Score Only Concert Band (Score) - Grade 3-4 SKU: HL.4005248 Arranged by D...(+)
Score Only Concert Band
(Score) - Grade 3-4
SKU: HL.4005248
Arranged by Dan Woolpert
and Michael Brown. 1st
Brigade Band Series.
American, Americana,
Patriotic. Softcover.
Published by Hal Leonard
(HL.4005248).
UPC:
888680702373.
9.0x12.0x0.056 inches.
Arr. Dan Woolpert/adpt.
Michael
Brown.
Music
performed by bands of the
Civil War era often
included familiar airs
and patriotic tunes.
Included in this rousing
medley is an early
treatment of The
Star-Spangled Banner
(which wasn't recognized
as the official national
anthem until 1931). Also
included is Yankee
Doodle; Washington's
March; and Columbia, the
Gem of the Ocean.
Early Light Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
By Carolyn Bremer. Concert band/stage band. Carl Fischer Performance Series - Me...(+)
By Carolyn Bremer.
Concert band/stage band.
Carl Fischer Performance
Series - Medium Band.
Classical. Level: Medium
Band. Score and Audio CD.
46 pages. Published by
Carl Fischer.
Concert Band - Grade 3 SKU: BT.EMBZ14737 Composed by Ãrpád Baláz...(+)
Concert Band - Grade 3
SKU: BT.EMBZ14737
Composed by Ãrpád
Balázs. EMB Concert
Band Series. Concert
Piece. Score Only.
Composed 2012. 20 pages.
Editio Musica Budapest
#EMBZ14737. Published by
Editio Musica Budapest
(BT.EMBZ14737).
Concert Band (Score) SKU: HL.50602096 Concert Band Score. Composed...(+)
Concert Band (Score)
SKU: HL.50602096
Concert Band
Score. Composed by
Ferenc Farkas. EMB. 20Th
Century, Classical.
Softcover. 32 pages.
Duration 540 seconds.
Editio Musica Budapest
#Z14992. Published by
Editio Musica Budapest
(HL.50602096).
ISBN
9781540062307. UPC:
888680961305.
The
composer wrote of his
work as follows: In the
music of Hungary, folk
songs are manifestly of
great importance, on the
other hand our ancient
airs and dances play a
modest role. For this
work I have been
influenced by dances of
the 17th century, written
by unknown amateurs in a
relatively simple style.
Most of these dances were
recorded between the 14th
and 18th centuries under
the usual form of
tablature notation. My
interest in this music
was first captured in the
1940s. I was so
fascinated that I decided
to give these melodies
new life. I fitted the
little eight-bar dances
together into ternary and
rondo forms, and leaning
on early Baroque harmony
and counterpoint, I
attempted a reminiscence
of that atmosphere of the
provincial Hungarian
Baroque.
Early Hungarian Dances Orchestre d'harmonie - Intermédiaire EMB (Editio Musica Budapest)
Concert Band - Grade 3 SKU: BT.EMBZ14992 Composed by Ferenc Farkas. EMB C...(+)
Concert Band - Grade 3
SKU: BT.EMBZ14992
Composed by Ferenc
Farkas. EMB Concert Band
Series. Concert Piece.
Score Only. Composed
2016. 32 pages. Editio
Musica Budapest
#EMBZ14992. Published by
Editio Musica Budapest
(BT.EMBZ14992).
The composer
wrote of his work as
follows: In the music of
Hungary, folk songs are
manifestly of great
importance, on the other
hand our ancient airs and
dances play a modest
role. For this work I
have been influenced by
dances of the 17th
century, written by
unknown amateurs in a
relatively simple style.
Most of these dances were
recorded between the 14th
and 18th centuries under
the usual form of
tablature notation. My
interest in this music
was first captured in the
1940s. I was so
fascinated that I decided
to give these melodies
new life. I fitted the
little eight-bar dances
together into ternary and
rondo forms, and leaning
on early Baroque harmony
and counterpoint,
Iattempted a reminiscence
of that atmosphere of the
provincial Hungarian
Baroque.
So
schrieb der Komponist
über sein Werk:
In
der ungarischen Musik
sind natürlich die
Volkslieder sehr wichtig,
doch die alten Melodien
und Tänze spielen in
unserer Musik eine
geringere Rolle. Für
dieses Werk habe ich mich
von Tänzen des 17.
Jahrhunderts anregen
lassen, die von
unbekannten Dilettanten,
also ziemlich einfach,
geschrieben worden waren.
Die meisten waren in der
zwischen dem 14. und 18.
Jahrhundert geläufigen
Tabulaturschrift notiert.
In den vierziger Jahren
begann ich mich erstmals
für diese Musik zu
interessieren. Ich war
davon so fasziniert, dass
ich mich entschloss, sie
wieder zum Leben zu
erwecken. Ich fügte
die kleinen achttaktigen
Tänze zu dreiteiligen
undRondoformen zusammen.
Ausgehend von der
frühbarocken Harmonik
und Kontrapunktik habe
ich mich in einer Art
ungarischen provinziellen
Barocks
versucht.“.
Concert Band Alto Clarinet SKU: AP.41313 22 Full Band Arrangements Cor...(+)
Concert Band Alto
Clarinet
SKU:
AP.41313
22 Full
Band Arrangements
Correlated to Accent on
Achievement (Alto
Clarinet). Arranged
by John O'Reilly and Mark
Williams. Band
Supplement; Collections;
Performance Music
Ensemble. Accent on
Performance. Chanukah;
Christmas; Winter. Book.
24 pages. Alfred Music
#00-41313. Published by
Alfred Music (AP.41313).
ISBN 9780739097564.
UPC: 038081462066.
English.
Over the
course of ten years,
legendary young-band
composers John O'Reilly
and Mark Williams
composed and arranged
over 100 creative works
that correlate with
specific pages in their
highly successful band
method, Accent on
Achievement. Alfred Music
is now proud to make
these arrangements
available in a book
format that includes 22
full arrangements in each
collection.
