Concert Band; Orchestra Detailed Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A212602

Composed by Richard Strauss. This edition: Kalmus Orchestra Library. Full Orchestra; Performance Music Ensemble; Single Titles. Edwin F. Kalmus. Masterwork. Score and Part(s). LudwigMasters Publications #36-A212602. Published by LudwigMasters Publications (AP.36-A212602).

UPC: 676737597597. English.

Richard Strauss (1864-1949) originally wrote this work for solo piano and orchestra under the title Scherzo in D minor in 1886 for conductor and pianist Hans von Bülow, a large influence on Strauss' career. Von Bülow, however, consider the work a complicated piece of nonsense and wanted nothing to do it. Discouraged, Strauss set the work aside until 1889, when he met Scottish pianist Eugen d'Albert, who liked it while also suggesting some changes. With a new title, Burleske, and a dedication to d'Albert, the work was premiered on June 21st, 1890 in Eisenach at the Tonkünstlerfest with d'Albert at the piano and Strauss conducting. Despite this, Strauss remained convinced that the work lacked merit and refused to have the work published until 1894, although it eventually became one of his favorite works. Strauss never gave the work an opus number, but many consider it to be Op. 11, which is actually assigned to his Horn Concerto No. 1 in E-flat. Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band/Harmonie - Grade 5

SKU: BT.GOB-000919-140

Composed by Harrie Janssen. Score Only. 80 pages. Gobelin Music Publications #GOB 000919-140. Published by Gobelin Music Publications (BT.GOB-000919-140).

Harrie Janssen composed Analecta Varia in memory of Henk van Lijnschooten (1928-2006).
He has been of great influence on the Dutch music for wind instruments.
As a conductor and as a member of the jury, but above all as a prominent composer.
Consists of eight sound studies that can also be performed separately. In each part a particular orchestral aspect is the central point.

The eight parts
1. Choral: ensemble in monophonic texture.
2. Air: relatively free line patterns combined with a constant pulse.
3. Pavana: constant rhythmicity culminating in an orchestral tutti.
4. Lullaby: dissonant harmonyabove an organ point in a filigree instrumentation.
5. Chaconne: color and virtuosity combined with a rigid pasacaglian theme.
6. Interlude: antithesis woodwind/brass and followed by a synthesis of the before.
7. Fugue: ensemble in a polyphonic texture.
8. Epilogue: final canto in a preponderating strong dynamic, where a constant euphony has to be pursued.

Analecta Varia bestaat uit acht klankstudies die ook afzonderlijk utgevoerd kunnen worden. In iedere deel wordt een bepaald orkestraal facet centraal gesteld.
Harrie Janssen componeerde Analecta Varia ter nagedachtenis aan Henkvan Lijnschooten (1928-2006). Henk van Lijnschooten heeft zich bijzonder verdienstelijk gemaakt voor de Nederlandse blaasmuziek, als dirigent, jurylid maar vooral als zeer toonaangevend componist.

1. Chorale: Samenspelin een homofone textuur.
2. Air: Relatief vrij lijnenspel gecombineerd met een constante puls.
3. Pavana: Constante ritmiek culminerend in een orkestraal tutti.
4. Lullaby: Dissonate samenklankenboven een orgelpunt in een filigraine instrumentatie.
5. Chaconne: Kleur en virtuositeit gecombineerd met een rigide pasacaglia thema.
6. Interlude: Tegenstelling Hout/Koper en een synthese hiervan.
7. Fuga: Samenspel in een polyfone textuur.
8. Epilogue: Slotzang in een overwegend sterke dynamiek, waarbij een constante welluidendheid nagestreefd dient te worden.

Concert Band/Harmonie - Grade 5

SKU: BT.GOB-000919-010

Composed by Harrie Janssen. Set (Score & Parts). 44 pages. Gobelin Music Publications #GOB 000919-010. Published by Gobelin Music Publications (BT.GOB-000919-010).

Harrie Janssen composed Analecta Varia in memory of Henk van Lijnschooten (1928-2006).
He has been of great influence on the Dutch music for wind instruments.
As a conductor and as a member of the jury, but above all as a prominent composer.
Consists of eight sound studies that can also be performed separately. In each part a particular orchestral aspect is the central point.

