Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002208-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1002208-140
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Score
Only. Composed 2000. 58
pages. De Haske
Publications #DHP
1002208-140. Published by
De Haske Publications
(BT.DHP-1002208-140).
Die
Sinfonie in drei
Sätzen ist eine
musikalische Schilderung
der Geschichte Ungarns.
Alle drei Sätze haben
bedeutende historische
Persönlichkeiten und
Schlüsselereignisse
aus der Landesgeschichte
- wie etwa Kriege - zum
Inhalt. Das Werk wurde
zuUngarns
Tausendjahrfeier im Jahr
2001
geschrieben.Attila
, König der Hunnen,
oftmals auch die GeiÃ?el
Gottes genannt, ist die
zentrale Gestalt des
ersten Satzes; in seiner
musikalischen
Beschreibung sind
Aggressivität und
Grausamkeit, die vonihm
ausgehende Bedrohung und
ihm entgegengebrachte
Furcht spürbar.
Daneben erscheinen das
heroischer klingende
Thema von Buda,
Attilas Bruder, und das
lyrische von Rika,
seiner zärtlich
geliebten Frau. Der
aufpeitschende Schluss
desSatzes ist Sinnbild
für die gefürchtete
Schnelligkeit von Attilas
Truppen, mit der sie ihre
Opfer eingeholt und ohne
Ausnahme getötet
haben.Im Mittelpunkt des
zweiten Satzes steht
Arpad, der
eigentliche Begründer
des ungarischen Staates.
Eineatmosphärisch
klingende Einleitung
beschwört
Emese, die
GroÃ?mutter Arpads,
herauf, die im Traum
seine Bestimmung
vorhergesehen hatte. Er
schlug seinen Gegner, den
Prinzen Zalan von
Bulgarien, im Kampf in
die Flucht und gab dem
Land denNamen
Magyarorszag.Das Finale
ist nach Istvan
benannt, dem König,
der in Ungarn das
Christentum einführte
und am ersten Januar 1001
durch Papst Sylvester II.
gekrönt wurde. Ein
feierlicher Anfang leitet
über in einen an
Kriegsgetümmelerinnern
den Abschnitt, der in
lärmendem Getöse
endet. Es steht für
das Ende des Heiden
Koppany, dessen
Körper gevierteilt und
als abschreckendes
Beispiel an die vier
Burgen des Landes gesandt
wurde. Ein ruhiges,
beinahe religiös
wirkendesZwischenspiel
mündet in die
ungarische Nationalhymne.
Dieser prachtvolle, mit
grandioso
überschriebene Schluss
hat auch eine symbolische
Bedeutung: Nach zehn
Jahrhunderten hat Ungarn
guten Grund, mit Stolz
zurückzublicken und
der Zukunft mitZuversicht
und Optimismus
entgegenzusehen.Die
wunderbare Melodie der
Nationalhymne erscheint
in der Sinfonie auch
vorher schon immer
wieder, wird meist aber
ganz oder teilweise
überdeckt. Sie
durchläuft das Werk
wie ein roter Faden, der
anfangs kaumwahrzunehmen
ist und erst im Verlauf
der Sinfonie immer
deutlicher wird. Am Ende
krönt sie das Werk in
einer letzten
prachtvollen Steigerung,
in der das Orchester den
majestätischen Klang
einer Orgel
annimmt.
Sinfonia
Hungarica,
commissionata dalla banda
ungherese di
Kiskunfelegyahaza, è
dedicata al maestro
Ferenc Jankovski, al
sindaco della citt Jozsef
Ficsor e a Gabriella
Kiss. La prima mondiale,
eseguita dalla banda
Kiskunfelegyhaza si è
tenutaa Budapest il 31
marzo 2001 sotto la
direzione del
compositore.Gli eventi
salienti della storia
dellâ??Ungheria, come le
guerre ed altri
avvenimenti importanti,
sono tradotti in musica
in questa sinfonia
strutturata in tre
movimenti. Sinfonia
Hungaricavuole anche
essere un omaggio allo
stato ungherese che
festeggia il suo
millennio nel
2001.ATTILA, re
degli Unni, spesso
chiamato â??il flagello
di Dioâ?? è la figura
centrale del primo
movimento, caratterizzato
dalla paura, dalla
minaccia,dallâ??aggressi
one e dalla crudelt .
Buda, fratello di Attila
è associato ad un tema
più eroico, mentre
Rika, lâ??amata moglie,
è rappresentata da una
melodia lirica.