The
Holiday Collection
features creative
arrangements of many
Christmas and Hannukah
favorites. Titles: First
Christmas Sleigh Ride *
Holiday for Basses *
Early English Christmas *
Yankee Doodle Christmas *
Holiday Magic * The
Little Drummer Boy * and
16 others.
Band Concert Band - Grade 3 SKU: CF.CPS93F Composed by Kevin Mixon. Carl ...(+)
Band Concert Band - Grade
3
SKU: CF.CPS93F
Composed by Kevin Mixon.
Carl Fischer Concert
Performance Series. Full
score. With Standard
notation. 24 pages. Carl
Fischer Music #CPS93F.
Published by Carl Fischer
Music (CF.CPS93F).
ISBN 9780825870538.
UPC:
798408070533.
A
concert rhapsody based on
three early American
tunes. You will hear the
influence of the church
hymn in this setting, but
it also contains brass
fanfares, woodwind
flourishes, and exciting
climaxes that make this
piece an excellent
selection for
contest/festival
performance.
Regi Magyar Tancok Gomorbol Orchestre d'harmonie [Set de Parties séparées] - Intermédiaire EMB (Editio Musica Budapest)
(Early Hungarian Dances from Gomor). Composed by Arpad Balazs. For Concert Band ...(+)
(Early Hungarian Dances
from Gomor). Composed by
Arpad Balazs. For Concert
Band (Score and Parts).
EMB. Grade 3. Set of
parts. Editio Musica
Budapest #Z14737SET.
Published by Editio
Musica Budapest
Early Hungarian Dances Orchestre d'harmonie - Intermédiaire EMB (Editio Musica Budapest)
Concert Band - Grade 3 SKU: BT.EMBZ14992SET Composed by Ferenc Farkas. EM...(+)
Concert Band - Grade 3
SKU:
BT.EMBZ14992SET
Composed by Ferenc
Farkas. EMB Concert Band
Series. Concert Piece.
Set (Score & Parts).
Composed 2016. 274 pages.
Editio Musica Budapest
#EMBZ14992SET. Published
by Editio Musica Budapest
(BT.EMBZ14992SET).
English-Hungarian.
The composer wrote of
his work as follows: In
the music of Hungary,
folk songs are manifestly
of great importance, on
the other hand our
ancient airs and dances
play a modest role. For
this work I have been
influenced by dances of
the 17th century, written
by unknown amateurs in a
relatively simple style.
Most of these dances were
recorded between the 14th
and 18th centuries under
the usual form of
tablature notation. My
interest in this music
was first captured in the
1940s. I was so
fascinated that I decided
to give these melodies
new life. I fitted the
little eight-bar dances
together into ternary and
rondo forms, and leaning
on early Baroque harmony
and counterpoint,
Iattempted a reminiscence
of that atmosphere of the
provincial Hungarian
Baroque.
So
schrieb der Komponist
über sein Werk:
In
der ungarischen Musik
sind natürlich die
Volkslieder sehr wichtig,
doch die alten Melodien
und Tänze spielen in
unserer Musik eine
geringere Rolle. Für
dieses Werk habe ich mich
von Tänzen des 17.
Jahrhunderts anregen
lassen, die von
unbekannten Dilettanten,
also ziemlich einfach,
geschrieben worden waren.
Die meisten waren in der
zwischen dem 14. und 18.
Jahrhundert geläufigen
Tabulaturschrift notiert.
In den vierziger Jahren
begann ich mich erstmals
für diese Musik zu
interessieren. Ich war
davon so fasziniert, dass
ich mich entschloss, sie
wieder zum Leben zu
erwecken. Ich fügte
die kleinen achttaktigen
Tänze zu dreiteiligen
undRondoformen zusammen.
Ausgehend von der
frühbarocken Harmonik
und Kontrapunktik habe
ich mich in einer Art
ungarischen provinziellen
Barocks
versucht.“.
Band Concert Band - Grade 3 SKU: CF.CPS93 Composed by Kevin Mixon. Carl F...(+)
Band Concert Band - Grade
3
SKU: CF.CPS93
Composed by Kevin Mixon.
Carl Fischer Concert
Performance Series. Set
of Score and Parts. With
Standard notation.
10+8+4+8+8+8+4+4+4+4+4+4+
8+8+8+4+4+6+6+4+6+8+4+2+4
+6+24 pages. Carl Fischer
Music #CPS93. Published
by Carl Fischer Music
(CF.CPS93).
ISBN
9780825870521. UPC:
798408070526. Key: Eb
major.
A concert
rhapsody based on three
early American tunes. You
will hear the influence
of the church hymn in
this setting, but it also
contains brass fanfares,
woodwind flourishes, and
exciting climaxes that
make this piece an
excellent selection for
contest/festival
performance.
Score and Parts Concert Band (Score & Parts) SKU: HL.50602108 Concert ...(+)
Score and Parts Concert
Band (Score & Parts)
SKU: HL.50602108
Concert Band Score and
Parts. Composed by
Ferenc Farkas. EMB. 20Th
Century, Classical,
Hungarian. Softcover. 274
pages. Duration 540
seconds. Editio Musica
Budapest #Z14992SET.
Published by Editio
Musica Budapest
(HL.50602108).
ISBN
9781540064202. UPC:
888680964627.
The
composer wrote of his
work as follows: In the
music of Hungary, folk
songs are manifestly of
great importance, on the
other hand our ancient
airs and dances play a
modest role. For this
work I have been
influenced by dances of
the 17th century, written
by unknown amateurs in a
relatively simple style.
Most of these dances were
recorded between the 14th
and 18th centuries under
the usual form of
tablature notation. My
interest in this music
was first captured in the
1940s. I was so
fascinated that I decided
to give these melodies
new life. I fitted the
little eight-bar dances
together into ternary and
rondo forms, and leaning
on early Baroque harmony
and counterpoint, I
attempted a reminiscence
of that atmosphere of the
provincial Hungarian
Baroque.
Charles
Aznavour, the son of
Armenian immigrants, was
born in 1924, in Paris.