The eight parts
1. Choral: ensemble in monophonic texture.
2. Air: relatively free line patterns combined with a constant pulse.
3. Pavana: constant rhythmicity culminating in an orchestral tutti.
4. Lullaby: dissonant harmonyabove an organ point in a filigree instrumentation.
5. Chaconne: color and virtuosity combined with a rigid pasacaglian theme.
6. Interlude: antithesis woodwind/brass and followed by a synthesis of the before.
7. Fugue: ensemble in a polyphonic texture.
8. Epilogue: final canto in a preponderating strong dynamic, where a constant euphony has to be pursued.

Analecta Varia bestaat uit acht klankstudies die ook afzonderlijk utgevoerd kunnen worden. In iedere deel wordt een bepaald orkestraal facet centraal gesteld.
Harrie Janssen componeerde Analecta Varia ter nagedachtenis aan Henkvan Lijnschooten (1928-2006). Henk van Lijnschooten heeft zich bijzonder verdienstelijk gemaakt voor de Nederlandse blaasmuziek, als dirigent, jurylid maar vooral als zeer toonaangevend componist.

1. Chorale: Samenspelin een homofone textuur.
2. Air: Relatief vrij lijnenspel gecombineerd met een constante puls.
3. Pavana: Constante ritmiek culminerend in een orkestraal tutti.
4. Lullaby: Dissonate samenklankenboven een orgelpunt in een filigraine instrumentatie.
5. Chaconne: Kleur en virtuositeit gecombineerd met een rigide pasacaglia thema.
6. Interlude: Tegenstelling Hout/Koper en een synthese hiervan.
7. Fuga: Samenspel in een polyfone textuur.
8. Epilogue: Slotzang in een overwegend sterke dynamiek, waarbij een constante welluidendheid nagestreefd dient te worden.

Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set

SKU: AP.36-A134702

Composed by Johannes Brahms. Full Orchestra, Solo Strings with Ensemble, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A134702. Published by LudwigMasters Publications (AP.36-A134702).

UPC: 659359985690. English.

Johannes Brahms (1833-1897) wrote his Violin Concerto in D major, Op. 77, in 1878. He composed the work for his longtime friend, famed violinist Joseph Joachim, who premiered it in Leipzig with the Gewandhaussaal on January 1, 1879, Brahms himself conducting. The program also included, at Joachim's insistence, Beethoven's Violin Concerto in D major, Op. 61, on which Brahms modeled his own concerto. While the critical reception of the time was mixed, the audiences at the various early performances received the work well. Most complaints directed at the concerto addressed the role of the solo violin, noting that the soloist does not offer much of the melodic material or include much in the way virtuosic passages, a consequence of looking more towards Beethoven's serious aesthetic rather than Paganini's flashy one. Joachim himself, before a falling out with the composer over personal reasons, included Brahms' concerto among the best German offered, saying: The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set

SKU: AP.36-A134748

Composed by Johannes Brahms. Full Orchestra, Solo Strings with Ensemble, Solo Violin Part. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A134748. Published by LudwigMasters Publications (AP.36-A134748).

ISBN 9798888529850. UPC: 659359935244. English.

Johannes Brahms (1833-1897) wrote his Violin Concerto in D major, Op. 77, in 1878. He composed the work for his longtime friend, famed violinist Joseph Joachim, who premiered it in Leipzig with the Gewandhaussaal on January 1, 1879, Brahms himself conducting. The program also included, at Joachim's insistence, Beethoven's Violin Concerto in D major, Op. 61, on which Brahms modeled his own concerto. While the critical reception of the time was mixed, the audiences at the various early performances received the work well. Most complaints directed at the concerto addressed the role of the solo violin, noting that the soloist does not offer much of the melodic material or include much in the way virtuosic passages, a consequence of looking more towards Beethoven's serious aesthetic rather than Paganini's flashy one. Joachim himself, before a falling out with the composer over personal reasons, included Brahms' concerto among the best German offered, saying: The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set

SKU: AP.36-A134701

Composed by Johannes Brahms. Full Orchestra, Solo Strings with Ensemble, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A134701. Published by LudwigMasters Publications (AP.36-A134701).

ISBN 9798888529843. UPC: 659359537080. English.