Lâ??eccitante finale di
questo movimento di
apertura illustra la
tanto temuta velocit
delle truppe di Attila
che seminavano paura e
morte.Il secondo
movimento pone
lâ??accento su
ARPAD, il
fondatore dello Stato
ungherese. Inizia con un
passaggio in stile
atmosferico che evoca la
nonna di Arpad, Emese che
aveva sognato e
predettoil futuro del
nipote. Uno degli
oppositori di Arpad, il
principe bulgaro Zalan,
fu cacciato dopo una
battaglia. In seguito,
Arpad chiamò
ufficialmente il
territorio
â??Magyarorszagâ?.Il
movimento finale prende
il nome da ISTVAN,
il re che portòil
cristianesimo in Ungheria
e che fu incoronato da
Papa Silvestro II il 1
gennaio, 1001. Un inizio
solenne prelude ad un
passaggio bellico
accentuato da rumori
imponenti; questo a
simboleggiare lâ??atroce
fine del pagano Koppany
il cui corpo futagliato
in quattro pezzi e
inviato ai quattro
castelli del paese come
monito. Dopo un
intermezzo quieto, quasi
religioso, viene
presentato lâ??Inno
nazionale ungherese. In
questo ampio e grandioso
finale riecheggia
lâ??orgoglio
dellâ??Ungheria
nelricordare il suo
passato e la fiducia con
la quale si proietta al
futuro.Lo stupendo tema
dellâ??Inno nazionale
ungherese è proposto
nellâ??arco
dellâ??intera sinfonia.
Eâ?? però spesso
parzialmente nascosto e
usato come filo
conduttore, appena
riconoscibileallâ??inizi
o ma sempre più ovvio
quando la sinfonia si
avvicina al suo finale. A
conclusione della
sinfonia, il sublime inno
conduce la banda in
unâ??apoteosi finale,
facendo apparire
lâ??organico strumentale
come un maestoso
organo.
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002208-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1002208-010
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 2000.
De Haske Publications
#DHP 1002208-010.
Published by De Haske
Publications
(BT.DHP-1002208-010).
Sinfonia
Hungarica is a
three-movement symphony
that depicts the history
of Hungary. All three
movements were inspired
by historical key
figures, wars, and other
important events from
this country. This
symphony is a celebration
of Hungary’s
millennium in 2001.The
second movement focuses
on ARPAD, the actual
founder of the Hungarian
State. It starts with an
atmospherical passage,
evoking his grandmother,
Emese, who dreamt about
his future destination.
One of Arpad’s
opponents, the Bulgarian
Prince Zalan, was chased
away after a fight. After
this, Arpad officially
named the territory
“Magyarorszag.â€
Die
Sinfonie in drei
Sätzen ist eine
musikalische Schilderung
der Geschichte Ungarns.
Alle drei Sätze haben
bedeutende historische
Persönlichkeiten und
Schlüsselereignisse
aus der Landesgeschichte
- wie etwa Kriege - zum
Inhalt. Das Werk wurde
zuUngarns
Tausendjahrfeier im Jahr
2001
geschrieben.Attila
, König der Hunnen,
oftmals auch die
Geißel Gottes genannt,
ist die zentrale Gestalt
des ersten Satzes; in
seiner musikalischen
Beschreibung sind
Aggressivität und
Grausamkeit, die vonihm
ausgehende Bedrohung und
ihm entgegengebrachte
Furcht spürbar.
Daneben erscheinen das
heroischer klingende
Thema von Buda,
Attilas Bruder, und das
lyrische von Rika,
seiner zärtlich
geliebten Frau. Der
aufpeitschende Schluss
desSatzes ist Sinnbild
für die gefürchtete
Schnelligkeit von Attilas
Truppen, mit der sie ihre
Opfer eingeholt und ohne
Ausnahme getötet
haben.Im Mittelpunkt des
zweiten Satzes steht
Arpad, der
eigentliche Begründer
des ungarischen Staates.
Eineatmosphärisch
klingende Einleitung
beschwört
Emese, die
Großmutter Arpads,
herauf, die im Traum
seine Bestimmung
vorhergesehen hatte. Er
schlug seinen Gegner, den
Prinzen Zalan von
Bulgarien, im Kampf in
die Flucht und gab dem
Land denNamen
Magyarorszag.Das Finale
ist nach Istvan
benannt, dem König,
der in Ungarn das
Christentum einführte
und am ersten Januar 1001
durch Papst Sylvester II.
gekrönt wurde. Ein
feierlicher Anfang leitet
über in einen an
Kriegsgetümmelerinnern
den Abschnitt, der in
lärmendem Getöse
endet. Es steht für
das Ende des Heiden
Koppany, dessen
Körper gevierteilt und
als abschreckendes
Beispiel an die vier
Burgen des Landes gesandt
wurde. Ein ruhiges,
beinahe religiös
wirkendesZwischenspiel
mündet in die
ungarische Nationalhymne.
