| Tre Sentimenti Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Bass Clarinet Solo - Grade 6 SKU: BT.DHP-1053797-14...(+)
Concert Band/Harmonie and
Bass Clarinet Solo -
Grade 6 SKU:
BT.DHP-1053797-140
Three Moods for Bass
Clarinet and Symphonic
Band. Composed by Jan
Van der Roost. Solo
Spectrum. Solo &
Concerto. Score Only.
Composed 2005. 102 pages.
De Haske Publications
#DHP 1053797-140.
Published by De Haske
Publications
(BT.DHP-1053797-140).
340 X 250 inches.
English-German-French-Dut
ch. At last the
bass clarinet can shine
in this major new solo
work for bass clarinet
and concert band. This
composition begins with a
rather mysterious opening
passage with atmospheric
sounds and effects. The
soloist plays-preferably
backstage- a number of
fragments and melodic
patterns, without
actually starting the
piece. After this
somewhat hesitant
introduction, a lively,
cheerful allegro entitled
Con Giocondita (with joy)
bursts out. It isswarming
with irregular meters,
changing tempos, and
polyrhythm, through which
the listeners (and
sometimes also the
musicians) constantly get
the feeling that they are
being tossed around. The
second movement brings
rest andpeace making
careful use of sound
colours. The upbeat
finale, titled Con
Allegria (with
cheerfulness), is the
most significant movement
for the soloist. This is
a challenging piece of
music that demands great
virtuosity, but withthe
correct performer it will
be a real highpoint in
any concert..
In
een mysterieuze
openingspassage zijn
atmosferische klanken te
horen. Dan barst er een
vrolijk allegro los:
Con Giocondita
(met vreugde). Een
intiemer tweede deel,
Con Tristezza (met
droefheid), brengt rust.
Het orkestspeelt hier een
belangrijke rol en laat
allerlei klankkleuren
horen in de dialoog met
de solist. De onstuimige
finale getiteld Con
Allegria (met
vrolijkheid) vraagt grote
virtuositeit van de
solist, het orkest doet
opnieuwmeer dan alleen
begeleiden. Na een korte
cadens worden de drie
voorafgaande
thema’s in
omgekeerde volgorde
herhaald en een spannend
slot beëindigt dit
contrastrijke
werk.
Freude,
Traurigkeit und
Fröhlichkeit sind die
drei Stimmungen, die Jan
Van der Roost in diesem
Werk für
Bassklarinette und
Blasorchester in ebenso
vielen Sätzen
vertonte. Während die
Freude in einem
rhythmischen,
energiereichen und
lebhaften Allegro zum
Ausdruck kommt, setzt der
zweite, langsamere Satz
lyrische und melodische
Akzente. Das schnelle
Finale ist eine große
Herausforderung an den
Solisten. Auch das
Blasorchester spielt in
diesem musikalisch
erfinderischen Werk eine
weit mehr als begleitende
Rolle.
Tre
Sentimenti (Trois
sentiments) pour
Clarinette Basse et
Orchestre
d’Harmonie est un
carrefour inédit de
sentiments contrastés
(l’exubérance,
la tristesse,
l’allégresse)
et d’idées
musicales
captivantes. $58.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tre Sentimenti Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Bass Clarinet Solo - Grade 6 SKU: BT.DHP-1053797-01...(+)
Concert Band/Harmonie and
Bass Clarinet Solo -
Grade 6 SKU:
BT.DHP-1053797-010
Three Moods for Bass
Clarinet and Symphonic
Band. Composed by Jan
Van der Roost. Solo
Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2005. De
Haske Publications #DHP
1053797-010. Published by
De Haske Publications
(BT.DHP-1053797-010).
9x12 inches.
English-German-French-Dut
ch. At last the
bass clarinet can shine
in this major new solo
work for bass clarinet
and concert band. This
composition begins with a
rather mysterious opening
passage with atmospheric
sounds and effects. The
soloist plays -
preferably backstage - a
number of fragments and
melodic patterns, without
actually
“startingâ€
the piece. After this
somewhat hesitant
introduction, a lively,
cheerful allegro entitled
Con Giocondita (with joy)
bursts out. It is
swarming with irregular
meters, changing tempos,
and polyrhythm, through
which the listeners (and
sometimes also the
musicians) constantly get
the feeling that they are
being tossed around. The
second movement brings
rest andpeace making
careful use of sound
colours. The upbeat
finale, titled Con
Allegria (with
cheerfulness), is the
most significant movement
for the soloist. This is
a challenging piece of
music that demands great
virtuosity, but with the
correct performer it will
be a real highpoint in
any concert..
In
een mysterieuze
openingspassage zijn
atmosferische klanken te
horen. Dan barst er een
vrolijk allegro los:
Con Giocondita
(met vreugde). Een
intiemer tweede deel,
Con Tristezza (met
droefheid), brengt rust.
Het orkestspeelt hier een
belangrijke rol en laat
allerlei klankkleuren
horen in de dialoog met
de solist. De onstuimige
finale getiteld Con
Allegria (met
vrolijkheid) vraagt grote
virtuositeit van de
solist, het orkest doet
opnieuwmeer dan alleen
begeleiden. Na een korte
cadens worden de drie
voorafgaande
thema’s in
omgekeerde volgorde
herhaald en een spannend
slot beëindigt dit
contrastrijke
werk.
Freude,
Traurigkeit und
Fröhlichkeit sind die
drei Stimmungen, die Jan
Van der Roost in diesem
Werk für
Bassklarinette und
Blasorchester in ebenso
vielen Sätzen
vertonte. Während die
Freude in einem
rhythmischen,
energiereichen und
lebhaften Allegro zum
Ausdruck kommt, setzt der
zweite, langsamere Satz
lyrische und melodische
Akzente. Das schnelle
Finale ist eine große
Herausforderung an den
Solisten. Auch das
Blasorchester spielt in
diesem musikalisch
erfinderischen Werk eine
weit mehr als begleitende
Rolle.
Tre
Sentimenti (Trois
sentiments) pour
Clarinette Basse et
Orchestre
d’Harmonie est un
carrefour inédit de
sentiments contrastés
(l’exubérance,
la tristesse,
l’allégresse)
et d’idées
musicales
captivantes. $553.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| New Orleans Funk Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 4 SKU: BT.DHP-1216332-215 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 4 SKU:
BT.DHP-1216332-215
Composed by Peter Kleine
Schaars. Peter's Compact
Collection. Original
Light Music. Score Only.
