingswerk is
geschreven in opdracht
van een jeugdorkest, wat
verklaart waarom het
zoveel dynamiek, energie
en optimisme ademt. Het
begint echter op
plechtige en statige
wijze - in het lage
blazersregister. Al snel
krijgt de muziek een
steeds ritmischer
karakter en wordt ze
levendiger en vitaler van
sfeer. In dit snelle
gedeelte zijn ook
verschillende mooie
melodielijnen en
thema’s verwerkt.
Het genre blaasmuziek is
in Kroatië sterk in
opkomst, en meer en meer
ensembles zijn
enthousiast over de
volgende generatie jonge
musici die wereldwijd
zoveel succes hebben.
Tegen die achtergrond
heeft de Vatroslav
Lisinski Music School de
Belgische componist Jan
Van der Roost verzochtdit
korte maar effectvolle
werk te schrijven. De
première vond op 24
april 2013 plaats in
Zagreb, onder leiding van
dirigent Mario Komazin.
Dieses
Eröffnungswerk wurde
im Auftrag eines
Jugendblasorchesters
geschrieben, was
erklärt, warum es so
viel Dynamik, Energie und
Optimismus ausstrahlt. Es
beginnt jedoch feierlich
und würdevoll - in den
tiefen Bläsern. Schon
bald wird der Charakter
der Musik immer
rhythmischer und
lebendiger und die
Stimmung wechselt ins
Lebhafte. In diesem
schnellen Teil sind auch
verschiedene schöne
Melodielinien und Themen
verarbeitet. Das Genre
Blasmusik ist in Kroatien
stark im Kommen und immer
mehr Ensembles zeigen
sich begeistert von der
jungen
Komponistengeneration,
die weltweit so
erfolgreich ist. Vor
diesem Hintergrund bat
die Vatroslav Lisinski
Musikschule den
belgischenKomponisten Jan
Van der Roost, dieses
kurze, aber wirkungsvolle
Werk zu schreiben. Die
Premiere fand am 24.
April 2013 in Zagreb
unter der Leitung von
Dirigent Mario Komazin
statt.
Concert band - Grade 2 SKU: CL.011-4060-01 Composed by A. Clark. Young Co...(+)
Concert band - Grade 2
SKU:
CL.011-4060-01
Composed by A. Clark.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR373). Extra full
score. Composed 2011.
Duration 3 minutes, 13
seconds. C.L. Barnhouse
#011-4060-01. Published
by C.L. Barnhouse
(CL.011-4060-01).
A funky little
rock tune that your
students and audiences
will love that will add
the perfect lighter touch
to any performance. The
ranges are very
reasonable for all
instruments, and every
section of your
developing concert band
has a chance to shine.
Both a drum section part
and a drum set part are
included so you can pick
the part which works best
in your situation. Also
includes an optional
electric bass part. You
won’t have any
problem getting your band
to practice this fun
tune!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Grade 2 SKU: CL.011-3607-01 Composed by Yeo. Young Concert Band. Command ...(+)
Grade 2
SKU:
CL.011-3607-01
Composed by Yeo. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR351). Extra
full score. Composed
2007. Duration 3 minutes,
32 seconds. C.L.
Barnhouse #011-3607-01.
Published by C.L.
Barnhouse
(CL.011-3607-01).
Containing
beautiful melodies that
will keep everyone
humming, this
inspirational and
encouraging new
composition from the pen
of a young composer from
Singapore will definitely
appeal to both your
players and audiences!
With reasonable ranges
for your developing
players, this is sure to
be a great tool to help
them gain confidence in
performance. The delicate
slow section includes a
short trumpet solo (cued
for flute) is also an
excellent opportunity to
teach your band phrasing
and expression. Beyond
the Highlands will make
your band sound BIG and
is an excellent choice
any concert, contest or
festival performance!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Down the Equator Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000352-010 Composed by O. Aze...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000352-010
Composed by O. Azevedo.
Set (Score & Parts). 77
pages. Gobelin Music
Publications #GOB
000352-010. Published by
Gobelin Music
Publications
(BT.GOB-000352-010).
A March made in
Brazil, which by itself
perhaps is reason enough
to add it to your
repertoire. Cheerful ,
colourful and exotic.
these are all terms
applicable where 'Down
the Equator' is
concerned.
Een
zonnige mars van
Braziliaanse makelij met
fraaie klankkleuren.
Down the Equator Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000352-140 Composed by O. Aze...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000352-140
Composed by O. Azevedo.
