Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208).
ISBN
9781491152287. UPC:
680160909780. Key: D
minor.
A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Concert band - Grade 4 SKU: MH.1-59913-020-3 Composed by Liadov. Arranged...(+)
Concert band - Grade 4
SKU:
MH.1-59913-020-3
Composed by Liadov.
Arranged by Don Wilcox.
Suitable for high school,
community, and college
bands. Conductor score
and set of parts.
Duration 6:45. Published
by Manhattan Beach Music
(MH.1-59913-020-3).
ISBN
9781599130200.
Prog
ram Notes: Festival in
Russia is a transcription
for concert band of
Anatoli Liadov's dazzling
orchestral work,
Polonaise (Op. 49).
Written at the turn of
the century, its
energetic dance rhythms
and melodic
expressiveness will bring
a delightful Old World
charm to today's
audiences. Liadov
(1855-1914) was a student
of Rimsky-Korsakov at the
St. Petersburg
Conservatory, and
succeeded him as the
composition teacher. (One
of Liadov's most notable
students at the
Conservatory was Sergei
Prokofiev.) At the time
the Polonaise was written
(1899), Liadov was at the
height of his profession
and one of his era's most
respected and
widely-known composers.
The first performance of
this transcription for
concert band was given by
the West Virginia
University Wind Symphony
at the Kennedy Center for
the Performing Arts on
February 24, 1988, Don
Wilcox conducting.
Ensemble instrumentation:
1 Piccolo, 4 Flute I, 4
Flute II, 1 Oboe I, 1
Oboe II, 1 English Horn,
1 Bassoon I, 1 Bassoon
II, 1 Eb Clarinet, 4 Bb
Clarinet I, 4 Bb Clarinet
II, 4 Bb Clarinet III, 1
Eb Alto Clarinet, 1 Eb
ContrabassClarinet, 3 Bb
Bass Clarinet & Bb
Contrabass Clarinet, 3 Eb
Alto Saxophone I, 3 Eb
Alto Saxophone II, 2 Bb
Tenor Saxophone, 2 Eb
Baritone Saxophone, 3 Bb
Cornet I, 3 Bb Cornet II,
3 Bb Cornet III, 2 Bb
Trumpet I, 2 Bb Trumpet
II, 2 F Horn I & III, 2 F
Horn II & IV, 2 Trombone
I, 2 Trombone II, 2 Bass
Trombone, 3 Euphonium, 2
Euphonium T.C., 4 Tuba, 2
Timpani, 2 Bells &
Vibraphone, 3 Chimes,
Triangle & Cymbals, 2
Xylophone & Marimba, 2
Snare Drum & Bass
Drum.
Composed by
Gordon Jacob. Band Music.
Score and parts. Duration
12:00. Published by G & M
Brand Music Publishers
(CN.R10021).
Suite in B-flat
is in three movements.
The first section is
jaunty and lighthearted,
the second is subdued and
tranquil, whilst the
third is a symphonic
march which gives the
bands plenty of chance to
blow their socks
off.
British
composer Gordon Jacob
ranks as one of the
world's foremost
contributors to the wind
ensemble repertoire, with
hundreds of works for
military band as well as
other types of musical
groups. He earned his
Doctor of Music degree
and also taught
counterpoint,
orchestration and
composition for 40 years
at the Royal College of
Music. He wrote band
works along the lines of
Gustav Holst and his good
friend Vaughan Williams -
not imitating their style
but, as he said, striving
to come near to their
spirit of adventure and
independence of thought
in his own work. This
suite was originally
written for Brass Band in
1955 and was arranged for
symphonic band in 1979.
It has three movements,
opening with a
lighthearted March,
followed by a subdued and
tranquil movement
entitled Solemn Music.
The suite closes with a
symphonic march, which
showcases the power of
the wind ensemble.
Concert band - Grade 4 SKU: MH.1-59913-021-1 Composed by Liadov. Arranged...(+)
Concert band - Grade 4
SKU:
MH.1-59913-021-1
Composed by Liadov.