He finally launched his
singing career in France
with great effort;
despite his lack of star
looks and less than
remarkable voice.
However, he had two
things going for
him:powerful on-stage
charisma and great
willpower. It took him
about twenty years to
reach the top but when he
did, his determination
certainly paid off. He
became a star
singer/songwriter in
France and his chansons
were embraced throughout
the rest ofthe world as
well. The typical French
atmosphere that pervades
his music can be clearly
experienced in this
medley for concert band.
Charles Aznavour,
1924 in Paris als Sohn
armenischer Einwanderer
geboren, brachte es zu
einem der größten
Chansonniers Frankreichs
im 20. Jahrhundert. Er
feierte sowohl als
Liedautor, Interpret als
auch als Filmschauspieler
große Erfolge. Die
typischfranzösische
Atmosphäre, die
Charles Aznavour in seine
Musik packte, ist auch in
dieser Bearbeitung für
Blasorchester deutlich
spürbar. Das Medley
von Roland Kernen
lässt vier
unvergessene Chansons von
Aznavour Revue passieren.
Bottle Dance Orchestre d'harmonie - Intermédiaire/avancé EMB (Editio Musica Budapest)
Concert Band - Grade 4 SKU: BT.EMBZ14706 Composed by Antal Farkas. EMB Co...(+)
Concert Band - Grade 4
SKU: BT.EMBZ14706
Composed by Antal Farkas.
EMB Concert Band Series.
Concert Piece. Score
Only. Composed 2010. 20
pages. Editio Musica
Budapest #EMBZ14706.
Published by Editio
Musica Budapest
(BT.EMBZ14706).
9x12
inches.
The
forerunner of the Bottle
Dance was written for the
Blue Danube Harmonica
Band in the early 1960s.
Later, at the instigation
of the excellent folk
dance choreographer
Miklós Manninger, an
arrangement for wind band
was prepared, in order to
widen the ensemble s
repertoire of German
national pieces by the
addition of a Hungarian
dance. The production
scored a resounding
success not only with the
audience but also with
the musicians who
performed in it, with the
result that before long
the composer prepared
from the Bottle Dance an
independent work for wind
ensemble - a showy piece,
virtuosic in its effect
yet easily playable. The
youth orchestra
arrangement is a
simplified andshortened
version of the work for
full-scale orchestra.
Antal Farkas
(1925-1992) komponierte
hauptsächlich für
Blasorchester und
Bläser-Kammerensembles
. Der Flaschentanz
gehört zu seinen
beliebtesten Werken. Der
Vorläufer des
Stückes entstand in
den frühen 1960er
Jahren für
Akkordeonorchester. Auf
Initiative des
ausgezeichneten
Volkstanzchoreographen
Miklós Manninger fand
später auch eine
Bearbeitung für
Blasorchester statt.
Nicht nur beim Publikum,
auch bei den
ausführenden Musikern
hatte das Stück
durchschlagenden Erfolg,
deshalb komponierte
Farkas vom Flaschentanz
bald darauf ein
eigenständiges -
eindrucksvolles, virtuos
wirkendes - und dennoch
leicht spielbares - Werk
für Blasorchester. Die
Bearbeitung für
Jugendorchesterist eine
vereinfachte und
verkürzte Fassung der
Fassung für großes
Orchester.
La “danza
della bottiglia†fu
scritta per la Harmonica
Band Danubio Blu
all’inizio degli
anni ’60. Visto il
grande successo della
danza fu deciso di
crearne un arrangiamento
per banda. Bottle Dance
si presenta al pubblico
come un vero show, con
effetti virtuosi e
spettacolari.
Omens of Love Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0930476-010 Composed by Hirot...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0930476-010
Composed by Hirotaka
Izumi. Arranged by Toshio
Mashima. New Sounds for
Concert Band.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
1993. De Haske
Publications #DHP
0930476-010. Published by
De Haske Publications
(BT.DHP-0930476-010).
T-Square is a
Japanese jazz fusion band
that was formed in 1978.
They became famous in the
late 70s and early 80s,
amongst other Japanese
fusion bands. One of
their most popular songs
is Omens of Love.
This beautiful Concert
Band arrangement from
Toshio Mashima is played
all over the world.
T-Square is een
Japanse jazzfusionband
die in 1978 werd
opgericht. De groep werd
eind jaren zeventig en
begin jaren tachtig
beroemd, evenals andere
Japanse fusionbands. Een
van de populairste songs
van de band is Omens
of Love. Dit
geweldige arrangement van
Toshio Mashima voor
harmonieorkest wordt
overal ter wereld
gespeeld.
T-Square ist eine
japanische Fusion-Band,
die 1978 gegründet
wurde. Sie wurde zusammen
mit anderen japanischen
Fusion-Bands in den
späten 1970er-Jahren
und den frühen
1980er-Jahren berühmt.
Omens of Love ist
einer ihrer bekanntesten
Songs. Dieses wunderbare
Arrangement für
Blasorchester von Toshio
Mashima wird auf der
ganzen Welt gespielt.
I
T-Square sono una band
fusion giapponese
formatasi nel 1978 e
divenuta famosa in tutto
il mondo nel giro di
pochi anni. Omens of
Love è uno dei
loro brani più amati e
l’arrangiamento di
Toshio Mashima per
concert band è ormai
da considerarsi un best
seller.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-416-010 On a poem by Laure...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-416-010
On
a poem by Laurence
Binyon. Composed by
Philip Sparke. Anglo
Music Midway Series. Set
(Score & Parts). Composed
2014. Anglo Music Press
#AMP 416-010. Published
by Anglo Music Press
(BT.AMP-416-010).
English-German-French-
Dutch.
In
Memoriam: For the
Fallen was
commissioned by Bolsover
District Council for the
Bolsover Brass Summer
School 2014. It is a
setting for narrator and
band of Laurence
Binyon’s
(1869-1943) poem, For
the Fallen, which was
first published in The
Times in September 1914.
