Risoluto Orchestre d\'harmonie [Conducteur et Parties séparées] Southern Music Ltd
For Symphonic Band. Composed by James Barnes. LKM Music. Concert, Contest. Sof...(+)
For Symphonic Band.
Composed
by James Barnes. LKM
Music.
Concert, Contest.
Softcover.
Southern Music Company
#S1005CB. Published by
Southern Music Company
Bulgarian Rhapsody Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS60 Composed by Gabriel Musella. ...(+)
Band concert band - Grade
4.5
SKU: CF.SPS60
Composed by Gabriel
Musella. SWS FS. Set of
Score and Parts. With
Standard notation.
3+12+12+6+12+12+12+6+6+6+
6+6+4+6+6+6+12+12+6+6+6+9
+6+8+4+2+4+8+9+40 pages.
Duration 7:12. Carl
Fischer Music #SPS60.
Published by Carl Fischer
Music (CF.SPS60).
ISBN
9781491140413. UPC:
680160628476. 9 x 12
inches. Key: Bb
major.
This
exceptional new symphonic
setting of four Bulgarian
folk songs comes in a
long line of wonderful
rhapsodies based upon a
collection of folk song
material from one country
or region. Composer
Gabriel Musella weaves a
delightful tapestry of
colors, textures and time
signatures to create a
truly exciting musical
presentation. We are
proud to welcome the
talents of Mr. Musella to
the Carl Fischer team.
Alert your contest and
festival music committees
about this piece, because
it has the making of a
festival standard.
Amplitude Orchestre d'harmonie - Facile Alfred Publishing
Concert Band - Grade 2 SKU: AP.44159S Composed by Vince Gassi. Concert Ba...(+)
Concert Band - Grade 2
SKU: AP.44159S
Composed by Vince Gassi.
Concert Band; Performance
Music Ensemble; Single
Titles. Challenger Band
Series. Light Concert;
Rock. Score. 8 pages.
Duration 2:25. Alfred
Music #00-44159S.
Published by Alfred Music
(AP.44159S).
UPC:
038081505527.
English.
Amplitude
rhymes with attitude and
that's just what this new
rock chart has plenty of!
And because you ordered
by midnight, you also get
a heap o' drivin' rhythm,
an infectious beat, and a
way cool tune. 'Nuff
said! (2:25).
Amplitude Orchestre d'harmonie - Facile Alfred Publishing
Concert Band - Grade 2 SKU: AP.44159 Composed by Vince Gassi. Concert Ban...(+)
Concert Band - Grade 2
SKU: AP.44159
Composed by Vince Gassi.
Concert Band; Performance
Music Ensemble; Single
Titles. Challenger Band
Series. Light Concert;
Rock. Score and Part(s).
136 pages. Duration 2:25.
Alfred Music #00-44159.
Published by Alfred Music
(AP.44159).
UPC:
038081505510.
English.
Amplitude
rhymes with attitude and
that's just what this new
rock chart has plenty of!
And because you ordered
by midnight, you also get
a heap o' drivin' rhythm,
an infectious beat, and a
way cool tune. 'Nuff
said! (2:25).
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1115249-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1115249-010
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2012.
De Haske Publications
#DHP 1115249-010.
Published by De Haske
Publications
(BT.DHP-1115249-010).
9x12 inches.
English-German-French-Dut
ch.
The Wooden
Soldier is a short
and simple piece
commissioned by the
Singapore Ministry of
Education. It was
originally intended as a
compulsory piece for the
2012 Singapore Youth
Festival. Because many
school bands in Singapore
are incomplete,the
composer was specifically
asked to create a work
that could equally be
played by a limited
ensemble - which explains
various doubled
andoptional
parts.
Stijf
en stram komt hij aan
gemarcheerd in de parade:
het houten
speelgoedsoldaatje! Maar
schijn bedriegt, want al
snel strekt hij zijn
benen, en… ons
soldaatje danst weg op
een vlotte wals! Beide
passages zijn gebaseerd
op hetzelfde
melodischemateriaal: de
snelle driekwartsmaat is
een variant op het
paradethema. Jan Van der
Roost schreef The
Wooden Soldier als
verplicht werk voor het
Singapore Youth Festival
2012. Veel schoolorkesten
in Singapore hebben een
onvolledige bezetting.De
componist schreef het
werk daarom zodanig, dat
ook u het met een beperkt
ensemble kunt uitvoeren.
Stramm marschiert
er einher, der tapfere
kleine Holzsoldat! Doch
der Schein trügt, denn
bald schwingt er seine
Beine lustig im
Walzertakt... The
Wooden Soldier ist
ein kurzes, einfaches
Werk, das dank einiger
Verdopplungen und
optionalerInstrumente
auch mit
unvollständigen
Besetzungen gespielt
werden kann, aber mit
seinen interessanten
Dur-Moll-Wechseln und
manch überraschender
Wendung immer spannend
bleibt!
