(Exercises for the Instrumental Conductor). Arranged by Robert Spradling. Concer...(+)
(Exercises for the
Instrumental Conductor).
Arranged by Robert
Spradling. Concert Band
Method. Carl Fischer Band
Books Series.
Teacherââ?¬Å¡Ã?â
??�´s book. 328
pages. Published by Carl
Fischer
Grade 1 - Score
Only. Composed by Amy
Adam and Mike Hannickel.
Curnow Music Concert
Band. Contest, Festival.
20 pages. Published by
Curnow Music
(HL.44010908).
UPC:
884088585389. 9x12
inches. Mike Hannickel
and Amy Adam.
You
can't lose when you get
your administrators or
other staff members
involved in your
performance.
“Teachers from
Outer Space” is a
hilarious comedy skit for
band that lets three or
more of your staff
members temporarily
become outer space aliens
and use every corny outer
space joke in the book!
If you are looking for a
funny contrast highlight
– greetings
Earthling, you've found
it!
By Robert W. Smith and Michael Story. Concert Band. This edition: Texas Edition....(+)
By Robert W. Smith and
Michael Story. Concert
Band. This edition: Texas
Edition. Band Method;
Method/Instruction.
Expressions Music
Curriculumâ?¢.
Curriculum Package.
Published by Alfred Music
Publishing
Concert band SKU: GI.G-M523 Full Score with MP3s. Composed by Jame...(+)
Concert band
SKU:
GI.G-M523
Full
Score with MP3s.
Composed by James
Froseth. This edition:
Teacher's Resource
edition for Book 2. Band
Method. Do It! Music
Education. Book. GIA
Publications #M523.
Published by GIA
Publications (GI.G-M523).
ISBN 9781579992378.
English.
This major
band method by James O.
Froseth has it all:
Artist performers set
musical standards in
sound with more than 80
great performances on CD
for every instrument, and
one CD lasts for the
entire book! Performers
include: Michael Henoch
(Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert Blaser
(Cleveland State
University), Brian Bowman
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton
(LA percussion recording
artist and clinician),
Donald Sinta, Richard
Beene, Bryan Kennedy,
Debra Chodacki, Fritz
Kaenzig (University of
Michigan), Kristin Beene
(Toledo Symphony
Orchestra), and Jean
Moorehead Libs (Plymouth
Symphony Orchestra).
Professional studio
backgrounds capture the
rich diversity of
American music culture
with a repertoire of
American, Latin American,
African, European, and
Far Eastern styles. Music
of other times includes
12th-century conductus,
15th-century Dance of the
Bouffons, 16th-century
French branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll. The
repertoire and recorded
contexts are motivating,
informative, and entirely
musical. Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture. A unique
Rhythmic Pattern
Dictionary allows
students to look it up
and listen up. An
individualized format
allows students to
progress at different
rates with a theme and
variation format. Ear
training and
improvisation are
integral parts of the
lesson format. A 550+
page Teacher's Resource
edition and musical score
provides options galore,
including a double CD
with listen and play
exercises for group
instruction,
supplementary exercises
for technical
development, and resource
material for
improvisation and
composition. All the
resources needed for
teaching to the National
Standards for Music are
provided (coordinates
with rhythm flashcards).
Book 2 features
innovative, but optional
use of world percussion
instruments, as developed
by percussion educator
Steve Houghton. Click
here to download the
audio recordings for the
Book 2 Teacher's
Edition.
Beginning Band Method. Composed by Frank Ticheli / Gregory B. Rudgers. Ed...(+)
Beginning Band
Method. Composed by
Frank Ticheli / Gregory
B. Rudgers. Edited by Bob
Margolis. This edition:
teacher's edition. Method
book. Published by
Manhattan Beach Music
(MH.1-59913-176-5).
(A Study in Individual,Small Ensemble and Large Group Performance). By Henry Now...(+)
(A Study in
Individual,Small Ensemble
and Large Group
Performance). By Henry
Nowak Jerry Nowak.
Concert Band. For Winds,
Percussion. Carl Fischer
Band Books Series.
Classical. Teacher's
Book. Standard notation.
96 pages
Tara's Theme Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043663-010 From Gone with the WInd...(+)
Concert Band/Harmonie -
Grade 3
SKU: BT.DHP-1043663-010
From Gone with the WInd.
Arranged by Lorenzo
Bocci. DHP Pop, Film and
Show. Festive and Solemn
Music. Set (Score and
Parts). Composed 2004. De
Haske Publications #DHP
1043663-010. Published by
De Haske Publications
(BT.DHP-1043663-010).
Max Steiner was born in
Vienna in 1888, and grew
up surrounded by music.
He was a student of the
Imperial Academy of
Music, having among his
teachers Gustav Mahler.
In 1936 he signed an
agreement with Warner.
Steiner, considered the
father of symphonic music
in Hollywood style. One
of his most famous and
popular masterworks is,
without any doubt, Gone
with the Wind (1939). The
movie was an immediate
success and won ten
Academy Awards. In spite
of the years passed, this
movie still moves young
audiences around the
world. Lorenzo Bocci has
chosen the song Tara?s
Theme from this movie and
turned the romantic music
into an arrangement for
concert band.
Vom Winde verweht ist
einer der Filme, der
heute noch Generationen
vor dem Fernseher
vereint. Oft gezeigt,
wird jeder doch immer
wieder mitgerissen von
der tragischen
Liebesgeschichte inmitten
der Kriegswirren. Einen
nicht unwichtigen Anteil
an der bewegenden
Atmosphäre des
Filmklassikers hat die
großartige Musik von Max
Steiner, der als Urvater
der sinfonischen
Filmmusik im
Hollywoodstil gilt und
neben Vom Winde verweht
noch zahlreiche weitere
erfolgreiche Filme
vertonte. Lorenzo Bocci
wählte aus der Musik
Tara's Theme und
bearbeitete die
romantische Musik zu
einem Arrangement für
Blasorchester.
Gefühlvoll und
mitreißend!
Pulcinella Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-513-010 For Euphonium and ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-513-010
For
Euphonium and Concert
Band. Composed by
Philip Sparke. Anglo
Music Midway Series. Solo
& Concerto. Set (Score &
Parts). Composed 2021.