Dieser prachtvolle, mit
grandioso
überschriebene Schluss
hat auch eine symbolische
Bedeutung: Nach zehn
Jahrhunderten hat Ungarn
guten Grund, mit Stolz
zurückzublicken und
der Zukunft mitZuversicht
und Optimismus
entgegenzusehen.Die
wunderbare Melodie der
Nationalhymne erscheint
in der Sinfonie auch
vorher schon immer
wieder, wird meist aber
ganz oder teilweise
überdeckt. Sie
durchläuft das Werk
wie ein roter Faden, der
anfangs kaumwahrzunehmen
ist und erst im Verlauf
der Sinfonie immer
deutlicher wird. Am Ende
krönt sie das Werk in
einer letzten
prachtvollen Steigerung,
in der das Orchester den
majestätischen Klang
einer Orgel
annimmt.
Sinfonia
Hungarica,
commissionata dalla banda
ungherese di
Kiskunfelegyahaza, è
dedicata al maestro
Ferenc Jankovski, al
sindaco della citt Jozsef
Ficsor e a Gabriella
Kiss. La prima mondiale,
eseguita dalla banda
Kiskunfelegyhaza si è
tenutaa Budapest il 31
marzo 2001 sotto la
direzione del
compositore.Gli eventi
salienti della storia
dell’Ungheria,
come le guerre ed altri
avvenimenti importanti,
sono tradotti in musica
in questa sinfonia
strutturata in tre
movimenti. Sinfonia
Hungaricavuole anche
essere un omaggio allo
stato ungherese che
festeggia il suo
millennio nel
2001.ATTILA, re
degli Unni, spesso
chiamato “il
flagello di Dio“
è la figura centrale
del primo movimento,
caratterizzato dalla
paura, dalla
minaccia,dall’aggr
essione e dalla crudelt .
Buda, fratello di Attila
è associato ad un tema
più eroico, mentre
Rika, l’amata
moglie, è
rappresentata da una
melodia lirica.
L’eccitante finale
di questo movimento di
apertura illustra la
tanto temuta velocit
delle truppe di Attila
che seminavano paura e
morte.Il secondo
movimento pone
l’accento su
ARPAD, il
fondatore dello Stato
ungherese. Inizia con un
passaggio in stile
atmosferico che evoca la
nonna di Arpad, Emese che
aveva sognato e
predettoil futuro del
nipote. Uno degli
oppositori di Arpad, il
principe bulgaro Zalan,
fu cacciato dopo una
battaglia. In seguito,
Arpad chiamò
ufficialmente il
territorio
“Magyarorszagâ€
.Il movimento finale
prende il nome da
ISTVAN, il re che
portòil cristianesimo
in Ungheria e che fu
incoronato da Papa
Silvestro II il 1
gennaio, 1001. Un inizio
solenne prelude ad un
passaggio bellico
accentuato da rumori
imponenti; questo a
simboleggiare
l’atroce fine del
pagano Koppany il cui
corpo futagliato in
quattro pezzi e inviato
ai quattro castelli del
paese come monito. Dopo
un intermezzo quieto,
quasi religioso, viene
presentato l’Inno
nazionale ungherese. In
questo ampio e grandioso
finale riecheggia
l’orgoglio
dell’Ungheria
nelricordare il suo
passato e la fiducia con
la quale si proietta al
futuro.Lo stupendo tema
dell’Inno
nazionale ungherese è
proposto nell’arco
dell’intera
sinfonia. E’
però spesso
parzialmente nascosto e
usato come filo
conduttore, appena
riconoscibileall’i
nizio ma sempre più
ovvio quando la sinfonia
si avvicina al suo
finale. A conclusione
della sinfonia, il
sublime inno conduce la
banda in
un’apoteosi
finale, facendo apparire
l’organico
strumentale come un
maestoso organo.
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Démophon Overture Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125314-010 Composed by Luigi...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1125314-010
Composed by Luigi
Cherubini. Arranged by
Tohru Takahashi. Great
Classics. Classical. Set
(Score & Parts). Composed
2012. De Haske
Publications #DHP
1125314-010. Published by
De Haske Publications
(BT.DHP-1125314-010).
