Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1064151-140 Composed by Tra...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1064151-140
Composed by Traditional.
Arranged by Michael
Bilkes. Christmas
Collection. Hymns &
Chorals. Score Only.
Composed 2006. De Haske
Publications #DHP
1064151-140. Published by
De Haske Publications
(BT.DHP-1064151-140).
9x12 inches.
English-German-French-Dut
ch.
Maria durch
ein? Dornwald ging (Blest
Mary Wanders Through the
Thorn) is a traditional
German Christmas song.
The earliest known
version is recorded in
the Andernacher
Gesangbuch from 1608.
Halfway through the
nineteenth century it was
a regional pilgrimage
song in Thüringen, and
at the beginning of the
twentieth century, the
current version was
registered in the
songbook Zupfgeigenhansl
of the German youth
movement. Michael Bilkes
used the well-known
melody to create this
attractive arrangement
for concert
band.
Maria durch
ein’ Dornwald ging
ist ein traditionelles
deutsches Adventslied,
dessen früheste
überlieferte Version
im Andernacher
Gesangbuch von 1608
dokumentiert ist und
seither viele Arrangeure
zu Bearbeitungen für
diverse
Instrumentalbesetzungen
und Chöre inspiriert
hat. Michael Bilkes
verwendete die bekannte
Melodie für diese
gefühlvolle
Bearbeitung für
Blasorchester.
Maria
durch ein’
Dornwald ging è un
canto di Natale tedesco
pubblicato per la prima
volta nella raccolta di
cantici Andernacher
Gesanbuch (1608). La
versione attuale è
stata pubblicata nel
corso del XX secolo in
una raccolta di canti per
il Movimento tedesco
della gioventù.
Maria durch
ein’ Dornwald
ging ha ispirato
numerosi adattamenti per
coro.
L’arrangiamento
per orchestra di fiati di
Michael Bilkes è
basato sulla melodia del
canto.
Song of
the Auvergne.
Composed by Kevin
Thompson. Band Music.
Score and parts. Duration
3:30. Published by G & M
Brand Music Publishers
(CN.R10104).
This beautiful
song reflects the
tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing.
This
beautiful song reflects
the tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing. Professor Kevin
Thompson is Principal and
Chief Executive of
Dartington College of
Arts, a University Sector
institution dedicated to
the performance
arts.After undergraduate
studies at the Royal
Northern College of
Music, he gained masters
and subsequently doctoral
degrees at the University
of London. He began his
career as a professional
trumpet player,
conductor, composer and
teacher. He was the
architect of University
of Salford's degree in
band musicianship,
launched in 1987 and the
first of its kind. From
1988 - 1993 he was
Principal of Birmingham
Conservatoire and during
this time was elected to
a personal professorship
and subsequently a
Deanship chair.On his
arrival at Dartington, he
was made an honorary
Professor by the
University of Plymouth.
In 1992 he gained a
Winston Churchill
Fellowship to study the
Great American Music
Schools: Juilliard,
Curtis, Eastman, Indiana.
Other awards include
those of the British
Association for American
Studies and the British
Council for the Royal
Danish Academy of Music.
He is a Freeman of the
City of London. His
publications include a
book on brass and wind
bands published by
Cambridge University,
many articles in Times
Newspaper and other
leading British and
American journals. The
book on wind and brass
bands became a key text
in many college and
university reading lists
and was read extensively
throughout the English
speaking world,
particularly in North
America and the Pacific
Rim. He is joint editor,
with Dr Gordon Cox of the
new eleven volume series
on brass playing and
teaching and author of
two of the volumes.
A Charles Dickens Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-050-5 Composed by traditional Engl...(+)
Concert band - Grade 3
SKU:
MH.1-59913-050-5
Composed by traditional
English carols. Arranged
by William Ryden.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 6:30. Published
by Manhattan Beach Music
(MH.1-59913-050-5).
ISBN
9781599130507.
Char
les Dickens certainly
would have known the
three carols in A CHARLES
DICKENS CHRISTMAS. They
were among the best-known
and best-loved carols of
the Victorian Era, and
were a staple of the
repertoire of roving
waits, or carollers, that
appear in his novels.
Today this music is as
familiar as Santa Claus
and Tiny Tim. THE FIRST
NOWELL was first
collected in Christmas
Carols, Ancient and
Modern by William Sandys
in 1833. It is most
probably 200 years older
than that. The Oxford
Book of Carols contains
nine verses, which makes
it an ideal processional
for Christmas or Epiphany
(the feast commemorating
the coming of the Magi).
COVENTRY CAROL, or Lully,
Lullay, comes from the
medieval tradition of
mystery and miracle
plays. In 1534 the
Pageant of the Shearman
and Tailors Guild
included a scene in which
the mothers of Jewish
children sang this
haunting lullaby after
hearing the horrifying
order: Herod the king, In
his raging, All young
children to slay. The
music is anonymous; the
text believed to be by
Robert Croo. ANGELS WE
HAVE HEARD ON HIGH is
probably of French
origin, but the English
long ago adopted it as
their own. Besides the
French text, Les Anges
dans nos compagnes, it is
known in several versions
and by several titles,
including Angels from the
Realms of Glory, When the
Crimson Sun Had Set, and
Westminster Carol. It
belongs to a category
known as macaronic
carols, which mix
vernacular verses with
Latin refrains - in this
instance, Gloria in
Excelsis Deo (Glory be to
God on High). Ensemble
instrumentation: 1
Piccolo, 8 Flute, 2 Oboe,
1 Bassoon 1, 1 Bassoon 2,
4 Bb Clarinet 1, 4 Bb
Clarinet 2, 4 Bb Clarinet
3, 1 Eb Alto Clarinet, 3
Bb Bass Clarinet & Bb
Contrabass Clarinet, 2 Eb
Alto Saxophone 1, 2 Eb
Alto Saxophone 2, 1 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1, 2 F Horn 2, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(Bass Clef), 2 Euphonium
(Treble Clef), 5 Tubas, 1
Timpani, 2 Bells &
Chimes, 3 Percussion 1:
small triangle, suspended
cymbal, crash cymbal,
snare drum, bass drum, 2
Percussion 2: large
triangle, finger
cymbals.
Song of
the Auvergne.
Composed by Kevin
Thompson. