A Wilderness Adventure. Composed by James Curnow. MusicWorks Grade 1. Concert. Softcover. Published by Hal Leonard

Concert Band (Score) - Grade 3

SKU: HL.48024505

Composed by Dana Wilson. Windependence Apprentice Advanced. Concert. Softcover. 28 pages. Boosey & Hawkes #M051664054. Published by Boosey & Hawkes (HL.48024505).

UPC: 888680896737. 9.0x12.0x0.081 inches.

Fire engines have long had a romantic quality, evoking feelings of excitement and wonder! This piece takes us for a whimsical spin around the neighborhood – careening around turns, flying through intersections and over bumps, warning everyone to get out of the way of this magical machine! Recorded by the Ithaca College Concert Band (Ithaca, NY) – Benjamin Rochford, conductor. Dur: 3:45.

By David A. Myers. For concert band. FJH Beginning Band. Full set (score and parts). Score only also available: B1110S. Grade 1. Score and set of parts. Composed 2002

Three Fanfares for a Celebration by Robert W. Smith. Concert Band. Concert Band. Belwin Symphonic Band. Multicultural. Grade 4. Conductor Score and Parts. 132 pages. Published by Belwin Publishing

Concert Band (Score) - Grade 5

SKU: HL.4005839

Composed by Franz Joseph Haydn. Arranged by James Curnow. MusicWorks Grade 5. Concert, Fanfare. Softcover. 32 pages. Published by Hal Leonard (HL.4005839).

UPC: 888680923808. 9.0x12.0x0.084 inches.

Franz Joseph Haydn's famous melody from the second movement of his “Emperor Quartet” (String Quartet, Op. 76) was the basis for the national anthem of Austria for more than a century and is frequently heard in hymns, anthems and alma maters worldwide. In this celebratory extended fanfare, composer James Curnow skillfully weaves this majestic melody into a work which is both exuberant and energetic. Recorded by the Cobb Wind Symphony (Marietta, GA) – Alfred Watkins and Robert Cowles conductors, premiered during their performance at the Midwest Clinic, December 2018. Dur: 4:25.

Concert Band (Score) - Grade 4

SKU: HL.21619041

Composed by Norman Leyden. Symphonic/Concert Band Series. Novelty, Solo With Band. Published by Hal Leonard (HL.21619041).

UPC: 884088279677. 8.5x11.0x0.018 inches.

This perennial favorite is a great way to feature one or more of your mallet percussionists. The wind parts are extremely playable, and you will find that this piece works well at a variety of tempos.

(A Tone Poem for Band). By Joseph Compello. Concert Band. For Concert Band. Carl Fischer Beginning Performance Series. Grade 1. Score and Set of Parts. Standard notation. Duration 2:16. Published by Carl Fischer

Score Only Concert Band (Score) - Grade 2

SKU: HL.4006973

Composed by Richard L. Saucedo. Flex-Band Grade 2. Concert. Softcover. 8 pages. Duration 235 seconds. Published by Hal Leonard (HL.4006973).

UPC: 840126948622. 9.0x12.0x0.015 inches.

Adapted from his popular work for full band, Richard's beautiful and sensitive composition features a flowing lyric style that builds throughout to a dramatic and powerful conclusion.

Concert Band (Score) - Grade 3

SKU: HL.4007737

Composed by Rene Clausen. Arranged by Robert C. Cameron. MusicWorks Grade 3. Concert. Softcover. Duration 546 seconds. Published by Hal Leonard (HL.4007737).

UPC: 196288089186. 9.0x12.0x0.037 inches.

Here is a beautifully scored lyric work for winds based on the poignant and expressive chorale classic by René Clausen. Rich in textures and flowing lines, this is a wonderful addition to the repertoire for young bands.

Score Only Concert Band (Score) - Level 1.5

SKU: HL.4006337

Composed by Pasek and Paul. Arranged by Paul Murtha. Discovery Concert Band. Movies, Musicals. Softcover. 12 pages. Published by Hal Leonard (HL.4006337).

UPC: 888680985271. 9.0x12.0x0.021 inches.

Songs from the movie The Greatest Showman have a way of appealing to all ages. This easy arrangement of A Million Dreams is sure to be enjoyed by students and parents alike.