Commissionato come brano
d’obbligo, dal
Ministero
dell’Educazione
per il Singapore Youth
Festival 2012, The
Wooden Soldier è
stato arrangiato per
poter essere eseguito da
una formazione ad
organico ridotto. Il
pezzo include varie
partiraddoppiate ed
opzionali. Il brano
inizia in uno stile
simile a una marcia da
parata per poi scivolare
verso un rapido valzer,
basandosi, seppure in
stili diversi, sul
medesimo materiale
melodico. I passaggi tra
tonalit maggiori e
minori, come
anchesorprendenti colpi
di scena, fanno di questo
brano una valida aggiunta
al programma da
concerto.
I Will Survive Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-0950643-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3
SKU:
BT.DHP-0950643-015
Composed by D. Fekaris,
F. Perren. Arranged by
Ron Sebregts. De Haske
Pop Collection. Original
Light Music. Set (Score
and Parts). Composed
1995. De Haske
Publications #DHP
0950643-015. Published by
De Haske Publications
(BT.DHP-0950643-015).
This classic
disco hit was released by
Gloria Gaynor in 1978.
Following massive airplay
it reached number one in
pop charts around the
world and in 1980
received a Grammy for
Best Disco Recording.
Since then it has
appeared in many films
and television programs
and has been adopted by
many causes such as
HIV/AIDS awareness and
the campaign for
womenâ??s rights. It is
also the â??stadium
anthemâ?? for the Dutch
football team Feyenoord.
Ensure your audience
leaves any concert in an
upbeat mood with this
disco
masterpiece.
I
Will Survive was in
de jaren zeventig een
megahit voor Gloria
Gaynor. In discotheken
werd het nummer
grijsgedraaid. Men begaf
zich destijds maar al te
graag op de dansvloer om
op de energieke klanken
van deze song te
swingen.In de jaren
negentig was I Will
Survive opnieuw een
enorm succes. Breng
tijdens uw concert met
deze bewerking van Ron
Sebregts leven in de
brouwerij!
Das
Remake eines der
grö�ten Hits von
Gloria Gaynor erreichte
zur FuÃ?ball-WM 1998 in
der Version der Hermes
House Band Kultstatus.
Inzwischen gehört der
Song zum
Standardrepertoire der
Fanclubs groÃ?er und
kleiner Vereine auf der
ganzen Welt und darf auch
bei der
FuÃ?ball-Europameistersc
haft im Jahr 2008 nicht
fehlen!
Gloria Gaynor,
è considerata come una
delle più grandi dive
della musica da
discoteca. Nel 1978
interpreta la canzone
I Will Survive che
diviene un inno
dellâ??emancipazione
femminile. Nel 1997,
ripresa dal gruppo Hermes
House Band, la canzone
diventa lâ??inno dei
giocatori di rugby
francese, in seguito
lâ??inno della nazionale
di calcio transalpina in
occasione dei Mondiali di
calcio del 1998.
I Will Survive Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 3 SKU: BT.DHP-0950643-2...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band - Grade 3
SKU:
BT.DHP-0950643-216
Composed by D. Fekaris,
F. Perren. Arranged by
Ron Sebregts. De Haske
Pop Collection. Pop &
Rock. Score Only.
Composed 1995. De Haske
Publications #DHP
0950643-216. Published by
De Haske Publications
(BT.DHP-0950643-216).
This classic
disco hit was released by
Gloria Gaynor in 1978.
Following massive airplay
it reached number one in
pop charts around the
world and in 1980
received a Grammy for
Best Disco Recording.
Since then it has
appeared in many films
and television programs
and has been adopted by
many causes such as
HIV/AIDS awareness and
the campaign for
women’s rights. It
is also the
‘stadium
anthem’ for the
Dutch football team
Feyenoord. Ensure your
audience leaves any
concert in an upbeat mood
with this disco
masterpiece.
I
Will Survive was in
de jaren zeventig een
megahit voor Gloria
Gaynor. In discotheken
werd het nummer
grijsgedraaid. Men begaf
zich destijds maar al te
graag op de dansvloer om
op de energieke klanken
van deze song te
swingen.In de jaren
negentig was I Will
Survive opnieuw een
enorm succes. Breng
tijdens uw concert met
deze bewerking van Ron
Sebregts leven in de
brouwerij!
Das
Remake eines der
größten Hits von
Gloria Gaynor erreichte
zur Fußball-WM 1998 in
der Version der Hermes
House Band Kultstatus. In
zwischen gehört der
Song zum
Standardrepertoire der
Fanclubs großer und
kleiner Vereine und wird
besonders im Jahr der
Fußballweltmeisterscha
ft in Deutschland wieder
in aller Ohren und Munde
sein!