Arranged by Don Wilcox.
Suitable for high school,
community, and college
bands. Conductor Full
Score. Duration 6:45.
Published by Manhattan
Beach Music
(MH.1-59913-021-1).
ISBN
9781599130217.
Prog
ram Notes: Festival in
Russia is a transcription
for concert band of
Anatoli Liadov's dazzling
orchestral work,
Polonaise (Op. 49).
Written at the turn of
the century, its
energetic dance rhythms
and melodic
expressiveness will bring
a delightful Old World
charm to today's
audiences. Liadov
(1855-1914) was a student
of Rimsky-Korsakov at the
St. Petersburg
Conservatory, and
succeeded him as the
composition teacher. (One
of Liadov's most notable
students at the
Conservatory was Sergei
Prokofiev.) At the time
the Polonaise was written
(1899), Liadov was at the
height of his profession
and one of his era's most
respected and
widely-known composers.
The first performance of
this transcription for
concert band was given by
the West Virginia
University Wind Symphony
at the Kennedy Center for
the Performing Arts on
February 24, 1988, Don
Wilcox conducting.
Ensemble instrumentation:
1 Piccolo, 4 Flute I, 4
Flute II, 1 Oboe I, 1
Oboe II, 1 English Horn,
1 Bassoon I, 1 Bassoon
II, 1 Eb Clarinet, 4 Bb
Clarinet I, 4 Bb Clarinet
II, 4 Bb Clarinet III, 1
Eb Alto Clarinet, 1 Eb
ContrabassClarinet, 3 Bb
Bass Clarinet & Bb
Contrabass Clarinet, 3 Eb
Alto Saxophone I, 3 Eb
Alto Saxophone II, 2 Bb
Tenor Saxophone, 2 Eb
Baritone Saxophone, 3 Bb
Cornet I, 3 Bb Cornet II,
3 Bb Cornet III, 2 Bb
Trumpet I, 2 Bb Trumpet
II, 2 F Horn I & III, 2 F
Horn II & IV, 2 Trombone
I, 2 Trombone II, 2 Bass
Trombone, 3 Euphonium, 2
Euphonium T.C., 4 Tuba, 2
Timpani, 2 Bells &
Vibraphone, 3 Chimes,
Triangle & Cymbals, 2
Xylophone & Marimba, 2
Snare Drum & Bass
Drum.
An American Elegy Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for high school, community, and college...(+)
By Frank Ticheli. Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor score
and set of parts.
Duration 11:10. Published
by Manhattan Beach Music.
Daughters of Texas Orchestre d'harmonie [Conducteur et Parties séparées] Theodore Presser Co.
(Concert Band Edition (Full Score and Parts, Including String Parts for Orchestr...(+)
(Concert Band Edition
(Full Score and Parts,
Including String Parts
for Orchestral
Performance)). By John
Philip Sousa (1854-1932).
Edited by Frederick
Fennell. Concert Band.
For Piccolo, Flute I,
Flute II, Oboe I, Oboe
II, Clarinet (in Eb),
Clarinet I, Clarinet II,
Clarinet III, Alto
Clarinet, Bass Clarinet,
Contrabass Clarinet,
Bassoon I, Bassoon II,
Alto Saxophone, Tenor
Saxophone, Baritone
Saxophone, Bass
Saxophone, Horn I, Ho.
Score and Set of Parts.
Standard notation. 16
pages
Abracadabra Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 4:30.
Published by Manhattan
Beach Music.
An American Elegy Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for high school, community, and college...(+)
By Frank Ticheli. Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor Full
Score. Duration 11:10.
Published by Manhattan
Beach Music.
Concert Band SKU: PE.EP68748 Score. Composed by Shawn E. Okpebholo...(+)
Concert Band
SKU:
PE.EP68748
Score. Composed by
Shawn E. Okpebholo.
Edition Peters.
