Composed by Michael Jackson. Arranged by Henk Ummels. For concert band. Pop Music/Arrangements of Modern Light Music/Catalogue New Band Music Vol. 13. Easy Flex 5 series. Recorded on Easy Band Volume 5 (ML.311124720). Grade 2. Full set. Duration 9 minutes, 25 seconds. Published by Molenaar Edition

(from the Opera Samson et Dalila). By Camille Saint-Saens (1835-1921). Arranged by Jose Schyns. For Concert Band. Grade 5. Full score and set of parts. Duration 8:00

Concert band - Grade 1

SKU: MH.0-931329-76-0

Composed by Bob Margolis. Suitable for elementary and middle school bands. Conductor Full Score. Duration 2:20. Published by Manhattan Beach Music (MH.0-931329-76-0).

ISBN 9780931329760.

THE STARS ASLEEP, THE BREAK OF DAY is my most instrumentally colorful Grade 1 work and I believe in this area it breaks new ground. Furthermore, the musical content greatly exceeds Grade 1 expectations. Beginning band students have something to study here that presents opportunity for real musical development. Band directors will notice immediately that the scoring does not look like Grade 1 music. The music actually sounds like a Grade 3 work but it is not. The ranges and technical demands are truly only Grade 1, but the variety in the instrumentation is ample. Numerous cues and cross-cues allow less secure bands to rehearse or perform the work. The flexibility of tempo in the first movement presents unique challenges in performance and teaching. The sparkling and dancelike second movement is cinematic in its instrumental colors and pacing, and will be fun to perform. Instrumental sections that are used to being buried in the mix will discover that their roles in band music can be significant. Ensemble instrumentation: 6 Flute 1, 6 Flute 2, 2 Oboe, 2 Bassoon, 6 Bb Clarinet 1, 6 Bb Clarinet 2, 3 Bb Bass Clarinet, 4 Eb Alto Saxophone 1, 4 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 6 Bb Trumpet 1, 6 Bb Trumpet 2, 4 F Horn, 4 Trombone 1, 4 Trombone 2, 4 Euphonium, 2 Euphonium (T.C.), 6 Tuba, 2 Timpani, 2 Percussion 1, 4 Percussion 2, 3 Percussion 3.

Concert Band (Full Score)

SKU: HL.35014630

Full Score. Composed by Elliot Del Borgo. Shawnee Press. Print on demand - publisher prints this title after order is received. Concert, Contest. 36 pages. Shawnee Press #KC0696. Published by Shawnee Press (HL.35014630).

UPC: 884088636319. 8.5x11.0x0.08 inches.

Grade 2

SKU: CL.RWS-2331-01

Composed by Newton. Young Concert Band. Extra score. Composed 2023. RWS Music Company #RWS-2331-01. Published by RWS Music Company (CL.RWS-2331-01).

A beautiful memorial to a beloved teacher and friend, Unconquered Soul sounds musically demanding. However, it is actually very accessible for developing musicians. Flowing seamlessly from the lyrical choral section into an uplifting up-tempo section, it provides an excellent tool for training players to watch the conductor for tempo. The expert voicing will make your young band sound full and lush, even with limited instrumentation. An excellent middle selection for your assessment performance.

Grade 2

SKU: CL.RWS-2331-00

Composed by Newton. Young Concert Band. Score and set of parts. Composed 2023. RWS Music Company #RWS-2331-00. Published by RWS Music Company (CL.RWS-2331-00).

A beautiful memorial to a beloved teacher and friend, Unconquered Soul sounds musically demanding. However, it is actually very accessible for developing musicians. Flowing seamlessly from the lyrical choral section into an uplifting up-tempo section, it provides an excellent tool for training players to watch the conductor for tempo. The expert voicing will make your young band sound full and lush, even with limited instrumentation. An excellent middle selection for your assessment performance.

Concert Band - Grade 1.5

SKU: KN.05620S

Composed by John Edmondson. Concert Band. Playground Band Series. Kendor Music Inc #05620S. Published by Kendor Music Inc (KN.05620S).

UPC: 822795056204.