Concert Band/Harmonie/Fanfare/Bra ss Band - Grade 3 SKU: HL.44002405 Comp...(+)
Concert
Band/Harmonie/Fanfare/Bra
ss Band - Grade 3
SKU:
HL.44002405
Composed
by D. Fekaris and F.
Perren. Arranged by Ron
Sebregts. De Haske
Concert Band. Pop & Rock.
Score Only. Composed
1995. De Haske
Publications #950643.
Published by De Haske
Publications
(HL.44002405).
UPC:
073999024050. 6.75x10.5
inches.
This
classic disco hit was
released by Gloria Gaynor
in 1978. Following
massive airplay it
reached number one in pop
charts around the world
and in 1980 received a
Grammy for Best Disco
Recording. Since then it
has appeared in many
films and television
programs and has been
adopted by many causes
such as HIV/AIDS
awareness and the
campaign for women's
rights. It is also the
'stadium anthem' for the
Dutch football team
Feyenoord. Ensure your
audience leaves any
concert in an upbeat mood
with this disco
masterpiece.
I
Will Survive was in
de jaren zeventig een
megahit voor Gloria
Gaynor. In discotheken
werd het nummer
grijsgedraaid. Men begaf
zich destijds maar al te
graag op de dansvloer om
op de energieke klanken
van deze song te
swingen.In de jaren
negentig was I Will
Survive opnieuw een
enorm succes. Breng
tijdens uw concert met
deze bewerking van Ron
Sebregts leven in de
brouwerij!
Das
Remake eines der grossten
Hits von Gloria Gaynor
erreichte zur Fussball-WM
1998 in der Version der
Hermes House Band
Kultstatus. In zwischen
gehort der Song zum
Standardrepertoire der
Fanclubs grosser und
kleiner Vereine und wird
besonders im Jahr der
Fussballweltmeisterschaft
in Deutschland wieder in
aller Ohren und Munde
sein!
Gloria
Gaynor (de son vrai nom
Gloria Fowles) est
consideree comme une des
plus grandes divas de
l'epoque disco. En 1978,
elle interprete la
chanson I Will
Survive qui devient
un hymne de
l'emancipation feminine.
En 1997, reprise par le
groupe Hermes House Band,
elle devient l'hymne des
rugbymen du Stade
Francais, puis celui de
l'Equipe de France de
Football lors de la Coupe
du Monde 1998.
Jellybeans Orchestre d'harmonie - Débutant Curnow Music
Concert Band - Grade 1 SKU: BT.CMP-1099-07-140 Composed by Gary Gazlay. B...(+)
Concert Band - Grade 1
SKU:
BT.CMP-1099-07-140
Composed by Gary Gazlay.
Beginning Band. Original
Light Music. Score Only.
Composed 2007. 16 pages.
Curnow Music #CMP
1099-07-140. Published by
Curnow Music
(BT.CMP-1099-07-140).
9x12 inches.
English.
Your young
band will really be in
their own element when
they are rocking to the
jellybean song! Every
section gets to join in
on the melody somewhere
and the rhythmic
reinforcement found
within is a priceless
tool for the teacher of
young band students. This
is the kind of piece your
students will drive you
crazy with because
they’ll want to
play it again and again
(and again!) If you are
looking for something FUN
to do with your group as
a contrast to your more
serious pieces,
you’ve found
it.Tasty!
Kennen
Sie Jellybeans, die
unwiderstehlichen
süßen und bunten
Süßigkeiten aus
Amerika, die es in
unzähligen
Geschmacksvarianten gibt?
Ihre Musiker kennen Sie
bestimmt und werden daher
ganz in ihrem Element
sein, wenn sie zum
gleichnamigen Stück
abrocken dürfen. Hier
darf jedes Register
einmal die Melodie
spielen und bei der
rhythmischen
Unterstützung
können die Musiker
ganz nebenbei noch viel
dazulernen. Sie werden es
immer wieder spielen
wollen!
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade
2
SKU: CF.YPS105
Warm-Ups and
Fundamentals.
Composed by Larry Clark.
Collate - FS SWS - spine:
3/4 or .75. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+10+4+4+8+8+8+1
2+4+6+2+2+4+2+20 pages.
Duration 2 minutes, 53
seconds. Carl Fischer
Music #YPS105. Published
by Carl Fischer Music
(CF.YPS105).
ISBN
9780825884870. UPC:
798408084875. 9 x 12
inches. Key: Bb
major.
