Concert Band; Orchestra 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(5-6): Str (9-8-7-6-5 in set): Banda ad lib [0.0.0.0: 4.2.2.2: Perc(3-4)]

SKU: AP.36-A217601

Arranged by Peter Ilyich Tchaikovsky and ed./arr. by Martin Schmeling. Full Orchestra, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A217601. Published by LudwigMasters Publications (AP.36-A217601).

ISBN 9798892700627. UPC: 659359965340. English.

Among the most frequently performed and well-known of P. I. Tchaikovsky's (1840-1893) works, The Year 1812, Solemn Overture, Op. 49 (more commonly known as the 1812 Overture) was written in 1880 to commemorate the 1812 defeat of Napoleon's invading French army by the Russians. Despite the composer's lack of enthusiasm about the project at its inception, claiming that he wrote it without any warm and loving feelings, Tchaikovsky acknowledged later that he did well in its composition, saying I absolutely do not know whether my overture (The Year 1812) is good or bad, but I rather think it is the former (pardon my immodesty). It premiered on August 20, 1882, in Moscow at the Art & Industry Exhibition, Ippolit Altani conducting. Famous for its use of cannons in the Finale, the Finale also calls for the inclusion of a military brass band, which is labelled as open instrumentation in the original. This edition by Martin Schmeling spells out specific instrumentation options for the banda. Instrumentation: 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(5-6): Str (9-8-7-6-5 in set): Banda ad lib [0.0.0.0: 4.2.2.2: Perc(3-4)].

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Concert Band; Orchestra 2.2.2.2: 4.2.3.0: Timp.Perc(2-3): Hp: Str (9-8-7-6-5 in set)

SKU: AP.36-A208601

Composed by Johann Strauss Jr. Full Orchestra, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A208601. Published by LudwigMasters Publications (AP.36-A208601).

ISBN 9798892702898. UPC: 659359815645. English.

Johann Strauss, Jr. (1825-1899) wrote the KAISER-WALZER, Op. 437 (EMPEROR WALTZES) to celebrate the toast of friendship that Franz Joseph I extended when he visited Wilhelm II in 1889. Fritz Simrock, his publisher, diplomatically suggested the name of the waltz so that it could be attributed to either emperor, depending on the circumstances of each performance. Originally titled HAND IN HAND, its first performance took place on October 21 of that year in Berlin. In character with the affluent nature of its subjects, the EMPEROR WALTZ sways with pomposity and grandeur. Instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(2-3): Hp: Str (9-8-7-6-5 in set). Reprint edition.

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Concert Band; Orchestra 1.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo pianos (2 - available separately)

SKU: AP.36-A775601

Arranged by Felix Bartholdy Mendelssohn and ed./arr. by Karl-Heinz Kohler. Full Orchestra, Solo Keyboard with Ensemble, Conductor Score. Kalmus Critical Editions. Score. LudwigMasters Publications #36-A775601. Published by LudwigMasters Publications (AP.36-A775601).

ISBN 9798892701938. UPC: 659359900174. English.

At the precocious age of fourteen, Felix Mendelssohn (1809-1847) scribbled out his Concerto for Two Pianos and Orchestra in E major. He wrote a second, this time longer, double piano concerto the following year. In December 1823, the young composer gave the first performance of the E major concerto with his sister Fanny Mendelssohn. Since he came to regard it as mere juvenilia, it never achieved publication in his lifetime. Filled with stylish finger-work, the concerto clearly served to display the musical gifts of the two siblings. It remained forgotten until a version, which had been revised by the composer himself and edited by Karl-Heinz Köhler, surfaced in 1961 in a Leipzig critical edition. Instrumentation: 1.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo pianos (2 - available separately).

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Concert Band; Orchestra 2(2dPicc).2(1dObd'mr).2.2 : 4.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set)

SKU: AP.36-A934190

Composed by Gustav Holst. Full Orchestra; Performance Music Ensemble. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A934190. Published by LudwigMasters Publications (AP.36-A934190).

UPC: 676737604493. English.