This musical portrait of the beautiful Colorado River canyon in Utah/Arizona features majestic opening and closing themes with a more lyrical interlude between. Simple countermelodies add harmonic depth, moderate tempos keep technical demands reasonable, and well-placed rests help developing brass players avoid endurance problems. An excellent selection for concerts and contests! Duration 3:50.

Concert Band - Grade 1.5

SKU: KN.5620

Composed by John Edmondson. Concert Band. Playground Band Series. Full score and set of parts. Kendor Music Inc #5620. Published by Kendor Music Inc (KN.5620).

UPC: 822795056204.

This musical portrait of the beautiful Colorado River canyon in Utah/Arizona features majestic opening and closing themes with a more lyrical interlude between. Simple countermelodies add harmonic depth, moderate tempos keep technical demands reasonable, and well-placed rests help developing brass players avoid endurance problems. An excellent selection for concerts and contests! Duration 3:50.

Grade 2

SKU: CL.RWS-1922-01

Composed by Bankston. Young Concert Band. Extra full score. Composed 2019. RWS Music Company #RWS-1922-01. Published by RWS Music Company (CL.RWS-1922-01).

Afterlight by Brian Bankston is a lyrical work that is sure to warm the hearts of your band and audience. Each instrumental part has interesting lines and motion that will open young ears as they start to perform with musical independence. Ranges and rhythmic demands are accessible for developing players making it a wonderful vehicle for teaching intonation, dynamics and phrasing. Afterlight is sweet, melodic, expressive and memorable.

Grade 2

SKU: CL.RWS-1922-00

Composed by Bankston. Young Concert Band. Score and set of parts. Composed 2019. RWS Music Company #RWS-1922-00. Published by RWS Music Company (CL.RWS-1922-00).

Afterlight by Brian Bankston is a lyrical work that is sure to warm the hearts of your band and audience. Each instrumental part has interesting lines and motion that will open young ears as they start to perform with musical independence. Ranges and rhythmic demands are accessible for developing players making it a wonderful vehicle for teaching intonation, dynamics and phrasing. Afterlight is sweet, melodic, expressive and memorable.

Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone*) - grade 5

SKU: CN.R10004

Composed by John Ireland. Band Music. Score and parts. Duration 10:30. Published by G & M Brand Music Publishers (CN.R10004).

A slow introduction gives way to the chirpy theme which is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. Restlessness leads to a tranquillo presented by the flute and clarinet, weaving a flowing counterpoint around the melody until the original slow introduction returns. A triumphant recapitulation of the main theme brings this wonderful piece to an end.

Originally composed for Brass Band in 1934 Comedy Overture is, despite its name, a serious piece of writing. The term Overture does not imply that there is anything else to follow; it is used in the 19th century sense of Concert Overture (like Mendelssohn's Fingal's Cave - in other words, a miniature Tone Poem). The 1930's was a period of Ireland's mature writing - yielding the Piano Concerto (1930), the Legend for piano and orchestra (1933), and the choral work These Things Shall Be (1936-1937). We are fortunate therefore to have both Comedy Overture and A Downland Suite (1932) written for band medium at this time. As with Maritime Overture (written in 1944 for military band) Ireland approaches his material symphonically. The opening three notes state immediately the two seminal intervals of a semitone and a third. These are brooding and dark in Bb minor. It is these intervals which make up much of the thematic content of Comedy, sometimes appearing in inverted form, and sometimes in major forms as well. The concept that some musical intervals are consonant , some dissonant, and some perfect is perhaps useful in understanding the nature of the tension and resolution of this work. The third is inherently unstable, and by bar 4, the interval is expanded to a fourth - with an ascending sem-quaver triplet - and then expanded to a fifth. The instability of the third pushes it towards a perfect resolution in the fourth or the fifth. The slow introduction is built entirely around these intervals in Bb minor and leads through an oboe cadenza, to an Allegro moderato brillante in Bb major. Once again, the semi-tone (inverted) and a third (major) comprise the main, chirpy, theme-inspired by a London bus-conductor's cry of Piccadilly. (Much of the material in Comedy was re-conceived by Ireland for orchestra and published two years later under the title A London Overture.) The expansion of the interval of a third through a fourth, fifth, sixth, and seventh now takes place quickly before our very ears at the outset of this quicker section. Immediately the theme is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. But this restlessness leads to a tranquillo built around an arpeggio figure and presented by flute and clarinet. Ireland weaves his flowing counterpoint around this melody until the original slow introduction returns leading to a stretto effect as the rising bass motifs become more urgent, requesting a resolution of the tension of that original semitone and minor third. Yet resolution is withheld at this point as the music becomes almost becalmed in a further, unrelated tranquillo section marked pianissimo. It is almost as if another side of Ireland's nature is briefly allowed to shine through the stern counterpoint and disciplined structure. This leads to virtually a full recapitulation of the chirpy brilliante, with small additional touches of counterpoint, followed by the first tranquillo section-this time in the tonic of Bb major. But the instability of the third re-asserts itself, this time demanding a resolution. And a triumphant resolution it receives, for it finally becomes fully fledged and reiterates the octave in a closing vivace. The opening tension has at last resolved itself into the most perfect interval of all.