Based on our
popular New Bennett Band
Book series, we have
compiled march-style
warm-ups in a separate
publication so they may
be used by all bands
wishing to learn from
them. These innovative
warm-ups and fundamental
drills are the ultimate
method of teaching and
reinforcing the March
style. How To Use the
March Warm-upsPlaying in
a march style can present
difficulties for young
students. The most
prevalent problem is that
students have a tendency
to play every note too
short. Conversely,
accented notes are
usually played
incorrectly with too much
tongue. Do marches
contain short notes?
Absolutely, but these
shortest of notes should
be reserved for notes
that precede an accent or
notes that are
specifically marked with
a staccato. Think of
unmarked notes as being
separated, but not short
and certainly not clipped
or stopped with the
tongue. Accented notes
should be played with
more weight using air and
more length, and not just
a harder tongue. Accents
are given to show
emphasis to a note and
should be thought of in
this manner.The warm-up
exercises provided in
this collection should
give you many
opportunities to stress
the above-mentioned
comments on march
performance style. The
following gives an
explanation on the
purpose and use of each
of these exercises.No. 1
– Basic Chords and
ModulationsOne of the
challenges of playing
marches with young
students is successfully
performing the key change
at the Trio. This
exercise presents the
three basic chords
(tonic, subdominant and
dominant) in each of the
three keys in this
collection of marches.
You can also use this
exercise to teach and
reinforce the style of
accented notes. You may
want to have your band
play major scales in
succession by fourths to
reinforce the concept of
modulation to the
subdominant that occurs
at the Trio (i.e. the
B≤-major scale,
then the E≤-major
scale, then the
A≤-major scale). I
might suggest getting the
students to try
continuing the pattern
all the way around the
circle of fourths.No. 2
– March Style in
B≤ MajorThis
exercise contains many
opportunities to teach
and reinforce the
difference between
staccato and accented
notes. The melody voices
move up and down the
B≤-major scale,
while other instruments
play chords commonly
found in the marches in
this collection. These
include diminished
chords, secondary
dominant chords (i.e. the
V of the V) and other
common chromatic chords
that Fillmore often
used.No. 3 –
Cakewalk Rhythm in
B≤ MajorThe simple
syncopated rhythm in this
exercise is common to
many marches. This drill
gives you the opportunity
to teach/ reinforce the
standard ar-ticulation
and natural accent of
this rhythmic pattern.
Again, this exercise uses
an ascending and
descending major-scale
pattern as the melodic
basis, accompanied by
chords commonly found in
American- style
marches.No. 4 –
The March Scale in
B≤ MajorI call this
exercise “The March
Scale,†because
often in marches (and
especially in these
marches) the descending
half-step is part of the
melodic material. These
chromatic figures give
the melodies of many
marches their charm and
flow. Thus, I devised
this exercise and others
like it in E≤ major
and A≤ major to
familiarize students with
these patterns. I would
suggest playing the
pattern in a variety of
ways different from what
is written. Here are some
other
possibilities:•
Tongue one, slur
three• Slur two,
tongue two• Tongue
two, slur two•
Tongue one, slur two,
tongue oneGradually
increase the tempo to the
march tempo and the
articulation style will
fall right into
place.Another important
consideration is the
performance of the bass
line and the bass-drum
part. Too often, the bass
drum and bass instruments
play their parts with
equal emphasis on both
beats in the measure.
This is incorrect, and
frequently makes the
marchNo. 5 – March
Style in E≤
MajorThis is a similar to
exercise No. 2, but with
a different rhythmic
pattern. Emphasize the
difference between
accented and unaccented
notes. Also, play the
exercise with line
direction moving the
musical line forward.
Experiment and play the
exercise with different
dynamic choices and with
hairpins up and down in
different ways.No. 6
– More March Style
in E≤ MajorExercise
No. 6 comprises more
rhythmic patterns and
harmonic materials in
E≤ major to teach
and reinforce the march
style. This exercise
em-phasizes the
sixteenth-note rhythm, as
notated in the third
measure of the exercise.
Young stu- dents have a
tendency to
“crush†the
sixteenths; consequently,
they lack clarity. It
would be a good idea to
work this rhythmic figure
on a scale pattern with
all of the instruments in
the band as an additional
warm-up exercise.No. 7
– The March Scale
in E≤ MajorSee the
information for No. 4 and
apply it to this
exercise. Use all of the
various articulations
described above as
well.No. 8 – March
Style in A≤
MajorSee the information
for No. 2 and apply it to
this exercise.No. 9
– Cakewalk Rhythm
in A≤ MajorSee the
information for No. 3 and
apply it to this
exercise.No. 10 –
The March Scale in
A≤ MajorSee the
information for No. 4 and
apply it to this
exercise.Other Ideas for
March PerformanceA
rehearsal practice that
has worked very well for
me is to start out by
having the band play the
march very slowly at
about Å’ = 60 in a
chorale/legato style. The
slow tempo is a fine
opportunity to work on
clarity of harmonic move-
ment and to work on the
balance and blend of the
tutti band sound. This
will pay great dividends
toward improving the
sound of your band.