Part of the British folk revival of the early 20th century, Gustav Holst's (1874-1934) Somerset Rhapsody consists of his interpretations of three English folk tunes from the Somerset region: The Sheep-Shearing Song, High Germany, and True Love's Farewell. Holst dedicated this piece, his first major critical success, to Cecil Sharp, a chronicler of English folk music who collected the songs that Holst adapted. Holst intended the cycle to tell a story of a young couple whose relationship is interrupted by war. Somerset Rhapsody premiered in London in April 1910. Instrumentation: 2(2dPicc).2(1dObd'mr).2.2 : 4.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set). Reprint edition.

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Concert Band; Orchestra 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Cello

SKU: AP.36-A201248

Arranged by Robert Schumann and ed./arr. by Rudolf Metzmacher. Full Orchestra, Solo Strings with Ensemble, Solo Cello. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A201248. Published by LudwigMasters Publications (AP.36-A201248).

ISBN 9798892700283. UPC: 659359929090. English.

Robert Schumann (1810-1856) wrote his CELLO CONCERTO in A minor, Op. 129, in 1850, within the span of only two weeks. He tried offering the work to two publishers before Breitkopf and Hartel decided to publish it. He stressed the point that it would probably sell because cello concerti were few and far between. Never performed in the composer's lifetime, it received its premiere in Oldenburg on April 23, 1860, with Ludwig Ebert playing the solo part. The unique charm of the concerto lies in its structure and scoring, without movement breaks, and written so that the cello part almost never strays from its middle and upper registers. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Cello. Reprint edition. Solo part edited by Rudolf Metzmacher.

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Concert Band; Orchestra 2.2.2.2: 2.2.3.1: Timp: Str (9-8-7-6-5 in set)

SKU: AP.36-A171501

Composed by Felix Bartholdy Mendelssohn. Full Orchestra, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A171501. Published by LudwigMasters Publications (AP.36-A171501).

ISBN 9798892702669. UPC: 659359839108. English.

In 1840, the King of Prussia invited Felix Mendelssohn (1809-1847) to accept a lofty musical appointment in the French Academie Royale. A few years later, Wilhelm IV commissioned the composer to write incidental music to a religious drama by Jean Racine, ATHALIE, based on the queen of Judah during Jehoram's reign. It was intended for a private performance on December 1, 1845 and saw its first public performance on January 8th of the following year. WAR MARCH OF THE PRIESTS, a brief excerpt taken from the work, is sometimes heard during graduation ceremonies. Reprint edition. Instrumentation: 2.2.2.2: 2.2.3.1: Timp: Str (9-8-7-6-5 in set).

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Concert Band; Orchestra 2+Picc.2+EH.2.2: 4.3.3.1: Timp.Perc(3): Hp.Clst: Str(9-8-7-6-5 in set)

SKU: AP.36-A168301

Composed by Francisco De Madina. Full Orchestra, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A168301. Published by LudwigMasters Publications (AP.36-A168301).

ISBN 9798892702195. UPC: 659359651441. English.

Francisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a school in Cuidad de Salta. During this time, he began to develop as a composer and started to premiere his work in Buenos Aires. His primary influences included Debussy, Ravel and Prokofiev. In 1955, he moved to New York, where he founded a residence for the Lateran Canons Regular. His music began to enjoy performances in America and Spain. The Basque Children Overture, a perfect header for a family-themed concert, amuses with playful snippets of Twinkle, Twinkle Little Star, march-like rhythms, and a whirling finish. Instrumentation: 2+Picc.2+EH.2.2: 4.3.3.1: Timp.Perc(3): Hp.Clst: Str(9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set)

SKU: AP.36-E112602

Composed by Peter Ilyich Tchaikovsky. Full Orchestra, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-E112602. Published by LudwigMasters Publications (AP.36-E112602).

UPC: 659359956621. English.