Johannes Brahms (1833-1897) wrote his Violin Concerto in D major, Op. 77, in 1878. He composed the work for his longtime friend, famed violinist Joseph Joachim, who premiered it in Leipzig with the Gewandhaussaal on January 1, 1879, Brahms himself conducting. The program also included, at Joachim's insistence, Beethoven's Violin Concerto in D major, Op. 61, on which Brahms modeled his own concerto. While the critical reception of the time was mixed, the audiences at the various early performances received the work well. Most complaints directed at the concerto addressed the role of the solo violin, noting that the soloist does not offer much of the melodic material or include much in the way virtuosic passages, a consequence of looking more towards Beethoven's serious aesthetic rather than Paganini's flashy one. Joachim himself, before a falling out with the composer over personal reasons, included Brahms' concerto among the best German offered, saying: The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2(2nd dPicc).2.2.2: 4.2.3.1: Timp.Perc(4-5): Hp.Pno(opt.): Str(9.8.7.6.5 in set).

SKU: AP.36-A936390

Arranged by Percy Aldridge Grainger, R. Mark Rogers, and ed./arr. Adolf Schmid. Full Orchestra; Performance Music Ensemble; Single Titles. Kalmus Masterworks Library. Masterwork. Score and Part(s). LudwigMasters Publications #36-A936390. Published by LudwigMasters Publications (AP.36-A936390).

UPC: 659359535758. English.

One of Percy Aldridge Grainger's most popular encores was improvisations on English Morris Dance tunes that he programmed as Country Gardens. An instant hit, Grainger finalized this setting in spring 1918, and after publication in 1919, the sales of the sheet music broke publishing records and brought in the sort of steady income that is the envy of composers everywhere. While he used the funds to subsidize the careers of many fellow artists, Grainger became so identified with this rather lightweight piece that he came to despise it. Publisher G. Schirmer, wishing to capitalize on the popularity of Country Gardens, assigned Adolf Schmid, one of their in-house writers, to create this excellent orchestral version published in 1925. Schmid was an Austrian-American composer of some stature who, as a staff writer for the firm G. Schirmer, created orchestral versions of Grainger's Irish Tune from County Derry and Children's March, as well as music by numerous other composers. Schmid's orchestration served as the source material for a band version of Country Gardens that appeared in 1931, attributed to Tom Clark. The following note appeared on the concert band Synoptic Score (a most un-Grainger-like term): String-Bass and Harp (or any other) parts from Adolf Schmid's Arrangement of this number for orchestra (Galaxy No. 269) may be used with this band arrangement, affirming the relationship between Schmid's orchestration and Clark's band version. This edition has been revised and edited by R. Mark Rogers. Instrumentation: 2(2nd dPicc).2.2.2: 4.2.3.1: Timp.Perc(4-5): Hp.Pno(opt.): Str(9.8.7.6.5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2(2nd dPicc).2.2.2: 4.2.3.1: Timp.Perc(4-5): Hp.Pno(opt.): Str(9.8.7.6.5 in set).

SKU: AP.36-A936301

Arranged by Percy Aldridge Grainger, R. Mark Rogers, and ed./arr. Adolf Schmid. Full Orchestra. Kalmus Masterworks Library. Masterwork. Score. LudwigMasters Publications #36-A936301. Published by LudwigMasters Publications (AP.36-A936301).

ISBN 9798892705585. UPC: 659359956157. English.

One of Percy Aldridge Grainger's most popular encores was improvisations on English Morris Dance tunes that he programmed as Country Gardens. An instant hit, Grainger finalized this setting in spring 1918, and after publication in 1919, the sales of the sheet music broke publishing records and brought in the sort of steady income that is the envy of composers everywhere. While he used the funds to subsidize the careers of many fellow artists, Grainger became so identified with this rather lightweight piece that he came to despise it. Publisher G. Schirmer, wishing to capitalize on the popularity of Country Gardens, assigned Adolf Schmid, one of their in-house writers, to create this excellent orchestral version published in 1925. Schmid was an Austrian-American composer of some stature who, as a staff writer for the firm G. Schirmer, created orchestral versions of Grainger's Irish Tune from County Derry and Children's March, as well as music by numerous other composers. Schmid's orchestration served as the source material for a band version of Country Gardens that appeared in 1931, attributed to Tom Clark. The following note appeared on the concert band Synoptic Score (a most un-Grainger-like term): String-Bass and Harp (or any other) parts from Adolf Schmid's Arrangement of this number for orchestra (Galaxy No. 269) may be used with this band arrangement, affirming the relationship between Schmid's orchestration and Clark's band version. This edition has been revised and edited by R. Mark Rogers. Instrumentation: 2(2nd dPicc).2.2.2: 4.2.3.1: Timp.Perc(4-5): Hp.Pno(opt.): Str(9.8.7.6.5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

(score). De Haske Concert Band Full Set. Size 8.3x11.7 inches. Published by Hal Leonard.