Score Only. 10 pages.
Gobelin Music
Publications #GOB
000352-140. Published by
Gobelin Music
Publications
(BT.GOB-000352-140).
A March made in
Brazil, which by itself
perhaps is reason enough
to add it to your
repertoire. Cheerful ,
colourful and exotic.
these are all terms
applicable where 'Down
the Equator' is
concerned.
Een
zonnige mars van
Braziliaanse makelij met
fraaie klankkleuren.
Grade 1 SKU: CL.015-2493-00 March. Young Concert Band. Norman Lee ...(+)
Grade 1
SKU:
CL.015-2493-00
March. Young
Concert Band. Norman Lee
Series. March. Score and
set of parts. Composed
1992. C.L. Barnhouse
#015-2493-00. Published
by C.L. Barnhouse
(CL.015-2493-00).
A stately march
that is sure to be a
favorite with all your
younger players. All
ranges are very
reasonable with the 2nd
clarinets below the break
all the way (1st clarinet
only gets above the break
for a few notes).
Excellent teaching
material and perfect
concert or contest
selection.
Grade 1.5 SKU: CL.015-2493-01 March. Young Concert Band. Norman Le...(+)
Grade 1.5
SKU:
CL.015-2493-01
March. Young
Concert Band. Norman Lee
Series. Extra full score.
Composed 1992. C.L.
Barnhouse #015-2493-01.
Published by C.L.
Barnhouse
(CL.015-2493-01).
A stately march
that is sure to be a
favorite with all your
younger players. All
ranges are very
reasonable with the 2nd
clarinets below the break
all the way (1st clarinet
only gets above the break
for a few notes).
Excellent teaching
material and perfect
concert or contest
selection.
Diamond Variations Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Robert Jager. By Robert Jager. For Concert Band. Concert Band. Belwin Classic...(+)
By Robert Jager. By
Robert Jager. For Concert
Band. Concert Band.
Belwin Classic Band.
Level: Medium Easy (grade
III). Conductor Score and
Parts. 296 pages.
Duration 13:37. Published
by Alfred Publishing.
Composed by Matthew R.
Putnam. First Plus Band
(FPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+5+2+2+4+4+4+6+3
+2+1+3+8+16+2 pages.
Duration 2 minutes, 6
seconds. Carl Fischer
Music #FPS150. Published
by Carl Fischer Music
(CF.FPS150).
ISBN
9781491152102. UPC:
680160909605.
The
title is a play on words,
but the composer had his
own ulterior motives in
mind when composing this
piece. He wanted a piece
that was fun to play, but
that helped developing
musicians work on their
rhythmic skills. Matt
Putnam uses the feel of
action film soundtracks
to create the mood of
this interesting new
piece. Interesting
grooves in the percussion
throughout add to the
piece’s feel of
mystery and thrill. To
understand my thoughts in
writing this piece, I
thought it best to define
the two ideas that give
the piece its title:
ulterior motives and
musical motifs. Ulterior
motives occur when you
believe that a person is
doing something for some
unknown or hidden reason.
Often, they are used in
action films or
literature to increase
the drama and tension of
the story. Musically, a
motif is a short rhythmic
and/or melodic idea. When
I wrote this piece, I
must confess that I had
my own ulterior motives:
I wanted to create a
piece that was fun to
play, but I also wanted a
piece that would help
students develop their
rhythmic counting skills.
In this piece, I use a
motif of a two
eighth-note pattern which
jumps from section to
section to help me
achieve my ulterior
motive.Mimicking the mood
of action films whose
characters often have
ulterior motives, the
mood of the piece is
suspenseful and exciting
as the motif jumps from
section to section
throughout the ensemble.
The motif keeps you
guessing as it occurs on
all four different beats
of the measure sometimes
ascending, sometimes
descending, and occurs
sometimes in the interval
of a second and sometimes
the interval of a third.
Interesting grooves in
the percussion throughout
add to the piece’s
feel of mystery and
thrill.I have no ulterior
motives when I say that I
hope you enjoy playing
Ulterior Motifs.
Composed by Matthew R.
Putnam. First Plus Band
(FPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#FPS150F. Published by
Carl Fischer Music
(CF.FPS150F).
ISBN
9781491152782. UPC:
680160910281.