Composed 2021. 22 pages.
De Haske Publications
#DHP 1216332-215.
Published by De Haske
Publications
(BT.DHP-1216332-215).
English-German-French-
Dutch. Funk is a
very rhythmic music style
that finds its origin in
the 1960s. The American
artist James Brown and
the New Orleans-based
group The Meters are
considered the founders
of this genre. Funk is
characterized by an
independentbass line that
emphasizes each first
beat of the bar (the
one), as well as by a
rhythmic combination of
syncopated melodies and
accompaniments with lots
of harmonic additions.
This style-conscious
composition by Peter
KleineSchaars contains a
healthy blend of the
harmonic ingredients as
well as the rhythmic
challenges of funk music.
On the one hand, New
Orleans Funk is an
educational exercise with
the rhythmic cells 9,10,
14, 15 and 16: on the
otherhand, it is a funky
highlight of your
rehearsal or
concert!
Funk is
een sterk ritmische
muziekstijl die in de
jaren zestig van de
vorige eeuw is ontstaan.
De Amerikaanse muzikant
James Brown en de uit New
Orleans afkomstige groep
The Meters worden
beschouwd als de
grondleggers van
ditgenre. Naast een
zelfstandige baslijn die
elke eerste tel van de
maat (the one) stevig
benadrukt, wordt funk
gekenmerkt door een
ritmisch samenspel tussen
syncopische melodieën
en begeleidingen met veel
harmonische
toevoegingen.Deze
stijlbewuste compositie
van Peter Kleine Schaars
bevat zowel de
harmonische
ingrediënten als de
ritmische uitdagingen die
erbij horen. Enerzijds is
New Orleans Funk een
pedagogische oefening met
de ritmische cellen 9,10,
14,15 en 16, anderzijds
is het werk een funky
hoogtepunt van uw
repetitie of
concert!
Funk ist
ein sehr rhythmischer
Musikstil, der seinen
Ursprung in den 1960er
Jahren hatte. Der
amerikanische Künstler
James Brown und die aus
New Orleans stammende
Band The Meters gelten
als die Begründer
dieses Genres.
Funkzeichnet sich durch
eine unabhängige
Basslinie aus, die jeden
ersten Taktschlag (the
one“) betont, sowie
durch eine rhythmische
Kombination von
synkopierten Melodien und
Begleitungen mit
zahlreichen harmonischen
Ergänzungen.Diese
stilkonforme Komposition
von Peter Kleine Schaars
enthält eine gute
Mischung aus harmonischen
Zutaten sowie
rhythmischen
Herausforderungen der
Funkmusik. Einerseits ist
New Orleans Funk ein
pädagogisches
Übungsstück aus
denRhythmus-Einheiten 9,
10, 14, 15 und 16,
andererseits ist es auch
ein funkiges Highlight
für Proben oder
Konzerte!
Né
dans les années 1960,
le funk est un style
musical très
rythmé. Le chanteur
américain James Brown
et un groupe de la
Nouvelle-Orléans, The
Meters, sont
considérés comme
les fondateurs de ce
genre. Le funk se
caractérise par
uneligne de basse
indépendante qui
souligne le premier temps
de la mesure, ainsi que
par une combinaison
rythmique de mélodies
syncopées et
d’accompagnements
chargés
d’adjonctions
harmoniques. Adoptant
pleinement ce style,
lacomposition de Peter
Kleine Shaars est
l’heureuse fusion
des ingrédients
harmoniques, mais aussi
des difficultés de la
musique funk. D'une part,
les cellules rythmiques
9, 10, 14, 15 et 16 font
de New Orleans Funk un
exercicepédagogique :
d’autre part,
cette pièce apportera
une belle ambiance funky
vos répétitions et
vos concerts ! $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Firepower Orchestre d'harmonie [Conducteur] - Intermédiaire G and M Brand Music Publishers
Concert band (Flute 1, Flute 2, Oboe 1, Oboe 2*, Bb Clarinet 1, Bb Clarinet 2, B...(+)
Concert band (Flute 1,
Flute 2, Oboe 1, Oboe 2*,
Bb Clarinet 1, Bb
Clarinet 2, Bb Clarinet
3, Eb Alto Clarinet*, Bb
Bass Clarinet*, Bassoon
1, Bassoon 2*, Alto
Saxophone, Alto
Saxophone, Tenor
Saxophone*, Baritone
Saxophone*, Horn in F 1,
Horn in F 2, Horn in F 3,
Horn) - grade 4 SKU:
CN.S11181 Composed by
Bruce Fraser. Band Music.
Score only. Duration
5:50. Published by G & M
Brand Music Publishers
(CN.S11181).
This blazing
fast work suggests
spectacular fireworks and
other such explosions
with off-beat accents in
the driving snare drum
and timpani. Set in the
standard fast-slow-fast
sections, an alto
saxophone soloist moves
into the spotlight during
the slower expressive
section.
Firepower
was the code name for the
planning of the 1997
Royal Tournament by
Michael Parker
(producer). I met Michael
Parker in the summer of
1996 and he outlined an
idea based on a firework
festival he had seen in
Valencia Spain. This
sparked off some musical
ideas and the result is
this piece. The off-beat
accents in the percussion
part suggests explosions,
and there are moments
which suggest spectacular
fireworks. The work is in
three sections, two very
fast outer parts
surrounding a slower,
more expressive
opportunity for the alto
sax soloist. $12.50 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Firepower Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire G and M Brand Music Publishers
Concert band (Flute 1, Flute 2, Oboe 1, Oboe 2*, Bb Clarinet 1, Bb Clarinet 2, B...(+)
Concert band (Flute 1,
Flute 2, Oboe 1, Oboe 2*,
Bb Clarinet 1, Bb
Clarinet 2, Bb Clarinet
3, Eb Alto Clarinet*, Bb
Bass Clarinet*, Bassoon
1, Bassoon 2*, Alto
Saxophone, Alto
Saxophone, Tenor
Saxophone*, Baritone
Saxophone*, Horn in F 1,
Horn in F 2, Horn in F 3,
Horn) - grade 4 SKU:
CN.R10181 Composed by
Bruce Fraser. Band Music.
Score and parts. Duration
5:50. Published by G & M
Brand Music Publishers
(CN.R10181).