Composed by Jan de Haan (1951-). De Haske Concert Band. Concert Piece. Score Only. Composed 1995. 72 pages. De Haske Publications #950662. Published by De Haske Publications

Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A134548

Composed by Johannes Brahms. Arranged by Clinton Nieweg and Robert Sutherland. This edition: Kalmus Orchestra Library. Full Orchestra; Performance Music Ensemble; Single Titles. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A134548. Published by LudwigMasters Publications (AP.36-A134548).

UPC: 735816434267. English.

Johannes Brahms (1833-1897) composed his Piano Concerto No. 1 in 1858 and performed the work's debut in Hanover, Germany, in 1859, to mixed reviews. The work initially began as a sonata for two pianos, then a four-movement symphony. Under the counsel of friends Julius Otto Grimm and violinist Joseph Joachim, Brahms landed on a three-movement piano concerto. After its fifth performance in December 1861, with Clara Schumann as piano soloist, the work still received mixed audience reception. It has since grown in popularity and has been recognized as a masterpiece. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(1-2): Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-S014201

Composed by Franz Liszt. Full Orchestra, Solo Keyboard with Ensemble, SS. Kalmus Study Score Series. Score. LudwigMasters Publications #36-S014201. Published by LudwigMasters Publications (AP.36-S014201).

ISBN 9781608740055. UPC: 659359973819. English.

Franz Liszt (1811-1886) started work on his Concerto for Piano and Orchestra No. 2 in A major, S. 125, in 1839 and 1840. Putting it through a series of revisions, he dedicated the concerto to his student Hans von Bronsart von Schellendorf. The composer conducted the first performance in Weimar on January 7, 1857 with Bronsart as soloist. Liszt completed a 4th revision in 1861. Less virtuosic than his first piano concerto, it is played without break and serves as a masterful example of thematic transformation. Instrumentation: 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(1-2): Str (9-8-7-6-5 in set): Solo Piano. Reprint edition. Study score.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(1-2): Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A164001

Composed by Franz Liszt. Full Orchestra, Solo Keyboard with Ensemble, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A164001. Published by LudwigMasters Publications (AP.36-A164001).

ISBN 9798892703208. UPC: 659359825644. English.

Franz Liszt (1811-1886) started work on his CONCERTO FOR PIANO AND ORCHESTRA No. 2 in A major, S. 125, in 1839 and 1840. Putting it through a series of revisions, he dedicated the concerto to his student Hans von Bronsart von Schellendorf. The composer conducted the first performance in Weimar on January 7, 1857 with Bronsart as soloist. Liszt completed a 4th revision in 1861. Less virtuosic than his first piano concerto, it is played without break and serves as a masterful example of thematic transformation. Instrumentation: 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(1-2): Str (9-8-7-6-5 in set): Solo Piano. Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(1-2): Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A164002

Composed by Franz Liszt. Full Orchestra, Solo Keyboard with Ensemble, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A164002. Published by LudwigMasters Publications (AP.36-A164002).

UPC: 659359515002. English.

Franz Liszt (1811-1886) started work on his CONCERTO FOR PIANO AND ORCHESTRA No. 2 in A major, S. 125, in 1839 and 1840. Putting it through a series of revisions, he dedicated the concerto to his student Hans von Bronsart von Schellendorf. The composer conducted the first performance in Weimar on January 7, 1857 with Bronsart as soloist. Liszt completed a 4th revision in 1861. Less virtuosic than his first piano concerto, it is played without break and serves as a masterful example of thematic transformation. Instrumentation: 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(1-2): Str (9-8-7-6-5 in set): Solo Piano. Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set): Solo Violin

SKU: AP.36-A162048

Composed by Edouard Lalo. Full Orchestra, Solo Strings with Ensemble, Solo Violin. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A162048. Published by LudwigMasters Publications (AP.36-A162048).

ISBN 9798892704069. UPC: 659359535628. English.

Édouard Lalo (1823-1892) wrote his SYMPHONIE ESPAGNOLE (also sometimes called his VIOLIN CONCERTO No. 2 as it is more a violin concerto than symphony), for the famed violinist Pablo Sarate in 1874. The great virtuoso had given the first performance of his violin concerto in the previous year. Premiered on February 7, 1875, in Paris, this SPANISH SYMPHONY reflected the occupation of French Romantic composers with Spanish musical culture. Lalo implements a 5-movement structure, tapping into his own Spanish heritage with oscillating two-and-three rhythms and folk dance brio. Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set): Solo Violin.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Band concert band - Grade 5

SKU: CF.SPS54

Freedon of the Spirit. Composed by Carl Strommen. Symphonic Performance Series. Set of Score and Parts. With Standard notation. 2+8+8+4+8+8+8+4+4+6+6+4+4 +6+6+6+4+4+4+4+6+6+6+4+6+ 8+2+5+1+3+8+32 pages. Duration 7:37. Carl Fischer Music #SPS54. Published by Carl Fischer Music (CF.SPS54).