The Sleeping Beauty ballet in 3 acts, which tells the story of conflicting forces of good and evil, incorporates various fairy-tale characters from the Brothers Grimm and French fairy tales. Tchaikovsky's (1840-1893) longest ballet, the work was met with a favorable response following the January 15th, 1890, premiere at the Imperial Mariinsky Theatre in St. Petersburg, but the composer would not live to see the work become the mainstay of the ballet repertoire that it has enjoyed for over one hundred years. The popular Waltz, No. 6 from Act I, takes place as the introduction to Princess Aurora as a dance on her sixteenth birthday. Instrumentation: 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2.2.2.2: 2.0+2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A196101

Composed by Camille Saint Saens. Full Orchestra, Solo Keyboard with Ensemble, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A196101. Published by LudwigMasters Publications (AP.36-A196101).

ISBN 9798892702676. UPC: 659359636882. English.

Following the death of his mother in 1888, a depressed Camille Saint-Saëns (1835-1921) decided to take a trip to his favorite destination, North Africa, travelling to Ceylon, then to Alexandria and Cairo over the period of several months. While he was in Egypt, he composed his fantasia for piano and orchestra, AFRICA, Op. 89. Dedicated to pianist Marie-Aimée Roger-Miclos, it premiered on October 25, 1891, with the dedicatee playing the solo, and the work was an immediate success both at the premiere and after, which pleased Saint-Saëns a great deal to the point that he considered AFRICA a signature work. Borrowing themes and techniques from North African music, the fantasy draws on material he heard in Algeria and Egypt, offering an exotic sound to those listening in the late 19th and early 20th centuries. This concertante is notable also as one of the first works to be recorded with the composer as soloist, with a surviving 1904 recording with Saint-Saëns at the piano. This colorful piece continues to be performed regularly today. Reprint edition. Instrumentation: 2.2.2.2: 2.0+2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set): Solo Piano.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 4(4th dPicc).2(2nd dEH).2+ECl+BCl.2: 4.12+2BsTpt.4+2Euph.1: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set)

SKU: AP.36-A933801

Arranged by Leoš Janácek and ed./arr. Karl Heinz Fussl. Full Orchestra. Kalmus Orchestra Library. Masterwork. Score. LudwigMasters Publications #36-A933801. Published by LudwigMasters Publications (AP.36-A933801).

ISBN 9781638879947. UPC: 676737584795. English.

Leoš Janácek (1854-1928) wrote a large portion of his most distinctive music late in life, following the success of a revised version of his opera Jenufa in 1916. His extensive research of the national folklore had a great impact on his work as a composer. Inspired by a military band performance in a park, the Sinfonietta opens with a military-style fanfare for brass and percussion. It received its commission from a Czech gymnastics association to celebrate the Eighth National Sokol Rally which took place in Prague in the summer of 1926. The Czech Philharmonic gave the first performance on June 26th of that year under the direction of Vaclav Talich. The inner movements provide contrasting melodic and rhythmic material, characterized by rhythmic shifts, abrupt mood changes, and fragments of folk dance. The final movement climbs through a long, intensifying sequence to reprise the opening music, now taken up by the full orchestra. Instrumentation: 4(4dPicc).2+EH.2+PiccCl+B Cl.2: 4.12+2BsTpt.4+2Euph.1: Timp.Perc(Cym, Chimes): Hp: Str (9-8-7-6-5 in set). Reprint edition.

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Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set): Solo Piano in the sc

SKU: AP.36-A263302

Composed by Franz Liszt. Arranged by Ferruccio Busoni. Chamber Orchestra; Performance Music Ensemble; Solo. Kalmus Orchestra Library. Form: Concerto. Romantic. Score and Part(s). LudwigMasters Publications #36-A263302. Published by LudwigMasters Publications (AP.36-A263302).

UPC: 746241287199. English.

The idea for Totentanz, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1938. Two versions were to follow, the first completed in 1853, and the second version finished in 1864. The flashy virtuosic piece for the solo piano uses the Gregorian plainchant melody Dies irae (Day of Judgement) in a set of variations. The first version, which is nicknamed De Profundis, is most commonly heard in the 1919 edition by famed Italian composer, pianist, and conductor Ferruccio Busoni (1866-1924). Instrumentation: 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set): Solo Piano in the sc.