Binyon was dismayed at
the outbreak of war and
especially concerned by
the large number
ofcasualties suffered by
the British Expeditionary
Force in the early months
of the battle on the
Western Front. Too old to
enlist, he volunteered as
a hospital orderly in
France. The poem is known
world-wide as the famous
fourth stanza (They
shallgrow not old…)
has become a regular part
of Remembrance Day and
ANZAC Day
services. In
Memoriam: For the
Fallen is a musical
accompaniment to the
poem, shadowing the mood
of each
stanza.
In
Memoriam: For the
Fallen is geschreven
in opdracht van de
Bolsover District
Council, voor de Bolsover
Brass Summer School 2014.
Het werk een
toonzetting voor
verteller en
harmonieorkest is
gebaseerd op het gedicht
‘For the
Fallen’ van
Laurence Binyon
(1869-1943), dat in
september 1914 voor het
eerst werd gepubliceerd
in de Britse krant The
Times. Binyon was ontdaan
overhet uitbreken van de
oorlog, en hij was vooral
erg bezorgd over het
grote aantal gesneuvelden
in de British
Expeditionary Force
tijdens de eerste maanden
van de strijd aan het
westfront. Hij was te oud
om dienst te nemen in het
leger en werkte
alsvrijwilliger in een
hospitaal in Frankrijk.
Het gedicht is wereldwijd
bekend om zijn befaamde
vierde strofe (They shall
grow not old…) een
jaarlijks terugkerende
tekst bij herdenkingen in
Groot-Brittannië,
Australië en
Nieuw-Zeeland. In
Memoriam: For the
Fallen levert de
muzikale begeleiding bij
het gedicht, waarbij de
sfeer van elke strofe
wordt verklankt.
In Memoriam:
For the Fallen wurde
vom Gemeinderat des
englischen Ortes Bolsover
für die Bolsover
Summer School 2014 in
Auftrag gegeben. Es
handelt sich hierbei um
eine Umsetzung für
Erzähler und
Blasorchester des
Gedichts For the
Fallen von Laurence
Binyon (1869-1943), das
erstmals im September
1914 in der Times
veröffentlicht wurde.
Binyon war über den
Kriegsausbruch
bestürztund besonders
betroffen von der
großen Anzahl an
Verlusten bei der British
Expeditionary Force in
den ersten Kriegsmonaten
an der Westfront. Da er
selbst zu alt war, um
sich zu melden, trat er
zum Freiwilligendienst
als Krankenpfleger in
Frankreichan. Sein
Gedicht erlangte
weltweite Bekanntheit
durch die berühmte
vierte Strophe (They
shall not grow old...),
die regelmäßig beim
Volkstrauertag und bei
den Gottesdiensten am
Gedenktag des ANZAC
(Australian and New
Zealand Army Corps)
vorgetragenwird. In
Memoriam: For the
Fallen ist eine
musikalische Begleitung
zum Gedicht, welche die
Stimmung jeder Strophe
musikalisch untermalt.
Omens of Love Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0930476-140 Composed by Hirot...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0930476-140
Composed by Hirotaka
Izumi. Arranged by Toshio
Mashima. New Sounds for
Concert Band.
TV-Film-Musical-Show.
Score Only. Composed
1993. De Haske
Publications #DHP
0930476-140. Published by
De Haske Publications
(BT.DHP-0930476-140).
T-Square is a
Japanese jazz fusion band
that was formed in 1978.
They became famous in the
late 70s and early 80s,
amongst other Japanese
fusion bands. One of
their most popular songs
is Omens of Love.
This beautiful Concert
Band arrangement from
Toshio Mashima is played
all over the world.
T-Square is een
Japanse jazzfusionband
die in 1978 werd
opgericht. De groep werd
eind jaren zeventig en
begin jaren tachtig
beroemd, evenals andere
Japanse fusionbands. Een
van de populairste songs
van de band is Omens
of Love. Dit
geweldige arrangement van
Toshio Mashima voor
harmonieorkest wordt
overal ter wereld
gespeeld.
T-Square ist eine
japanische Fusion-Band,
die 1978 gegründet
wurde. Sie wurde zusammen
mit anderen japanischen
Fusion-Bands in den
späten 1970er-Jahren
und den frühen
1980er-Jahren berühmt.
Omens of Love ist
einer ihrer bekanntesten
Songs. Dieses wunderbare
Arrangement für
Blasorchester von Toshio
Mashima wird auf der
ganzen Welt gespielt.
I
T-Square sono una band
fusion giapponese
formatasi nel 1978 e
divenuta famosa in tutto
il mondo nel giro di
pochi anni. Omens of
Love è uno dei
loro brani più amati e
l’arrangiamento di
Toshio Mashima per
concert band è ormai
da considerarsi un best
seller.
Music Orchestre d'harmonie - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-046-010 Composed by John Mile...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-046-010
Composed by John Miles.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2002.
Anglo Music Press #AMP
046-010. Published by
Anglo Music Press
(BT.AMP-046-010).
9x12
inches.
Born in
Jarrow, northeast
England, in 1949, John
Miles was something of a
child prodigy, learning
the piano from the age of
five. In the early '60s
he persuaded his father
to buy him a guitar and
by the end of the decade
he had joined
asemi-professional band,
The Influence. The group
soon disbanded and by
1969 Miles was recording
with his own group, The
John Miles Band,
releasing a dozen singles
in the early '70s. In
1975 Miles decided to
move to London and
secured a dealwith Decca
Records. By October that
year, a newly formed
band, John Miles and Co,
had released their debut
single, Highfly,
but their greatest hit,
which stormed the British
charts in March 1976, was
Music.
In
1976 bestormde het nummer
Music van de band
John Miles and Co de
hitparades. Music,
vaak bekritiseerd als
pompeus en hoogdravend in
een periode die steeds
meer de kant van de punk
opging, was in feite
typisch Britsetechnopop
en daarbij een bepalende
plaat voor die tijd,
samen met nummers als
Queen’s
Bohemian Rhapsody.
Met veel gevoel voor
dynamiek en dramatiek
werkt deze ode aan de
muziek nog altijd
aanstekelijk.