This blazing
fast work suggests
spectacular fireworks and
other such explosions
with off-beat accents in
the driving snare drum
and timpani. Set in the
standard fast-slow-fast
sections, an alto
saxophone soloist moves
into the spotlight during
the slower expressive
section.
Firepower
was the code name for the
planning of the 1997
Royal Tournament by
Michael Parker
(producer). I met Michael
Parker in the summer of
1996 and he outlined an
idea based on a firework
festival he had seen in
Valencia Spain. This
sparked off some musical
ideas and the result is
this piece. The off-beat
accents in the percussion
part suggests explosions,
and there are moments
which suggest spectacular
fireworks. The work is in
three sections, two very
fast outer parts
surrounding a slower,
more expressive
opportunity for the alto
sax soloist. $35.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Drummer's Delight Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band Concert Band - Grade 1 SKU: CF.BPS144F Composed by Andrew Balent. Bp...(+)
Band Concert Band - Grade
1 SKU: CF.BPS144F
Composed by Andrew
Balent. Bps. Full score.
16 pages. Duration 1:45.
Carl Fischer Music
#BPS144F. Published by
Carl Fischer Music
(CF.BPS144F). ISBN
9781491161630. UPC:
680160920310. Drumm
er's Delight is a grade
one piece featuring the
percussion section. The
emphasis on percussion,
steady beat, and precise
articulations will be fun
for developing players
while enhancing early
rhythm instruction. Be
certain that the rhythms
in the accompaniment
parts are together before
adding the accents. The
snare and bass drum parts
then will complement the
winds. The tempo can be
increased after the piece
has been well
played. Drummerâ€
s Delight is a grade one
piece featuring the
percussion section. The
emphasis on percussion,
steady beat, and precise
articulations will be fun
for developing players
while enhancing early
rhythm instruction. Be
certain that the rhythms
in the accompaniment
parts are together before
adding the accents. The
snare and bass drum parts
then will complement the
winds. The tempo can be
increased after the piece
has been well
played. . $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Drummer's Delight Orchestre d'harmonie - Débutant Carl Fischer
Band Concert Band - Grade 1 SKU: CF.BPS144 Composed by Andrew Balent. Bps...(+)
Band Concert Band - Grade
1 SKU: CF.BPS144
Composed by Andrew
Balent. Bps. Set of Score
and Parts.
8+2+4+4+2+5+2+2+4+4+3+6+2
+3+1+1+2+1+16 pages.
Duration 1:45. Carl
Fischer Music #BPS144.
Published by Carl Fischer
Music (CF.BPS144).
ISBN 9781491161388.
UPC:
680160919970. Drumm
er's Delight is a grade
one piece featuring the
percussion section. The
emphasis on percussion,
steady beat, and precise
articulations will be fun
for developing players
while enhancing early
rhythm instruction. Be
certain that the rhythms
in the accompaniment
parts are together before
adding the accents. The
snare and bass drum parts
then will complement the
winds. The tempo can be
increased after the piece
has been well
played. Drummerâ€
s Delight is a grade one
piece featuring the
percussion section. The
emphasis on percussion,
steady beat, and precise
articulations will be fun
for developing players
while enhancing early
rhythm instruction. Be
certain that the rhythms
in the accompaniment
parts are together before
adding the accents. The
snare and bass drum parts
then will complement the
winds. The tempo can be
increased after the piece
has been well
played. . $53.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Christmas Calypso Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
By Stephen Bulla. (Score and Parts). Curnow Concert Band Full Set. 36 pages. Pu...(+)
By Stephen Bulla. (Score
and Parts). Curnow
Concert Band Full Set. 36
pages. Published by Hal
Leonard.
$59.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Christmas March Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
By Philip Sparke. (Score and Parts). This edition: AMP240. Anglo Music Press. P...(+)
By Philip Sparke. (Score
and Parts). This edition:
AMP240. Anglo Music
Press. Published by Anglo
Music.
$80.00 $76 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dreams and Fancies Orchestre d'harmonie [Conducteur et Parties séparées] G and M Brand Music Publishers
Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, Eb Clarinet*, ...(+)
Concert band (Piccolo,
1st Flute, 2nd Flute, 1st
Oboe, 2nd Oboe*, Eb
Clarinet*, 1st Bb
Clarinet, 2nd Bb
Clarinet, 3rd Bb
Clarinet, Eb Alto
Clarinet*, Bb Bass
Clarinet, 1st Bassoon,
2nd Bassoon*, 1st Eb Alto
Saxophone, 2nd Eb Alto
Saxophone, Bb Tenor
Saxophone, Eb Barit) -
grade 5 SKU:
CN.R10194 Composed by
Michael Brand. Band
Music. Score and parts.
Duration 10:00. Published
by G & M Brand Music
Publishers (CN.R10194).
The story of a
sleepless night, Dreams
and Fancies uses musical
episodes to depict
definite pictures: the
three accented pulses of
the main theme signifying
a kind of fate, a
demented waltz which
breaks down, a love theme
in the middle, then a
wild jazz party. The end
is a huge climax - a
grand ceremony in which
the lovers marry, but
haunted by the three
accented pulses of the
first theme, representing
a dark fate.
This
is a story of a sleepless
night: fancy is the old
English word for a
musical fantasy. There
are musical episodes,
some of which are
associated with definite
pictures: the three
accented pulses of the
main theme signifying a
kind of fate, a demented
waltz which breaks down,
a love theme in the
middle, then a wild jazz
party. The themes all
come together as the
music becomes more
exciting towards the end
with thematic
interjections appearing
as flashbacks. The end is
a huge climax - a grand
ceremony in which the
lovers marry, but haunted
by the three accented
pulses of the first
theme, representing a
dark fate. Musically the
piece is unifying in two
ways. Firstly, all the
themes are built from the
opening 15 bars.
Secondly, the pulse of
the music remains
virtually constant with
each beat around 76 per
minute. This means that
the tempi need to relate
to each other: a
difficult task for the
conductor! $130.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Dreams and Fancies Orchestre d'harmonie [Conducteur] G and M Brand Music Publishers
Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, Eb Clarinet*, ...(+)
Concert band (Piccolo,
1st Flute, 2nd Flute, 1st
Oboe, 2nd Oboe*, Eb
Clarinet*, 1st Bb
Clarinet, 2nd Bb
Clarinet, 3rd Bb
Clarinet, Eb Alto
Clarinet*, Bb Bass
Clarinet, 1st Bassoon,
2nd Bassoon*, 1st Eb Alto
Saxophone, 2nd Eb Alto
Saxophone, Bb Tenor
Saxophone, Eb Barit) -
grade 5 SKU:
CN.S11194 Composed by
Michael Brand. Band
Music. Score only.