Anglo Music Press #AMP
513-010. Published by
Anglo Music Press
(BT.AMP-513-010).
English-German-French-
Dutch.
Pulcinell
a was commissioned by
the Taiwanese euphonium
player Tzu-Hsiang Lin.
Lin is a renowned soloist
and teacher and a Besson
Euphonium Artist. He
teaches euphonium at
Taipei National
University of the Arts,
National Taiwan
University of Arts, Shih
Chien University and
National Kaohsiung Normal
University. Lin gave the
premiere of
Pulcinella in both
its concert band and
brass band versions in
January 2021.
Pulcinella
continues Sparke’s
series of euphonium solos
named after characters of
the Italian commedia
dell’arte and
opens with a long and
expressive minor melody
for the soloist over a
brooding accompaniment.
This is taken up briefly
by the full band and is
extended by the soloist
after a change of key. A
cadenza, accompanied by
fragments of the main
melody leads to a
complete change of mood,
tempo and tonality,
introducing a Vivo
section starting with a
perky syncopated tune for
the soloist. The band
then uses elements of
this new tune to
introduce a change of
key, where the soloist
introduces a more lyrical
second subject over a
pulsing accompaniment.
The band then takes this
up and changes key to
reintroduce the original
Vivo melody, which
leads to a short and
acrobatic coda to bring
the work to a spectacular
close.
Pulcinella
werd geschreven in
opdracht van de Taiwanese
eufoniumspeler Tzu-Hsiang
Lin. Lin is een
gerenommeerd solist en
leraar en een Besson
Euphonium Artist. Hij
geeft eufoniumles aan de
Taipei National
University of the Arts,
de National Taiwan
University of Arts, de
Shih Chien University en
de National Kaohsiung
Normal University. In
januari 2021 bracht Lin
de première van
Pulcinella in
zowel de versie voor
harmonieorkest als die
voor brassband.
Pulcinella is een
vervolg binnen Sparkes
serie
eufoniumsolo’s
waarin personages uit de
Italiaanse commedia
dell’arte de
hoofdrol spelen. Het werk
opent met een lange,
expressieve mineurmelodie
voor de solist, boven een
sonore begeleiding. Deze
wordt kortstondig door
het complete orkest
overgenomen en dan na een
modulatie door de solist
verder uitgewerkt. Een
cadens, begeleid door
fragmenten van de
hoofdmelodie, mondt uit
in een totaal andere
sfeer, tempo en
tonaliteit, met de
introductie van een
Vivo-gedeelte dat
begint met een pittige,
gesyncopeerde passage
voor de solist. Het
orkest gebruikt elementen
hieruit om een nieuwe
modulatie in te voeren,
waarbij de solist een
lyrischer tweede thema
boven een pulserende
begeleiding introduceert.
Het orkest neemt dit dan
over en verandert van
toonsoort om naar de
originele
Vivo-melodie terug
te keren, die naar een
korte, acrobatische coda
leidt en het werk op
spectaculaire wijze
afsluit.
Pulcinella
wurde von dem
taiwanesischen
Euphoniumspieler
Tzu-Hsiang Lin in Auftrag
gegeben, einem bekannten
Solisten, Lehrer und
Besson Euphonium
Artist“. Er
unterrichtet Euphonium an
der Taipei National
University of the Arts,
der National Taiwan
University of Arts, der
Shih Chien University und
an der National Kaohsiung
Normal University.
Tzu-Hsiang Lin spielte im
Januar 2021 die
Uraufführungen von
Pulcinella, sowohl
die Version mit
Blasorchesterbegleitung
als auch die mit
Brass-Band-Begleitung.
Mit Pulcinella
setzt sich Philip Sparkes
Serie mit Stücken
für Euphonium solo
fort, die nach
Charakteren der
italienischen Commedia
dell’Arte
benannt sind. Das Werk
beginnt mit einer langen
und ausdrucksvollen
Melodie des Solisten in
Moll über einer
düsteren Begleitung.
Die Melodie wird vom
gesamten Blasorchester
kurz übernommen und
durch den Solisten nach
einem Tonartwechsel
erweitert. Eine Kadenz,
begleitet von Fragmenten
der Hauptmelodie,
führt zu einer
kompletten Veränderung
von Stimmung, Tempo und
Tonalität und leitet
einen
Vivo-Abschnitt
ein, der mit einer
munteren synkopierten
Melodie des Solisten
beginnt. Das
Blasorchester greift
Elemente der neuen
Melodie auf, um einen
Tonartwechsel
einzuführen, wobei der
Solist ein lyrischeres
zweites Thema über
einer pulsierenden
Begleitung vorstellt. Das
Blasorchester greift
dieses wiederum auf,
wechselt die Tonart und
übernimmt erneut die
ursprüngliche
Vivo-Melodie. Eine
kurze und technisch
anspruchsvolle Coda
leitet in einen
fulminanten Schluss
über.
Pulcinella Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-513-140 For Euphonium and ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-513-140
For
Euphonium and Concert
Band. Composed by
Philip Sparke. Anglo
Music Midway Series. Solo
& Concerto. Score Only.
Composed 2021. 28 pages.
Anglo Music Press #AMP
513-140. Published by
Anglo Music Press
(BT.AMP-513-140).
English-German-French-
Dutch.
Pulcinell
a was commissioned by
the Taiwanese euphonium
player Tzu-Hsiang Lin.
Lin is a renowned soloist
and teacher and a Besson
Euphonium Artist. He
teaches euphonium at
Taipei National
University of the Arts,
National Taiwan
University of Arts, Shih
Chien University and
National Kaohsiung Normal
University. Lin gave the
premiere of
Pulcinella in both
its concert band and
brass band versions in
January 2021.
Pulcinella
continues Sparke’s
series of euphonium solos
named after characters of
the Italian commedia
dell’arte and
opens with a long and
expressive minor melody
for the soloist over a
brooding accompaniment.