The
title is a play on words,
but the composer had his
own ulterior motives in
mind when composing this
piece. He wanted a piece
that was fun to play, but
that helped developing
musicians work on their
rhythmic skills. Matt
Putnam uses the feel of
action film soundtracks
to create the mood of
this interesting new
piece. Interesting
grooves in the percussion
throughout add to the
piece’s feel of
mystery and thrill. To
understand my thoughts in
writing this piece, I
thought it best to define
the two ideas that give
the piece its title:
ulterior motives and
musical motifs. Ulterior
motives occur when you
believe that a person is
doing something for some
unknown or hidden reason.
Often, they are used in
action films or
literature to increase
the drama and tension of
the story. Musically, a
motif is a short rhythmic
and/or melodic idea. When
I wrote this piece, I
must confess that I had
my own ulterior motives:
I wanted to create a
piece that was fun to
play, but I also wanted a
piece that would help
students develop their
rhythmic counting skills.
In this piece, I use a
motif of a two
eighth-note pattern which
jumps from section to
section to help me
achieve my ulterior
motive.Mimicking the mood
of action films whose
characters often have
ulterior motives, the
mood of the piece is
suspenseful and exciting
as the motif jumps from
section to section
throughout the ensemble.
The motif keeps you
guessing as it occurs on
all four different beats
of the measure sometimes
ascending, sometimes
descending, and occurs
sometimes in the interval
of a second and sometimes
the interval of a third.
Interesting grooves in
the percussion throughout
add to the piece’s
feel of mystery and
thrill.I have no ulterior
motives when I say that I
hope you enjoy playing
Ulterior Motifs.
Ceremony and Celebration Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4936-01 Composed by Neeck. Concert Band. Extra full s...(+)
Grade 3
SKU:
CL.012-4936-01
Composed by Neeck.
Concert Band. Extra full
score. Composed 2022.
Opus III Wind Orchestra
Publications
#012-4936-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4936-01).
Opening with a
majestic fanfare,
Ceremony and Celebration
develops into a joyous
tour-de-force which will
showcase the artistry and
musicality of your
ensemble. Tuneful brass
melodies, soaring
woodwind lines, and
pulsating percussion
propel this unforgettable
musical adventure for
your band. Great fun for
every section, the
reasonable technical
demands make this a
choice selection for
contest or concert.
Superb!
Ceremony and Celebration Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4936-00 Composed by Neeck. Concert Band. Score and se...(+)
Grade 3
SKU:
CL.012-4936-00
Composed by Neeck.
Concert Band. Score and
set of parts. Composed
2022. Opus III Wind
Orchestra Publications
#012-4936-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4936-00).
Opening with a
majestic fanfare,
Ceremony and Celebration
develops into a joyous
tour-de-force which will
showcase the artistry and
musicality of your
ensemble. Tuneful brass
melodies, soaring
woodwind lines, and
pulsating percussion
propel this unforgettable
musical adventure for
your band. Great fun for
every section, the
reasonable technical
demands make this a
choice selection for
contest or concert.
Superb!
Nightfall in Camp Orchestre d'harmonie [Conducteur et Parties séparées] Eighth Note Publications
By Traditional. Arranged by Tom Wade-West. Concert Band. Concert Band. Eighth No...(+)
By Traditional. Arranged
by Tom Wade-West. Concert
Band. Concert Band.
Eighth Note Publications.
Conductor Score and
Parts. Duration 00:01:45.
Published by Eighth Note
Publications
Emerald Cove Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-2326-01 Composed by Niehaus. Young Concert Band. Comm...(+)
Grade 2
SKU:
CL.011-2326-01
Composed by Niehaus.
Young Concert Band.
Command Series. Extra
full score. Composed
1991. C.L. Barnhouse
#011-2326-01. Published
by C.L. Barnhouse
(CL.011-2326-01).
Hollywood film
writer Lennie Niehaus
brings a fresh approach
to writing for young
bands. The parts are
accessible and the ranges
reasonable, but the music
is very expressive and
unique.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Emerald Cove Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-2326-00 Composed by Niehaus. Young Concert Band. Comm...(+)
Grade 2
SKU:
CL.011-2326-00
Composed by Niehaus.
Young Concert Band.
Command Series. Score and
set of parts. Composed
1991. C.L. Barnhouse
#011-2326-00. Published
by C.L. Barnhouse
(CL.011-2326-00).
Hollywood film
writer Lennie Niehaus
brings a fresh approach
to writing for young
bands. The parts are
accessible and the ranges
reasonable, but the music
is very expressive and
unique.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Gospel John (Full Set) Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
By Jeff Steinberg. Arranged by Andy Clark. For young concert band. Command Serie...(+)
By Jeff Steinberg.
Arranged by Andy Clark.