Duration 10:00. Published
by G & M Brand Music
Publishers (CN.S11194).
The story of a
sleepless night, Dreams
and Fancies uses musical
episodes to depict
definite pictures: the
three accented pulses of
the main theme signifying
a kind of fate, a
demented waltz which
breaks down, a love theme
in the middle, then a
wild jazz party. The end
is a huge climax - a
grand ceremony in which
the lovers marry, but
haunted by the three
accented pulses of the
first theme, representing
a dark fate.
This
is a story of a sleepless
night: fancy is the old
English word for a
musical fantasy. There
are musical episodes,
some of which are
associated with definite
pictures: the three
accented pulses of the
main theme signifying a
kind of fate, a demented
waltz which breaks down,
a love theme in the
middle, then a wild jazz
party. The themes all
come together as the
music becomes more
exciting towards the end
with thematic
interjections appearing
as flashbacks. The end is
a huge climax - a grand
ceremony in which the
lovers marry, but haunted
by the three accented
pulses of the first
theme, representing a
dark fate. Musically the
piece is unifying in two
ways. Firstly, all the
themes are built from the
opening 15 bars.
Secondly, the pulse of
the music remains
virtually constant with
each beat around 76 per
minute. This means that
the tempi need to relate
to each other: a
difficult task for the
conductor! $15.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Refining The March Style Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade
2 SKU: CF.YPS105
Warm-Ups and
Fundamentals.
Composed by Larry Clark.
Collate - FS SWS - spine:
3/4 or .75. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+10+4+4+8+8+8+1
2+4+6+2+2+4+2+20 pages.
Duration 2 minutes, 53
seconds. Carl Fischer
Music #YPS105. Published
by Carl Fischer Music
(CF.YPS105). ISBN
9780825884870. UPC:
798408084875. 9 x 12
inches. Key: Bb
major. Based on our
popular New Bennett Band
Book series, we have
compiled march-style
warm-ups in a separate
publication so they may
be used by all bands
wishing to learn from
them. These innovative
warm-ups and fundamental
drills are the ultimate
method of teaching and
reinforcing the March
style. How To Use the
March Warm-upsPlaying in
a march style can present
difficulties for young
students. The most
prevalent problem is that
students have a tendency
to play every note too
short. Conversely,
accented notes are
usually played
incorrectly with too much
tongue. Do marches
contain short notes?
Absolutely, but these
shortest of notes should
be reserved for notes
that precede an accent or
notes that are
specifically marked with
a staccato. Think of
unmarked notes as being
separated, but not short
and certainly not clipped
or stopped with the
tongue. Accented notes
should be played with
more weight using air and
more length, and not just
a harder tongue. Accents
are given to show
emphasis to a note and
should be thought of in
this manner.The warm-up
exercises provided in
this collection should
give you many
opportunities to stress
the above-mentioned
comments on march
performance style. The
following gives an
explanation on the
purpose and use of each
of these exercises.No. 1
– Basic Chords and
ModulationsOne of the
challenges of playing
marches with young
students is successfully
performing the key change
at the Trio. This
exercise presents the
three basic chords
(tonic, subdominant and
dominant) in each of the
three keys in this
collection of marches.
You can also use this
exercise to teach and
reinforce the style of
accented notes. You may
want to have your band
play major scales in
succession by fourths to
reinforce the concept of
modulation to the
subdominant that occurs
at the Trio (i.e. the
B≤-major scale,
then the E≤-major
scale, then the
A≤-major scale). I
might suggest getting the
students to try
continuing the pattern
all the way around the
circle of fourths.No. 2
– March Style in
B≤ MajorThis
exercise contains many
opportunities to teach
and reinforce the
difference between
staccato and accented
notes. The melody voices
move up and down the
B≤-major scale,
while other instruments
play chords commonly
found in the marches in
this collection. These
include diminished
chords, secondary
dominant chords (i.e. the
V of the V) and other
common chromatic chords
that Fillmore often
used.No. 3 –
Cakewalk Rhythm in
B≤ MajorThe simple
syncopated rhythm in this
exercise is common to
many marches. This drill
gives you the opportunity
to teach/ reinforce the
standard ar-ticulation
and natural accent of
this rhythmic pattern.
Again, this exercise uses
an ascending and
descending major-scale
pattern as the melodic
basis, accompanied by
chords commonly found in
American- style
marches.No. 4 –
The March Scale in
B≤ MajorI call this
exercise “The March
Scale,†because
often in marches (and
especially in these
marches) the descending
half-step is part of the
melodic material. These
chromatic figures give
the melodies of many
marches their charm and
flow. Thus, I devised
this exercise and others
like it in E≤ major
and A≤ major to
familiarize students with
these patterns. I would
suggest playing the
pattern in a variety of
ways different from what
is written. Here are some
other
possibilities:•
Tongue one, slur
three• Slur two,
tongue two• Tongue
two, slur two•
Tongue one, slur two,
tongue oneGradually
increase the tempo to the
march tempo and the
articulation style will
fall right into
place.Another important
consideration is the
performance of the bass
line and the bass-drum
part. Too often, the bass
drum and bass instruments
play their parts with
equal emphasis on both
beats in the measure.
This is incorrect, and
frequently makes the
marchNo. 5 – March
Style in E≤
MajorThis is a similar to
exercise No. 2, but with
a different rhythmic
pattern. Emphasize the
difference between
accented and unaccented
notes. Also, play the
exercise with line
direction moving the
musical line forward.
Experiment and play the
exercise with different
dynamic choices and with
hairpins up and down in
different ways.No. 6
– More March Style
in E≤ MajorExercise
No. 6 comprises more
rhythmic patterns and
harmonic materials in
E≤ major to teach
and reinforce the march
style. This exercise
em-phasizes the
sixteenth-note rhythm, as
notated in the third
measure of the exercise.