By Eugene Magill. Band. For concert band. Christmas. Grade 1. Score and set of parts. Published by Neil A. Kjos Music Company

The Big Apple (A New York Symphony)(Symphony No. 2) (Part II Gotham - Parts Only). By Johan De Meij. For Concert Band. Amstel Music. Grade 5-6. Amstel Music #AM17. Published by Amstel Music

The Big Apple (A New York Symphony)(Symphony No. 2) (Complete Edition - Parts Only). By Johan De Meij. For Concert Band. Amstel Music. Grade 5-6. Amstel Music #AM19. Published by Amstel Music

(Based on When the Saints Go Marching In (Featuring a Trumpet Trio with Concert Band)). Arranged by Michael Story and Michael Story. Concert Band. Concert Band; Part(s); Score. Belwin Concert Band. Light Concert. Grade 3. 130 pages. Published by Belwin

By A. G. Villoldo. Arranged by Robert Longfield. Concert Band. Level: Grade 3.5. Score and set of parts. Composed 2006. Duration 0:04:05. Published by C.L. Barnhouse.

A Christmas Trilogy arranged by Eric Osterling. For Concert Band. Basic Band I. Grade 1 1/2. Published by Hal Leonard

Score Only Concert Band (Score) - Grade 3

SKU: HL.4005176

Composed by Alan Menken and Tim Rice. Arranged by Michael Brown. Young Concert Band. Disney, Movies. Softcover. Published by Hal Leonard (HL.4005176).

UPC: 888680697990. 9.0x12.0x0.069 inches.

Written specifically for the award-winning 2017 film Beauty and the Beast, and recorded by Celine Dion, this beautiful ballad captures the mood and style of the original soundtrack while becoming a standout on its own. Nicely adapted here for the concert stage.

(Featuring: Ding, Dong, Merrily on High / Good King Wenceslas / Jingle Bells / We Wish You a Merry Christmas). Arranged by Gary E. Parks. Concert Band. Concert Band; Part(s); Score. Alfred Concert Band. Form: Medley. Christmas; Winter. Grade 3. 282 pages. Published by Alfred Music

((Voyage Aboard a Tall Ship)). By Robert Buckley. For concert band (Score and Parts). MusicWorks Grade 3. Grade 3. Score and parts. Published by Hal Leonard

We Need a Little Christmas (from Mame). Score and Parts. Young Band (Concert Band). Grade 3. Softcover. Published by Hal Leonard

Concert Band (Score and Parts) - Grade 3

SKU: HL.4005175

Composed by Alan Menken and Tim Rice. Arranged by Michael Brown. Young Concert Band. Disney, Movies. Softcover. Published by Hal Leonard (HL.4005175).

ISBN 9781495097713. UPC: 888680697983. 9x12 inches.

Written especially for the award-winning 2017 film Beauty and the Beast and recorded by Celine Dion, this beautiful ballad captures the mood and style of the original soundtrack while being a standout on its own. Nicely adapted here for the concert stage.

By Samuel A. Ward, Words By Katherine Lee Bates. Paraphrased by Maurice C. Whitney. For Concert Band. Concert band. Concert Band. Patriotic. Level: 3 (Medium Easy) (grade 3). Conductor Score & Parts. 162 pages. Published by Alfred Publishing.

A Little Tango Music by Adam Gorb (1958-). For Concert Band (1st Flute, 2nd Flute, Oboe, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet, Bassoon, 1st/2nd Eb Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 1st/2nd Bb Trumpet, 1st/2nd F Horn, 1st/2nd Trombone, Euphonium, TC Baritone, Tuba, P). Band Music. Grade 3. Score and parts. Duration 4:30. Published by C. Alan Publications

I Dreamed a Dream (from Les Misérables) (Vocal or Instrumental Solo with Concert Band). By Alain Boublil, Claude-Michel Sch?nberg, Herbert Kretzmer, and Jean-Marc Natel. Arranged by Michael Brown. Score and Parts. Young Band (Concert Band). Grade 3. Softcover. Published by Hal Leonard

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

Concert Band/Harmonie - Grade 3

SKU: BT.AMP-043-140

Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Score Only. Composed 2003. 32 pages. Anglo Music Press #AMP 043-140. Published by Anglo Music Press (BT.AMP-043-140).