Gradually increase the
tempo to the march tempo
and the articulation
style will fall right
into place.Another
important consideration
is the performance of the
bass line and the
bass-drum part. Too
often, the bass drum and
bass instruments play
their parts with equal
emphasis on both beats in
the measure. This is
incorrect, and frequently
makes the march.
By James Swearingen. Young Band. FJH Young Band. Full set (score and parts). Sco...(+)
By James Swearingen.
Young Band. FJH Young
Band. Full set (score and
parts). Score only also
available: S. Concert
Band. Level: Grade 2.
Score and Set of Parts.
Composed 2006. Published
by The FJH Music Company
Inc.
The Painted Bird Orchestre d\'harmonie [Conducteur et Parties séparées] - Avancé Amstel Music
A Cry Against Fascism for Wind Orchestra. Composed by Johan De Meij. Amstel Mu...(+)
A Cry Against Fascism for
Wind
Orchestra. Composed by
Johan
De Meij. Amstel Music.
Concert. Duration 660
seconds.
Amstel Music #AM148-010.
Published by Amstel Music
Overture 'Der
Zigeunerbaron'. The
Great Classics.
Transcription. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053860-010.
Published by De Haske
Publications
(BT.DHP-1053860-010).
English-German-French-
Dutch.
The operetta
The Gipsy Baron is,
together with Die
Fledermaus (The Bat), the
most famous theatre work
by Johann Strauss Jr. A
libretto full of romance,
original musical ideas,
compelling Viennese
dances, fiery rhythmic
Hungarian music and
beautiful arias, were
just some of the
ingredients that lead to
its huge success. The
Gipsy Baron can also be
thought of as a comic
opera. The main motif of
this overture won first
prize in a contest that
was to provide a new
Hungarian anthem, however
because Strauss did not
have Hungarian
nationality, another
melody was chosen. A
great transcription to
bring a Hungarian twist
to any
programme.
De
operette Der
Zigeunerbaron is,
samen met Die
Fledermaus, het
beroemdste theaterwerk
van Johann Strauss jr.
Een libretto vol
romantiek, originele
muzikale ideeën,
meeslepende Weense
dansen, vurig ritmische
Hongaarsemuziek,
uitgewerkte
aria’s: al deze
ingrediënten moesten
wel tot succes leiden.
Het geheel is van een
dusdanig hoog niveau dat
Der Zigeunerbaron
ook een komische opera
genoemd mag worden. De
ouverture is niet een
bonte verzamelingvan
‘succesmotievenâ
™ uit de operette. Ze
is een (geslaagde) poging
om het publiek in de
sfeer te brengen van het
land waar de handeling
plaatsvindt:
Hongarije.
Die
Operette Der
Zigeunerbaron ist
eines der berühmtesten
Bühnenwerke von Johann
Strauss (Sohn). Ein
Libretto voll von
Romantik, originellen
musikalischen Ideen,
bezaubernden Wiener
Tänzen, feuriger
ungarischer Musik und
wunderschönen Arien
waren die Zutaten, die
zum Erfolg führten.
Die Ouvertüre ist
keine abwechslungsreiche
Sammlung der schönsten
Motive aus der Operette.
Sie ist ganz klar ein
(erfolgreicher) Versuch,
dem Publikum die
Atmosphäre des
Handlungsortes Ungarn
nahe zu bringen. Dies
gelingt auch Ihrem
Blasorchester mit Wil van
der Beeks
Transkription.
A met
tra l’operetta e
l’opera comica,
Il Barone Gitano
di Johann Strauss
contiene tutti gli
ingredienti del successo
annunciato: un libretto
romanzesco, idee musicali
originali, arie
meravigliose e
un’abile fusione
tra le sublimi danze
viennesi ed i ritmi
sfavillanti della musica
ungherese.
L’Ouverture
accompagna il pubblico
nell’universo
musicale
dell’Ungheria,
paese dove si svolge
l’intrigo.
Overture 'Der
Zigeunerbaron'. The
Great Classics.
Transcription. Score
Only. Composed 2005. 48
pages. De Haske
Publications #DHP
1053860-140. Published by
De Haske Publications
(BT.DHP-1053860-140).
English-German-French-
Dutch.