Contemporary. Score. 36
pages. Edition Peters
#98-EP68748. Published by
Edition Peters
(PE.EP68748).
ISBN
9790300762289.
S
hawn Okpebholo's
Heritage, in the
Edition Peters Concert
Band Series, evokes
moods, events and sounds
(including West African
drumming and indigenous
melodies) from an
ethnomusicological
research visit the
composer undertook to
Nigeria. One of the
primary musical themes of
the work is an adaptation
of a song that comes from
the Esan people, a small
ethnic group in the
southern part of Nigeria
and the tribe to which
the composer has deep
historical and family
ties.
The Esan
language is poetic in
nature and, at various
moments in the work, the
musicians chant the text
from an Esan
song:
Ekine leleyea
do obhimen la doeki
nalo.
(My
investment in you is paid
off. Because of your hard
work, your future is
bright)
Heritage<
/em> is a revised version
of a work previously
entitled This is
Africa, which was
commissioned by Professor
Marcellus Brown and the
Boise State University
Symphonic Winds for the
2011 National CBDNA
Convention and is
dedicated to the memory
of Dr Harry
Begian.
Orchestrati
on:
1 Piccolo, 2
Flute 1, 2 Flute 2, 1
Oboe 1, 1 Oboe 2, 1
Clarinet in E-flat, 3
Clarinet 1 in B-flat, 3
Clarinet 2 in B-flat, 3
Clarinet 3 in B-flat, 2
Bass Clarinet 1 and 2, 1
Bassoon 1, 1 Bassoon 2, 1
Alto Saxophone 1, 1 Alto
Saxophone 2, 1 Tenor
Saxophone, 1 Baritone
Saxophone, 1 Trumpet 1 in
B-flat, 1 Trumpet 2 in
B-flat, 1 Trumpet 3 in
B-flat, 1 Trumpet 4 in
B-flat, 1 Horn 1 in F, 1
Horn 2 in F, 1 Horn 3 in
F, 1 Horn 4 in F, 1
Trombone 1, 1 Trombone 2,
1 Bass Trombone, 1
Euphonium 1, 1 Euphonium
2, 2 Tuba 1 and 2, 1
String Bass, 1 Percussion
1, 1 Percussion 2, 1 Drum
Kit, 1 Bongos, 1 Congas,
1 Horn 1 in E-flat, 1
Horn 2 in E-flat, 1 Horn
3 in E-flat, 1 Horn 4 in
E-flat, 1 Trombone 1
(B-flat treble clef), 1
Trombone 2 (B-flat treble
clef), 1 Bass Trombone
(B-flat treble clef), 1
Euphonium 1 (B-flat
treble clef), 1 Euphonium
2 (B-flat treble clef), 2
Tuba 1 and 2 (B-flat
treble clef), 2 Tuba 1
and 2 (E-flat treb.
Composed by Siegfried
Nauman. Band Music. Score
and parts. Duration 4:30.
Published by G & M Brand
Music Publishers
(CN.R10229).
Written in the
Italian style - with a
pinch of Sousa, Marcia a
Montecelio was composed
on pure inspiration in
just two days. This
concert march will excite
your audience and
challenge your
ensemble.
Monticel
lo is the name of a
little place northeast of
Rome where my wife and I
have rented a simple home
for more than 20 years.
We participated
intensively in the
cultural life of the
community where there was
also a little band, the
Banda Municipale
Cornicolana, which
consisted of about 55
wind players, mostly
youngsters. One day, the
Il Direttore came to me
and asked if I would like
to write a march for
them, which I naturally
did. It became the Marcia
a Montecelio. After 14
rehearsals, with everyone
tired, perspiring and red
in the face, we were
forced to give up. The
march was too difficult
for them. I then wrote
another, easier march for
them to perform at the
forthcoming feast of San
Michaeli. The Montecelio
march was composed on
pure inspiration in just
two days. It is written
in the Italian style -
with a pinch of
Sousa.