ISBN 9780825892981. UPC: 798408092986. 9 x 12 inches. Key: G minor.

With its title is taken from the text of Walt Whitman's poem Leaves of Grass, Setting Sail is an epic new piece that is expansive and sophisticated. Its luxuriant, reticent opening moves into beautiful lyrical lines and all-encompassing harmonies before leading into the journey at sea, punctuated with a cool 6/8 groove. To finish, we have a climactic return of the original lyrical material. This is a large-scale work of dramatic proportions.

Concert Band; Orchestra 1.1.2.1: 2.2.1.0: Perc(2): Pno Cond Sc in set: Str (9-8-7-6-5 in set)

SKU: AP.36-A742599

Arranged by Johann Strauss Jr. and ed./arr. by Adolphe Dumont. Full Orchestra, CS. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A742599. Published by LudwigMasters Publications (AP.36-A742599).

ISBN 9798892703260. UPC: 659359897863. English.

JOHANN STRAUSS II (1825-1899) initially wrote FRÜHLINGSSTIMMEN, Op. 410 (VOICES OF SPRING) as a concert aria. He dedicated the piece, with a libretto by Richard Genée, to pianist-composer Alfred Grünfeld. When Bertha Schwarz (stage name, Bianca Bianchi) sang the first performance at the Theater an der Wien on March 1, 1883, the audience loved it so much that they demanded an encore. The composer wasted no time in arranging a purely orchestral version, which the Strauss Orchestra premiered only seventeen days later. The waltz achieved great success during his Russian tour in 1886. This edition for reduced orchestra was arranged by Adolphe Dumont. Instrumentation: 1.1.2.1: 2.2.1.0: Perc(2): Pno Cond Sc in set: Str (9-8-7-6-5 in set). Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2+Picc.2.2.2: 3Saxes (AAT; opt.): 4.3.3.1: Timp.Perc(4): Str (9-8-7-6-5 in set)

SKU: AP.36-A900490

Arranged by George M. Cohan and ed./arr. by William Ryden. Full Orchestra, Conductor Score & Parts. Nostalgia Series. Score and Part(s). LudwigMasters Publications #36-A900490. Published by LudwigMasters Publications (AP.36-A900490).

UPC: 659359874383. English.

George M. Cohan (1878-1942), getting an early start in vaudeville with his family act The Four Cohans, soaked up every facet of show business. He acted, composed, sang, danced, produced and wrote plays. One of his most celebrated songs, OVER THERE, became America's most beloved patriotic anthem during World War I. He wrote it on April 6, 1917, immediately upon learning that the United States had declared war on Germany. Charles King first sang it at a Red Cross benefit concert in New York. Enrico Caruso, Billy Murray, and Arthur Fields made vocal recordings, but the most successful, sang by Nora Bayes, sold one and a half million copies. This version has been orchestrated by William Ryden. Instrumentation: 2+Picc.2.2.2: 3Saxes (AAT; opt.): 4.3.3.1: Timp.Perc(4): Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2.2+EH.2+BCl.2: 4.2.3.1: Timp: Hp: Str (9-8-7-6-5 in set)

SKU: AP.36-A718902

Composed by George Butterworth. Full Orchestra, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A718902. Published by LudwigMasters Publications (AP.36-A718902).

UPC: 659359730764. English.

George Butterworth (1885-1916), an English composer whose life was cut short at the Battle of the Somme, wrote two song cycles based on A SHROPSHIRE LAD, a collection of 63 poems by A.E. Housman. Conceived as an epilogue, the orchestral rhapsody to A SHROPSHIRE LAD is widely considered to be his masterpiece. The London Symphony Orchestra gave the first performance at the Leeds Festival on October 2, 1913 under the direction of Arthur Nikisch. Originally titled THE LAND OF THE LOST CONTENT, it looks back at an idyllic world threatened, perhaps prophetically, by the fear of uncertainty and loss. Instrumentation: 2.2+EH.2+BCl.2: 4.2.3.1: Timp: Hp: Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2.2.2.2: (3Sax-AAT): 4.3.3.1: Timp: Str (9-8-7-6-5 in set)

SKU: AP.36-A604401

Composed by Leroy Anderson. Full Orchestra, Conductor Score. Anderson Classics. Score. LudwigMasters Publications #36-A604401. Published by LudwigMasters Publications (AP.36-A604401).