Young stu- dents have a
tendency to
“crush†the
sixteenths; consequently,
they lack clarity. It
would be a good idea to
work this rhythmic figure
on a scale pattern with
all of the instruments in
the band as an additional
warm-up exercise.No. 7
– The March Scale
in E≤ MajorSee the
information for No. 4 and
apply it to this
exercise. Use all of the
various articulations
described above as
well.No. 8 – March
Style in A≤
MajorSee the information
for No. 2 and apply it to
this exercise.No. 9
– Cakewalk Rhythm
in A≤ MajorSee the
information for No. 3 and
apply it to this
exercise.No. 10 –
The March Scale in
A≤ MajorSee the
information for No. 4 and
apply it to this
exercise.Other Ideas for
March PerformanceA
rehearsal practice that
has worked very well for
me is to start out by
having the band play the
march very slowly at
about Å’ = 60 in a
chorale/legato style. The
slow tempo is a fine
opportunity to work on
clarity of harmonic move-
ment and to work on the
balance and blend of the
tutti band sound. This
will pay great dividends
toward improving the
sound of your band.
Gradually increase the
tempo to the march tempo
and the articulation
style will fall right
into place.Another
important consideration
is the performance of the
bass line and the
bass-drum part. Too
often, the bass drum and
bass instruments play
their parts with equal
emphasis on both beats in
the measure. This is
incorrect, and frequently
makes the march. $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Centennial Salute Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Brass Band - Grade 3 SKU: HL.44010952 Brass Band - Score and Parts...(+)
Brass Band - Grade 3
SKU: HL.44010952
Brass Band - Score and
Parts. Composed by
Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2010.
Anglo Music Press
#AMP309030. Published by
Anglo Music Press
(HL.44010952). UPC:
884088613068.
9.0x12.0x0.54 inches.
English-German-French-Dut
ch. Just based on
its title, this piece has
to be celebratory and
up-beat, which it is! It
opens with a stately
fanfare, first played on
the low brass before the
entire band joins in.
This gives way to a
contrasting lyrical theme
which develops until it
joins up with the fanfare
to complete the opening
section. A lively and
heavily syncopated vivo
follows, cast as a
traditional march,
complete with a 'bass
strain' and trio. After
the original march theme
returns, a climax leads
back to a reprise of the
majestic opening, which
brings the piece to an
appropriately triumphant
close.
Ein
Stück namens
Centennial Salute (Salut
zur Jahrhundertfeier) ist
schon per Definition
festlich: Es beginnt mit
einer prachtigen Fanfare
im tiefen Blech, die dann
vom gesamten
Blasorchester aufgenommen
wird. Diese macht einem
kontrastiven lyrischen
Thema Platz, das dann
zusammen mit der Fanfare
den ersten Teil beendet.
Es folgt ein lebhaftes
Vivo im traditionellen
Marschstil, inklusive
einem Trioteil. Nach der
Rückkehr des
ursprünglichen
Marschthemas führt
ein Hohepunkt zu einer
Reprise der
majestatischen Eroffnung,
womit das Stück
angemessen triumphal
endet.
Centennial
Salute debute avec une
majestueuse fanfare
enoncee aux cuivres
graves, puis reprise en
tutti. Une ligne
melodique vient
contraster par son
expressivite, avant
d'etre rejointe par le
theme d'ouverture pour
cheminer conjointement
vers un vivo passionne
(une marche), suivi d'un
trio. Le theme de la
marche revient ; la trame
s'amplifi e et la musique
atteint son apogee, alors
qu'eclate le contenu
solennel des mesures
initiales offrant une
apotheose
triomphale.
Centen
nial Salute, come indica
il nome, e un brano
festivo. La composizione
inizia con una splendida
fanfara negli ottoni
gravi, poi ripresa
dall'intero organico. Fa
da contrasto un tema
lirico che, assieme alla
fanfara, chiude la prima
parte del brano. Segue un
brillante vivo nello
stile tradizionale della
marcia. Dopo il ritorno
del tema della marcia, e
riproposto il tema di
apertura, che accompagna
il brano al suo
finale. $166.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Centennial Salute Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band (Score) - Grade 3 SKU: HL.44010951 Composed by Philip Sparke...(+)
Concert Band (Score) -
Grade 3 SKU:
HL.44010951 Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert. Score Only.
Composed 2010. Anglo
Music Press #AMP309.
Published by Anglo Music
Press (HL.44010951).
UPC: 884088613051.
9x12 inches.
English-German-French-Dut
ch. Just based on
its title, this piece has
to be celebratory and
up-beat, which it is! It
opens with a stately
fanfare, first played on
the low brass before the
entire band joins in.
This gives way to a
contrasting lyrical theme
which develops until it
joins up with the fanfare
to complete the opening
section. A lively and
heavily syncopated vivo
follows, cast as a
traditional march,
complete with a 'bass
strain' and trio. After
the original march theme
returns, a climax leads
back to a reprise of the
majestic opening, which
brings the piece to an
appropriately triumphant
close.
Ein
Stück namens
Centennial Salute (Salut
zur Jahrhundertfeier) ist
schon per Defi nition
festlich: Es beginnt mit
einer prachtigen Fanfare
im tiefen Blech, die dann
vom gesamten
Blasorchester aufgenommen
wird. Diese macht einem
kontrastiven lyrischen
Thema Platz, das dann
zusammen mit der Fanfare
den ersten Teil beendet.
Es folgt ein lebhaftes
Vivo im traditionellen
Marschstil, inklusive
einem Trioteil. Nach der
Rückkehr des
ursprünglichen
Marschthemas führt
ein Hohepunkt zu einer
Reprise der
majestatischen Eroffnung,
womit das Stück
angemessen trium phal
endet.
Centennial
Salute debute avec une
majestueuse fanfare
enoncee aux cuivres
graves, puis reprise en
tutti. Une ligne
melodique vient
contraster par son
expressivite, avant
d'etre rejointe par le
theme d'ouverture pour
cheminer conjointement
vers un vivo passionne
(une marche), suivi d'un
trio. Le theme de la
marche revient ; la trame
s'amplifi e et la musique
atteint son apogee, alors
qu'eclate le contenu
solennel des mesures
initiales offrant une
apotheose
triomphale.
Centen
nial Salute, come indica
il nome, e un brano
festivo. La composizione
inizia con una splendida
fanfara negli ottoni
gravi, poi ripresa
dall'intero organico. Fa
da contrasto un tema
lirico che, assieme alla
fanfara, chiude la prima
parte del brano. Segue un
brillante vivo nello
stile tradizionale della
marcia. Dopo il ritorno
del tema della marcia, e
riproposto il tema di
apertura, che accompagna
il brano al suo
finale. $33.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Vulcan Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
(Score and Parts). Composed by Michael Daugherty (1954-). For Concert Band. Mich...(+)
(Score and Parts).