Musi
k war meine erste Liebe-
so beginnt der Text
dieses Pop-Klassikers aus
den Siebzigern von John
Miles, der mit dieser
Zeile damit damals und
heute den Nerv aller
begeisterten Musiker und
Musikfans der Welt traf.
Leise undlaut,
gefühlvoll und
dramatisch, zieht diese
schöne
Liebeserklärung an die
Musik in der
Blasorchester-Bearbeitung
von Philip Sparke noch
immer Musiker und
Zuhörer unweigerlich
in ihren
Bann.
Composed
by Hirotaka Izumi.
Arranged by Toshio
Mashima. De Haske Concert
Band.
TV-Film-Musical-Show.
Score Only. Composed
1993. De Haske
Publications #930476.
Published by De Haske
Publications
(HL.44002014).
UPC:
073999109627. 6.75x10.5
inches.
T-Square is
a Japanese jazz fusion
band that was formed in
1978. They became famous
in the late 70s and early
80s, amongst other
Japanese fusion bands.
One of their most popular
songs is Omens of
Love. This beautiful
Concert Band arrangement
from Toshio Mashima is
played all over the
world.
T-Square
is een Japanse
jazzfusionband die in
1978 werd opgericht. De
groep werd eind jaren
zeventig en begin jaren
tachtig beroemd, evenals
andere Japanse
fusionbands. Een van de
populairste songs van de
band is Omens of
Love. Dit geweldige
arrangement van Toshio
Mashima voor
harmonieorkest wordt
overal ter wereld
gespeeld.
T-Square ist eine
japanische Fusion-Band,
die 1978 gegrundet wurde.
Sie wurde zusammen mit
anderen japanischen
Fusion-Bands in den
spaten 1970er-Jahren und
den fruhen 1980er-Jahren
beruhmt. Omens of
Love ist einer ihrer
bekanntesten Songs.
Dieses wunderbare
Arrangement fur
Blasorchester von Toshio
Mashima wird auf der
ganzen Welt gespielt.
T-Square est un
groupe japonais de jazz
fusion forme en 1978. Ils
devinrent celebres vers
la fin des annees 1970 et
debut 1980 avec d'autres
groupes japonais de
fusion. L'une de leurs
chansons les plus
populaires est Omens
of Love.
L'arrangement magnifique
de Toshio Mashima pour
orchestre d'harmonie est
interprete dans le monde
entier.
I
T-Square sono una band
fusion giapponese
formatasi nel 1978 e
divenuta famosa in tutto
il mondo nel giro di
pochi anni. Omens of
Love e uno dei loro
brani piu amati e
l'arrangiamento di Toshio
Mashima per concert band
e ormai da considerarsi
un best seller.
SKU: SU.92090242 Composed by Roberto Sierra Live. Concert Band/Wind Ensem...(+)
SKU: SU.92090242
Composed by Roberto
Sierra Live. Concert
Band/Wind Ensemble. CD
(Audio). Subito Music
Corporation #92090242.
Published by Subito Music
Corporation
(SU.92090242).
The Eastman
Wind Ensemble is
America's leading wind
ensemble. Frederick
Fennell first formulated
the general concept of
the wind ensemble at
Eastman nearly 65 years
ago. Under his leadership
the group became known as
the pioneering force in
the wind ensemble
movement in the United
States and abroad. A.
Clyde Roller served as
conductor between 1962
and 1964, continuing the
tradition established by
Fennell. Donald
Hunsberger became
conductor in 1965 and led
the ensemble for 37 years
to international
prominence. The
ensemble's current
director, Mark Davis
Scatterday, was
introduced as the fourth
conductor of this
prestigious group during
the EWE's 50th
anniversary celebration
on February 8, 2002.
Since its founding, the
EWE has been the leader
in elevating the wind
repertory through
recordings. Fennell's
Mercury Recordings albums
of the 1950s and early
'60s are notable for
their pioneering use of
binaural, stereo, and
35mm recording
techniques. These Living
Presence recordings
focused on standard band
literature by the most
respected classical
composers -- heard for
the first time in the
newly balanced
one-per-part
instrumentation. They
also centered on major
repertory not found on
traditional band
programs, such as
Mozart's Serenade in
B-flat (the Gran
Partita), Messiaen's Et
exspecto resurrectionem
mortuorum, and
Stravinsky's Symphonies
of Wind Instruments.
Under Hunsberger, the EWE
continued its progressive
stance in recording
techniques with
participation in
quadraphonic and digital
recording. Since its
founding, the ensemble
has premiered more than
200 new works. The EWE
and Mark Scatterday have
continued this rich
recording tradition with
several CDs starting in
2005 with Danzante
(featuring trumpet
virtuosi James Thompson)
on Summit Records. Track
Listing Fandangos
Sinfonia No 3 La Salsa:
1. Tumbao Sinfonia No 3
La Salsa: 2. Habanera
Sinfonia No 3 La Salsa:
3. Danzas Sinfonia No 3
La Salsa: 4. Jolgorio
Fanfarria Diferencias: 1.
Fanfarria Diferencias: 2.
Sonoro Diferencias: 3.
Ritmico Diferencias: 4.
Sonoro Diferencias: 5.
Vigoroso The Phoenix from
Carnaval.
Cajun Folk Songs Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:40.
Published by Manhattan
Beach Music.
Cajun Folk Songs Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:40. Published
by Manhattan Beach Music.
Concert Band SKU: HL.49015105 An American Folk Dance. Composed by ...(+)
Concert Band
SKU:
HL.49015105
An
American Folk Dance.
Composed by Wolfgang
Fortner. Edition Schott.
Classical. Study Score.
Composed 1952. 60 pages.
Schott Music #HL50486775.
Published by Schott Music
(HL.49015105).
ISBN
9781423442103. UPC:
884088247980. 305 X 229
inches.
Latin.