ISBN 9798892702560. UPC: 659359671388. English.

Leroy Anderson (1908-1975), ever-popular in the concert hall for his light orchestral pieces, found a great musical ally in the Boston Pops Orchestra under its director, Arthur Fiedler. Premiering many of his works, they introduced to the world such gems as Sleigh Ride, Jazz Pizzicato, and The Syncopated Clock. In the 1950s, Anderson began to record his music under the Decca label, and out of these sessions came a short piece for orchestra, THE FIRST DAY OF SPRING, first recorded on June 25, 1954. A solo horn introduces the melody, which drifts through the orchestra into an idyllic finish. An American Pops classic in it's original scoring, this work is part of the Anderson Classics Series by E.F. Kalmus. Instrumentation: 2.2.2.2: (3Sax-AAT): 4.3.3.1: Timp: Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 1.1.2.1: 2.2.1.0: Timp.Perc(2): Harm: Str (9-8-7-6-5 in set)

SKU: AP.36-A929590

Arranged by Erich Wolfgang Korngold, R. Mark Rogers, and ed./arr. Leo Artok. Full Orchestra. Kalmus Masterworks Library. Masterwork. Score and Part(s). LudwigMasters Publications #36-A929590. Published by LudwigMasters Publications (AP.36-A929590).

UPC: 735816239411. English.

When Max Reinhardt was engaged to direct a German language production of Shakespeare's Much Ado About Nothing at the Vienna Volksbühne in 1918, he asked Korngold to compose the incidental music. The production, under the German title Viel Lärmen um Nichts did not open until May 6, 1920 at the Schönbrunn Palace Theater. In the pit, the composer led members of the Vienna Philharmonic, performing no less than 18 pieces of music. In the meantime, due to the tardy premiere of the play, Korngold had already extracted a five-movement orchestral suite which garnered much praise when performed three months before the play's opening night. The five movements included: 1. the Overture; 2. Scene in the Bridal Chamber; 3. Holzapfel und Schlehwein (a mock-serious scene); 4. Intermezzo (Garden Scene); and 5. Hornpipe. When the play moved to Vienna's Burgtheater (more than 80 performances) and later to the Rezidenz Theater in Munich, the music continued to attract much attention. Demand for the music was such that Korngold arranged the suite into versions for violin and piano (four pieces), and for solo piano (three pieces). German composer-arranger Leo Artok (1885-1935) arranged the most popular three items (1. Hornpipe; 2. Garden Scene; and 3. In the Bridal Chamber) for small orchestra, which were then published by Schott in 1926. This newly engraved edition of the Artok arrangement, offered with a new full score for the first time, has been completed by R. Mark Rogers. All editions noted above are available from the publisher. Instrumentation: 1.1.2.1: 2.2.1.0: Timp.Perc(2).Harm: Str (9.8.7.6.5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2+Picc.2.2.2: 3Saxes (AAT; opt.): 4.3.3.1: Timp.Perc(4): Str (9-8-7-6-5 in set)

SKU: AP.36-A900401

Arranged by George M. Cohan and ed./arr. by William Ryden. Full Orchestra, Conductor Score. Nostalgia Series. Score. LudwigMasters Publications #36-A900401. Published by LudwigMasters Publications (AP.36-A900401).

ISBN 9798892704175. UPC: 659359760785. English.

George M. Cohan (1878-1942), getting an early start in vaudeville with his family act The Four Cohans, soaked up every facet of show business. He acted, composed, sang, danced, produced and wrote plays. One of his most celebrated songs, OVER THERE, became America's most beloved patriotic anthem during World War I. He wrote it on April 6, 1917, immediately upon learning that the United States had declared war on Germany. Charles King first sang it at a Red Cross benefit concert in New York. Enrico Caruso, Billy Murray, and Arthur Fields made vocal recordings, but the most successful, sang by Nora Bayes, sold one and a half million copies. This version has been orchestrated by William Ryden. Instrumentation: 2+Picc.2.2.2: 3Saxes (AAT; opt.): 4.3.3.1: Timp.Perc(4): Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 4(3&4dPicc).3(2&3dEH).3(3 dEb/BCl)+BCl(dEb).4(4dCBs n): 4.4(AlldCrnt).4.1: Timp.Perc(2): Clst.Hp(2).Pno(4-Hands): Str (9-8-7-6-5 in set)

SKU: AP.36-A932601

Composed by Bela Bartok. Full Orchestra; Performance Music Ensemble. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A932601. Published by LudwigMasters Publications (AP.36-A932601).