The operetta
The Gipsy Baron is,
together with Die
Fledermaus (The Bat), the
most famous theatre work
by Johann Strauss Jr. A
libretto full of romance,
original musical ideas,
compelling Viennese
dances, fiery rhythmic
Hungarian music and
beautiful arias, were
just some of the
ingredients that lead to
its huge success. The
Gipsy Baron can also be
thought of as a comic
opera. The main motif of
this overture won first
prize in a contest that
was to provide a new
Hungarian anthem, however
because Strauss did not
have Hungarian
nationality, another
melody was chosen. A
great transcription to
bring a Hungarian twist
to any
programme.
De
operette Der
Zigeunerbaron is,
samen met Die
Fledermaus, het
beroemdste theaterwerk
van Johann Strauss jr.
Een libretto vol
romantiek, originele
muzikale ideeën,
meeslepende Weense
dansen, vurig ritmische
Hongaarsemuziek,
uitgewerkte
aria’s: al deze
ingrediënten moesten
wel tot succes leiden.
Het geheel is van een
dusdanig hoog niveau dat
Der Zigeunerbaron
ook een komische opera
genoemd mag worden. De
ouverture is niet een
bonte verzamelingvan
‘succesmotievenâ
™ uit de operette. Ze
is een (geslaagde) poging
om het publiek in de
sfeer te brengen van het
land waar de handeling
plaatsvindt:
Hongarije.
Die
Operette Der
Zigeunerbaron ist
eines der berühmtesten
Bühnenwerke von Johann
Strauss (Sohn). Ein
Libretto voll von
Romantik, originellen
musikalischen Ideen,
bezaubernden Wiener
Tänzen, feuriger
ungarischer Musik und
wunderschönen Arien
waren die Zutaten, die
zum Erfolg führten.
Die Ouvertüre ist
keine abwechslungsreiche
Sammlung der schönsten
Motive aus der Operette.
Sie ist ganz klar ein
(erfolgreicher) Versuch,
dem Publikum die
Atmosphäre des
Handlungsortes Ungarn
nahe zu bringen. Dies
gelingt auch Ihrem
Blasorchester mit Wil van
der Beeks
Transkription.
A met
tra l’operetta e
l’opera comica,
Il Barone Gitano
di Johann Strauss
contiene tutti gli
ingredienti del successo
annunciato: un libretto
romanzesco, idee musicali
originali, arie
meravigliose e
un’abile fusione
tra le sublimi danze
viennesi ed i ritmi
sfavillanti della musica
ungherese.
L’Ouverture
accompagna il pubblico
nell’universo
musicale
dell’Ungheria,
paese dove si svolge
l’intrigo.
Les Toréadors Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1064132-010 From Carmen(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1064132-010
From Carmen.
Composed by Georges
Bizet. The Great
Classics. Transcription.
Set (Score and Parts).
Composed 2006. De Haske
Publications #DHP
1064132-010. Published by
De Haske Publications
(BT.DHP-1064132-010).
Travelin' Music Orchestre d'harmonie - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4618-01 Composed by La Plante. Young Concert Band. Co...(+)
Grade 2
SKU:
CL.011-4618-01
Composed by La Plante.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR395). Extra full
score. Composed 2018.
Duration 1 minute, 42
seconds. C.L. Barnhouse
#011-4618-01. Published
by C.L. Barnhouse
(CL.011-4618-01).
Travelin' Music
will send you travelin
along with this lively
setting of an old timey
fiddle tune written back
in the 1850's, that we
know as the Arkansas
Traveler. Because the
tune is somewhat
pentatonic, and this
brilliant setting by
Pierre La Plante changes
key and is masterfully
scored, it is easily
playable by all sections.
A great addition to the
young band spring
concert. Sure to be a
toe-tapping favorite of
listeners and
performers!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Travelin' Music Orchestre d'harmonie - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4618-00 Composed by La Plante. Young Concert Band. Co...(+)
Grade 2
SKU:
CL.011-4618-00
Composed by La Plante.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR395). Score and set
of parts. Composed 2018.
Duration 1 minute, 42
seconds. C.L. Barnhouse
#011-4618-00. Published
by C.L. Barnhouse
(CL.011-4618-00).
Travelin' Music
will send you travelin
along with this lively
setting of an old timey
fiddle tune written back
in the 1850's, that we
know as the Arkansas
Traveler. Because the
tune is somewhat
pentatonic, and this
brilliant setting by
Pierre La Plante changes
key and is masterfully
scored, it is easily
playable by all sections.
A great addition to the
young band spring
concert. Sure to be a
toe-tapping favorite of
listeners and
performers!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
16+4+8+16+16+4+4+4+4+4+4+
8+8+8+4+4+6+6+6+8+2+2+2+6
+12+24+4 pages. Duration
3 minutes, 55 seconds.
Carl Fischer Music
#CPS226. Published by
Carl Fischer Music
(CF.CPS226).
ISBN
9781491152522. UPC:
680160910021.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 24
pages. Carl Fischer Music
#CPS226F. Published by
Carl Fischer Music
(CF.CPS226F).