By James Swearingen. Arranged by James Swearingen. Intermediate Wind Band/Ensemble. FJH Developing Band. Score for this title: B1278S. Extra part for this title: B1278P. Concert Band. Level: 1.5. Score and Set of Parts. Published by The FJH Music Company Inc.

By Ryan Fraley. Young Band. FJH Young Band. Score for this title: B1313S. Concert Band. Level: 2.5. Score and Set of Parts. Composed 2006. Published by The FJH Music Company Inc.

Arranged by Michael Story and Michael Story. Concert Band. Concert Band. Belwin Beginning Band. Christmas; Romantic; Winter. Grade 1. Conductor Score and Parts. 124 pages. Duration 1:17. Published by Alfred Music Publishing

By Stan Applebaum. Arranged by Stan Applebaum. Concert Band/Wind Ensemble. FJH Concert Band. Score for this title: B1163S. Extra part for this title: B1163P. Concert Band. Level: Grade 4. Score and Set of Parts. Published by The FJH Music Company Inc.

Concert Band/Harmonie - Grade 4

SKU: BT.AMP-001-140

Composed by Philip Sparke. Ceremonial Series. March. Score Only. Composed 2001. Anglo Music Press #AMP 001-140. Published by Anglo Music Press (BT.AMP-001-140).

Lively and upbeat in nature, The Centurion follows the conventional British march format. It is not technically demanding yet a successful performance will need skill and commitment from every player in the band. The Centurion will make an ideal opening piece for any indoor or outdoor concert and will be a popular item with both players and audiences alike.

Dieser lebendige und flotte Marsch von Philip Sparke steht in der Tradition des typischen englischen Marsches. Obwohl insgesamt technisch nicht allzu anspruchsvoll, hält er dennoch kleine Herausforderungen für jeden Spieler bereit. TheCenturion eignet sich als Eröffnungsstück oder Konzertmarsch auch für Open-Air Veranstaltungen und wird auch Ihrem Publikum gefallen.

Concert Band/Harmonie - Grade 4

SKU: BT.AMP-001-010

Composed by Philip Sparke. Ceremonial Series. March. Set (Score & Parts). Composed 2001. Anglo Music Press #AMP 001-010. Published by Anglo Music Press (BT.AMP-001-010).

Lively and upbeat in nature, The Centurion follows the conventional British march format. It is not technically demanding yet a successful performance will need skill and commitment from every player in the band. The Centurion will make an ideal opening piece for any indoor or outdoor concert and will be a popular item with both players and audiences alike.

Dieser lebendige und flotte Marsch von Philip Sparke steht in der Tradition des typischen englischen Marsches. Obwohl insgesamt technisch nicht allzu anspruchsvoll, hält er dennoch kleine Herausforderungen für jeden Spieler bereit. TheCenturion eignet sich als Eröffnungsstück oder Konzertmarsch auch für Open-Air Veranstaltungen und wird auch Ihrem Publikum gefallen.

Concert band (Flute 1/Piccolo, Flute 2, Oboe, Eb Clarinet, Solo Bb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2, Horn in F 1/2, Trombone 1/2, Bass) - grade 5

SKU: CN.R10299

Composed by Johann Sebastian Bach. Edited by Michael Brand. Score and parts. Duration 5:10. Published by G & M Brand Music Publishers (CN.R10299).