In het jaar 1788
debuteerde de Italiaanse
componist Luigi Cherubini
in Parijs met zijn opera
Demophon. Van de
dramatische ouverture
schreef Tohru Takahashi
een arrangement voor
blaasorkest. Bijzondere
partijen zijn weggelegd
voor hobo, fagot en
saxofoon. Omdat de
belangrijkste stemmen als
cues in de partituur zijn
opgenomen, kunt u het
werk ook met een kleinere
bezetting uitvoeren.
Démophon Overture Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125314-140 Composed by Luigi...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1125314-140
Composed by Luigi
Cherubini. Arranged by
Tohru Takahashi. Great
Classics. Classical.
Score Only. Composed
2012. 40 pages. De Haske
Publications #DHP
1125314-140. Published by
De Haske Publications
(BT.DHP-1125314-140).
In het jaar 1788
debuteerde de Italiaanse
componist Luigi Cherubini
in Parijs met zijn opera
Demophon. Van de
dramatische ouverture
schreef Tohru Takahashi
een arrangement voor
blaasorkest. Bijzondere
partijen zijn weggelegd
voor hobo, fagot en
saxofoon. Omdat de
belangrijkste stemmen als
cues in de partituur zijn
opgenomen, kunt u het
werk ook met een kleinere
bezetting uitvoeren.
Concert Band/Harmonie - Grade 4 SKU: HL.44001680 Composed by George Fride...(+)
Concert Band/Harmonie -
Grade 4
SKU:
HL.44001680
Composed
by George Frideric
Handel. Arranged by Frans
E. Hendrikx. De Haske
Concert Band. Opening
Pieces. Score Only.
Composed 1991. De Haske
Publications #910268.
Published by De Haske
Publications
(HL.44001680).
UPC:
073999361414. 6.75x10.5
inches.
Im April
2009 jahrt sich der
Todestag von Georg
Friedrich Handel zum 250.
Mal. Ein guter Grund,
seinen Werken in diesem
Jahr besondere
Aufmerksamkeit zu
schenken. Zum Beispiel
mit einem thematischen
Konzertprogramm, das mit
dieser Bearbeitung der
Ouverture in
d-Moll beginnen
konnte.
De 1717 a
1720, Haendel est au
service du duc de Chandos
a Cannons. De cette
epoque datent les
magnifiques Chandos
Anthems (grands
motets pour choeur, voix
de solistes, orgue et
orchestre) qui refletent
merveilleusement la
capacite du compositeur a
creer des sonorites
magnifiques avec une
formation musicale
modeste. L'Ouverture
en Re mineur est
extraite du Chandos
Anthem ndeg 2 (HWV
247) In the Lord put I
my trust qui
constitue une des plus
belles pages de musique
religieuse du
compositeur.
Overture in D-Minor Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0910268-010 Composed by Georg...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0910268-010
Composed by George
Frideric Handel. Arranged
by Frans E. Hendrikx. The
Great Classics. Opening
Pieces. Set (Score &
Parts). Composed 1991. De
Haske Publications #DHP
0910268-010. Published by
De Haske Publications
(BT.DHP-0910268-010).
Im April 2009
jährt sich der
Todestag von Georg
Friedrich Händel zum
250. Mal. Ein guter
Grund, seinen Werken in
diesem Jahr besondere
Aufmerksamkeit zu
schenken. Zum Beispiel
mit einem thematischen
Konzertprogramm, das mit
dieser Bearbeitung der
Ouvertüre in
d-Moll beginnen
könnte.
Overture in D-Minor Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0910268-140 Composed by Georg...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0910268-140
Composed by George
Frideric Handel. Arranged
by Frans E. Hendrikx. The
Great Classics. Opening
Pieces. Score Only.
Composed 1991. De Haske
Publications #DHP
0910268-140. Published by
De Haske Publications
(BT.DHP-0910268-140).
Im April 2009
jährt sich der
Todestag von Georg
Friedrich Händel zum
250. Mal. Ein guter
Grund, seinen Werken in
diesem Jahr besondere
Aufmerksamkeit zu
schenken. Zum Beispiel
mit einem thematischen
Konzertprogramm, das mit
dieser Bearbeitung der
Ouvertüre in
d-Moll beginnen
könnte.
Concerto d'Amore Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-0950624-215 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3
SKU:
BT.DHP-0950624-215
Composed by Jacob De
Haan. Inspiration Series.
Original Light Music.
Score Only. Composed
1995. 28 pages. De Haske
Publications #DHP
0950624-215. Published by
De Haske Publications
(BT.DHP-0950624-215).