These eight little solos are intended to supply easy, descriptive pieces for the beginner horn player which are not only beneficial for technical development but will also be useful performance material. The tunes are characteristically horn-like in nature.

A Huntingdon Celebration ist eine kurze, lebhafte Ouvertüre. In dieser abwechslungsreichen Komposition erscheinen verschiedene Themen und Phrasen einmal in einzelnen Instrumentengruppen, dann spielt wieder das gesamte Blasorchester. Die Fanfare der Eröffnung rundet schließlich ein Werk ab, mit dem Sie Ihr Ensemble von vielen Seiten präsentieren können. So setzen Sie Ihre Musiker ins rechte Licht!

L’Orchestr e d’Harmonie du Comté du Huntingdonshire, situé dans l’Est de l’Angleterre, a été fondé en 1993. En 2001, les musiciens invitent le compositeur Philip Sparke, pour un week-end de travail consacré ses œuvres. De cette collaboration chaleureuse, naît l’idée de passer commande d’une pièce pour le 10ème anniversaire de la création de la formation, célébré en 2003. Philip Sparke leur compose A Huntingdon Celebration.Cette ouverture courte et vive débute avec une introduction écrite en forme de fanfare qui s’inspire du thème principal, exposé, dans un premier temps, par les clarinettes et les saxophones, puis par l’Orchestre d’Harmonie en entier. Cuivres et boisétablissent une conversation musicale qui mène l’introduction d’un second thème tout en legato, sur un accompagnement bouillonnant en croches. Le passage central, plus lent, développe un choral dans les registres ténors. Le tempo premier revient ensuite et le thème initial est exposé nouveau, amorçant la reprise de la fanfare d’ouverture qui vient conclure l’œuvre sur une note brillante.

Questo breve e vivace brano d’apertura è ideale per iniziare un concerto. L’incipit è scandito da un tema in stile di fanfara eseguito dai clarinetti e dai sassofoni, sostenuto dall’intera banda. Dopo un corale centrale più lento, ritorna il tempo originale seguito dalla fanfara d’apertura che riappare portando il brano ad una trionfale chiusura.

Concert Band/Harmonie - Grade 3

SKU: BT.AMP-293-010

Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Set (Score & Parts). Composed 2010. Anglo Music Press #AMP 293-010. Published by Anglo Music Press (BT.AMP-293-010).

9x12 inches. English-German-French-Dut ch.

Bij dit winterverhaal staat het thema kerst eens n et centraal. Vandaar dat u A Winter’s Tale net zo goed rondom de kerstdagen als ook bij andere concerten in het winterseizoen kunt uitvoeren. De muziek geeft een beschrijvingvan een winters tafereel op het land: een zonsondergang, sprookjesachtig besneeuwde landerijen en bossen. In de verte klinken de bellen van een slee die langzaam maar zeker naderbij komt. Maar dan keert de rust weer terug, terugin het verstilde landschap…

A Winter’s Tale hat keinen direkten Bezug zum Thema Weihnachten, kann also ebenso zu (vor-) weihnachtlichen Anlässen wie auch bei anderen Konzerten im Winterhalbjahr aufgeführt werden. Die Musik beschreibt eine Winterszenerie auf dem Lande: Ein stiller Sonnenuntergang, tief verschneite Felder und Wälder, von ferne klingen die Glöckchen eines Schlittens, der sich als Dreigespann entpuppt, bevor zum Schluss des Werkes wieder Ruhe in die Szenerie einkehrt.