Holst's masterful military band orchestration of J.S. Bach's Organ Fugue in G Major BWV 577. Michael Brand's new edition expands/doubles some of Holst's original parts to make the piece playable by today's modern concert band.

When Holst was commissioned to write 'Hammersmith' for the BBC Wireless Military Band in 1928 he felt rather out of practice in orchestrating for the medium. For some years he had had the idea of arranging some Bach fugues for brass and military band so he set himself the task of scoring the Organ Fugue in G Major BWV 577 (from Preludes, Fugues and Fantasias). He, rather than Bach, called it 'Fugue a la Gigue.' The piece made an ideal exercise and Holst's brilliant dovetailing of the counterpoint between different instruments shows his mastery. The piece is technically demanding and the characteristic unison clarinet writing suggests the orchestral conception of a large wind ensemble rather than a band. It was this conception which the composer carried forward into 'Hammersmith.' 'Fugue a la Gigue' was published for military band in 1928 by Boosey & Hawkes and shortly afterwards for orchestra, but with only short scores, as was customary at the time. This edition has the full score of Holst's original orchestration with optional added parts for full concert band.

Latin Folk Song Trilogy (Grade 3 - Score and Parts). Arranged by William Himes. Curnow Music Concert Band. Grade 3. Curnow Music #044400. Published by Curnow Music

Concert Band Concert Band - Grade 0.5

SKU: XC.PCB1902FS

March. Composed by Larry Clark. Prelude Band Series. Concert Marches. Score. Excelcia Music Publishing #PCB1902FS. Published by Excelcia Music Publishing (XC.PCB1902FS).

UPC: 812598031164. 9 x 12 inches.

Intuition is a march for the youngest of students that uses only the first six notes of the Bb scale and the most difficult rhythm is two repeated eighth-notes. Even with limited technical demands, you won’t believe how much this sounds like a more involved march. It has all of the hallmarks of an American march in form with three strains with different melodic material. The only difference is there is no modulation at the trio. It is a perfect vehicle to introduce this important form to beginning students, and its exceptionally tuneful as well!

The Only Light. Composed by Todd Stalter. Concert Band; Part(s); Score. Young Symphonic. 260 pages. Published by Alfred Music (AP.44994).

The Medieval Castle. Composed by Victor Lopez. 5 or More; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Quartet; Single Titles; SmartMusic; Solo Small Ensembles. Belwin Beginning Band. Part(s); Score. Duration 2:00. Alfred Music #00-49162. Published by Alfred Music

Concert Band - Grade 0.5

SKU: XC.PCB2305FS

March. Composed by Larry Clark. Concert Concert Band. Prelude Grade .5. Score. Excelcia Music Publishing #PCB2305FS. Published by Excelcia Music Publishing (XC.PCB2305FS).

This is a very easy march using only the first six notes students learn in all band method books. It is intended to still teach students about march form and style even with limited technical demands. Composer Larry Clark continues to find new ways to create very easy marches that are still tuneful and fun.

Concert band concert band - Grade 3

SKU: LO.60-1002

Composed by David Wells. Score and parts. Heritage Music Press #60/1002. Published by Heritage Music Press (LO.60-1002).

UPC: 000308019247.

White water Chantey is a solidly written programmatic piece descriptive of a seafaring journey. The familiar Navy hymn, Eternal Father Strong to Save, and several sea chantey themes are skillfully woven throughout this powerful and dramatic arrangement. With its limited ranges and few technical demands, this is an ideal contest or festival selection for young groups.

Concert Band Concert Band - Grade 0.5

SKU: XC.PCB1902

March. Composed by Larry Clark. Prelude Band Series. Concert Marches. Set of parts. Excelcia Music Publishing #PCB1902. Published by Excelcia Music Publishing (XC.PCB1902).

UPC: 812598031782. 9 x 12 inches.

Intuition is a march for the youngest of students that uses only the first six notes of the Bb scale and the most difficult rhythm is two repeated eighth-notes. Even with limited technical demands, you won’t believe how much this sounds like a more involved march. It has all of the hallmarks of an American march in form with three strains with different melodic material. The only difference is there is no modulation at the trio. It is a perfect vehicle to introduce this important form to beginning students, and its exceptionally tuneful as well!