ISBN 9781638879831. UPC: 676737768577. English.

Béla Bartók's (1881-1945) Four Orchestra Pieces, Op. 12 premiered in January 1922 in Budapest, but did not become one of Bartók's best-known works until its popularity was revived by Pierre Boulez in the 1970s. Bartók's influences are on display in these pieces, including that of Debussy in the first movement Preludio, and Beethoven's Ninth Symphony in the Scherzo. Four Orchestra Pieces is considered a bridge stylistically between Bartók's early works like Duke Bluebeard's Castle and his mature works like The Miraculous Mandarin. Instrumentation: 4(3&4dPicc).3(2&3dEH).3(3 dEb/BCl)+BCl(dEb).4(4dCBs n): 4.4(AlldCrnt).4.1: Timp.Perc(2): Clst.Hp(2).Pno(4-Hands): Str (9-8-7-6-5 in set). Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2(1dPicc).2.2+BCl..1: 4Sax(opt.): 2.3.3.1: Perc(2): Hp.Clst.Gtr: Str (9-8-7-6-5 in set)

SKU: AP.36-A672199

Composed by Ernesto Lecuona. Arranged by Morton Gould. Full Orchestra, Condensed Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A672199. Published by LudwigMasters Publications (AP.36-A672199).

ISBN 9798888528525. UPC: 659359599880. English.

Originally composed for piano, this orchestration from Lecuona's celebrated Andalucia Suite by Morton Gould is a sure crowd-pleaser! Instrumentation: 2(1dPicc).2.2+BCl..1: 4Sax(opt.): 2.3.3.1: Perc(2): Hp.Clst.Gtr: Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 4(3&4dPicc).3(2&3dEH).3(3 dEb/BCl)+BCl(dEb).4(4dCBs n): 4.4(AlldCrnt).4.1: Timp.Perc(2): Clst.Hp(2).Pno(4-Hands): Str (9-8-7-6-5 in set)

SKU: AP.36-A932690

Composed by Bela Bartok. Full Orchestra; Performance Music Ensemble. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A932690. Published by LudwigMasters Publications (AP.36-A932690).

UPC: 676737521530. English.

Béla Bartók's (1881-1945) Four Orchestra Pieces, Op. 12 premiered in January 1922 in Budapest, but did not become one of Bartók's best-known works until its popularity was revived by Pierre Boulez in the 1970s. Bartók's influences are on display in these pieces, including that of Debussy in the first movement Preludio, and Beethoven's Ninth Symphony in the Scherzo. Four Orchestra Pieces is considered a bridge stylistically between Bartók's early works like Duke Bluebeard's Castle and his mature works like The Miraculous Mandarin. Instrumentation: 4(3&4dPicc).3(2&3dEH).3(3 dEb/BCl)+BCl(dEb).4(4dCBs n): 4.4(AlldCrnt).4.1: Timp.Perc(2): Clst.Hp(2).Pno(4-Hands): Str (9-8-7-6-5 in set). Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2.2.2.2: Sax(4-SATB, opt.): 4.3.3.1: Timp.Perc(5): Hp.Gtr(opt.): Str (9-8-7-6-5 in set)

SKU: AP.36-A782890

Arranged by Jacques Brel and ed./arr. by Richard Hayman. Full Orchestra Score & Parts; Performance Music Ensemble; Single Titles. Kalmus Orchestra Library. Masterwork Arrangement. Score and Part(s). LudwigMasters Publications #36-A782890. Published by LudwigMasters Publications (AP.36-A782890).

UPC: 676737927707. English.