9x12 inches.
In
Concerto d’Amore,
a maestoso opening is
followed by a quick and
energetic movement that
leads to a magnificent
adagio. A motif from this
adagio can be heard in a
swinging movement, after
which the piece comes to
a close with the return
of the adagio. This
arrangement for concert
band certainly brings
this beautiful music to
life.
In
Concerto
d’Amore worden
drie verschillende
stijlen gecombineerd:
barok, pop en jazz. De
maestoso introductie van
de compositie klinkt als
een barokouverture. Dan
volgt een energiek
gedeelte in popstijl, dat
uitmondt in eenadagio.
Een motief daaruit is
daarna te horen in een
swingende passage, waarna
het werk besluit met de
terugkeer van het adagio
in een nieuw
jasje.
Concerto
d’Amore
vereinigt drei
unterschiedliche Stile:
Barock, Pop und Jazz. Die
Maestoso bezeichnete
Einleitung der
Komposition klingt wie
eine barocke
Ouvertüre. Es folgt
ein energiereicher
Abschnitt im Pop-Stil,
der wiederum zu einem
Adagio führt. Ein
Motiv aus diesem Adagio
ist in der darauf
folgenden Swing-Passage
zu hören. Dann kehrt
Adagio in neuem Gewand
zurück, um das Werk zu
beenden.
Con
certo d’Amore
si compone di tre periodi
tematici con
caratteristiche della
musica barocca, pop e
jazz. La maestosa
introduzione, dagli
accenti barocchi,
accompagna ad un
passaggio vivo ed
energico scritto nello
stile della musica pop.
Segue l’adagio che
sviluppa un passaggio
dalle inflessioni swing.
Concerto d’Amore
si conclude con la
ripresa del motivo
dell’adagio la cui
forma alterata offre una
conclusione
brillante.
Concerto d'Amore Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0950624-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0950624-140
Composed by Jacob De
Haan. Inspiration Series.
Concert Piece. Score
Only. Composed 2006. 36
pages. De Haske
Publications #DHP
0950624-140. Published by
De Haske Publications
(BT.DHP-0950624-140).
9x12 inches.
English-German-French-Dut
ch.
In Concerto
dââ¬â¢Amore, a
maestoso opening is
followed by a quick and
energetic movement that
leads to a magnificent
adagio. A motif from this
adagio can be heard in a
swinging movement, after
which the piece comes to
a close with the return
of the adagio. This
arrangement for concert
band certainly brings
this beautiful music to
life.
In
Concerto
dââ¬â¢Amore worden drie
verschillende stijlen
gecombineerd: barok, pop
en jazz. De maestoso
introductie van de
compositie klinkt als een
barokouverture. Dan volgt
een energiek gedeelte in
popstijl, dat uitmondt in
eenadagio. Een motief
daaruit is daarna te
horen in een swingende
passage, waarna het werk
besluit met de terugkeer
van het adagio in een
nieuw
jasje.
Concerto
dââ¬â¢Amore vereinigt drei
unterschiedliche Stile:
Barock, Pop und Jazz. Die
Maestoso bezeichnete
Einleitung der
Komposition klingt wie
eine barocke
Ouvertüre. Es
folgt ein energiereicher
Abschnitt im Pop-Stil,
der wiederum zu einem
Adagio führt. Ein
Motiv aus diesem Adagio
ist in der darauf
folgenden Swing-Passage
zu hören. Dann
kehrt Adagio in neuem
Gewand zurück, um
das Werk zu beenden.
Concerto
dââ¬â¢Amore si compone di tre
periodi tematici con
caratteristiche della
musica barocca, pop e
jazz. La maestosa
introduzione, dagli
accenti barocchi,
accompagna ad un
passaggio vivo ed
energico scritto nello
stile della musica pop.
Segue
lââ¬â¢adagio
che sviluppa un passaggio
dalle inflessioni swing.
Concerto
dââ¬â¢Amore si conclude con la
ripresa del motivo
dellââ¬â¢adagi
o la cui forma alterata
offre una conclusione
brillante.
Concerto d'Amore Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0950624-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0950624-010
Composed by Jacob De
Haan. Inspiration Series.
Concert Piece. Set (Score
& Parts). Composed 1995.
De Haske Publications
#DHP 0950624-010.
Published by De Haske
Publications
(BT.DHP-0950624-010).
9x12 inches.