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Concert Band; Orchestra 2.1.1.1: 2.1.00: Pno: Str (9-8-7-6-5 in set)

SKU: AP.36-A929290

Arranged by Reynaldo Hahn and ed./arr. R. Mark Rogers. Full Orchestra. Kalmus Masterworks Library. Masterwork. Score and Part(s). LudwigMasters Publications #36-A929290. Published by LudwigMasters Publications (AP.36-A929290).

UPC: 735816238247. English.

Born in Venezuela, but raised in Paris, Reynaldo Hahn (1874-1947) was drawn early in life to fashionable salons, singing his own songs from the piano. There he mingled with such luminaries as Mallarme and Proust, the latter with whom he formed an amorous relationship. After the first world war, he accepted an appointment of voice teaching at the École normale de music de Paris. His colleagues included Nadia Boulanger, Pablo Casals, and Jacques Thibaud. One of many musical works he composed for the stage during this time, Mozart, a musical comedy (comédie musicale) in 3 Acts, IRH 52, premiered at the Theatre Edouard VII in Paris on December 2, 1925. The libretto was written by Sacha Guitry for their first of two collaborations. The Mozart Overture, here edited by R. Mark Rogers, serves as a vibrant introduction to this underrepresented work. Instrumentation: 2.1.1.1: 2.1.00: Pno: Str (9-8-7-6-5 in set).

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Concert Band; Orchestra 2.2.2.2+CBsn: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Voice (opt.)

SKU: AP.36-A269801

Arranged by Johannes Brahms and ed./arr. by Willy Weide. Full Orchestra, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A269801. Published by LudwigMasters Publications (AP.36-A269801).

ISBN 9798892704120. UPC: 659359671999. English.

This arrangement for orchestra for Three Songs (Drei Lieder) by Johannes Brahms (1833-1897) has been completed by Willy Weide (1880-1910). Songs included: 1. Liebestreu (True Love), Op. 3, No. 1; 2. Wiegenlied (Lullaby), Op. 49, No. 4; Feldeinsamkeit (In Summer Fields), Op. 86, No. 2. A vocalist may be brought in to sing the solo along with the orchestra, though the solo vocal lines are also written into the instruments should a purely instrumental performance be preferred. Instrumentation: 2.2.2.2+CBsn: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Voice (opt.). Reprint edition.

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Concert Band; Orchestra 3(3rd dPicc).2+EH.2.2: 4.2+2Crnt.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set)

SKU: AP.36-A216402

Composed by Peter Ilyich Tchaikovsky. Full Orchestra, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A216402. Published by LudwigMasters Publications (AP.36-A216402).

UPC: 659359595622. English.

Peter Ilyitch Tchaikovsky (1840-1893) composed Capriccio Italien, Op. 45, in 1880 following a trip to Rome with his brother, Modest. Originally titled Italian Fantasia, the work incorporates the music he heard from his room and on the streets during Carnivale in a single fantasy, using the orchestra to create a uniquely Tchaikovsky sound portrait. It was first performed on December 18, 1880, by the Russian Musical Society Orchestra, Nikolay Rubinstein conducting, and it has been a mainstay in concert halls since. Instrumentation: 3(3rd dPicc).2+EH.2.2: 4.2+2Crnt.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2(2nd dPicc).1.2.1: 2.2.2.0: Timp:Perc(2-3): Str(9.8.7.6.5 in set)

SKU: AP.36-A932701

Arranged by Ralph Vaughan Williams and ed./arr. Gordon Jacob. Full Orchestra. Kalmus Orchestra Library. Folk; Masterwork. Score. LudwigMasters Publications #36-A932701. Published by LudwigMasters Publications (AP.36-A932701).

ISBN 9798888520109. UPC: 676737736347. English.

Ralph Vaughan Williams' (1872-1958) English Folk Songs Suite, IRV 16, consists of three movements, the first two of which are based on the folk songs Seventeen Come Sunday and My Bonny Boy; the third adapts four songs from the Somerset region collected by Cecil Sharp. The English Folk Songs Suite quotes the Christmas carol Dives and Lazarus, which Vaughan Williams later published five variations of for harp and string orchestra. Gordon Jacob, a student of Vaughan Williams, arranged this version for orchestra. An earlier version of the English Folk Songs Suite, written for military band, premiered at Kneller Hall in Twickenham, England in July 1923. Instrumentation: 2(2nd dPicc).1.2.1: 2.2.2.0: Timp:Perc(2-3): Str(9.8.7.6.5 in set). Reprint edition.

