By Various. Concert Band. For Drums. Swiss import. Light Music; Pop. Level: Grade 2+-4. Part. Published by Editions Marc Reift. (EMR 1974-37)

By Various. Concert Band. For Drums. Swiss import. Light Music; Pop. Level: Grade 2+. Part. Published by Editions Marc Reift. (EMR 1430-36)

By Dennis Armitage. Concert Band. For Drums. Swiss import. Tropical Fiesta; Latino. Level: Grade 2+. Part. Published by Editions Marc Reift. (EMR 1460-34)

By Various. Concert Band. For Drums. Swiss import. Jazz; Ragtime; Dixieland. Level: Grade 2+. Part. Published by Editions Marc Reift. (EMR 1312-36)

By Dennis Armitage. Concert Band. For Drums. Swiss import. Tropical Fiesta; Latino. Level: Grade 2+. Part. Published by Editions Marc Reift. (EMR 1460-34)

Concert band - Grade 1

SKU: CL.023-4444-01

Composed by Neeck. Young Concert Band. Sound Foundations Series. Audio recording available separately (item CL.WFR390). Extra full score. Composed 2016. Duration 1 minute, 51 seconds. C.L. Barnhouse #023-4444-01. Published by C.L. Barnhouse (CL.023-4444-01).

Feature your young percussion section in this light-hearted Christmas novelty, which cleverly intertwines Jingle Bells and We Wish You A Merry Christmas. Although your percussionists take center stage, this arrangement still has plenty of musical moments for the rest of the band. A real audience pleaser sparkling with holiday spirit, Jingle Drums is a perfect choice for your next holiday concert.

By Various. Concert Band. For Drums. Swiss import. Light Music; Pop. Level: Grade 2+-4. Part. Published by Editions Marc Reift. (EMR 1974-37)

Grade 2

SKU: CL.011-2994-00

Young Concert Band. Command Series. Audio recording available separately (item CL.WFR192). Solo. Score and set of parts. Composed 1999. Duration 1 minute, 28 seconds. C.L. Barnhouse #011-2994-00. Published by C.L. Barnhouse (CL.011-2994-00).

Here is a perfect feature for your young percussion section! In a Latin style, Drums Ole! includes parts for maracas and claves, and your band won't be able to keep from liking this tune! GREAT FUN!!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Brake Drum, Clarinet 1, Clarinet 2, Cowbell, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2, Percussion 3, Slap Stick and more. - Grade 2

SKU: CF.YPS193F

Composed by Robert Thurston. SWS. Carl Fischer Young Performance Series. Full score. With Standard notation. 16 pages. Duration 2 minutes, 27 seconds. Carl Fischer Music #YPS193F. Published by Carl Fischer Music (CF.YPS193F).

ISBN 9781491148150. UPC: 680160905652. 9 x 12 inches.

Break through the midday doldrums (or mid-rehearsal doldrums) by having your students rock out in a bluesy, rock style piece for young bands. With plenty of percussion and even a head banging breakout section, this tune will energize your band and is a perfect tool for teaching the concept of how Blues influenced Rock 'n' Roll.

(for Tuba and Symphonic Band). Composed by Michael Daugherty (1954-). For Concert Band (Full Score). Michael Daugherty Music. Grade 5-6. Softcover. Published by Hal Leonard

(Score and Parts). Composed by Michael Daugherty (1954-). For Concert Band. Michael Daugherty Music. Grade 4. Softcover. Published by Hal Leonard

Full Score. Composed by Michael Daugherty (1954-). Michael Daugherty Music. Softcover. 120 pages. Published by Hal Leonard

Grade 4

SKU: CL.012-3605-01

Composed by A. Spika and D. Young. Concert Band. Spotlight Series. Audio recording available separately (item CL.WFR354). Extra full score. Composed 2007. Duration 4 minutes, 17 seconds. Opus III Wind Orchestra Publications #012-3605-01. Published by Opus III Wind Orchestra Publications (CL.012-3605-01).

Rim Shot provides the perfect opportunity to showcase your top rudimental drummer. The grade 5 solo and the grade 3 accompaniment take a minimal amount of rehearsal time for a successful performance. Opens with a powerful statement from the band and percussion and the solo could be performed with your entire snare drum line if desired. An excellent snare drum showcase that will be a highlight of any concert!