Philip Sparke a composé cette pièce pour le Western Plains Wind Consortium, placé sous la direction de son fondateur, Daniel Baldwin. La création fut assurée par l’Orchestre d’Harmonie de l’Université d’État de l’Oklahoma Panhandle (Dr. Matthew C. Saunders, direction), le 1er décembre 2009, au Centennial Theatre Goodwell en Oklahama (États-Unis). Les orchestres membres du Western Plains Wind Consortium qui ont contribué la commande de cette œuvre sont :Garden City High School Symphonic Band - Ryan Elliot & Daniel Baldwin, directionSouthwestern Oklahoma State University Wind Ensemble - James South, directionPanhandle State University Band - Matthew Saunders,direction Holton High School Band - Donald McDaniel, directionHolcomb High School Band - Paul White, directionBethel College Band - Timothy Shade, directionGarden City Community College Band - Daniel Baldwin, directionLa commande stipulait que l’œuvre devait synthétiser une ambiance hivernale sans référence au cycle de la Nativité. Philip Sparke a réalisé une scène d’hiver en pleine campagne. A Winter’s Tale s’ouvre avec une série d’accords soutenus, joués par les bois, et colorés par le timbre cristallin des cloches, tandis qu’un saxophone alto chante une complainte crépusculaire. Un passage orchestral court, mais dense, prélude l’exposition du thème principal. Les couleurs douces et vaporeuses enveloppent les champs et les forêts enneigés. L’orchestre reprend le thème tandis que l’on entend au loin un tintement de grelots annonçant le passage imminent d’une tro ka. Une fois passée, la musique s’apaise et le thème principal revient avant de laisser la place au motif d’ouverture qui vient conclure la trame musicale.

Concert Band/Harmonie - Grade 3

SKU: BT.AMP-293-140

Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Score Only. Composed 2010. 24 pages. Anglo Music Press #AMP 293-140. Published by Anglo Music Press (BT.AMP-293-140).

9x12 inches. English-German-French-Dut ch.

Bij dit winterverhaal staat het thema kerst eens n et centraal. Vandaar dat u A Winter’s Tale net zo goed rondom de kerstdagen als ook bij andere concerten in het winterseizoen kunt uitvoeren. De muziek geeft een beschrijvingvan een winters tafereel op het land: een zonsondergang, sprookjesachtig besneeuwde landerijen en bossen. In de verte klinken de bellen van een slee die langzaam maar zeker naderbij komt. Maar dan keert de rust weer terug, terugin het verstilde landschap…

A Winter’s Tale hat keinen direkten Bezug zum Thema Weihnachten, kann also ebenso zu (vor-) weihnachtlichen Anlässen wie auch bei anderen Konzerten im Winterhalbjahr aufgeführt werden. Die Musik beschreibt eine Winterszenerie auf dem Lande: Ein stiller Sonnenuntergang, tief verschneite Felder und Wälder, von ferne klingen die Glöckchen eines Schlittens, der sich als Dreigespann entpuppt, bevor zum Schluss des Werkes wieder Ruhe in die Szenerie einkehrt.

Philip Sparke a composé cette pièce pour le Western Plains Wind Consortium, placé sous la direction de son fondateur, Daniel Baldwin. La création fut assurée par l’Orchestre d’Harmonie de l’Université d’État de l’Oklahoma Panhandle (Dr. Matthew C. Saunders, direction), le 1er décembre 2009, au Centennial Theatre Goodwell en Oklahama (États-Unis). Les orchestres membres du Western Plains Wind Consortium qui ont contribué la commande de cette œuvre sont :Garden City High School Symphonic Band - Ryan Elliot & Daniel Baldwin, directionSouthwestern Oklahoma State University Wind Ensemble - James South, directionPanhandle State University Band - Matthew Saunders,direction Holton High School Band - Donald McDaniel, directionHolcomb High School Band - Paul White, directionBethel College Band - Timothy Shade, directionGarden City Community College Band - Daniel Baldwin, directionLa commande stipulait que l’œuvre devait synthétiser une ambiance hivernale sans référence au cycle de la Nativité. Philip Sparke a réalisé une scène d’hiver en pleine campagne. A Winter’s Tale s’ouvre avec une série d’accords soutenus, joués par les bois, et colorés par le timbre cristallin des cloches, tandis qu’un saxophone alto chante une complainte crépusculaire. Un passage orchestral court, mais dense, prélude l’exposition du thème principal. Les couleurs douces et vaporeuses enveloppent les champs et les forêts enneigés. L’orchestre reprend le thème tandis que l’on entend au loin un tintement de grelots annonçant le passage imminent d’une tro ka. Une fois passée, la musique s’apaise et le thème principal revient avant de laisser la place au motif d’ouverture qui vient conclure la trame musicale.