March. Composed by
Michael Brand. Score and
parts. Duration 4:40.
Published by G & M Brand
Music Publishers
(CN.R10301).
Start marching
to a new destiny. From an
original brass band
musical by Michael Brand
and Ian Chippandale,
March: Song of Socialism
is a rousing concert
march sure to please any
audience. This new
arrangement by the
composer is for full
concert band.
In
the Red is an original
brass band musical by
Michael Brand and Ian
Chippendale. It is based
on Robert Tressell's
famous socialist novel,
The Ragged-Trousered
Philanthropists, which
describes the trials and
tribulations, the humour
and the marriages of
working-class life in
Edwardian England. This
powerful book has been
allied to a powerful
score and the show ends
with the show's hero,
Will Easton, exorting all
the working men - painter
and decorators - to
embrace socialism and
overthrow the bosses. In
this Song of Socialism,
the men start marching to
a new destiny. It never
happened in England of
course, but it did
elsewhere! The composer
has now arranged this
stirring march for
Concert Band.
A
Tribute to H.G.
Wells. Composed by
Ron Goodwin. Band Music.
Score and parts. Duration
10:15. Published by G & M
Brand Music Publishers
(CN.R10243).
This 3-movement
tribute to H.G. Wells
perfectly captures the
imagination and
wonderment found in the
author's collection of
works. The first movement
is a march that could
easily be extracted and
performed on its own as a
nice alternative to
Sousa.
The Time
Traveller: A tribute to
H.G. Wells is cast in
three movements: March:
Anticipation, Mankind in
the Making, and A Modern
Utopia. Commissioned by
the Bromley Youth Concert
Band and first performed
under the Director: Peter
Mawson, on Sunday, March
3, 2002, at the Queen
Elizabeth Hall, South
Bank Centre, London.
Hungarian Rondo Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4603-75 Arranged by Glover. Concert Ba...(+)
Concert band - Grade 3
SKU:
CL.012-4603-75
Arranged by Glover.
Concert Band. Spotlight
Series. Audio recording
available separately
(item CL.WFR391).
Oversized, spiral-bound
score. Composed 2017.
Duration 5 minutes, 55
seconds. Opus III Wind
Orchestra Publications
#012-4603-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4603-75).
Composed by
Carl Maria von Weber for
solo viola with
orchestra, the Hungarian
Rondo has become a
standard repertoire
bassoon solo. This
edition offers a choice
of soloist, including
bassoon, bass clarinet,
euphonium, or tuba. The
band setting is carefully
arranged to require a
minimum of preparation
time, and is playable
with either full concert
band, or if accompanying
a soloist requiring
greater presence, just
woodwinds and horns. The
finale includes an ossia
part as well as the
original. An excellent
piece to feature a guest
artist or outstanding
soloist with your
band!
About C.L.
Barnhouse Spotlight
Series
The
Barnhouse Spotlight
series includes
publications for solo
instruments with concert
band accompaniment. These
publications are designed
to feature outstanding
members of your band as
soloist, and to provide
unique and entertaining
programming options. Solo
parts are graded more
difficult than the band
accompaniments
March (Full Score). By Edoardo Boccalari. Edited by Van B. Ragsdale. Arranged by...(+)
March (Full Score). By
Edoardo Boccalari. Edited
by Van B. Ragsdale.
Arranged by Van Ragsdale.
Concert Band. For Flute,
Piccolo, Oboe I, Oboe II,
Clarinet I, Clarinet II,
Clarinet III, Bass
Clarinet, Bassoon I,
Bassoon II, Alto
Saxophone I, Alto
Saxophone II, Tenor
Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Trumpet III,
Horn I, Horn II, Horn
III, Horn IV, Tenor I,
Tenor II, Tenor III,
Euphonium, Tuba,
Contrabass, Timpani,
Snare Drum, Bass Drum.
Carl Fischer Classic Band
Editions. Full Score. 24
pages. Published by Carl
Fischer.