Belgium singer, actor, and composer Jacques Brel (1929-1978) wrote the music and lyrics for Ne me quitte pas (If You Go Away) in 1959. The song was later adapted with English lyrics by Rod McKuen, and the work is considered a pop standard with recordings by many artists. This orchestration was completed by Richard Hayman (1920-2014), who had a very successful career as chief music arranger for the Boston Pops Orchestra, an association that lasted over 50 years, and who also served as a pops conductor for various orchestras including the Detroit Symphony Orchestra, the St. Louis Symphony, and the Grand Rapids Symphony. Instrumentation: 2.2.2.2: Sax(4-SATB, opt.): 4.3.3.1: Timp.Perc(5): Hp.Gtr(opt.): Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 1.1.2.1: 2.2.1.0: Perc(2): Pno Cond Sc in set: Str (9-8-7-6-5 in set)

SKU: AP.36-A742502

Arranged by Johann Strauss Jr. and ed./arr. by Adolphe Dumont. Full Orchestra, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A742502. Published by LudwigMasters Publications (AP.36-A742502).

UPC: 659359906169. English.

JOHANN STRAUSS II (1825-1899) initially wrote FRÜHLINGSSTIMMEN, Op. 410 (VOICES OF SPRING) as a concert aria. He dedicated the piece, with a libretto by Richard Genée, to pianist-composer Alfred Grünfeld. When Bertha Schwarz (stage name, Bianca Bianchi) sang the first performance at the Theater an der Wien on March 1, 1883, the audience loved it so much that they demanded an encore. The composer wasted no time in arranging a purely orchestral version, which the Strauss Orchestra premiered only seventeen days later. The waltz achieved great success during his Russian tour in 1886. This edition for reduced orchestra was arranged by Adolphe Dumont. Instrumentation: 1.1.2.1: 2.2.1.0: Perc(2): Pno Cond Sc in set: Str (9-8-7-6-5 in set). Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 3(3rd dPicc)+Picc.3(3rd dEH).2+BCl+Eb.3(3rd dCBsn: 4.3.3.1: Timp.Perc(4-5): 2Hp.Clst.Mand: Str (9-8-7-6-5 in set): Soli T, A (or Bar)

SKU: AP.36-A674102

Composed by Die Chinesische Flöte after Chinese poets of the 8th century: Li Tai Po, Gustav Mahler/ Translated into German by Hans Bethge, Haoran Meng, Qi Qian, and Wei Wang. Full Orchestra, Solo Voice(s) with Ensemble, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A674102. Published by LudwigMasters Publications (AP.36-A674102).

UPC: 659359656231. English.

Fresh from the loss of his oldest daughter Maria Mahler, and knowing he had a serious heart condition, Gustav Mahler (1860-1911) crafted Das Lied von der Erde (The Song of the Earth) in the years 1908 and 1909. The first performance took place on November 20, 1911 at the Tonhalle in Munich, conducted by Bruno Walter. It encompasses six settings of old Chinese poems, four of them by the Tang Dynasty poet Li Bai, loosely translated into German by Hans Bethge. Conscious of his own mortality, Mahler filled his orchestral song cycle with themes of resignation, fading beauty, and autumn loneliness. The last song, roughly the same length as the previous five movements combined, serves as a sprawling, yet deeply personal farewell to both love and life. Instrumentation: 3(3rd dPicc)+Picc.3(3rd dEH).2+BCl+Eb.3(3rd dCBsn: 4.3.3.1: Timp.Perc(4-5): 2Hp.Clst.Mand: Str (9-8-7-6-5 in set): Soli T, A (or Bar). Movements: 1. Das Trinklied vom Jammer der Erde (The Drinking Song of Earth's Sorrow); 2. Der Einsame im Herbst (Autumn Loneliness); 3. Von der Jugend (Youth); 4. Von der Schönheit (Beauty); 5. Der Trunkene im Fruhling (Wine in Spring); 6. Der Abschied (The Farewell). Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2(2nd dPicc).2.2.2: 3Sax(AAT): 4.3.3.1: Timp.Perc(2): Pno Cond Sc in set: Str (9-8-7-6-5 in set)

SKU: AP.36-A602099

Composed by Philip J. Lang. Full Orchestra, CS. Kalmus Symphonic Pops. Score. LudwigMasters Publications #36-A602099. Published by LudwigMasters Publications (AP.36-A602099).

ISBN 9798892700764. UPC: 659359605895. English.

Dark Eyes is a well-known Russian romance song. The lyrics, written by Ukrainian poet Yevhen Hrebinka, were first published in 1843. The melody, to which the lyrics are set is by German-Polish composer Florian Hermann (1822-1982), from his piano work Valse Hommage, Op. 21. The song has been used in numerous movies over the years. This version has been orchestrated by Philip J. Lang. Instrumentation: 2(2nd dPicc).2.2.2: 3Sax(AAT): 4.3.3.1: Timp.Perc(2): Pno Cond Sc in set: Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.