This is taken up briefly
by the full band and is
extended by the soloist
after a change of key. A
cadenza, accompanied by
fragments of the main
melody leads to a
complete change of mood,
tempo and tonality,
introducing a Vivo
section starting with a
perky syncopated tune for
the soloist. The band
then uses elements of
this new tune to
introduce a change of
key, where the soloist
introduces a more lyrical
second subject over a
pulsing accompaniment.
The band then takes this
up and changes key to
reintroduce the original
Vivo melody, which
leads to a short and
acrobatic coda to bring
the work to a spectacular
close.
Pulcinella
werd geschreven in
opdracht van de Taiwanese
eufoniumspeler Tzu-Hsiang
Lin. Lin is een
gerenommeerd solist en
leraar en een Besson
Euphonium Artist. Hij
geeft eufoniumles aan de
Taipei National
University of the Arts,
de National Taiwan
University of Arts, de
Shih Chien University en
de National Kaohsiung
Normal University. In
januari 2021 bracht Lin
de première van
Pulcinella in
zowel de versie voor
harmonieorkest als die
voor brassband.
Pulcinella is een
vervolg binnen Sparkes
serie
eufoniumsolo’s
waarin personages uit de
Italiaanse commedia
dell’arte de
hoofdrol spelen. Het werk
opent met een lange,
expressieve mineurmelodie
voor de solist, boven een
sonore begeleiding. Deze
wordt kortstondig door
het complete orkest
overgenomen en dan na een
modulatie door de solist
verder uitgewerkt. Een
cadens, begeleid door
fragmenten van de
hoofdmelodie, mondt uit
in een totaal andere
sfeer, tempo en
tonaliteit, met de
introductie van een
Vivo-gedeelte dat
begint met een pittige,
gesyncopeerde passage
voor de solist. Het
orkest gebruikt elementen
hieruit om een nieuwe
modulatie in te voeren,
waarbij de solist een
lyrischer tweede thema
boven een pulserende
begeleiding introduceert.
Het orkest neemt dit dan
over en verandert van
toonsoort om naar de
originele
Vivo-melodie terug
te keren, die naar een
korte, acrobatische coda
leidt en het werk op
spectaculaire wijze
afsluit.
Pulcinella
wurde von dem
taiwanesischen
Euphoniumspieler
Tzu-Hsiang Lin in Auftrag
gegeben, einem bekannten
Solisten, Lehrer und
Besson Euphonium
Artist“. Er
unterrichtet Euphonium an
der Taipei National
University of the Arts,
der National Taiwan
University of Arts, der
Shih Chien University und
an der National Kaohsiung
Normal University.
Tzu-Hsiang Lin spielte im
Januar 2021 die
Uraufführungen von
Pulcinella, sowohl
die Version mit
Blasorchesterbegleitung
als auch die mit
Brass-Band-Begleitung.
Mit Pulcinella
setzt sich Philip Sparkes
Serie mit Stücken
für Euphonium solo
fort, die nach
Charakteren der
italienischen Commedia
dell’Arte
benannt sind. Das Werk
beginnt mit einer langen
und ausdrucksvollen
Melodie des Solisten in
Moll über einer
düsteren Begleitung.
Die Melodie wird vom
gesamten Blasorchester
kurz übernommen und
durch den Solisten nach
einem Tonartwechsel
erweitert. Eine Kadenz,
begleitet von Fragmenten
der Hauptmelodie,
führt zu einer
kompletten Veränderung
von Stimmung, Tempo und
Tonalität und leitet
einen
Vivo-Abschnitt
ein, der mit einer
munteren synkopierten
Melodie des Solisten
beginnt. Das
Blasorchester greift
Elemente der neuen
Melodie auf, um einen
Tonartwechsel
einzuführen, wobei der
Solist ein lyrischeres
zweites Thema über
einer pulsierenden
Begleitung vorstellt. Das
Blasorchester greift
dieses wiederum auf,
wechselt die Tonart und
übernimmt erneut die
ursprüngliche
Vivo-Melodie. Eine
kurze und technisch
anspruchsvolle Coda
leitet in einen
fulminanten Schluss
über.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064121-140 Let Us Journey...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064121-140
Let Us Journey to
Bethlehem. Composed
by Joseph Schnabel.
Arranged by Wil van der
Beek. Christmas
Collection. Hymns &
Chorals. Score Only.
Composed 2006. 16 pages.
De Haske Publications
#DHP 1064121-140.
Published by De Haske
Publications
(BT.DHP-1064121-140).
9x12 inches.
English-German-French-Dut
ch.
The German
composer Joseph Ignaz
Schnabel (1767-1831) was
a descendant of a musical
family. During his
lifetime he occupied
several musical posts
including Violinist,
Organist, Concertmaster,
Conductor, Music Teacher
and managing director of
the Royal Institute for
Church Music. Schnabel
composed masses, hymns,
vespers, military music
and a clarinet concerto.
His choir work Transeamus
usque Bethlehem is still
widely performed and Wil
van der Beek has produced
this excellent
arrangement for concert
band which does justice
to the
original.
Der
deutsche Komponist,
Geiger, Organist,
Dirigent und Musiklehrer
Joseph Ignaz Schnabel
komponierte Messen,
Hymnen, Vespern,
Militärmusik und ein
Klarinettenkonzert. Sein
Chorwerk Transeamus usque
Bethlehem wird noch immer
weltweit aufgeführt.
Wil van der Beek schuf
ein ausgezeichnetes
Arrangement des
Stückes für
Blasorchester, das dem
Original absolut gerecht
wird.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064121-010 Let Us Journey...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064121-010
Let Us Journey to
Bethlehem. Composed
by Joseph Schnabel.
Arranged by Wil van der
Beek. Christmas
Collection. Hymns and
Chorals. Set (Score and
Parts). Composed 2006. De
Haske Publications #DHP
1064121-010. Published by
De Haske Publications
(BT.DHP-1064121-010).
9x12 inches.
English-German-French-Dut
ch.
The German
composer Joseph Ignaz
Schnabel (1767-1831) was
a descendant of a musical
family. During his
lifetime he occupied
several musical posts
including Violinist,
Organist, Concertmaster,
Conductor, Music Teacher
and managing director of
the Royal Institute for
Church Music. Schnabel
composed masses, hymns,
vespers, military music
and a clarinet concerto.