In
Concerto d’Amore,
a maestoso opening is
followed by a quick and
energetic movement that
leads to a magnificent
adagio. A motif from this
adagio can be heard in a
swinging movement, after
which the piece comes to
a close with the return
of the adagio. This
arrangement for concert
band certainly brings
this beautiful music to
life.
In
Concerto
d’Amore worden
drie verschillende
stijlen gecombineerd:
barok, pop en jazz. De
maestoso introductie van
de compositie klinkt als
een barokouverture. Dan
volgt een energiek
gedeelte in popstijl, dat
uitmondt in een adagio.
Eenmotief daaruit is
daarna te horen in een
swingende passage, waarna
het werk besluit met de
terugkeer van het adagio
in een nieuw
jasje.
Concerto
d’Amore
vereinigt drei
unterschiedliche Stile:
Barock, Pop und Jazz. Die
Maestoso bezeichnete
Einleitung der
Komposition klingt wie
eine barocke
Ouvertüre. Es folgt
ein energiereicher
Abschnitt im Pop-Stil,
der wiederum zu einem
Adagio führt. Ein
Motiv aus diesem Adagio
ist in der darauf
folgenden Swing-Passage
zu hören. Dann kehrt
Adagio in neuem Gewand
zurück, um das Werk zu
beenden.
Con
certo d’Amore
si compone di tre periodi
tematici con
caratteristiche della
musica barocca, pop e
jazz. La maestosa
introduzione, dagli
accenti barocchi,
accompagna ad un
passaggio vivo ed
energico scritto nello
stile della musica pop.
Segue l’adagio che
sviluppa un passaggio
dalle inflessioni swing.
Concerto
d’Amore si
conclude con la ripresa
del motivo
dell’adagio la cui
forma alterata offre una
conclusione
brillante.
Overture in D-Minor Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band - Grade 4 SKU: BT.DHP-0910268-040 Composed by George Frideri...(+)
Concert Band - Grade 4
SKU:
BT.DHP-0910268-040
Composed by George
Frideric Handel. Arranged
by Frans E. Hendrikx. The
Great Classics. Opening
Pieces. Set (Score &
Parts). Composed 1991. De
Haske Publications #DHP
0910268-040. Published by
De Haske Publications
(BT.DHP-0910268-040).
Im April 2009
jährt sich der
Todestag von Georg
Friedrich Händel zum
250. Mal. Ein guter
Grund, seinen Werken in
diesem Jahr besondere
Aufmerksamkeit zu
schenken. Zum Beispiel
mit einem thematischen
Konzertprogramm, das mit
dieser Bearbeitung der
Ouvertüre in
d-Moll beginnen
könnte.
Concert Band; Orchestra
Detailed Instrumentation:
2+Picc.2.2.2: 4.2.0.0:
Timp: Str (9-8-7-6-5 in
set): Solo Piano
SKU:
AP.36-A212602
Composed by Richard
Strauss. This edition:
Kalmus Orchestra Library.
Full Orchestra;
Performance Music
Ensemble; Single Titles.
Edwin F. Kalmus.
Masterwork. Score and
Part(s). LudwigMasters
Publications #36-A212602.
Published by
LudwigMasters
Publications
(AP.36-A212602).
UPC:
676737597597.
English.
Richard
Strauss (1864-1949)
originally wrote this
work for solo piano and
orchestra under the title
Scherzo in D minor in
1886 for conductor and
pianist Hans von
Bülow, a large
influence on Strauss'
career. Von Bülow,
however, consider the
work a complicated piece
of nonsense and wanted
nothing to do it.
Discouraged, Strauss set
the work aside until
1889, when he met
Scottish pianist Eugen
d'Albert, who liked it
while also suggesting
some changes. With a new
title, Burleske, and a
dedication to d'Albert,
the work was premiered on
June 21st, 1890 in
Eisenach at the
Tonkünstlerfest with
d'Albert at the piano and
Strauss conducting.
Despite this, Strauss
remained convinced that
the work lacked merit and
refused to have the work
published until 1894,
although it eventually
became one of his
favorite works. Strauss
never gave the work an
opus number, but many
consider it to be Op. 11,
which is actually
assigned to his Horn
Concerto No. 1 in E-flat.
Instrumentation:
2+Picc.2.2.2: 4.2.0.0:
Timp: Str (9-8-7-6-5 in
set): Solo Piano.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Suite. Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 8:10. Published
by G & M Brand Music
Publishers (CN.S11220).
Wit, warmth,
charm, beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Each of the three
included movements is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite.