Based on an
early American fiddle
tune, Grainger created a
setting as he describes
that aims at preserving a
pioneer blend of lonesome
wistfulness and sturdy
persistence. The
16-measure melody is
fully explored and
developed in a variety of
harmonizations and
instrumental colors, and
is particularly
noteworthy for the
extensive use of tuneful
percussion (bells,
chimes, xylophone,
marimba) as well as
important parts for piano
and harp. This
publication brings back
the classic 1967 edition
arranged for band by
Glenn Cliffe Bainum.
(Grade 4) Dur:
6:00
Based on an
early American fiddle
tune, Grainger created a
setting as he describes
that aims at preserving a
pioneer blend of lonesome
wistfulness and sturdy
persistence. The
16-measure melody is
fully explored and
developed ina variety of
harmonizations and
instrumental colors, and
is particularly
noteworthy for the
extensive use of tuneful
percussion (bells,
chimes, xylophone,
marimba) as well as
important parts for piano
and harp. This
publicationbrings back
the classic 1967 edition
arranged for band by
Glenn Cliffe Bainum.
(Grade 4) Dur:
6:00
Based on an
early American fiddle
tune, Grainger created a
setting as he describes
that aims at preserving a
pioneer blend of lonesome
wistfulness and sturdy
persistence. The
16-measure melody is
fully explored and
developed in a variety of
harmonizations and
instrumental colors, and
is particularly
noteworthy for the
extensive use of tuneful
percussion (bells,
chimes, xylophone,
marimba) as well as
important parts for piano
and harp. This
publication brings back
the classic 1967 edition
arranged for band by
Glenn Cliffe Bainum.
(Grade 4) Dur:
6:00
Based on an
early American fiddle
tune, Grainger created a
setting as he describes
that aims at preserving a
pioneer blend of lonesome
wistfulness and sturdy
persistence. The
16-measure melody is
fully explored and
developed in a variety of
harmonizations and
instrumental colors, and
is particularly
noteworthy for the
extensive use of tuneful
percussion (bells,
chimes, xylophone,
marimba) as well as
important parts for piano
and harp. This
publication brings back
the classic 1967 edition
arranged for band by
Glenn Cliffe Bainum.
(Grade 4) Dur:
6:00
Based on an
early American fiddle
tune, Grainger created a
setting as he describes
that aims at preserving a
pioneer blend of lonesome
wistfulness and sturdy
persistence. The
16-measure melody is
fully explored and
developed in a variety of
harmonizations and
instrumental colors, and
is particularly
noteworthy for the
extensive use of tuneful
percussion (bells,
chimes, xylophone,
marimba) as well as
important parts for piano
and harp. This
publication brings back
the classic 1967 edition
arranged for band by
Glenn Cliffe Bainum.
(Grade 4) Dur: 6:00.
Concert Band/Harmonie - Grade 3.5 SKU: BT.AMP-503-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.AMP-503-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2021. 40 pages.
Anglo Music Press #AMP
503-140. Published by
Anglo Music Press
(BT.AMP-503-140).
English-German-French-
Dutch.
A Little
Klezmer Suite was
commissioned by Rushton
Park High School to
celebrate the 50th
anniversary of their band
programme. They gave the
premiere in a virtual
online concert in October
2020. Klezmer music
originated inthe
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages. 'Klezmer' is a
Yiddish termcombining the
Hebrew words
‘kley’
(instrument) and
‘zemer’
(song). The roots of the
style are found in
secular melodies, popular
dances, Jewish
‘hazanut’
(cantorial music) and
also the
‘nigunim’,
the wordless melodies
intoned bythe
‘Hasidim’
(orthodox Jews). The
melodies used in the four
movements of A Little
Klezmer Suite have
traditionally been used
in Jewish wedding
ceremonies and
celebrations.
A
Little Klezmer Suite
werd geschreven in
opdracht van de Rushton
Park High School ter
gelegenheid van het
vijftigjarig bestaan van
het blaasorkest van de
school. De première
vond in oktober 2020
plaats tijdens een
virtueelonlineconcert.
Klezmermuziek is ontstaan
in de 'sjtetls' (dorpen)
en getto’s van
Oost-Europa, waar
rondreizende Joodse
troubadours, de zogeheten
klezmorim, sinds de
vroege middeleeuwen
optraden bij feesten, met
name bruiloften.Klezmer
is een Jiddische term
waarin de Hebreeuwse
woorden 'kley'
(instrument) en 'zemer'
(lied) zijn gecombineerd.
De oorsprong van de stijl
is te vinden in
wereldlijke melodieën,
populaire dansen, de
chazanoet muziek uit
desynagoge met een
voorzanger en de nigunim,
de tekstloze melodieën
die worden gezongen door
de orthodoxe chassidische
joden. De melodieën
die in de vier delen van
A Little Klezmer
Suite zijn gebruikt,
werden vanoorsprong ten
gehore gebracht op Joodse
bruiloftsplechtigheden en
huwelijksfeesten.
A Little Klezmer
Suite wurde von der
Rushton Park High School
in Auftrag gegeben, um
den 50. Geburtstag ihres
Blasorchesters zu feiern.
Die Uraufführung fand
im Rahmen eines
virtuellen
Online-Konzerts im
Oktober 2020 statt.Die
Klezmer-Musik entstand in
den sogenannten
Schtetl“
(Dörfern) und in den
osteuropäischen
Ghettos, in denen
fahrende jüdische
Troubadoure, bekannt als
Klezmorim“, seit
dem frühen Mittelalter
bei Festen, insbesondere
beiHochzeiten,
aufgetreten sind.
Klezmer“ ist ein
jiddischer Begriff, der
die hebräischen
Wörter kley“
(Instrument) und
zemer“ (Lied)
miteinander kombiniert.
Der Ursprung des Stils
liegt in weltlichen
Melodien,
Volkstänzen,jüdisch
er Hazanut“
(Kantorenmusik) und in
den Nigunim“
Melodien ohne Text, die
von den Chassidim
(orthodoxen Juden)
intoniert wurden. Die
Melodien, die in den vier
Sätzen von A Little
Klezmer Suite
vorkommen,
wurdentraditionell bei
jüdischen
Hochzeitszeremonien und
Feiern
gespielt.