His choir work Transeamus
usque Bethlehem is still
widely performed and Wil
van der Beek has produced
this excellent
arrangement for concert
band which does justice
to the
original.
De
Duitse violist, organist
en componist Joseph Ignaz
Schnabel, die leefde van
1767 tot 1831,
componeerde onder andere
missen, hymnen, vespers,
militaire muziek en een
klarinetconcert. Zijn
prachtige koorwerk
Transeamus usque
Bethlehemwordt nog
altijd veel uitgevoerd.
Wil van der Beek maakte
van dit werk een
uitstekend arrangement
voor harmonieorkest,
waarin het origineel goed
tot zijn recht
komt.
Der deutsche
Komponist, Geiger,
Organist, Dirigent und
Musiklehrer Joseph Ignaz
Schnabel komponierte
Messen, Hymnen, Vespern,
Militärmusik und ein
Klarinettenkonzert. Sein
Chorwerk Transeamus usque
Bethlehem wird noch immer
weltweit aufgeführt.
Wil van der Beek schuf
ein ausgezeichnetes
Arrangement des
Stückes für
Blasorchester, das dem
Original absolut gerecht
wird.
Circles In A Square Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Ed Kiefer. For concert band (flute, oboe, clarinet 1 in Bb, clarinet...(+)
Composed by Ed Kiefer.
For concert band (flute,
oboe, clarinet 1 in Bb,
clarinet 2 in Bb,
clarinet 3 in Bb, bass
clarinet in Bb, bassoon,
alto saxophone 1 in Eb,
alto saxophone 2 in Eb,
tenor saxophone in Bb,
baritone saxophone in Eb,
trumpet 1 in Bb, trumpet
2 in Bb, trumpet 3 in Bb,
horn 1 in ). Concert
Performcnace Series.
Score and parts. Duration
4 minutes, 49 seconds.
Published by Carl Fischer
Die Post im Walde Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie and Trumpet Solo - Grade 3 SKU: BT.DHP-1073971-010 ...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 3
SKU:
BT.DHP-1073971-010
For Trumpet and
Band. Composed by
Heinrich Schäffer.
Arranged by Wil van der
Beek. Solo Spectrum.
Transcription. Set (Score
& Parts). Composed 2007.
De Haske Publications
#DHP 1073971-010.
Published by De Haske
Publications
(BT.DHP-1073971-010).
9x12 inches.
English-German-French-Dut
ch.
During his
lifetime, Heinrich
Schaffer (1808-1874) was
a famous singerand
singing teacher. With his
compositions for
male-voice choir, hewas
very influential in
northern Germany.
Nowadays, little is left
ofthis man?s fame. Only
his song Die Post im
Walde is regularly
performedwith much
enjoyment by many men?s
choirs. This beautiful
song is nowavailable for
trumpet and concert band.
Heinrich
Schäffer (1808-1874)
was een befaamd zanger en
zangpedagoog. Met zijn
composities voor
mannenkoor was hij in
Noord-Duitsland zeer
invloedrijk, maar van
zijn beroemdheid is nog
maar weinig over. Alleen
zijn lied Die Postim
Walde is
onsterfelijk, met name in
de mannenkoorwereld. De
charme van het lied ligt
in het verhalende
karakter ervan. Het beeld
van een postiljon, bij
nacht rijdend door een
bos, nu en dan signalen
spelend, denkend aan
zijngeliefde… het
wordt moeiteloos
verklankt in Die Post
im Walde.
Mit
seinen Kompositionen,
vornehmlich für
Männerchor
geschrieben, hatte der
Sänger und
Gesangslehrer Heinrich
Schäffer großen
Einfluss im norddeutschen
Raum. Sein Lied Die
Post im Walde wurde
auch über die Grenzen
dieser Region hinaus
berühmt und wird heute
noch gerne gesungen. Wil
van der Beek machte das
schöne Lied nun auch
dem Blasorchester
zugänglich.
Die Post im Walde Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie and Trumpet Solo - Grade 3 SKU: BT.DHP-1073971-140 ...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 3
SKU:
BT.DHP-1073971-140
For Trumpet and
Band. Composed by
Heinrich Schäffer.
Arranged by Wil van der
Beek. Solo Spectrum.
Transcription. Score
Only. Composed 2007. 12
pages. De Haske
Publications #DHP
1073971-140. Published by
De Haske Publications
(BT.DHP-1073971-140).
9x12 inches.
English-German-French-Dut
ch.
During his
lifetime, Heinrich
Schaffer (1808-1874) was
a famous singerand
singing teacher. With his
compositions for
male-voice choir, hewas
very influential in
northern Germany.
Nowadays, little is left
ofthis man?s fame. Only
his song Die Post im
Walde is regularly
performedwith much
enjoyment by many men?s
choirs. This beautiful
song is nowavailable for
trumpet and concert band.
Heinrich
Schäffer (1808-1874)
was een befaamd zanger en
zangpedagoog. Met zijn
composities voor
mannenkoor was hij in
Noord-Duitsland zeer
invloedrijk, maar van
zijn beroemdheid is nog
maar weinig over. Alleen
zijn lied Die Postim
Walde is
onsterfelijk, met name in
de mannenkoorwereld. De
charme van het lied ligt
in het verhalende
karakter ervan. Het beeld
van een postiljon, bij
nacht rijdend door een
bos, nu en dan signalen
spelend, denkend aan
zijngeliefde… het
wordt moeiteloos
verklankt in Die Post
im Walde.
Mit
seinen Kompositionen,
vornehmlich für
Männerchor
geschrieben, hatte der
Sänger und
Gesangslehrer Heinrich
Schäffer großen
Einfluss im norddeutschen
Raum. Sein Lied Die
Post im Walde wurde
auch über die Grenzen
dieser Region hinaus
berühmt und wird heute
noch gerne gesungen. Wil
van der Beek machte das
schöne Lied nun auch
dem Blasorchester
zugänglich.
Concert band SKU: GI.G-M3MS Sing Drum and Play. Composed by James ...(+)
Concert band
SKU:
GI.G-M3MS
Sing
Drum and Play.
Composed by James
Froseth. Band Method.