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Concert Band; Orchestra 2.2.3+BCl.2: 3Sax(AAT; opt.): 2.3.3.1: Perc(1-2): Hp.Clst.Gtr: Str (9-8-7-6-5 in set): Pno Cond Score in set

SKU: AP.36-A672699

Composed by Ernesto Lecuona. Arranged by Morton Gould. Full Orchestra, Condensed Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A672699. Published by LudwigMasters Publications (AP.36-A672699).

ISBN 9798888527887. UPC: 659359811340. English.

The Cuban composer and pianist Ernesto Lecuona (1896-1963) wrote many works labelled as Afro-Cuban, and sorting them all can be difficult. While some are lost and others are scattered about, the 1930 piano suite titled Danzas Afro-Cubanas, a collection of six of the dances, remains a core group in the style. La Comparsa (Carnival Procession) is the sixth dance in the suite, and it is based on the traditional parade and ceremony that occurs during Carnival season in Cuba. This composition starts with the gradual approach of the procession and carries one through all the excitement until the last faint notes of the departing parade die away in the distance. This version for full orchestra has been arranged by Morton Gould (1913-1996). Instrumentation: 2.2.3+BCl.2: 3Sax(AAT; opt.): 2.3.3.1: Perc(1-2): Hp.Clst.Gtr: Str (9-8-7-6-5 in set): Pno Cond Score in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2.2.2.2: 2.0+2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A196148

Composed by Camille Saint Saens. Full Orchestra, Solo Keyboard with Ensemble, Solo Piano. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A196148. Published by LudwigMasters Publications (AP.36-A196148).

ISBN 9798892702683. UPC: 659359867958. English.

Following the death of his mother in 1888, a depressed Camille Saint-Saëns (1835-1921) decided to take a trip to his favorite destination, North Africa, travelling to Ceylon, then to Alexandria and Cairo over the period of several months. While he was in Egypt, he composed his fantasia for piano and orchestra, AFRICA, Op. 89. Dedicated to pianist Marie-Aimée Roger-Miclos, it premiered on October 25, 1891, with the dedicatee playing the solo, and the work was an immediate success both at the premiere and after, which pleased Saint-Saëns a great deal to the point that he considered AFRICA a signature work. Borrowing themes and techniques from North African music, the fantasy draws on material he heard in Algeria and Egypt, offering an exotic sound to those listening in the late 19th and early 20th centuries. This concertante is notable also as one of the first works to be recorded with the composer as soloist, with a surviving 1904 recording with Saint-Saëns at the piano. This colorful piece continues to be performed regularly today. Reprint edition. Instrumentation: 2.2.2.2: 2.0+2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set): Solo Piano.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Band Concert Band - Grade 2.5

SKU: CF.YPS195

Composed by Larry Clark. SWS FS. Carl Fischer Young Performance Series. Set of Score and Parts. With Standard notation. 16+4+8+8+4+4+10+4+4+8+8+8 +12+6+4+6+1+1+4+8+20 pages. Duration 4 minutes, 7 seconds. Carl Fischer Music #YPS195. Published by Carl Fischer Music (CF.YPS195).

ISBN 9781491147474. UPC: 680160904976. 9 x 12 inches. Key: Eb major.

Dream Engine is a concert overture in classic ABA form. Opening with a tuneful melody that weaves throughout the ensemble over staccato accompaniments, the piece then evolves into a contrastingly lyrical and beautifully lush B section. As with the rest of Clark's work, Dream Engine blends musicality with teachability and is perfect for your next contest or festival.