Jeuz
d'enfants was originally
written in 1871 as a
Suite of twelve pieces
for piano duet. Two years
later, Bizet scored five
of the pieces for
orchestra to create a
Petite Suite. Each
movement shows Bizet's
enormous skill as a
miniaturist, the music
exuding a concentration
of power and atmosphere.
Wit, warmth, charm,
beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Three of the movements
are included in this
arrangement. Each is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite. 1) Marche -
Trompette and Tambour
(Trumpet and Drum) 2) Duo
- Petit Mari, Petite
Femme (Little Husband,
Little Wife) 3) Galop -
Le Bal (The Ball).
Suite. Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score and parts.
Duration 8:10. Published
by G & M Brand Music
Publishers (CN.R10220).
Wit, warmth,
charm, beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Each of the three
included movements is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite.
Jeuz
d'enfants was originally
written in 1871 as a
Suite of twelve pieces
for piano duet. Two years
later, Bizet scored five
of the pieces for
orchestra to create a
Petite Suite. Each
movement shows Bizet's
enormous skill as a
miniaturist, the music
exuding a concentration
of power and atmosphere.
Wit, warmth, charm,
beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Three of the movements
are included in this
arrangement. Each is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite. 1) Marche -
Trompette and Tambour
(Trumpet and Drum) 2) Duo
- Petit Mari, Petite
Femme (Little Husband,
Little Wife) 3) Galop -
Le Bal (The Ball).
Transcribed by R. Mark Rogers for Symphonic Wind Band. Composed by Dmitri ...(+)
Transcribed by R. Mark
Rogers
for Symphonic Wind Band.
Composed by Dmitri
Shostakovich (1906-1975).
Edited by Mark Rogers.
Southern Music. Concert.
Softcover. Southern Music
Company #S977CB.
Published by
Southern Music Company
Arranged by James D. Ployhar. Arr. James D. Ployhar. For Concert Band. Concert B...(+)
Arranged by James D.
Ployhar. Arr. James D.
Ployhar. For Concert
Band. Concert Band.
Belwin Young Band. Level:
2 (Easy) (grade 2).
Conductor Score.
Published by Alfred
Publishing.
A Man and His Soul Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 3 SKU: AP.35411S The Music of Ray Charles (Featur...(+)
Concert Band - Grade 3
SKU: AP.35411S
The Music of Ray
Charles (Featuring:
What'd I Say / Ruby / I
Got a Woman).
Arranged by Patrick
Roszell. Concert Band;
Performance Music
Ensemble; Single Titles.
Pop Concert Band. Form:
Medley. Blues; Pop.
Score. 32 pages. Alfred
Music #00-35411S.
Published by Alfred Music
(AP.35411S).
UPC:
038081412870.
English.
Legendary
musician Ray Charles is
remembered in this medley
entitled A Man and His
Soul. Featuring the up
tempo classic What'd I
Say, the beautiful and
lush Ruby, and the gospel
infused I Got a Woman,
this arrangement scored
by Patrick Roszell is
guaranteed to entertain
your audience.
Canzoni D'Amore Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4515-00 Songs Of Love. Arranged...(+)
Concert band - Grade 3
SKU:
CL.012-4515-00
Songs Of Love.
Arranged by Longfield.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR391). Score and set
of parts. Composed 2017.
Duration 5 minutes, 11
seconds. Opus III Wind
Orchestra Publications
#012-4515-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4515-00).
Canzoni d'Amore
(Songs of Love) is a
lyrical medley of three
beautiful, classic
Italian love songs.
Featured songs include
Serenata, Caro Mio Ben,
and Torna A Surriento.
Masterfully crafted to
give interesting parts to
all sections, Canzoni
d'Amore will expose your
students and your
audiences to the best of
treasured Italian
melodies. A beautiful
work for concert bands,
providing opportunities
for musical expression.
Bellissimo!
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134702
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Conductor Score
& Parts. Kalmus Orchestra
Library. Score and
Part(s). LudwigMasters
Publications #36-A134702.
Published by
LudwigMasters
Publications
(AP.36-A134702).
UPC:
659359985690.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Canzoni D'Amore Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4515-75 Songs Of Love. Arranged...(+)
Concert band - Grade 3
SKU:
CL.012-4515-75
Songs Of Love.
Arranged by Longfield.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR391). Oversized,
spiral-bound score.
Composed 2017. Duration 5
minutes, 11 seconds. Opus
III Wind Orchestra
Publications
#012-4515-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4515-75).
Canzoni d'Amore
(Songs of Love) is a
lyrical medley of three
beautiful, classic
Italian love songs.
Featured songs include
Serenata, Caro Mio Ben,
and Torna A Surriento.