Other Band Methods. Music
Education. Full score. 68
pages. GIA Publications
#M3MS. Published by GIA
Publications (GI.G-M3MS).
English.
For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction.
Concert band SKU: GI.G-MPS Introducing the Instruments. Composed b...(+)
Concert band
SKU:
GI.G-MPS
Introducing the
Instruments. Composed
by James Froseth. Band
Method. Other Band
Methods. Music Education.
Full score. 233 pages.
GIA Publications #MPS.
Published by GIA
Publications (GI.G-MPS).
English.
For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction.
Condensed Score Winds - advanced SKU: HL.49012043 Suite for Concert Ba...(+)
Condensed Score Winds -
advanced
SKU:
HL.49012043
Suite
for Concert Band -
Condensed Score.
Composed by Hans Werner
Henze. Arranged by
Norbert Studnitzky. This
edition: Saddle
stitching. Sheet music.
Schott Harmonie Serie
(Concert Band).
Classical. Condensed
Score. 36 pages. Duration
11'. Schott Music #SHS
1005-10. Published by
Schott Music
(HL.49012043).
ISBN
9790001100762. UPC:
073999252873.
8.25x11.75x0.108
inches.
Hans Werner
Henze, adhering to his
intentions as a composer
and teacher, had already
made provision for
participation by a
,banda' of amateur
musicians in the original
version of his
arrangement of Giovanni
Paisiello's Don Chisiotte
(1769) which was given
its first performance in
1976 at the first
Cantiere Internazionale
d'Arte in Montepulciano.
The movements contained
in the opera were
combined in a suite.
Norbert Studnitzky has
arranged the pieces for
wind band in the
orchestration which is
internationally
recognized. It is
sonorous, freshly
conceived old music for
bands at lower advanced
level.
Picc. * 2 *
1 * Engl. Hr. (ad lib.) *
Es-Klar. * 3 * Altklar.
(ad lib.) * Bassklar. * 2
Altsax. * Tenorsax. *
Baritonsax. (ad lib.) *
Fg. - 4 * 3 * 2 Flhr. *
Tenorflhr. * 3 * 2 *
Bombardon - P. S. (Trgl.
* hg. Beck. * Beckenpaar
* kl. Tr. * gr. Tr.) (3
Spieler).
Stille Nacht.
Composed by Franz Xaver
Gruber. Arranged by
Lorenzo Bocci. Christmas
Collection. Festive and
Solemn Music. Score Only.
Composed 2012. 12 pages.
De Haske Publications
#DHP 1125069-140.
Published by De Haske
Publications
(BT.DHP-1125069-140).
9x12 inches.
English-German-French-Dut
ch.
When the song
Silent Night was
fi_x001F_rst heard, at
Christmas 1818 in the
village church of
Oberndorf, near Salzburg
in Austria, no one could
have dreamt of the
success this Christmas
carol would enjoy the
world over. The village
schoolteacher and
organist Franz Gruber -
the 150th anniversary of
whose death is marked in
2013 - composed the
melody for a poem by
Franz Mohr shortly before
Christmas. Today,
Silent Night is
sung in over 300
languages
worldwide.
Oberdor
f-Salzburg, Kerstmis
1818. Het lied Stille
Nacht van de
dorpsleraar en organist
Franz Gruber klinkt voor
de allereerste keer. Toen
zal niemand gedacht
hebben dat dit lied, dat
gebaseerd is op een
gedicht Franz Mohr, een
van de bekendste
kerstliedjes ter wereld
zou worden, vertaald in
meer dan 300 talen.
Lorenzo Bocci maakte een
mooie, pure bewerking van
dit lied, dat speelbaar
is voor elk orkest.
Als an
Weihnachten 1818 in der
Dorfkirche zu Oberndorf
bei Salzburg
(Österreich) das Lied
Stille Nacht
erstmals erklang, ahnte
wohl niemand, dass dieses
festliche Lied einmal
buchstäblich
weltberühmt werden
würde. Der
Dorfschullehrer und
Organist Franz Gruber,
dessen Todestag sich 2013
zum 150. Mal jährt,
hatte die Melodie kurz
vor Weihnachten zu einem
Gedicht von Franz Mohr
komponiert. Heute wird
Stille Nacht in
mehr als 300 Sprachen
weltweit
gesungen.
Quando
le inconfondibili note di
Stille Nacht
risuonarono la prima
volta nel 1818 nella
chiesa di Oberndorf nei
pressi di Salisburgo,
nessuno immaginava
l’enorme successo
che questo canto
natalizio avrebbe avuto
in tutto il mondo. Franz
Gruber, insegnante in un
villaggio, scrisse la
melodia poco prima di
Natale per accompagnare
una poesia di Franz Mohr.
Da allora Stille
Nacht è cantata in
oltre 300 idiomi nel
mondo intero.
Stille Nacht.
Composed by Franz Xaver
Gruber. Arranged by
Lorenzo Bocci. Christmas
Collection. Festive and
Solemn Music. Set (Score
& Parts). Composed 2012.
De Haske Publications
#DHP 1125069-010.
Published by De Haske
Publications
(BT.DHP-1125069-010).
9x12 inches.
English-German-French-Dut
ch.
When the song
Silent Night was
fi_x001F_rst heard, at
Christmas 1818 in the
village church of
Oberndorf, near Salzburg
in Austria, no one could
have dreamt of the
success this Christmas
carol would enjoy the
world over. The village
schoolteacher and
organist Franz Gruber -
the 150th anniversary of
whose death is marked in
2013 - composed the
melody for a poem by
Franz Mohr shortly before
Christmas. Today,
Silent Night is
sung in over 300
languages
worldwide.
Oberdor
f-Salzburg, Kerstmis
1818. Het lied Stille
Nacht van de
dorpsleraar en organist
Franz Gruber klinkt voor
de allereerste keer. Toen
zal niemand gedacht
hebben dat dit lied, dat
gebaseerd is op een
gedicht Franz Mohr, een
van de bekendste
kerstliedjes ter wereld
zou worden, vertaald in
meer dan 300 talen.
Lorenzo Bocci maakte een
mooie, pure bewerking van
dit lied, dat speelbaar
is voor elk orkest.