Composed by Michael
Daugherty (1954-). For
Concert Band. Michael
Daugherty Music. Grade 4.
Softcover. Published by
Hal Leonard
$325.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Michael Daugherty : Vulcan Orchestre d'harmonie [Conducteur] - Intermédiaire Hal Leonard
Full Score. Composed by Michael Daugherty (1954-). Michael Daugherty Music. S...(+)
Full Score. Composed by
Michael Daugherty
(1954-).
Michael Daugherty Music.
Softcover. 120 pages.
Published by Hal Leonard
$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Deck The Halls With Chips And Salsa Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.026-4068-01 Composed by Huckeby. Concert Band. Build-A-Ba...(+)
Grade 2 SKU:
CL.026-4068-01
Composed by Huckeby.
Concert Band.
Build-A-Band. Extra full
score. Composed 2011.
Duration 2 minutes, 31
seconds. C.L. Barnhouse
#026-4068-01. Published
by C.L. Barnhouse
(CL.026-4068-01).
The title says
it all! A terrific
novelty arrangement of
Deck the Halls with a
bright Latin beat will be
an absolute showstopper
for your holiday concert.
This delightful
arrangement for the
Build-A-Band Series makes
it playable with very
small bands and those
with severe
instrumentation issues. A
sure winner at any
holiday season
performance!
About
Build-A-Band
Series The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.) $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ulterior Motifs Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Brake Drum, Cabasa, Chimes, Clari...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Brake Drum, Cabasa,
Chimes, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Hi-hat Cymbal,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Ride Cymbal
and more. - Grade 1.5
SKU: CF.FPS150
Composed by Matthew R.
Putnam. First Plus Band
(FPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+5+2+2+4+4+4+6+3
+2+1+3+8+16+2 pages.
Duration 2 minutes, 6
seconds. Carl Fischer
Music #FPS150. Published
by Carl Fischer Music
(CF.FPS150). ISBN
9781491152102. UPC:
680160909605. The
title is a play on words,
but the composer had his
own ulterior motives in
mind when composing this
piece. He wanted a piece
that was fun to play, but
that helped developing
musicians work on their
rhythmic skills. Matt
Putnam uses the feel of
action film soundtracks
to create the mood of
this interesting new
piece. Interesting
grooves in the percussion
throughout add to the
piece’s feel of
mystery and thrill. To
understand my thoughts in
writing this piece, I
thought it best to define
the two ideas that give
the piece its title:
ulterior motives and
musical motifs. Ulterior
motives occur when you
believe that a person is
doing something for some
unknown or hidden reason.
Often, they are used in
action films or
literature to increase
the drama and tension of
the story. Musically, a
motif is a short rhythmic
and/or melodic idea. When
I wrote this piece, I
must confess that I had
my own ulterior motives:
I wanted to create a
piece that was fun to
play, but I also wanted a
piece that would help
students develop their
rhythmic counting skills.
In this piece, I use a
motif of a two
eighth-note pattern which
jumps from section to
section to help me
achieve my ulterior
motive.Mimicking the mood
of action films whose
characters often have
ulterior motives, the
mood of the piece is
suspenseful and exciting
as the motif jumps from
section to section
throughout the ensemble.
The motif keeps you
guessing as it occurs on
all four different beats
of the measure sometimes
ascending, sometimes
descending, and occurs
sometimes in the interval
of a second and sometimes
the interval of a third.
Interesting grooves in
the percussion throughout
add to the piece’s
feel of mystery and
thrill.I have no ulterior
motives when I say that I
hope you enjoy playing
Ulterior Motifs. $60.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ulterior Motifs Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Brake Drum, Cabasa, Chimes, Clari...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Brake Drum, Cabasa,
Chimes, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Hi-hat Cymbal,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Ride Cymbal
and more. - Grade 1.5
SKU: CF.FPS150F
Composed by Matthew R.
Putnam. First Plus Band
(FPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#FPS150F. Published by
Carl Fischer Music
(CF.FPS150F). ISBN
9781491152782. UPC:
680160910281. The
title is a play on words,
but the composer had his
own ulterior motives in
mind when composing this
piece. He wanted a piece
that was fun to play, but
that helped developing
musicians work on their
rhythmic skills. Matt
Putnam uses the feel of
action film soundtracks
to create the mood of
this interesting new
piece. Interesting
grooves in the percussion
throughout add to the
piece’s feel of
mystery and thrill. To
understand my thoughts in
writing this piece, I
thought it best to define
the two ideas that give
the piece its title:
ulterior motives and
musical motifs. Ulterior
motives occur when you
believe that a person is
doing something for some
unknown or hidden reason.
Often, they are used in
action films or
literature to increase
the drama and tension of
the story. Musically, a
motif is a short rhythmic
and/or melodic idea. When
I wrote this piece, I
must confess that I had
my own ulterior motives:
I wanted to create a
piece that was fun to
play, but I also wanted a
piece that would help
students develop their
rhythmic counting skills.
In this piece, I use a
motif of a two
eighth-note pattern which
jumps from section to
section to help me
achieve my ulterior
motive.Mimicking the mood
of action films whose
characters often have
ulterior motives, the
mood of the piece is
suspenseful and exciting
as the motif jumps from
section to section
throughout the ensemble.
The motif keeps you
guessing as it occurs on
all four different beats
of the measure sometimes
ascending, sometimes
descending, and occurs
sometimes in the interval
of a second and sometimes
the interval of a third.
Interesting grooves in
the percussion throughout
add to the piece’s
feel of mystery and
thrill.I have no ulterior
motives when I say that I
hope you enjoy playing
Ulterior Motifs. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cosmic Expedition Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Marimba, Oboe 1, Oboe 2,
Percussion 1 and more. -
Grade 3 SKU:
CF.CPS216 Composed by
Michael J. Miller.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
8+2+4+2+8+16+16+4+4+4+4+4
+4+8+8+8+4+4+6+6+6+8+6+2+
2+4+10+36+4 pages.