Masterfully crafted to
give interesting parts to
all sections, Canzoni
d'Amore will expose your
students and your
audiences to the best of
treasured Italian
melodies. A beautiful
work for concert bands,
providing opportunities
for musical expression.
Bellissimo!
Fugue in D Minor Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Kjos Music Company
Band concert band - Grade 5 SKU: KJ.B413 Composed by Peter Ilyich Tchaiko...(+)
Band concert band - Grade
5
SKU: KJ.B413
Composed by Peter Ilyich
Tchaikovsky. Edited by
Peter Vollmers. Score and
set of parts. Neil A.
Kjos Music Company #B413.
Published by Neil A. Kjos
Music Company (KJ.B413).
Fugue in D
Minor is the first of six
movements in the First
Suite in D Minor, which
is musically reminiscent
of the Nutcracker Suite.
As arranged here, this
fugue makes an excellent
exercise in articulation
as well as an expressive
piece that any audience
will love!
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134748
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Solo Violin
Part. Kalmus Orchestra
Library. Part(s).
LudwigMasters
Publications #36-A134748.
Published by
LudwigMasters
Publications
(AP.36-A134748).
ISBN
9798888529850. UPC:
659359935244.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Día de los Muertos
Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
(Day of the Dead). Arranged by Michael Story and Michael Story. Concert Band. Co...(+)
(Day of the Dead).
Arranged by Michael Story
and Michael Story.
Concert Band. Concert
Band; Part(s); Score;
SmartMusic. Belwin
Beginning Band. Folk;
Multicultural. Grade 1.
136 pages. Published by
Belwin Publishing
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134701
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A134701.
Published by
LudwigMasters
Publications
(AP.36-A134701).
ISBN
9798888529843. UPC:
659359537080.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Canzoni D'Amore Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4515-01 Songs Of Love. Arranged...(+)
Concert band - Grade 3
SKU:
CL.012-4515-01
Songs Of Love.
Arranged by Longfield.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR391). Extra full
score. Composed 2017.
Duration 5 minutes, 11
seconds. Opus III Wind
Orchestra Publications
#012-4515-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4515-01).
Canzoni d'Amore
(Songs of Love) is a
lyrical medley of three
beautiful, classic
Italian love songs.
Featured songs include
Serenata, Caro Mio Ben,
and Torna A Surriento.
Masterfully crafted to
give interesting parts to
all sections, Canzoni
d'Amore will expose your
students and your
audiences to the best of
treasured Italian
melodies. A beautiful
work for concert bands,
providing opportunities
for musical expression.
Bellissimo!
Salut d'Amour Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4492-01 Composed by Edward Elgar. Arra...(+)
Concert band - Grade 3
SKU:
CL.012-4492-01
Composed by Edward Elgar.
Arranged by Glover.
Concert Band. Spotlight
Series. Audio recording
available separately
(item CL.WFR388). Extra
full score. Composed
2016. Duration 3 minutes,
11 seconds. Opus III Wind
Orchestra Publications
#012-4492-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4492-01).
Sir Edward
Elgar’s beautiful
Salut d’Amour has
been skillfully arranged
for the Barnhouse
Spotlight series by
Andrew Glover. Designed
to feature your choice of
solo instrument with
concert band
accompaniment, parts are
included for solo
flute/oboe/violin,
clarinet/trumpet, alto
saxophone, horn, or
euphonium/cello. A great
choice for a lyrical solo
feature for your
outstanding
instrumentalist or guest
soloist. Lovely
music!
About C.L.
Barnhouse Spotlight
Series
The
Barnhouse Spotlight
series includes
publications for solo
instruments with concert
band accompaniment. These
publications are designed
to feature outstanding
members of your band as
soloist, and to provide
unique and entertaining
programming options. Solo
parts are graded more
difficult than the band
accompaniments
New Orleans Jubilee Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
Arranged by James D. Ployhar. For Concert Band. Concert Band. Belwin Beginning B...(+)
Arranged by James D.
Ployhar. For Concert
Band. Concert Band.
Belwin Beginning Band.
Gospel. Level: 1 (Very
Easy) (grade 1).
Conductor Score and
Parts. 65 pages.
Published by Alfred
Publishing.
Canon for Christmas Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Based upon Canon in D. Composed by Larry Clark. Score and part(s). Durati...(+)
Based upon Canon in
D. Composed by Larry
Clark. Score and part(s).
Duration 3 minutes, 53
seconds. Carl Fischer
#YPS148. Published by
Carl Fischer (CF.YPS148).