About C.L. Barnhouse Spotlight Series

The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments

Concert band - Grade 3

SKU: MH.1-59913-054-8

Composed by Bob Margolis. Suitable for advanced middle school, high school, community and college bands. Conductor score and set of parts. Duration 4:45. Published by Manhattan Beach Music (MH.1-59913-054-8).

ISBN 9781599130545.

Roya l Coronation Dances is the first sequel to the Fanfare Ode & Festival, both being settings of dance music originally arranged by Gervaise in the mid 16th-century (the next sequel is The Renaissance Fair, which uses music of Susato and Praetorius). Fanfare Ode & Festival has been performed by many tens of thousands of students, both in high school and junior high school. I have heard that some of them are amazed that the music they are playing was first played and danced to over 400 years ago. Some students tend to think that music started with Handel and his Messiah to be followed by Beethoven and his Fifth Symphony, with naught in between or before of consequence. Although Royal Coronation Dances is derived from the same source as Fanfare Ode & Festival, they are treated in different ways. I envisioned this new suite programmatically -- hence the descriptive movement titles, which I imagined to be various dances actually used at some long-ago coronation. The first movement depicts the guests, both noble and common, flanked by flag and banner bearers, arriving at the palace to view the majestic event. They are festive, their flags swirling the air, their cloaks brightly colored. In the second movement, the queen in stately measure moves to take her place on the throne as leader and protector of the realm. In the third movement, the jesters of the court entertain the guests with wild games of sport. Musically, there are interesting sonorities to recreate. Very special attention should be given to the tambourine/tenor drum part in the first movement. Their lively rhythms give the movement its power. Therefore they should be played as distinctly and brilliantly as possible. The xylophone and glockenspiel add clarity, but must not be allowed to dominate. Observe especially the differing dynamics; the intent is to allow much buzzing bass to penetrate. The small drum (starting at meas. 29) should be played expressively, with attention to the notated articulations, with the brass light and detached, especially in a lively auditorium. It is of some further interest that the first dance is extremely modal. The original is clearly in G mixolydian mode (scale: G-A-B-C-D-E-F-G). However, other editors might put in F-sharps in many places (changing the piece almost to G major), in the belief that such ficta would have been automatically put in by the 16th-century performers as they played. I doubt it. I have not only eschewed these within the work, but even at the cadences. So this arrangement is most distinctly modal (listen to the F-naturals in meas. 22 and 23, for instance), with all the part-writing as Gervaise wrote it. In the second movement, be careful that things do not become too glued together. In the 16th century this music might have been played by a consort of recorders, instruments very light of touch and sensitive to articulation. Concert band can easily sound heavy, and although this movement has been scored for tutti band, it must not sound it. It is essential, therefore, that you hear all the instruments, with none predominating. Only when each timbre can be heard separately and simultaneously will the best blend occur, and consequently the greatest transparency. So aim for a transparent, spacious tutti sound in this movement. Especially have the flutes, who do this so well, articulate rather sharply, so as to produce a chiffing sound, and do not allow the quarter-notes to become too tied together in the entire band. The entrance of the drums (first tenor, then bass) are events and as such should be audible. Incidentally, this movement begins in F Major and ends in D Minor: They really didn't care so much about those things then. The third movement (one friend has remarked that it is the most Margolisian of the bunch, but actually I am just getting subtler, I hope) again relies upon the percussion (and the scoring) to make its points. Xylophone in this movement is meant to be distinctly audible. Therefore, be especially sure that the xylophone player is secure in the part, and also that the tambourine and toms sound good. This movement must fly or it will sink, so rev up the band and conduct it in 1 for this mixolydian jesting. I suppose the wildly unrelated keys (clarinets and then brass at the end) would be a good 16th-century joke, but to us, our put-up-the-chorus-a-half- step ears readily accept such shenanigans. Ensemble instrumentation: 1 Full Score, 1 Piccolo, 4 Flute 1, 4 Flute 2 & 3, 2 Oboe 1 & 2, 2 Bassoon 1 & 2, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 1 Eb Contra Alto Clarinet, 3 Bb Bass & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 4 Horn in F 1 & 2, 2 Trombone 1, 4 Trombone 2 & 3, 3 Euphonium (B.C.), 2 Euphonium (T.C.), 4 Tuba, 1 String Bass, 1 Timpani (optional), 2 Xylophone & Glockenspiel, 5 Percussion.

Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Hi-hat Cymbal, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Trombone and more. - Grade 2-2.5

SKU: CF.YPS38

There's No Place Like. Composed by Robert Allen. Arranged by Larry Clark. FS-SWS. Carl Fischer Young Performance Series. Score and Set of Parts. With Standard notation. 16+8+2+4+4+2+2+5+2+2+4+4+ 4+6+3+2+3+2+1+2+2 pages. Carl Fischer Music #YPS38. Published by Carl Fischer Music (CF.YPS38).

ISBN 9780825852152. UPC: 798408052157. 9 X 12 inches. Key: Eb major. Text: Al Stillman. Al Stillman.

The classic holiday favorite by Al Stillman and Robert Allen is presented here in a playable arrangement for concert band. It is my hope that this arrangement will be equally satisfying for the young band with ample rehearsal time or for the more mature band that wants a holiday favorite they can perform with limited rehearsal. The piece is presented first in a lush chorale format with the use of extended jazz harmonies. Special care should be given to balancing and tuning the inner voices for the most pleasant sound. After the lush opening on the famous refrain the arrangement moves to the bridge in an up-tempo swing. In this section the percussion is written to imitate a drum set, but if a set is available it may be preferable to use it in order to get the right feel. Following the bridge is another statement of the refrain followed by a hymn-style section by the reeds with jazz interjections by the brass straight out of the famous Perry Como rendition. This is followed by a D.S. to the bridge, one more refrain and then a short coda It has been my pleasure to have the opportunity to write this arrangement. I hope you and your students enjoy it and find it useful for your program. -LARRY CLARK New York, NY 2003.
The classic holiday favorite by Al Stillman and Robert Allen is presented here in a playable arrangement for concert band. It is my hope that this arrangement will be equally satisfying for the young band with ample rehearsal time or for the more mature band that wants a holiday favorite they can perform with limited rehearsal.The piece is presented first in a lush chorale format with the use of extended jazz harmonies. Special care should be given to balancing and tuning the inner voices for the most pleasant sound. After the lush opening on the famous refrain the arrangement moves to the bridge in an up-tempo swing. In this section the percussion is written to imitate a drum set, but if a set is available it may be preferable to use it in order to get the right feel. Following the bridge is another statement of the refrain followed by a “hymn-style” section by the reeds with jazz interjections by the brass straight out of the famous Perry Como rendition. This is followed by a D.S. to the bridge, one more refrain and then a short coda It has been my pleasure to have the opportunity to write this arrangement. I hope you and your students enjoy it and find it useful for your program.-LARRY CLARKNew York, NY 2003.

By John Philip Sousa. Arranged by Frederick Fennell. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Contrabass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet II, Cornet III, Trumpet I, Trumpet II, Horn I, Horn II, Horn III, Horn IV, Tenor I, Tenor II, Tenor III, Euphonium, Tuba, Contrabass, Kettle Drums, Bells, Triangle, Snare Drum, Field Drum, Cymbal, Bass Drum, Violin I, Violin II, Viola, Cello. Condensed Score. Published by Theodore Presser Company.

March - Conductor's Score. By Henry Fillmore. Edited by Frederick Fennell. Arranged by Frederick Fennell. Text: Frederick Fennell. Concert band/stage band. For Flute, Piccolo, Oboe, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Contrabass Clarinet, Bassoon, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet II, Cornet III, Cornet IV, Horn I, Horn II, Horn III, Horn IV, Tenor I, Tenor II, Tenor III, Euphonium, Tuba, Double Bass, Kettle Drums, Snare Drum, Field Drum, Bass Drum, Cymbal. Full Score - Large. 12 pages. Published by Carl Fischer.

Concert Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Field Drum, Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet 1 and more. - Grade 2-2.5

SKU: CF.YPS16

Full Score and Parts. Composed by Joseph Compello. FS-SWS. Carl Fischer Young Performance Series. Score and Set of Parts. With Standard notation. 16+4+8+4+2+2+10+2+2+8+8+8 +6+4+6+6+1+1+4+1+32 pages. Duration 3 minutes. Carl Fischer Music #YPS16. Published by Carl Fischer Music (CF.YPS16).

ISBN 9780825843426. UPC: 798408043421. 9 X 12 inches. Key: Eb major.

An exciting British/Regimental style march by a master of writing for young musicians, Joe Compello's, The Royal Regiment is tuneful and harmonically straight forward. Set in a stately march tempo, the overall effect is of a band on parade approaching from far away and, after a fully-scored climax, receding to the sound of drums fading out in the distance. This is a good alternative march selection for contest or festival. Duration: 3'.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-0981286-010

Composed by Otto M. Schwarz. Applause Series. Original Light Music. Set (Score & Parts). Composed 1998. De Haske Publications #DHP 0981286-010. Published by De Haske Publications (BT.DHP-0981286-010).