Als an
Weihnachten 1818 in der
Dorfkirche zu Oberndorf
bei Salzburg
(Österreich) das Lied
Stille Nacht
erstmals erklang, ahnte
wohl niemand, dass dieses
festliche Lied einmal
buchstäblich
weltberühmt werden
würde. Der
Dorfschullehrer und
Organist Franz Gruber,
dessen Todestag sich 2013
zum 150. Mal jährt,
hatte die Melodie kurz
vor Weihnachten zu einem
Gedicht von Franz Mohr
komponiert. Heute wird
Stille Nacht in
mehr als 300 Sprachen
weltweit
gesungen.
Quando
le inconfondibili note di
Stille Nacht
risuonarono la prima
volta nel 1818 nella
chiesa di Oberndorf nei
pressi di Salisburgo,
nessuno immaginava
l’enorme successo
che questo canto
natalizio avrebbe avuto
in tutto il mondo. Franz
Gruber, insegnante in un
villaggio, scrisse la
melodia poco prima di
Natale per accompagnare
una poesia di Franz Mohr.
Da allora Stille
Nacht è cantata in
oltre 300 idiomi nel
mondo intero.
Pulcinella Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band (Score & Parts) - Grade 4 SKU: HL.4007161 For Euphonium a...(+)
Concert Band (Score &
Parts) - Grade 4
SKU:
HL.4007161
For
Euphonium and Concert
Band. Composed by
Philip Sparke. Anglo
Music Concert Band.
Concert. Softcover.
Duration 375 seconds.
Anglo Music Press
#032940. Published by
Anglo Music Press
(HL.4007161).
UPC:
840126965711.
Pulci
nella was commissioned by
the Taiwanese euphonium
player Tzu-Hsiang Lin.
Lin is a renowned soloist
and teacher and a Besson
Euphonium Artist. He
teacher euphonium at
Taipei National
University of the Arts,
National Taiwan
University of Arts, Shih
Chien University and
National Kaohsiung Normal
University. Lin gave the
premiere of Pulcinella in
both its concert band and
brass band versions in
January 2021. Pulcinella
continues Sparke's series
of euphonium solos named
after characters of the
Italian commedia
dell'arte and opens with
a long and expressive
minor melody for the
soloist over a brooding
accompaniment. This is
taken up briefly by the
full band and is extended
by the soloist after a
change of key. A cadenza,
accompanied by fragments
of the main melody leads
to a complete change of
mood, tempo and tonality,
introducing a Vivo
section starting with a
perky syncopated tune for
the soloist. The band
then uses elements of
this new tune to
introduce a change of
key, where the soloist
introduces a more lyrical
second subject over a
pulsing accompaniment.
The band then takes this
up and changes key to
reintroduce the original
Vivo melody, which leads
to a short and acrobatic
coda to bring the work to
a spectacular close.
Pulcinella Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band (Score) - Grade 4 SKU: HL.4007162 For Euphonium and Conce...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.4007162
For
Euphonium and Concert
Band. Composed by
Philip Sparke. Anglo
Music Concert Band.
Concert. Softcover.
Duration 375 seconds.
Anglo Music Press
#032940. Published by
Anglo Music Press
(HL.4007162).
UPC:
840126965728.
Pulci
nella was commissioned by
the Taiwanese euphonium
player Tzu-Hsiang Lin.
Lin is a renowned soloist
and teacher and a Besson
Euphonium Artist. He
teacher euphonium at
Taipei National
University of the Arts,
National Taiwan
University of Arts, Shih
Chien University and
National Kaohsiung Normal
University. Lin gave the
premiere of Pulcinella in
both its concert band and
brass band versions in
January 2021. Pulcinella
continues Sparke's series
of euphonium solos named
after characters of the
Italian commedia
dell'arte and opens with
a long and expressive
minor melody for the
soloist over a brooding
accompaniment. This is
taken up briefly by the
full band and is extended
by the soloist after a
change of key. A cadenza,
accompanied by fragments
of the main melody leads
to a complete change of
mood, tempo and tonality,
introducing a Vivo
section starting with a
perky syncopated tune for
the soloist. The band
then uses elements of
this new tune to
introduce a change of
key, where the soloist
introduces a more lyrical
second subject over a
pulsing accompaniment.
The band then takes this
up and changes key to
reintroduce the original
Vivo melody, which leads
to a short and acrobatic
coda to bring the work to
a spectacular close.
Concert Band - Grade 3 SKU: BT.EMBZ14724SET EMB Concert Band Series. Conc...(+)
Concert Band - Grade 3
SKU:
BT.EMBZ14724SET
EMB
Concert Band Series.
Concert Piece. Set (Score
& Parts). Composed 2011.
182 pages. Editio Musica
Budapest #EMBZ14724SET.
Published by Editio
Musica Budapest
(BT.EMBZ14724SET).
9x12
inches.
János
Galli (1921-2006) was a
conductor, composer,
music teacher, a
well-known and highly
respected personality in
Hungarian wind music
life. As a music teacher
he directed numerous
string and wind ensembles
and choirs, made hundreds
of transcriptions for
wind orchestras, and
instrumented works for
ensembles of all sizes
and formations. The most
important of his works
are his series of volumes
of marches, folksong
arrangements and church
music. He was excellent
at instrumentation. For
its fine sound and easy
playability we recommend
to youth wind bands and
their conductors this
work of his composed in
memory of the king who
founded the Hungarian
state.
János
Galli (1921-2006)
Chorleiter, Komponist und
Musiklehrer, war in den
ungarischen
Bläserkreisen eine
bekannte und anerkannte
Persönlichkeit. Als
Musiklehrer leitete er
zahlreiche Streich- und
Bläserensembles und
Chöre, fertigte
mehrere hundert
Transkriptionen für
Bläserorchester an und
instrumentierte Werke
für verschieden
große Orchester
unterschiedlicher
Besetzung. Von seinen
eigenen Kompositionen
sind die Märsche,
Volksliedbearbeitungen
und die
kirchenmusikalische
Heftreihe am
bedeutendsten. Er war
eine exzellente
Arrangeur. Sein
Gedenkstück an den
Staatsgründerkönig,
Hl. Stephan empfehlen wir
den Jugendblasorchestern
und ihren Leitern wegen
seines guten Klangs
undwegen seiner einfacher
Spielbarkeit.