For young concert band.
Command Series. Grade
2.5. Score and set of
parts. Duration 2
minutes, 48 seconds.
Published by C.L.
Barnhouse
Grade 3 SKU: CL.026-4930-01 Composed by Neeck. Concert Band. Extra full s...(+)
Grade 3
SKU:
CL.026-4930-01
Composed by Neeck.
Concert Band. Extra full
score. C.L. Barnhouse
#026-4930-01. Published
by C.L. Barnhouse
(CL.026-4930-01).
This holiday
medley features unique
arrangements of three
traditional Christmas
carols: March of the
Kings, We Three Kings,
and Good King Wenceslas.
A musically and
educationally satisfying
piece, even if the size
of your band or
instrumentation are
limited. While the
full-sounding scoring
belies the reasonable
technical demands of the
piece, this uplifting
crowd-pleaser is sure to
inspire the holiday
spirit in your band and
audience.
Of Kings And Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 3 SKU: CL.026-4930-00 Composed by Neeck. Concert Band. Score and se...(+)
Grade 3
SKU:
CL.026-4930-00
Composed by Neeck.
Concert Band. Score and
set of parts. C.L.
Barnhouse #026-4930-00.
Published by C.L.
Barnhouse
(CL.026-4930-00).
This holiday
medley features unique
arrangements of three
traditional Christmas
carols: March of the
Kings, We Three Kings,
and Good King Wenceslas.
A musically and
educationally satisfying
piece, even if the size
of your band or
instrumentation are
limited. While the
full-sounding scoring
belies the reasonable
technical demands of the
piece, this uplifting
crowd-pleaser is sure to
inspire the holiday
spirit in your band and
audience.
Adagio in E Major, K. 261 Orchestre d'harmonie [Conducteur et Parties séparées] LudwigMasters Publications
Concert Band; Orchestra 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in...(+)
Concert Band; Orchestra
2.0.0.0: 2.0.0.0: Str
(4-4-3-3-3 in set): Solo
Violin in set
SKU:
AP.36-A744690
Composed by Wolfgang
Amadeus Mozart. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A744690.
Published by
LudwigMasters
Publications
(AP.36-A744690).
UPC:
659359882814.
English.
It is
widely believed that
Wolfgang Amadeus Mozart
(1756-1791) wrote the
Adagio in E major, K. 261
in or around 1776 as a
replacement for the
second movement of his
Violin Concerto No. 5 in
A, K. 219. The likely
reason for the
replacement is a
complaint by Italian
violinist Antonio
Brunetti, recently
brought to the Salzburg
court orchestra by the
Prince-Archbishop of
Salzburg, Heironymus
Colloredo, that the
original movements was
too artificial, according
to a letter from Leopold
Mozart. The Mozarts,
finding Brunetti boorish
and morally
objectionable, also would
have thought his
complaint regarding the
artificial second
movement to confirm their
worst opinions of Italian
taste. Still, young
Mozart wrote the
replacement Adagio as
requested, and its serene
beauty in sonata form
remains a fine example of
his lyrical ability.
Instrumentation: 2.0.0.0:
2.0.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in...(+)
Concert Band; Orchestra
2.0.0.0: 2.0.0.0: Str
(4-4-3-3-3 in set): Solo
Violin in set
SKU:
AP.36-A744601
Composed by Wolfgang
Amadeus Mozart. Full
Orchestra, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A744601.
Published by
LudwigMasters
Publications
(AP.36-A744601).
ISBN
9798888529805. UPC:
659359863653.
English.
It is
widely believed that
Wolfgang Amadeus Mozart
(1756-1791) wrote the
Adagio in E major, K. 261
in or around 1776 as a
replacement for the
second movement of his
Violin Concerto No. 5 in
A, K. 219. The likely
reason for the
replacement is a
complaint by Italian
violinist Antonio
Brunetti, recently
brought to the Salzburg
court orchestra by the
Prince-Archbishop of
Salzburg, Heironymus
Colloredo, that the
original movements was
too artificial, according
to a letter from Leopold
Mozart. The Mozarts,
finding Brunetti boorish
and morally
objectionable, also would
have thought his
complaint regarding the
artificial second
movement to confirm their
worst opinions of Italian
taste. Still, young
Mozart wrote the
replacement Adagio as
requested, and its serene
beauty in sonata form
remains a fine example of
his lyrical ability.