Duration 3 minutes, 3
seconds. Carl Fischer
Music #CPS216. Published
by Carl Fischer Music
(CF.CPS216). ISBN
9781491152423. UPC:
680160909926. Cosmi
c Expedition takes
performers on a musical
journey far across the
galaxy via three main
sections. This
fanfare composition would
be perfect for opening a
concert. It has bold
brass fanfare figures
over textural woodwinds
to start and
then takes the
listener on a sonic
journey through a
variation of harmonic
colors, tambural and
textural
shifts. Cosmic
Expedition takes
performers on a musical
journey far across the
galaxy via three main
sections. The first, a
rather celebratory and
triumphant fanfare in Bb
major begins with the
upper woodwinds and
percussion creating a
sound-screen, that is a
busy texture consisting
of a flurry of repeated
notes over which the
horns and alto saxophones
present the opening
theme. The sound-screen
should be carefully
balanced and give way to
the melody at m. 5, which
should be played
extremely marcato. The
timpani solo beginning in
m. 11 must not be
understated. A brief
percussion interlude
separates a restatement
of the opening theme,
this time with the
addition of the trumpet,
tenor saxophone, and
euphonium, and a counter
melody by the low winds.
The percussion interlude
is playful, light, but
full of vigor and energy.
An Ab in the low winds
pulls the harmony towards
G minor in m. 40 to start
the second section, a
more serious fanfare.
Here, the marimba repeats
an ostinato that is
complemented by the bass
drum and woodblock. The
upper woodwinds with the
xylophone and snare drum
dance over the stern
secondary fanfare. A
longing call lead by the
trombones, interrupted by
a subtle snare drum
beckons to the clarinets
and horn who begin the
third section of the
piece at m. 68. This
haunting melody in C
minor is legato, and
starkly contrasts all
which came before it. A
relentless concert
tom-tom played with hard
mallets keeps the
momentum persistent, and
a heartbeat-like pulse is
felt from the tuba and
baritone saxophone. The
melody rises towards m.
84 when the brass harken
back to the fanfare style
before fading back into
another lush woodwind
strain.A recapitulation
of the low winds’
call is heard at m. 100
which in this occasion
intensifies into an
emphatic statement by the
battery percussion
instruments. Now in Eb
major, the opening
fanfare theme is heard
again once more before
fading into the beginning
of the piece’s
conclusion.To end, the
counter melody from the
opening section duels
with chromatic tension
above before swelling to
an arrival in the
original key of Bb major.
The full ensemble
celebrates the
piece’s
resolution, and after a
few crunchy power chords
the journey is
completed. $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cosmic Expedition Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Marimba, Oboe 1, Oboe 2,
Percussion 1 and more. -
Grade 3 SKU:
CF.CPS216F Composed
by Michael J. Miller.
Concert Band (CPS). Full
score. With Standard
notation. 36 pages. Carl
Fischer Music #CPS216F.
Published by Carl Fischer
Music (CF.CPS216F).
ISBN 9781491153109.
UPC:
680160910601. Cosmi
c Expedition takes
performers on a musical
journey far across the
galaxy via three main
sections. This
fanfare composition would
be perfect for opening a
concert. It has bold
brass fanfare figures
over textural woodwinds
to start and
then takes the
listener on a sonic
journey through a
variation of harmonic
colors, tambural and
textural
shifts. Cosmic
Expedition takes
performers on a musical
journey far across the
galaxy via three main
sections. The first, a
rather celebratory and
triumphant fanfare in Bb
major begins with the
upper woodwinds and
percussion creating a
sound-screen, that is a
busy texture consisting
of a flurry of repeated
notes over which the
horns and alto saxophones
present the opening
theme. The sound-screen
should be carefully
balanced and give way to
the melody at m. 5, which
should be played
extremely marcato. The
timpani solo beginning in
m. 11 must not be
understated. A brief
percussion interlude
separates a restatement
of the opening theme,
this time with the
addition of the trumpet,
tenor saxophone, and
euphonium, and a counter
melody by the low winds.
The percussion interlude
is playful, light, but
full of vigor and energy.
An Ab in the low winds
pulls the harmony towards
G minor in m. 40 to start
the second section, a
more serious fanfare.
Here, the marimba repeats
an ostinato that is
complemented by the bass
drum and woodblock. The
upper woodwinds with the
xylophone and snare drum
dance over the stern
secondary fanfare. A
longing call lead by the
trombones, interrupted by
a subtle snare drum
beckons to the clarinets
and horn who begin the
third section of the
piece at m. 68. This
haunting melody in C
minor is legato, and
starkly contrasts all
which came before it. A
relentless concert
tom-tom played with hard
mallets keeps the
momentum persistent, and
a heartbeat-like pulse is
felt from the tuba and
baritone saxophone. The
melody rises towards m.
84 when the brass harken
back to the fanfare style
before fading back into
another lush woodwind
strain.A recapitulation
of the low winds’
call is heard at m. 100
which in this occasion
intensifies into an
emphatic statement by the
battery percussion
instruments. Now in Eb
major, the opening
fanfare theme is heard
again once more before
fading into the beginning
of the piece’s
conclusion.To end, the
counter melody from the
opening section duels
with chromatic tension
above before swelling to
an arrival in the
original key of Bb major.
The full ensemble
celebrates the
piece’s
resolution, and after a
few crunchy power chords
the journey is
completed. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Live On Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cabasa, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2 SKU: CF.YPS212F
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 20 pages. Carl
Fischer Music #YPS212F.
Published by Carl Fischer
Music (CF.YPS212F).
ISBN 9781491152997.
UPC:
680160910496. Takin
g its title from a poem
about grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Eine Kleine Nachtmusik Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cymbal, ...(+)
Concert Band Bass
Clarinet, Bass Drum,
Bassoon, Clarinet 1,
Clarinet 2, Cymbal,
Euphonium, Flute, Horn,
Oboe, Percussion 2, Snare
Drum, Triangle, Trumpet
1, Trumpet 2, Tuba, alto
Clarinet, alto Saxophone,
baritone Saxophone, tenor
1, tenor 2, tenor
Saxophone - Grade 2-2.5
SKU: CF.YBS90F
Composed by Wolfgang
Amadeus Mozart. Arranged
by Andrew Balent. SWS.
Carl Fischer Young Band
Series. Full score. With
Standard notation. 16
pages. Carl Fischer Music
#YBS90F. Published by
Carl Fischer Music
(CF.YBS90F). ISBN
9780825822643. UPC:
798408022648. 9 X 12
inches. One of
Mozart's most famous
melodies! Bright
articulation and
interplay between
woodwinds and brass add
to the upbeat sound of
the original. With Andy
Balent's knowledge of
scoring for bands at this
level in combination with
Mozart's wonderful
talent, young bands are
given a super concert
selection that will
thrill parents and make
students feel great about
being in band!! $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Courage of the Cossacks Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Glockenspiel, Horn 1,
Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Tambourine and more. -
Grade 4 SKU:
CF.SPS74 Composed by
Ed Kiefer. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
2+8+8+4+8+8+8+4+4+4+4+4+4
+6+6+6+4+4+6+6+6+4+6+8+2+
1+4+4+24 pages. Duration
3 minutes, 56 seconds.