The Baroque is a period of frills and ornaments, wether in architecture, painting or music. An easy melody passes through a variety of arrangements. From brass quintet and different tutti parts, all the sections are in action. Fortified by a drum set and an (optional) electric bass, the piece is given a modern touch and becomes more acceptable to the audience. A follow-up to Rondo Romantica, this piece was composed in December 1997.

De barok: een tijdperk van speelsheid in de architectuur, de schilderkunst en de muziek. In dit werk wordt een eenvoudig in het gehoor liggende melodie door veel verschillende arrangementen geleid. Van het koperkwintet tot enkele tuttidelen zijn alle secties in actie. Versterkt door de drumset en de basgitaar krijgt het stuk een moderne touch. Hierdoor wordt het extra aantrekkelijk voor het publiek!

In diesem fröhlichen Werk des österreichischen Komponisten Otto M. Schwarz kommt wirklich jede Instrumentengruppe Ihres Blasorchesters zum Zuge. Ein spielerisches Barock-Thema wird durch einen flotten Schlagzeug-Rhythmus unterlegt und wird somit zu einer swingenden Nummer für Ihr nächstes Konzert!

Le baroque : un style et une époque marqués par la légèreté qui a investi tous les domaines artistiques (architecture, peinture, musique, etc.). Dans ce morceau, la mélodie simple est jouée plusieurs fois dans des arrangements différents. Tous les pupitres sont sollicités afin que l’on entende aussi bien des tutti que des interventions du quintette de cuivres. La batterie et la guitare basse donnent au morceau une touche moderne très attrayante. Rondo Barocco, qui s’inscrit dans la lignée de Rondo Romantica, est une oeuvre adaptée aux orchestres juniors et aux formations plus expérimentées.
< br>Il barocco: uno stile e un’epoca contraddistinti dalla leggerezza che ha infl uenzato tutti i campi artistici (architettura, pittura, musica, ecc.). In questo brano, la semplice melodia è eseguita a più riprese in diversi arrangiamenti. Tutte le sezioni della banda sono sollecitate per far sì che si possano ascoltare vari passaggi in tutti, ma anche degli interventi del quintetto di ottoni. La batteria e la chitarra apportano un tocco moderno ed accattivante. Rondo Barocco è un brano a sicuro effetto che delizier il pubblico.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-0981286-140

Composed by Otto M. Schwarz. Applause Series. Original Light Music. Score Only. Composed 1998. De Haske Publications #DHP 0981286-140. Published by De Haske Publications (BT.DHP-0981286-140).

The Baroque is a period of frills and ornaments, wether in architecture, painting or music. An easy melody passes through a variety of arrangements. From brass quintet and different tutti parts, all the sections are in action. Fortified by a drum set and an (optional) electric bass, the piece is given a modern touch and becomes more acceptable to the audience. A follow-up to Rondo Romantica, this piece was composed in December 1997.

De barok: een tijdperk van speelsheid in de architectuur, de schilderkunst en de muziek. In dit werk wordt een eenvoudig in het gehoor liggende melodie door veel verschillende arrangementen geleid. Van het koperkwintet tot enkele tuttidelen zijn alle secties in actie. Versterkt door de drumset en de basgitaar krijgt het stuk een moderne touch. Hierdoor wordt het extra aantrekkelijk voor het publiek!

In diesem fröhlichen Werk des österreichischen Komponisten Otto M. Schwarz kommt wirklich jede Instrumentengruppe Ihres Blasorchesters zum Zuge. Ein spielerisches Barock-Thema wird durch einen flotten Schlagzeug-Rhythmus unterlegt und wird somit zu einer swingenden Nummer für Ihr nächstes Konzert!