Composed by Piet Swerts (1960-). De Haske Concert Band. Concert Piece. Score Only. Composed 1998. 48 pages. De Haske Publications #981369. Published by De Haske Publications

Band Concert Band - Grade 1.5

SKU: CF.FPS146

Composed by Sean O'Loughlin. SWS FS. First Plus Performance Series. Set of Score and Parts. With Standard notation. 8+2+8+8+4+10+2+2+4+4+4+6+ 2+6+1+1+2+7+16 pages. Duration 2 minutes, 36 seconds. Carl Fischer Music #FPS146. Published by Carl Fischer Music (CF.FPS146).

ISBN 9781491147306. UPC: 680160904808. 9 x 12 inches.

Of Spanish origin, the word temblor means tremor or earthquake. This composition for the developing concert band is as unstoppable as the natural disaster it embodies. Aggressive in nature, but with some well placed repose and a stunning maestoso climax, Temblor is bound to excite students and audiences alike.

Band concert band - Grade 0.5

SKU: CF.PPS12

Jingle Bells. Composed by Bill Calhoun. Christmas and Holiday. Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+2+3+2+6+2 +3+1+1+2+6+12 pages. Duration 2 minutes, 7 seconds. Carl Fischer Music #PPS12. Published by Carl Fischer Music (CF.PPS12).

ISBN 9780825892103. UPC: 798408092108. 9 x 12 inches.

In Time for the Holidays is a beginning band treatment of the Christmas favorite “Jingle Bells.” Complete with the seasonal percussion effects of two wood/temple blocks, sleigh bells and slapstick/whip, this arrangement uses just the first six notes of the B-flat concert scale in each part. This should make the piece very playable for your beginning band’s first concert, just “In Time for the Holidays.”.

Concert Band 2BarSax, 2TSax, 4 6 8(BarTrombone, 4 Asax, 7 Percussion, 7(Picc) 2 10(BClarinet) 2, BTrombone) 4, Timp

SKU: PR.115402000

Composed by Robert Maggio. Score and Set of Parts. With Standard notation. Composed 2000. Duration 5 minutes. Theodore Presser Company #115-40200. Published by Theodore Presser Company (PR.115402000).

UPC: 680160020553.

This piece was commissioned by the Pennsylvania chapter of Phi Beta Mu (Internationall Bandmasters Fraternity). It is a 5-minute work which describes the prototypical hero journey as distilled by Joseph Campbell and Christopher Vogler. This journey contains vivid musical imagery from beginning to end.

Wind Band - Grade 4

SKU: YM.GTW01085764

Concert Band. New Sounds in Brass (NSB). Arranged Classics. Score & Parts. Yamaha Music Media #GTW01085764. Published by Yamaha Music Media (YM.GTW01085764).

ISBN 9784636857641.

New Sounds in Concert Band Series (NSB)
Various classical music themes are nicely connected
Duration: approx.7'35
Arranged by Masamichi Amano

Fragments from Rhapsody in Blue, Beethoven's Symphony No.7, Mozart's Oboe Concerto KV 271K, Till Eulenspiegel, Second Movement of Beethoven's Piano Sonata No.8 Pathetique and Third Movement of Rachmainoff's Piano Concerto No.2.

Concert band - Grade 3

SKU: MH.1-59913-023-8

Composed by Raymond Birch. Arranged by Timothy Broege. Suitable for advanced middle school, high school, community and college bands. Conductor Full Score. Duration 2:30. Published by Manhattan Beach Music (MH.1-59913-023-8).

ISBN 9781599130231.

Ense mble instrumentation: 4 Flute I, 6 Flute II, Oboe, 4 Bb Clarinet I, 4 Bb Clarinet II, 4 Bb Clarinet III, 5 Eb Alto Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet I, 3 Bb Trumpet II, 3 Bb Trumpet III, 4 F Horn, 2 Trombone I, 2 Trombone II, 2 Trombone III, 3 Baritone Horn (Bass Clef), 7 Bb Baritone Horn (Treble Clef), plus Bb Bass Clarinet, and Bb Tenor Saxophone, 5 Bass, Bassoon, 2 Bells, 5 Percussion.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam, Timpani, Triangle and more. - Grade 1.5

SKU: CF.FPS147

Composed by Larry Clark. SWS FS. First Plus Performance Series. Set of Score and Parts. With Standard notation. 16+4+8+8+2+5+2+2+4+4+4+6+ 2+3+4+1+2+4+16 pages. Duration 3 minutes, 7 seconds. Carl Fischer Music #FPS147. Published by Carl Fischer Music (CF.FPS147).