In The Bleak Midwinter Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant RWS Music Company
Melody Mine. Composed by Gustav Holst (1874-1934). Arranged by S. Smith a...(+)
Melody Mine.
Composed by Gustav Holst
(1874-1934). Arranged by
S. Smith and R.W. Smith.
Young band. RWS Beginning
Band Series. Score and
parts. Duration 0:2:54.
Published by RWS Music
Company (CL.RWS-1603-00).
Silent Night Orchestre d'harmonie - Débutant RWS Music Company
Grade 1 SKU: CL.RWS-1828-01 (Melody Mine). Arranged by S. L. Smith...(+)
Grade 1
SKU:
CL.RWS-1828-01
(Melody Mine).
Arranged by S. L. Smith &
R.W. Smith. Young Concert
Band. RWS Beginning Band
Series. Extra full score.
Composed 2018. Duration 3
minutes, 30 seconds. RWS
Music Company
#RWS-1828-01. Published
by RWS Music Company
(CL.RWS-1828-01).
The Melody Mine
gives each member of the
band the opportunity to
play the melodic line
while the teacher focuses
on phrasing, shaping and
other core musical
concepts. The full band
arrangement provides a
lush chorale setting of
the Holiday classic.
Teaching creativity is
also a feature of each
Melody Mine publication.
The student and/or
director has the option
to craft their own
arrangement to feature
soloist(s), instrumental
choirs and full band.
Master teacher Susan L.
Smith has created a
powerful teaching
resource for use in any
young band program.
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-024-140 Composed by Marc-An...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-024-140
Composed by Marc-Antoine
Charpentier. Arranged by
Philip Sparke. Debut
Series (Anglo). Score
Only. Composed 2001.
Anglo Music Press #AMP
024-140. Published by
Anglo Music Press
(BT.AMP-024-140).
De
veelzijdige Franse
componist Marc-Antoine
Charpentier (1634-1704)
schreef vele stukken voor
belangrijke godsdienstige
en staatsaangelegenheden.
Zijn Te Deum
Prelude is heel
bekend geworden als
Eurovisie-herkenningsmelo
die.Dit arrangement is
geschikt voor kleine
bezettingen, grotere
bezettingen kunnen (met
veel effect) hout- en
koperblazers
contrasterend
inzetten.
Marc-Ant
oine Charpentier zählt
zu den herausragendsten
französischen
Komponisten seiner Zeit.
Sein Te Deum ist
eines von vielen
Stücken, die er für
wichtige staatliche und
religiöse Anlässe
schrieb. Die Prelude aus
Te Deum ist heute
weithin als die
Eurovisionsmelodie
bekannt. Philip Sparkes
Bearbeitung eignet sich
auch für kleinere
Besetzungen,
größere Besetzungen
können - sehr
wirkungsvoll - kontrastiv
Holz- und Blechbläser
einsetzen. Ein bekanntes
Stück eines großen
Komponisten, das die
jungen Musiker motivieren
wird!
Concert Band (Score & Parts) SKU: HL.4008643 Score and Parts. Comp...(+)
Concert Band (Score &
Parts)
SKU:
HL.4008643
Score
and Parts. Composed
by Franco Cesarini.
Arranged by Franco
Cesarini. Editions Franco
Cesarini. Concert Band,
Tuning, Warm-Up.
Softcover. Hal Leonard
#EFC003-CBHA. Published
by Hal Leonard
(HL.4008643).
ISBN
9798350114997. UPC:
196288189664.
Durin
g his experience as a
band conductor and
teacher of wind orchestra
conducting at university,
Franco Cesarini has dealt
with the topic of
warm-ups very frequently.
Throughout these long
years of conducting he
has had the opportunity
to try many existing
methods, evaluating their
advantages and
disadvantages. After a
long time, he has decided
to compile a collection
of chorales for warm-ups,
which are organized
according to the criteria
that he considers most
effective. While working
on his60 Warm-up Chorales
for Concert Band, Franco
Cesarini has always borne
in mind that amateur
musicians play for
pleasure. He feels that
it is extremely important
that they have
satisfaction at every
moment of the rehearsal
and not to start the
rehearsal with needless
“punishingâ€
exercises. Nobody is
really motivated to start
playing with scales, long
notes, or tricky
rhythmical exercises.
There is often a
distinguished absentee in
band rehearsals, namely
music itself! Although
this publication does not
foresee a specific tempo
for the chorales, they
should often be performed
rather slowly but without
dragging. Dynamics are
not indicated, so that
the conductor has the
opportunity to draw the
attention of the
musicians to his gestures
and to make them react
according to his
indications. Timpani and
bell parts have been
added with the aim of not
leaving the
percussionists completely
inactive during the
warm-up phase, but can
also be omitted. The
chorales are written in
four parts (SATB) and are
also playable in smaller
groups. The four voices
can be played in
different combinations of
woodwinds or brass
quartets or in mixed
combinations. The
collection includes ten
chorales for the
following keys: D flat
major, A flat major, E
flat major, B flat major,
F major and C major. With
his 60 Warm-up Chorales
Franco Cesarini would
like to convey the
message to play the
chorales in a musical
way, thus raising the
musiciansÂ’awareness
of phrasing, the right
interpretation of
cadences, rubato and
agogic. Above all, never
do anything
withoutputting the
musical aspect in the
foreground.
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-024-010 Composed by Marc-An...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-024-010
Composed by Marc-Antoine
Charpentier. Arranged by
Philip Sparke. Debut
Series (Anglo). Set
(Score & Parts). Composed
2001. Anglo Music Press
#AMP 024-010. Published
by Anglo Music Press
(BT.AMP-024-010).
De
veelzijdige Franse
componist Marc-Antoine
Charpentier (1634-1704)
schreef vele stukken voor
belangrijke godsdienstige
en staatsaangelegenheden.
Zijn Te Deum
Prelude is heel
bekend geworden als
Eurovisie-herkenningsmelo
die.Dit arrangement is
geschikt voor kleine
bezettingen, grotere
bezettingen kunnen (met
veel effect) hout- en
koperblazers
contrasterend
inzetten.