Le baroque : un style et une époque marqués par la légèreté qui a investi tous les domaines artistiques (architecture, peinture, musique, etc.). Dans ce morceau, la mélodie simple est jouée plusieurs fois dans des arrangements différents. Tous les pupitres sont sollicités afin que l’on entende aussi bien des tutti que des interventions du quintette de cuivres. La batterie et la guitare basse donnent au morceau une touche moderne très attrayante. Rondo Barocco, qui s’inscrit dans la lignée de Rondo Romantica, est une oeuvre adaptée aux orchestres juniors et aux formations plus expérimentées.
< br>Il barocco: uno stile e un’epoca contraddistinti dalla leggerezza che ha infl uenzato tutti i campi artistici (architettura, pittura, musica, ecc.). In questo brano, la semplice melodia è eseguita a più riprese in diversi arrangiamenti. Tutte le sezioni della banda sono sollecitate per far sì che si possano ascoltare vari passaggi in tutti, ma anche degli interventi del quintetto di ottoni. La batteria e la chitarra apportano un tocco moderno ed accattivante. Rondo Barocco è un brano a sicuro effetto che delizier il pubblico.

Orchestre, Orchestre d'Harmonie Concert Band - Grade 4

SKU: FL.FX071592

Composed by Gilles Arcens. Original Composition. Classical. Score and Set of Parts. Duration 8 minutes, 45 seconds. FLEX Editions #FX071592. Published by FLEX Editions (FL.FX071592).

Instruments: Piccolo / Flute 1 (1 part) Flute 2 (1 part) Flute 3 (1 part) Oboe 1 (1 part) Oboe 2 (1 part) Bassoon 1(1 part) Bassoon 2(1 part) Bb Clarinet 1 (4 parts) Bb Clarinet 2 (4 parts) Bass Clarinet (1 part) Alto Saxophones 1&2 (2 parts) Tenor Saxophones 1&2 (2 parts) Baritone Saxophone (1 part) Bb Trumpet 1 (1 part) Bb Trumpet 2 (1 part) Bb Trumpet 3 (1 part) Bb Trumpet 4 (1 part) F Horn 1 (1 part) F Horn 2 (1 part) F Horn 3 (1 part) Trombone 1 (1 part) Trombone 2 (1 part) Bass Trombone (1 part) Bb Baritone / Euphonium B.C. (1 part) C Tuba (1 part) Double Bass (1 part) Timpani (1 part) Glockenspiel & Xylophone (1 part) Triangle/Castagnettes/Tam bourine/Snare Drum (2 parts) Chimes/Suspended Cymbal/Cymbal/Bass Drum (2 parts)
Additional Parts: C Baritone / Euphonium T.C. (1 part) Bb Baritone / Euphonium T.C. (1 part) C Euphonium B.C. (1 part) Bb Tuba (1 part) Eb Tuba (1 part) Bass Saxophone (1 part); Difficuly Level: Grade 4.

By William Windham. By William Windham. For Concert Band. Concert Band. Belwin Beginning Band. Level: Very Easy (grade I). Conductor Score & Parts. 182 pages. Published by Alfred Publishing.

By Timothy Loest. FJH Starter Series. Because Aruba Tuba is a tuba feature, tuba players should be positioned front and center. To establish a solid beat, maracas should be played with alternating up and down wrist strokes, and the claves and cowbell should be held chest high so that their sound projects. Bongos should be mounted and played with rattan sticks, with the smaller drum positioned on the player's right. If bongos are unavailable, timbales, pitched toms, or snare drums with snares off may be used. A simplified snare drum part is also included. Score for this title: B1290S. Extra part for this title: B1290P. Concert Band. Level: 0.5. Score and Set of Parts. Published by The FJH Music Company Inc.

Grande Marcia Italiana - Full Score and Parts. By Julius Fucik. Edited by Frederick Fennell. Arranged by Mayhew Lake. Concert band/stage band. For Piccolo, Flute, Oboe, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Contralto Clarninet, Contrabass Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet II, Cornet III, Cornet IV, Horn I, Horn II, Horn III, Horn IV, Tenor I, Tenor II, Tenor III, Euphonium, Tuba, Double Bass, Kettle Drums, Glockenspiel, Triangle, Snare Drum, Bass Drum, Cymbal. Carl Fischer Classic Band Edition. Score and parts. Opus 214. 16 pages. Published by Carl Fischer.

Concert Band - Grade 1

SKU: AP.BDM01046C

Composed by William Windham. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Beginning Band. Multicultural. Score. 16 pages. Belwin Music #00-BDM01046C. Published by Belwin Music (AP.BDM01046C).

UPC: 654979018292. English.

Meaning fat drum, Taiko is often used to refer to the modern art of Japanese drum ensembles and is the first native Japanese music to spread throughout the world. Beginning with a unique effect, your flute section instills a sense of awe. This is a super composition for your percussionists who simulate the traditional Taiko drums on floor toms. This title is available in MakeMusic Cloud.