ISBN
9781491153208. UPC:
680160910700.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Awesome Sauce Orchestre d'harmonie - Débutant Alfred Publishing
Concert Band - Grade 1 SKU: AP.49505 Composed by Scott Watson (BMI). Conc...(+)
Concert Band - Grade 1
SKU: AP.49505
Composed by Scott Watson
(BMI). Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Sound Innovations for
Concert Band. Light
Concert; Rock. Score and
Part(s). Alfred Music
#00-49505. Published by
Alfred Music (AP.49505).
ISBN 9781470649746.
UPC: 038081570525.
English.
You're
cool, likeable, and
confident. You don't
walk, you strut. When you
enter a party, a hush
falls over the room and
heads turn because you
have a certain je ne sais
quoi! People say you're
the bee's knees and the
cat's meow. You're
Awesome Sauce and this
piece is the soundtrack
of your life!
With its fun,
blues-like melody and
cool rock beat, Awesome
Sauce by Scott Watson is
sure to be a player
favorite. The limited
chromaticism, accessible
jazz-esque rhythms, and
style-important
articulations offer
excellent teaching
moments for the director.
(2:57) Awesome Sauce
correlates to Book 1,
Level 6 of Sound
Innovations for Concert
Band. This title is
available in MakeMusic
Cloud.
Four Old Dances Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-0860054-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-0860054-015
Composed by Jan Van der
Roost. Flexible 4 Series.
Concert Piece. Set (Score
& Parts). Composed 1986.
De Haske Publications
#DHP 0860054-015.
Published by De Haske
Publications
(BT.DHP-0860054-015).
These four
dances are written in a
kind of neo renaissance
style. Because of the
fact that little
technical demands are
required from its
performing artists, these
dances are mainly meant
for beginning groups,
youth ensembles and also
for bands in all kinds of
small strengths. Jan Van
der Roost originally had
pedagogical intentions
with this piece.
The Advocate Orchestre d'harmonie - Facile Carl Fischer
Band concert band - Grade 2 SKU: CF.YPS206 March. Composed by Gene...(+)
Band concert band - Grade
2
SKU: CF.YPS206
March. Composed by
Gene Milford. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
16+4+8+4+4+10+4+4+8+8+12+
6+6+2+2+2+20+8+10+8+4+4
pages. Duration 2
minutes, 18 seconds. Carl
Fischer Music #YPS206.
Published by Carl Fischer
Music (CF.YPS206).
ISBN 9781491152263.
UPC: 680160909766. Key:
Bb major.
The
Advocate is a spirited
march that provides
melodic opportunities and
interesting parts for all
sections of the band.
Written in standard
American march form and
style, this original tune
is reminiscent of the
great marches of Fillmore
or King and is perfect
for any festival
performance. The
Advocate is a spirited
original march which
provides melodic
opportunities and
interesting parts for all
sections of the band.An
advocate is someone who
pleads a case for another
person, specifically an
attorney. However, the
intent here is the more
general meaning, as one
who supports a specific
cause. Each of us are
advocates of many things,
positive and negative, as
demonstrated by our
actions and words.As
music educators we
advocate for the best
experiences, the best
opportunities, the best
lives for each of our
students.
The Advocate Orchestre d'harmonie - Facile Carl Fischer
Band concert band - Grade 2 SKU: CF.YPS206F March. Composed by Gen...(+)
Band concert band - Grade
2
SKU: CF.YPS206F
March. Composed by
Gene Milford. Young Band
(YPS). Full score. With
Standard notation. 20
pages. Carl Fischer Music
#YPS206F. Published by
Carl Fischer Music
(CF.YPS206F).
ISBN
9781491152942. UPC:
680160910441.
The
Advocate is a spirited
march that provides
melodic opportunities and
interesting parts for all
sections of the band.
Written in standard
American march form and
style, this original tune
is reminiscent of the
great marches of Fillmore
or King and is perfect
for any festival
performance. The
Advocate is a spirited
original march which
provides melodic
opportunities and
interesting parts for all
sections of the band.An
advocate is someone who
pleads a case for another
person, specifically an
attorney. However, the
intent here is the more
general meaning, as one
who supports a specific
cause. Each of us are
advocates of many things,
positive and negative, as
demonstrated by our
actions and words.As
music educators we
advocate for the best
experiences, the best
opportunities, the best
lives for each of our
students.
Concert Band SKU: PE.EP68748 Score. Composed by Shawn E. Okpebholo...(+)
Concert Band
SKU:
PE.EP68748
Score. Composed by
Shawn E. Okpebholo.
Edition Peters.
Contemporary. Score. 36
pages. Edition Peters
#98-EP68748. Published by
Edition Peters
(PE.EP68748).