Marc-Ant
oine Charpentier zählt
zu den herausragendsten
französischen
Komponisten seiner Zeit.
Sein Te Deum ist
eines von vielen
Stücken, die er für
wichtige staatliche und
religiöse Anlässe
schrieb. Die Prelude aus
Te Deum ist heute
weithin als die
Eurovisionsmelodie
bekannt. Philip Sparkes
Bearbeitung eignet sich
auch für kleinere
Besetzungen,
größere Besetzungen
können - sehr
wirkungsvoll - kontrastiv
Holz- und Blechbläser
einsetzen. Ein bekanntes
Stück eines großen
Komponisten, das die
jungen Musiker motivieren
wird!
Concert Band/Harmonie and Bassoon Solo - Grade 3 SKU: BT.AMP-450-140 F...(+)
Concert Band/Harmonie and
Bassoon Solo - Grade 3
SKU:
BT.AMP-450-140
For
Bassoon (or Baritone
Saxophone) and Concert
Band. Composed by
Philip Sparke. Anglo
Music Midway Series. Solo
& Concerto. Score Only.
Composed 2017. 28 pages.
Anglo Music Press #AMP
450-140. Published by
Anglo Music Press
(BT.AMP-450-140).
English-German-French-
Dutch.
Wind in
the Reeds was
commissioned by Deena
Draycott in memory of
John Watson, an army
bandsman, teacher and
bassoonist. Wind in
the Reeds is both a
tribute and lasting
memorial to John. The
piece is largely pastoral
in nature, evoking images
conjured up by the
‘play on
words’ in the
title, but includes a
faster central section
which exploits other
aspects of the character
of the bassoon.
Transitions between the
various sections of the
piece are achieved
through a series of
accompanied cadenzas for
the
soloist.
Wind
in the Reeds werd
geschreven in opdracht
van Deena Draycott, ter
nagedachtenis aan John
Watson, muzikant in een
militaire band,
muziekdocent en
fagottist. Het werk is
grotendeels pastoraal van
karakter; het roept
beelden op die de
woordspeling in de titel
(Wind in het riet)
met zich meebrengt, maar
het bevat een sneller
middengedeelte dat andere
aspecten van het karakter
van de fagot in de
schijnwerpers zet. De
overgangen tussen de
verschillende gedeelten
van het werk worden
gerealiseerd middels een
reeks begeleide cadensen
voor de
solist.
Wind in
the Reeds wurde von
Deena Draycott in
Erinnerung an John
Watson, einen
Militärmusiker, Lehrer
und Fagottisten, in
Auftrag gegeben. Wind
in the Reeds ist
sowohl ein Tribut an John
Watson als auch ein
bleibendes Andenken an
ihn. Das Stück hat
einen größtenteils
pastoralen Charakter und
ruft Bilder hervor, die
durch das Wortspiel im
Titel heraufbeschworen
werden. Es enthält
jedoch auch einen
schnelleren Hauptteil,
der andere
Charaktereigenschaften
des Fagotts eines der
Lieblingsinstrumente des
Komponisten erkundet.
Eine Reihe von
Solo-Kadenzen bilden die
Übergänge zwischen
den verschiedenen
Abschnitten des
Stückes.
Wind
in the Reeds fu
commissionato da Deena
Draycott in memoria di
John Watson, un bandista
dell’esercito,
insegnante e fagottista.
Wind in the Reeds
è sia un tributo che
un ultimo memoriale per
John. Il brano ha per lo
più le caratteristiche
di una pastorale, che
evoca immagini richiamate
dal gioco di parole del
titolo, ma include una
sezione centrale più
veloce che sfrutta le
caratteristiche del
fagotto. I passaggi tra
le varie sezioni del
pezzo sono realizzati
tramite una serie di
cadenze accompagnate per
il solista.
Concert Band (Full Score) SKU: HL.4007483 Score. Composed by Franc...(+)
Concert Band (Full Score)
SKU: HL.4007483
Score. Composed by
Franco Cesarini. Arranged
by Franco Cesarini.
Editions Franco Cesarini.
Concert Band, Tuning,
Warm-Up. Softcover. Hal
Leonard #EFC003-SC.
Published by Hal Leonard
(HL.4007483).
UPC:
196288058175.
Durin
g his experience as a
band conductor and
teacher of wind orchestra
conducting at university,
Franco Cesarini has dealt
with the topic of
warm-ups very frequently.
Throughout these long
years of conducting he
has had the opportunity
to try many existing
methods, evaluating their
advantages and
disadvantages. After a
long time, he has decided
to compile a collection
of chorales for warm-ups,
which are organized
according to the criteria
that he considers most
effective. While working
on his60 Warm-up Chorales
for Concert Band, Franco
Cesarini has always borne
in mind that amateur
musicians play for
pleasure. He feels that
it is extremely important
that they have
satisfaction at every
moment of the rehearsal
and not to start the
rehearsal with needless
“punishingâ€
exercises. Nobody is
really motivated to start
playing with scales, long
notes, or tricky
rhythmical exercises.
There is often a
distinguished absentee in
band rehearsals, namely
music itself! Although
this publication does not
foresee a specific tempo
for the chorales, they
should often be performed
rather slowly but without
dragging. Dynamics are
not indicated, so that
the conductor has the
opportunity to draw the
attention of the
musicians to his gestures
and to make them react
according to his
indications. Timpani and
bell parts have been
added with the aim of not
leaving the
percussionists completely
inactive during the
warm-up phase, but can
also be omitted. The
chorales are written in
four parts (SATB) and are
also playable in smaller
groups. The four voices
can be played in
different combinations of
woodwinds or brass
quartets or in mixed
combinations. The
collection includes ten
chorales for the
following keys: D flat
major, A flat major, E
flat major, B flat major,
F major and C major. With
his 60 Warm-up Chorales
Franco Cesarini would
like to convey the
message to play the
chorales in a musical
way, thus raising the
musiciansÂ’awareness
of phrasing, the right
interpretation of
cadences, rubato and
agogic. Above all, never
do anything
withoutputting the
musical aspect in the
foreground.