Instrumentation: 2.0.0.0:
2.0.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in...(+)
Concert Band; Orchestra
2.0.0.0: 2.0.0.0: Str
(4-4-3-3-3 in set): Solo
Violin in set
SKU:
AP.36-A744648
Composed by Wolfgang
Amadeus Mozart. Full
Orchestra, Solo Violin
Part. Kalmus Orchestra
Library. Part(s).
LudwigMasters
Publications #36-A744648.
Published by
LudwigMasters
Publications
(AP.36-A744648).
ISBN
9798888529812. UPC:
659359901379.
English.
It is
widely believed that
Wolfgang Amadeus Mozart
(1756-1791) wrote the
Adagio in E major, K. 261
in or around 1776 as a
replacement for the
second movement of his
Violin Concerto No. 5 in
A, K. 219. The likely
reason for the
replacement is a
complaint by Italian
violinist Antonio
Brunetti, recently
brought to the Salzburg
court orchestra by the
Prince-Archbishop of
Salzburg, Heironymus
Colloredo, that the
original movements was
too artificial, according
to a letter from Leopold
Mozart. The Mozarts,
finding Brunetti boorish
and morally
objectionable, also would
have thought his
complaint regarding the
artificial second
movement to confirm their
worst opinions of Italian
taste. Still, young
Mozart wrote the
replacement Adagio as
requested, and its serene
beauty in sonata form
remains a fine example of
his lyrical ability.
Instrumentation: 2.0.0.0:
2.0.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Flight of Fancy Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Curnow Music
Concert Band/Harmonie, Flute and Percussion - Grade 2.5 SKU: BT.CMP-0901-05-0...(+)
Concert Band/Harmonie,
Flute and Percussion -
Grade 2.5
SKU:
BT.CMP-0901-05-010
Composed by Timothy
Johnson. Young Band. Solo
& Concerto. Set (Score &
Parts). Composed 2005.
Curnow Music #CMP
0901-05-010. Published by
Curnow Music
(BT.CMP-0901-05-010).
English.
We are
often so focused on
presenting the entire
ensemble that it’s
easy to forget we can
also program solo feature
pieces. There are so many
reasons to do just that.
It rewards that special
player who has been
working so hard. It sets
an example for other
players in the section.
It provides a nice
contrast regardless of
what else is programmed.
Be sure to put on the
demonstration CD found in
this catalog and hear
Flight of Fancy
for yourself.
We’re sure
you’ll like
it.Scintillating!<
br> Met Flight of
Fancy kunt u een
solist (fluit of mallets)
in de schijnwerpers
plaatsen. We zijn zo vaak
gericht op het orkest als
geheel dat we wel eens
vergeten om solowerken te
programmeren, maar er
zijn redenen te over
omdat te doen. U kunt er
een goede, hardwerkende
muzikant mee belonen en
anderen kunnen er een
voorbeeld aan nemen.
Bovendien creëert u
een aangenaam contrast in
uw concertprogramma. Deze
muziek illustreert de
vlucht die de
verbeeldingskrachtvan een
mens kan nemen - dan weer
zorgeloos en grillig, dan
weer beschouwend, maar
altijd
boeiend.
Gibt es
in Ihrem Blasorchester
einen Flötisten oder
Malletspieler, der sich
mit Fleiß und Hingabe
in der wöchentlichen
Orchesterarbeit einen
besonderen Auftritt im
nächsten Konzert
verdient hat? Flight
of Fancy von Timothy
Johnson ist eine
wundervolle Gelegenheit,
wahlweise einen
Flötisten oder
Malletspieler mit einem
nicht allzu schweren
Solostück ins
Rampenlicht zu
rücken!
Concert Band Concert Band - Grade 2 SKU: FJ.B1126 Composed by English Car...(+)
Concert Band Concert Band
- Grade 2
SKU:
FJ.B1126
Composed by
English Carol. Arranged
by Andrew Balent. Concert
Band. FJH Young Band.
Christmas; Holiday Pops;
Traditional. Score and
Part(s). Duration 2:10.
The FJH Music Company Inc
#98-B1126. Published by
The FJH Music Company Inc
(FJ.B1126).
UPC:
674398209866.
English.
This
arrangement of God Rest
Ye Merry, Gentlemen
starts off in a moderate
4/4 tempo featuring a
solo trumpet on the
opening melody. The
orchestration
progressively thickens
and then the piece moves
into a lively 3/4 tempo,
where the low brass and
woodwinds are featured
under an ostinato in the
upper voices. Very
reasonable in both rhythm
and register, this is a
great addition to any
holiday concert.
(2:10).
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5