(March). By John Philip Sousa (1854-1932). Edited by Frederick Fennell. Concert ...(+)
(March). By John Philip
Sousa (1854-1932). Edited
by Frederick Fennell.
Concert Band. For Flute,
Piccolo, Oboe I, Oboe II,
Piccolo, Flute, Clarinet
I, Clarinet II, Clarinet
III, Alto Clarinet (in
Eb), Bass Clarinet (in
Bb), Bb Contrabass
Clarinet, Contrabass
Clarinet (in Eb), Bassoon
I, Bassoon II, Soprano
Saxophone, Alto
Saxophone, Tenor Saxo.
Concert Band Edition:
Concert Band Edition.
Score and Set of Parts.
Standard notation. 12
pages
Shoonthree Orchestre d'harmonie [Conducteur et Parties séparées] Theodore Presser Co.
(Full Band - Full Score and Parts). By Henry Cowell (1897-1965). Concert Band. F...(+)
(Full Band - Full Score
and Parts). By Henry
Cowell (1897-1965).
Concert Band. For
Piccolo, Piccolo (in Db),
Flute, Oboe I, Oboe II,
Clarinet (in Eb),
Clarinet Solo, Clarinet
I, Clarinet II, Clarinet
III, Alto Clarinet, Bass
Clarinet, Bassoon I,
Bassoon II, Soprano
Saxophone, Alto Saxophone
I, Alto Saxophone II,
Tenor Saxophone, Bariton.
This edition: Revised
Edition. Score and Set of
Parts. Standard notation.
16 pages. Duration 5
minutes. Published by
Theodore Presser Company
O Cool Is the Valley Orchestre d'harmonie [Conducteur et Parties séparées] Theodore Presser Co.
(Poem for Band). By Vincent Persichetti (1915-1987). Concert Band. For Piccolo, ...(+)
(Poem for Band). By
Vincent Persichetti
(1915-1987). Concert
Band. For Piccolo, Flute
I, Flute II, Oboe I, Oboe
II, Eb Clarinet, Bb
Clarinet I, Bb Clarinet
II, Bb Clarinet III, Alto
Clarinet (in Eb), Bass
Clarinet (in Bb), Bassoon
I, Bassoon II, Alto
Saxophone I, Alto
Saxophone II, Tenor
Saxophone, Baritone
Saxophone, Cornet. First
performance: Bowling
Green State University
Band, the composer
conducting, in Columbus,
Ohio, on February 5.
1972. Classical. Score
and Set of Parts.
Standard notation. Opus
118. 23 pages
Frank Ticheli : Vesuvius Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for high school, community, and college...(+)
By Frank Ticheli. Concert
band. Suitable for high
school, community, and
college bands. Conductor
Full Score. Duration
9:00. Published by
Manhattan Beach Music.
Level: Grade 4.
Bassoon Concert Band SKU: HL.48015470 Bassoon Part. Arranged by Fr...(+)
Bassoon Concert Band
SKU: HL.48015470
Bassoon Part.
Arranged by Friedrich
Deisenroth and Hans Felix
Husadel. Boosey & Hawkes
Concert Band. Classical.
Bote & Bock #M202594117.
Published by Bote & Bock
(HL.48015470).
Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 10:00. Published
by G & M Brand Music
Publishers (CN.S11254).
Full of
intrigue and mystery,
Variations on a Bass
Theme is a treat for the
ears. A plethora of
thematic material emerges
out of tuba section in
the opening bar, creating
the jumping off point for
the whole work. Lloyd
takes the listener down
numerous unexpected
paths, conjuring many
visual images along the
way as if watching a
movie.
Variations
on a Bass Theme was
written in 1986 for brass
band and the original
version was titled
Diversions on a Bass
Theme. The composer
himself wrote: This piece
is a set of variations.
Traditionally variations
were what they said they
were, i.e. a given tune
was treated in a variety
of ways. The pattern of
this work is made the
other way round: a number
of tunes grow out of the
first bar, played by the
tubas, which provide the
motif for the whole work.