Concert Band/Harmonie - Grade 3.5 SKU: BT.AMP-503-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.AMP-503-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score and
Parts). Composed 2021.
Anglo Music Press #AMP
503-010. Published by
Anglo Music Press
(BT.AMP-503-010).
English-German-French-
Dutch.
A Little
Klezmer Suite was
commissioned by Rushton
Park High School to
celebrate the 50th
anniversary of their band
programme. They gave the
premiere in a virtual
online concert in October
2020. Klezmer music
originated inthe
ââ¬Ështetlâ
¬â¢ (villages)
and the ghettos of
Eastern Europe, where
itinerant Jewish
troubadours, known as
ââ¬ËklezmorimÃ
¢â¬â¢, had
performed at
celebrations,
particularly weddings,
since the early Middle
Ages. 'Klezmer' is a
Yiddish termcombining the
Hebrew words
ââ¬Ëkleyââ
¬â¢ (instrument)
and
ââ¬Ëzemerââ
¬â¢ (song). The
roots of the style are
found in secular
melodies, popular dances,
Jewish
ââ¬Ëhazanutâ
â¬â¢ (cantorial
music) and also the
ââ¬Ënigunimâ
â¬â¢, the
wordless melodies intoned
bythe
ââ¬ËHasidimâ
â¬â¢ (orthodox
Jews). The melodies used
in the four movements of
A Little Klezmer
Suite have
traditionally been used
in Jewish wedding
ceremonies and
celebrations.
A
Little Klezmer Suite
werd geschreven in
opdracht van de Rushton
Park High School ter
gelegenheid van het
vijftigjarig bestaan van
het blaasorkest van de
school. De
première vond in
oktober 2020 plaats
tijdens een
virtueelonlineconcert.
Klezmermuziek is ontstaan
in de 'sjtetls' (dorpen)
en gettoââ¬â¢s
van Oost-Europa, waar
rondreizende Joodse
troubadours, de zogeheten
klezmorim, sinds de
vroege middeleeuwen
optraden bij feesten, met
name bruiloften.Klezmer
is een Jiddische term
waarin de Hebreeuwse
woorden 'kley'
(instrument) en 'zemer'
(lied) zijn gecombineerd.
De oorsprong van de stijl
is te vinden in
wereldlijke
melodieën,
populaire dansen, de
chazanoet muziek uit
desynagoge met een
voorzanger en de nigunim,
de tekstloze
melodieën die
worden gezongen door de
orthodoxe chassidische
joden. De
melodieën die in
de vier delen van A
Little Klezmer Suite
zijn gebruikt, werden
vanoorsprong ten gehore
gebracht op Joodse
bruiloftsplechtigheden en
huwelijksfeesten.
A Little Klezmer
Suite wurde von der
Rushton Park High School
in Auftrag gegeben, um
den 50. Geburtstag ihres
Blasorchesters zu feiern.
Die Uraufführung
fand im Rahmen eines
virtuellen
Online-Konzerts im
Oktober 2020 statt.Die
Klezmer-Musik entstand in
den sogenannten
Schtetlââ¬Å
(Dörfern) und in
den
osteuropäischen
Ghettos, in denen
fahrende jüdische
Troubadoure, bekannt als
Klezmorimââ¬Å,
seit dem frühen
Mittelalter bei Festen,
insbesondere
beiHochzeiten,
aufgetreten sind.
Klezmerââ¬Å ist
ein jiddischer Begriff,
der die
hebräischen
Wörter
kleyââ¬Å
(Instrument) und
zemerââ¬Å
(Lied) miteinander
kombiniert. Der Ursprung
des Stils liegt in
weltlichen Melodien,
Volkstänzen,jÃ
¼discher
Hazanutââ¬Å
(Kantorenmusik) und in
den Nigunimââ¬Å
Melodien ohne Text, die
von den Chassidim
(orthodoxen Juden)
intoniert wurden. Die
Melodien, die in den vier
Sätzen von A
Little Klezmer Suite
vorkommen,
wurdentraditionell bei
jüdischen
Hochzeitszeremonien und
Feiern
gespielt.
Glorioso Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1175789-010 Grand Overture...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1175789-010
Grand Overture.
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Opening Pieces. Set
(Score & Parts). Composed
2017. De Haske
Publications #DHP
1175789-010. Published by
De Haske Publications
(BT.DHP-1175789-010).
English-German-French-
Dutch.
Glorioso<
/I> was commissioned by,
and is dedicated to, the
‘Siena Wind
Orchestra’. The
work opens after a short
aleatoric intro, with an
energetic and brassy
‘one tone
fanfare’. The note
F acts as an omnipresent
note, and is also used as
a bridge into the second,
rather static movement. A
noble sounding theme
leads to an impressive
climax, shortly followed
by the spectacular and
virtuoso finale, which is
built on the musical
elements that have been
heard before.
Stylistically, this
sparkling finale is
clearly influenced by
Dmitri Shostakovich,
hence the use of the
famous signature used by
the Russian Master: C D E
flat B (or C flat). A
glorious finish to a
special workthat
highlights various facets
of the modern concert
band.
Glorioso
werd geschreven in
opdracht van en is
opgedragen aan het
Japanse Siena Wind
Orchestra. Het werk opent
na een korte aleatorische
intro met een energieke
‘one tone
fanfare’, waarin
voornamelijk het koper
aan zet is. De noot F,
als een pedaaltoon
alomtegenwoordig, blijft
nog even klinken in het
aansluitende langzame
deel. Na een nobel thema
volgt de spectaculaire en
virtuoze finale, die
voortbouwt op de muzikale
componenten die al eerder
te horen waren.
Stilistisch is in deze
wervelende finale
onmiskenbaar de invloed
van Dmitri Sjostakovitsj
aanwezig, het hoofdmotief
is tot C D Eb B (of Cb)
getransformeerd: het
anagram dat de Russische
meester vaak als
muzikalehandtekening
heeft gebruikt. Een
glorieus slot aan een
bijzonder werk dat
diverse facetten van het
moderne harmonieorkest
aan bod laat komen.