ISBN 9781491147313. UPC: 680160904815. 9 x 12 inches.

As the title implies, Angel Echoes uses a lot of echo effects throughout, and is based on the interval of a descending perfect fifth. The piece begins with a lush statement of the subtle angel theme, which is used throughout the piece and ultimately as the climactic material later in the work. With teachable material steeped in musicality, this remarkable new work for developing ensembles will not disappoint.

Band concert band - Grade 4.5

SKU: CF.SPS60

Composed by Gabriel Musella. SWS FS. Set of Score and Parts. With Standard notation. 3+12+12+6+12+12+12+6+6+6+ 6+6+4+6+6+6+12+12+6+6+6+9 +6+8+4+2+4+8+9+40 pages. Duration 7:12. Carl Fischer Music #SPS60. Published by Carl Fischer Music (CF.SPS60).

ISBN 9781491140413. UPC: 680160628476. 9 x 12 inches. Key: Bb major.

This exceptional new symphonic setting of four Bulgarian folk songs comes in a long line of wonderful rhapsodies based upon a collection of folk song material from one country or region. Composer Gabriel Musella weaves a delightful tapestry of colors, textures and time signatures to create a truly exciting musical presentation. We are proud to welcome the talents of Mr. Musella to the Carl Fischer team. Alert your contest and festival music committees about this piece, because it has the making of a festival standard.

Concert band - Grade 2

SKU: MH.0-931329-91-4

Composed by Steve Rouse. Suitable for middle school and high school bands. Conductor score and set of parts. Duration 3:30. Published by Manhattan Beach Music (MH.0-931329-91-4).

ISBN 9780931329913.

Ente r the Olympians honors the competitive spirit. Although intended primarily for concert use, it can be used to honor teams and individual competitors everywhere. While composer in residence of the Meet The Composer Louisville Residency, I was commissioned to create a new score for the twenty-plus middle school bands of the Jefferson County Public School System. The work was to be appropriate for widely diverse bands: interesting to advanced students, yet accessible to less advanced students or bands with limited instrumentation. For interest, Enter the Olympians uses pedal tones with harmonies suspended above them, canonic fanfare motives, other harmonies not common at this grade level, and a mid-section that features the lower instruments playing the melody. The work's repetition of essential materials and its secure scoring style broaden its accessibility. Ensemble instrumentation: 8 Flute, 2 Oboe, 6 Bb Clarinet 1, 6 Bb Clarinet 2, 2 Bb Bass Clarinet, 5 Eb Alto Saxophone, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 4 Bb Trumpet 1, 4 Bb Trumpet 2, 3 F Horn, 3 Trombone 1, 7 Trombone 2, Euphonium, and Bassoon, 2 Euphonium T.C., 4 Tuba, 2 Timpani, 2 Percussion 1 (Glockenspiel), 3 Percussion 2 (Snare Drum, Bass Drum), 3 Percussion 3 (Crash Cymbal, Suspended Cymbal).

Concert band - Grade 2

SKU: MH.0-931329-92-2

Composed by Steve Rouse. Suitable for middle school and high school bands. Conductor Full Score. Duration 3:30. Published by Manhattan Beach Music (MH.0-931329-92-2).

ISBN 9780931329920.