ISBN
9790300762289.
S
hawn Okpebholo's
Heritage, in the
Edition Peters Concert
Band Series, evokes
moods, events and sounds
(including West African
drumming and indigenous
melodies) from an
ethnomusicological
research visit the
composer undertook to
Nigeria. One of the
primary musical themes of
the work is an adaptation
of a song that comes from
the Esan people, a small
ethnic group in the
southern part of Nigeria
and the tribe to which
the composer has deep
historical and family
ties.
The Esan
language is poetic in
nature and, at various
moments in the work, the
musicians chant the text
from an Esan
song:
Ekine leleyea
do obhimen la doeki
nalo.
(My
investment in you is paid
off. Because of your hard
work, your future is
bright)
Heritage<
/em> is a revised version
of a work previously
entitled This is
Africa, which was
commissioned by Professor
Marcellus Brown and the
Boise State University
Symphonic Winds for the
2011 National CBDNA
Convention and is
dedicated to the memory
of Dr Harry
Begian.
Orchestrati
on:
1 Piccolo, 2
Flute 1, 2 Flute 2, 1
Oboe 1, 1 Oboe 2, 1
Clarinet in E-flat, 3
Clarinet 1 in B-flat, 3
Clarinet 2 in B-flat, 3
Clarinet 3 in B-flat, 2
Bass Clarinet 1 and 2, 1
Bassoon 1, 1 Bassoon 2, 1
Alto Saxophone 1, 1 Alto
Saxophone 2, 1 Tenor
Saxophone, 1 Baritone
Saxophone, 1 Trumpet 1 in
B-flat, 1 Trumpet 2 in
B-flat, 1 Trumpet 3 in
B-flat, 1 Trumpet 4 in
B-flat, 1 Horn 1 in F, 1
Horn 2 in F, 1 Horn 3 in
F, 1 Horn 4 in F, 1
Trombone 1, 1 Trombone 2,
1 Bass Trombone, 1
Euphonium 1, 1 Euphonium
2, 2 Tuba 1 and 2, 1
String Bass, 1 Percussion
1, 1 Percussion 2, 1 Drum
Kit, 1 Bongos, 1 Congas,
1 Horn 1 in E-flat, 1
Horn 2 in E-flat, 1 Horn
3 in E-flat, 1 Horn 4 in
E-flat, 1 Trombone 1
(B-flat treble clef), 1
Trombone 2 (B-flat treble
clef), 1 Bass Trombone
(B-flat treble clef), 1
Euphonium 1 (B-flat
treble clef), 1 Euphonium
2 (B-flat treble clef), 2
Tuba 1 and 2 (B-flat
treble clef), 2 Tuba 1
and 2 (E-flat treb.
Abracadabra Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 4:30.
Published by Manhattan
Beach Music.
Meditation Orchestre d'harmonie - Facile Anglo Music
Meditation (Grade 2.5 - Score and Parts). By Hans Leo Hassler (1564-1612). Arran...(+)
Meditation (Grade 2.5 -
Score and Parts). By Hans
Leo Hassler (1564-1612).
Arranged by Philip
Sparke. For Concert Band.
Anglo Music Concert Band.
Grade 2.5. Anglo Music
Press #AMP170. Published
by Anglo Music Press (
Total Toto Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1002028-010 Arranged by Klaas...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1002028-010
Arranged by Klaas van der
Woude. De Haske Pop
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2000. De Haske
Publications #DHP
1002028-010. Published by
De Haske Publications
(BT.DHP-1002028-010).
Right from
Toto’s foundation
in 1977, the band grew
into a living legend, not
only because of
international superhits,
but also because of the
ongoing urge of its
members to develop their
special musical style - a
mix of rock and a more
symphonic sound. This
arrangement binds
adaptations of Africa,
Rosanna and Stop Loving
You into a glorious
whole, reminding us of
those glory days of Toto
hits.
De band
Toto, die werd opgericht
in 1977, scoorde
internationale superhits
met een bijzondere mix
van rock en een meer
symfonische sound. In de
jaren 1982 en 1983 kon je
de radio niet aanzetten
of je hoorde de klanken
van Rosannaof
Africa. Klaas van
der Woude maakte een
arrangement waarin hij
deze beide nummers en
Stop Loving You
verwerkte tot een
meeslepend
geheel.
Die
Popmusik der 80er-Jahre
erlebt derzeit ein
großes Revival. Viele
Hits von damals werden
erfolgreich neu aufgelegt
und kommen bei Alt und
Jung gleichermaßen gut
an. Die drei Tophits der
kalifornischen Popgruppe
Toto, für
Blasorchester
eingerichtet von Klaas
van der Woude, liegen
also voll im Trend!