Carl Fischer Music
#SPS74. Published by Carl
Fischer Music (CF.SPS74).
ISBN 9781491147696.
UPC: 680160905195. 9 x 12
inches. Key: F
minor. Courage of
the Cossacks is a
refreshing march in the
style of Russian folk
music, offering a break
from the standard
American march style for
festival performance.
Composer Ed Kiefer has
scored this piece to
sound sonorous throughout
while highlighting all
sections of the band.
Directors looking for a
unique march need look no
further. Courage of
the Cossacks was written
for my friends in Union
County, NC . Based on
several Cossack folk
tunes it is a very dark
sounding march which
features almost every
section of the band . The
trio is one of the most
beautiful oppressive
melodies I have ever
heard, and it is set in
stark contrast to the
upbeat, Russian sounding
opening strains . After
the trio comes to a halt,
the piece restarts
slowly, gradually
accelerating to the final
strain, much like many
Cossack dances . A
combination of March and
Dance, this piece is not
too difficult to perform
and is very rewarding for
both students and
audiences . Courage of
the Cossacks is a great
piece to begin or end any
concert and a perfect
march for showing off
your group at festival
. $125.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Live On Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cabasa, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2.5 SKU: CF.YPS212
Composed by Larry Clark.
Young Band (YPS). Set of
Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+2+2+4+10+20+4
pages. Duration 3
minutes, 39 seconds. Carl
Fischer Music #YPS212.
Published by Carl Fischer
Music (CF.YPS212).
ISBN 9781491152317.
UPC: 680160909810. Key: C
minor. Taking its
title from a poem about
grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017. $75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cal's Jig Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Mark Tree,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal,
Tambourine, Timpani and
more. - Grade 2 SKU:
CF.YPS183F Composed
by Bill Calhoun. SWS.
Carl Fischer Young
Performance Series. Full
score. With Standard
notation. 16 pages.
Duration 2 minutes, 28
seconds. Carl Fischer
Music #YPS183F. Published
by Carl Fischer Music
(CF.YPS183F). ISBN
9781491148051. UPC:
680160905553. 9 x 12
inches. Original,
tuneful, and upbeat,
Cal's Jig is perfect for
your next contest or
festival performance.
Thanks to Bill Calhoun's
careful attention to
scoring, every section of
the band has a chance to
shine and handle the
melodic material.
Beginning level groups
can work on a lighter
style with this unique
dance piece. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gopak Orchestre d'harmonie [Conducteur] Theodore Presser Co.
Concert band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarin...(+)
Concert band Bass
Clarinet, Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Clarinet 3,
Contra-alto Clarinet,
Euphonium 1, Euphonium 2,
Flute 1, Flute 2,
Glockenspiel, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Piccolo and more.
SKU: PR.11540209F
1. From Symphonic
Dances. Composed by
Eric Ewazen.
Contemporary. Full score
(study). With Standard
notation. 40 pages.
Theodore Presser Company
#115-40209F. Published by
Theodore Presser Company
(PR.11540209F). UPC:
680160625024. 9 x 12
inches. Gopak is
the first movement of a
set of Symphonic Dances
written for the Hofstra
Unibersity Wind Ensemble,
directed by Peter
Boonshaft, who
commissioned and
premiered the work in
2009. Gopak is a tribute
to my Polish and
Ukrainian roots. My
father used to dance
traditional Ukrainian
dances including the
Gopak, and some of my
earliest musical memories
include the joyful,
energetic, and rhythmic
feel of those wonderful
folk dances.Gopak has a
strong feeling of two
beats, is accented quite
heavily, and is energetic
from beginning to end.
The melodies are
completely original, but
the lively feel of the
music calls to my mind
the energy of the Gopak,
notes composer Eric
Ewazen. $32.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gopak Orchestre d'harmonie Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Co...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Clarinet 3, Contra-alto
Clarinet, Euphonium 1,
Euphonium 2, Flute 1,
Flute 2, Glockenspiel,
Horn 1, Horn 2, Horn 3,
Horn 4, Marimba, Oboe 1,
Oboe 2, Percussion 1,
Percussion 2, Piccolo and
more. SKU:
PR.115402090 1.
From Symphonic
Dances. Composed by
Eric Ewazen.
Contemporary. Set of
Score and Parts. With
Standard notation. 352
pages. Theodore Presser
Company #115-40209.
Published by Theodore
Presser Company
(PR.115402090). UPC:
680160598205. 9 x 12
inches. Gopak is
the first movement of a
set of Symphonic Dances
written for the Hofstra
Unibersity Wind Ensemble,
directed by Peter
Boonshaft, who
commissioned and
premiered the work in
2009. Gopak is a tribute
to my Polish and
Ukrainian roots. My
father used to dance
traditional Ukrainian
dances including the
Gopak, and some of my
earliest musical memories
include the joyful,
energetic, and rhythmic
feel of those wonderful
folk dances.Gopak has a
strong feeling of two
beats, is accented quite
heavily, and is energetic
from beginning to end.
The melodies are
completely original, but
the lively feel of the
music calls to my mind
the energy of the Gopak,
notes composer Eric
Ewazen. $225.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Heart of a Mustang Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Brake Drum, Clarinet 1, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Brake Drum, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Tambourine, Timpani
and more. - Grade 1.5
SKU: CF.FPS142
Composed by Robert
Thurston. SWS FS. First
Plus Performance Series.
Set of Score and Parts.
With Standard notation.
8+2+4+4+2+5+2+2+4+4+4+6+2
+3+1+1+2+5+3+16 pages.
Duration 2 minutes, 3
seconds. Carl Fischer
Music #FPS142. Published
by Carl Fischer Music
(CF.FPS142). ISBN
9781491147269. UPC:
680160904761. 9 x 12
inches. The Heart
of a Mustang evokes the
musical imagery of
free-roaming horses
galloping across the open
plains. The music
suggests an intense
urgency embodying the
struggles faced by
mustangs in the wild.
Heartbeat rhythms serve
as the musical bridge
throughout in this solid
choice for contest and
festival
performances. $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 Page suivante 31 61 |