Ente r the Olympians honors the competitive spirit. Although intended primarily for concert use, it can be used to honor teams and individual competitors everywhere. While composer in residence of the Meet The Composer Louisville Residency, I was commissioned to create a new score for the twenty-plus middle school bands of the Jefferson County Public School System. The work was to be appropriate for widely diverse bands: interesting to advanced students, yet accessible to less advanced students or bands with limited instrumentation. For interest, Enter the Olympians uses pedal tones with harmonies suspended above them, canonic fanfare motives, other harmonies not common at this grade level, and a mid-section that features the lower instruments playing the melody. The work's repetition of essential materials and its secure scoring style broaden its accessibility. Ensemble instrumentation: 8 Flute, 2 Oboe, 6 Bb Clarinet 1, 6 Bb Clarinet 2, 2 Bb Bass Clarinet, 5 Eb Alto Saxophone, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 4 Bb Trumpet 1, 4 Bb Trumpet 2, 3 F Horn, 3 Trombone 1, 7 Trombone 2, Euphonium, and Bassoon, 2 Euphonium T.C., 4 Tuba, 2 Timpani, 2 Percussion 1 (Glockenspiel), 3 Percussion 2 (Snare Drum, Bass Drum), 3 Percussion 3 (Crash Cymbal, Suspended Cymbal).

Concert band - Grade 4

SKU: MH.0-931329-53-1

Composed by Gregory B.Rudgers. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 7:30. Published by Manhattan Beach Music (MH.0-931329-53-1).

ISBN 9780931329531.

Jour ney back to ancient Greece and view a place of long-gone legend. Follow the trail to the Kingdom of Ithaca, from the heroic palace, to a place of tranquility, to a reckless dance of abandon, to the return of Odysseus. The melodic material used in 200 B.C. is from a two thousand year old Greek hymn to Apollo. The legendary adventures of Odysseus as described by Homer in the Odyssey (ca. 700 B.C.) provide the programmatic material. The music is freely based upon the First Delphic Hymn (or Paen to Apollo), composed ca. 200 B.C. The source is a transcription appearing on pages 363 - 367 of Ancient and Oriental Music, Edited by Egon Wellesz (Oxford University Press: London, 1957). Each movement of the work depicts a key event in the epic Homeric poem, as described below. Movement I: Intrada - The first four notes of this movement, C - Bb - G - Bb, are the melodic and harmonic foundation for the entire work. These pitches, introduced in a simple and direct manner, are subsequently developed in more complex fashions throughout the suite. Following this stately introduction is a militaristic fanfare that introduces the dotted-eighth and sixteenth-note figure later reprised in the second and fourth movements. Indeed, all the musical ideas which will be central to the remaining movements first appear in the Intrada. This movement depicts the grandeur of Odysseus and his kingdom in Ithaca, and establishes the heroic mood of the entire work. Movement II: Ballad - After a brief restatement of the opening dotted-eighth-and-sixteen th fanfare, the second movement extracts the falling third (Bb to G) from the C - Bb - G - Bb motif and extends it and expands it into a haunting solo for alto saxophone. The C - Bb - G - Bb motif appears again (see measures 23 - 33 in trumpets) as counterpoint to this melody, now pulsing through the thick texture of the band. Many performers have come to view the Ballad as the emotional epicenter of the entire suite; my conception of the Ballad is to achieve a union of pathos and strength. Programmatically, this movement depicts Odysseus's son, Telemachos, as he both longs for Odysseus's return and stoically defends his father's kingdom. Movement III: Dance - It will take Odysseus twenty years to return to Ithaca. During his absence, noblemen besiege his palace, violating the sanctity of the household and seeking the hand of his wife, Penelope. This movement depicts the wanton revelries that result. The original four-note motif is chromatically altered and the meter is made irregular. The rapid tempo, driving percussion, and angular meter and melodies combine in an explosion of reckless abandon. Movement IV: March Building from a delicate woodwind ensemble accompanied by finger cymbals to a fully orchestrated statement replete with thundering percussion, this is a resounding march of victory. Odysseus has returned in triumph to restore dignity to his household and to reclaim the throne of the Kingdom of Ithaca. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 - 2, 2 Oboe 1 - 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet, 2 Bassoon 1 - 2, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1-2, 2 F Horn 3-4, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium (B.C.), 2 Euphonium T.C., 4 Tuba, 1 Timpani, 2 Mallet Percussion: Bells, Xylophone, 2 Percussion 1: Snare Drum, Tambourine, 2 Percussion 2: Crash Cymbals, Suspended Cymbal, Tom-Tom, Finger Cymbals, 1 Percussion 3: Bass Drum.