Arranger's Note: The
suggestion to arrange the
work for symphonic wind
band came from George
Lloyd: he felt the piece
lent itself to such
transcription and asked
if I would be interested
in undertaking it.
Interestingly, he always
referred to the piece as
his Variations on a Bass
Theme and I have
reflected this in the
title of this concert
band version. In all
other respects the work
is exactly as George
Lloyd wrote it.
Io Tacero Orchestre d'harmonie [Conducteur] - Intermédiaire C. Alan Publications
(I Will Keep Quiet). Composed by Don Carlo Gesualdo (1566-1613). Arranged by R. ...(+)
(I Will Keep Quiet).
Composed by Don Carlo
Gesualdo (1566-1613).
Arranged by R. Ambrose.
For Concert Band (Flute
1, Flute 2, Oboe, Bassoon
1, Bassoon 2, Clarinet in
Bb 1, Clarinet in Bb 2,
Clarinet in Bb 3, Bass
Clarinet in Bb, Alto
Saxophone 1, Alto
Saxophone 2, Tenor
Saxophone, Baritone
Saxophone, Trumpet in Bb
1, Trumpet in Bb 2, Horn
in F, Trombone 1, Trom).
Chorales. Chorale. Grade
3. Score only. Duration
4:00. Published by C.
Alan Publications
Nexus Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
(for Solo Trumpet, Winds and Percussion). Composed by James Curnow. For Concert ...(+)
(for Solo Trumpet, Winds
and Percussion). Composed
by James Curnow. For
Concert Band (Score and
Parts). MusicWorks Grade
4. Grade 4. Published by
Hal Leonard
Concert Band Alto Clarinet, Alto Saxophone I, Alto Saxophone II, Baritone Saxoph...(+)
Concert Band Alto
Clarinet, Alto Saxophone
I, Alto Saxophone II,
Baritone Saxophone, Bass
Clarinet, Bass Saxo,
Bassoon I, Bassoon II,
Clarinet (in Eb),
Clarinet I, Clarinet II,
Clarinet III, Flute I,
Flute II, Oboe I, Oboe
II, Piccolo, Piccolo (in
Db), Tenor Saxophone
SKU: PR.12540018C
March (Conductor's
Score). Composed by
John Philip Sousa. Sws.
Condensed Score. With
Standard notation. 8
pages. Theodore Presser
Company #125-40018C.
Published by Theodore
Presser Company
(PR.12540018C).
ISBN
9781598068474. UPC:
680160021710. Octavo
inches.
Composed by
Philip Sparke. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 14:00. Published
by G & M Brand Music
Publishers (CN.S11175).
From majestic
to pastoral to
dance-like, Land of the
Long White Cloud is
Philip Sparke's
representation of New
Zealand. This piece is a
wonderful addition to the
concert band
repetoire.
Long
before Europeans ventured
out of sight of land, the
bold and restless
ancestors of the Maori
people were making
voyages of thousands of
miles across the world's
greatest oceans. It was
around 1000 AD that they
landed in New Zealand.
The discovery of New
Zealand is attributed in
Maori tradition to Kupe
and the circumstances of
the landfall gave the
country its Maori name.
As land was approached, a
long, flat volcanic cloud
could be seen. Kupe's
wife Hine-te-aparangi,
looked to the horizon and
cried out, He ao! He ao!
A cloud! A cloud! The
name of Aotearoa was
given to the islands -
The Land of the Long
White Cloud. Land of the
Long White Cloud was
originally conceived as a
brass band work as a
result of a commission by
the New Zealand Brass
Band Association for
their National
Championships held in
1980 in Christchurch.
This transcription by the
composer was commissioned
by Keith Allen and
Birmingham Schools' Wind
Orchestra who gave the
first performance in the
Adrian Boult Hall,
Birmingham, England on
Sunday 15 May 1988.