Glorioso
wurde vom Siena Wind
Orchestra in Auftrag
gegeben und ist diesem
gewidmet. Das Werk
beginnt nach einer
kurzen, aleatorischen
Einleitung mit einer
schwungvollen
Blechbläser-Fanfare
auf nur einem Ton. Dabei
ist der Ton F
allgegenwärtig und
leitet in den langsamen,
eher statischen Satz
über. Nachdem das
nobel klingende Thema zu
einem beeindruckenden
Höhepunkt geführt
hat, setzt sich das
fantastische und virtuose
Finale aus den zuvor
erklungenen Elementen
zusammen. Stilistisch ist
dieses schwungvolle
Finale deutlich von
Dmitri Schostakowitsch
beeinflusst, daher wird
die berühmte
musikalische Unterschrift
des russischen Meisters
verwendet, die dieser
oftbenutzte: C D Es H
(oder Ces). Ein
eindrucksvolles Ende
eines besonderen Werkes,
das verschiedene Facetten
des modernen
Blasorchesters
hervorhebt.
Glorioso
è stato
commissionatodalla Siena
Wind Orchestra, ed è a
loro dedicato. Il lavoro
si apre dopo una breve
introduzione aleatoria,
con una fanfara energica
e dai suoni simili agli
ottoni. La nota Fa agisce
come una nota
onnipresente, ed è
anche usata come un ponte
nel secondo movimento
piuttosto statico. Un
tema sonoro nobile porta
ad un climax
impressionante, seguito a
breve distanza dal finale
spettacolare e virtuoso,
che è costruito sugli
elementi musicali che
sono stati ascoltati
precedentemente.
Stilisticamente, questo
frizzante finale è
chiaramente influenzato
da Dmitri Shostakovich,
da qui l'uso della famosa
firma usata dal Maestro
russo: Do Re Mib Si
(oDob). Un finale
glorioso per un'opera
speciale che mette in
risalto varie
sfaccettature della banda
moderna.
Glorioso Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1175789-140 Grand Overture...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1175789-140
Grand Overture.
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Opening Pieces. Score
Only. Composed 2017. 76
pages. De Haske
Publications #DHP
1175789-140. Published by
De Haske Publications
(BT.DHP-1175789-140).
English-German-French-
Dutch.
Glorioso<
/I> was commissioned by,
and is dedicated to, the
‘Siena Wind
Orchestra’. The
work opens after a short
aleatoric intro, with an
energetic and brassy
‘one tone
fanfare’. The note
F acts as an omnipresent
note, and is also used as
a bridge into the second,
rather static movement. A
noble sounding theme
leads to an impressive
climax, shortly followed
by the spectacular and
virtuoso finale, which is
built on the musical
elements that have been
heard before.
Stylistically, this
sparkling finale is
clearly influenced by
Dmitri Shostakovich,
hence the use of the
famous signature used by
the Russian Master: C D E
flat B (or C flat). A
glorious finish to a
special workthat
highlights various facets
of the modern concert
band.
Glorioso
werd geschreven in
opdracht van en is
opgedragen aan het
Japanse Siena Wind
Orchestra. Het werk opent
na een korte aleatorische
intro met een energieke
‘one tone
fanfare’, waarin
voornamelijk het koper
aan zet is. De noot F,
als een pedaaltoon
alomtegenwoordig, blijft
nog even klinken in het
aansluitende langzame
deel. Na een nobel thema
volgt de spectaculaire en
virtuoze finale, die
voortbouwt op de muzikale
componenten die al eerder
te horen waren.
Stilistisch is in deze
wervelende finale
onmiskenbaar de invloed
van Dmitri Sjostakovitsj
aanwezig, het hoofdmotief
is tot C D Eb B (of Cb)
getransformeerd: het
anagram dat de Russische
meester vaak als
muzikalehandtekening
heeft gebruikt. Een
glorieus slot aan een
bijzonder werk dat
diverse facetten van het
moderne harmonieorkest
aan bod laat komen.
Glorioso
wurde vom Siena Wind
Orchestra in Auftrag
gegeben und ist diesem
gewidmet. Das Werk
beginnt nach einer
kurzen, aleatorischen
Einleitung mit einer
schwungvollen
Blechbläser-Fanfare
auf nur einem Ton. Dabei
ist der Ton F
allgegenwärtig und
leitet in den langsamen,
eher statischen Satz
über. Nachdem das
nobel klingende Thema zu
einem beeindruckenden
Höhepunkt geführt
hat, setzt sich das
fantastische und virtuose
Finale aus den zuvor
erklungenen Elementen
zusammen. Stilistisch ist
dieses schwungvolle
Finale deutlich von
Dmitri Schostakowitsch
beeinflusst, daher wird
die berühmte
musikalische Unterschrift
des russischen Meisters
verwendet, die dieser
oftbenutzte: C D Es H
(oder Ces). Ein
eindrucksvolles Ende
eines besonderen Werkes,
das verschiedene Facetten
des modernen
Blasorchesters
hervorhebt.
Glorioso
è stato
commissionatodalla Siena
Wind Orchestra, ed è a
loro dedicato. Il lavoro
si apre dopo una breve
introduzione aleatoria,
con una fanfara energica
e dai suoni simili agli
ottoni. La nota Fa agisce
come una nota
onnipresente, ed è
anche usata come un ponte
nel secondo movimento
piuttosto statico. Un
tema sonoro nobile porta
ad un climax
impressionante, seguito a
breve distanza dal finale
spettacolare e virtuoso,
che è costruito sugli
elementi musicali che
sono stati ascoltati
precedentemente.
Stilisticamente, questo
frizzante finale è
chiaramente influenzato
da Dmitri Shostakovich,
da qui l'uso della famosa
firma usata dal Maestro
russo: Do Re Mib Si
(oDob). Un finale
glorioso per un'opera
speciale che mette in
risalto varie
sfaccettature della banda
moderna.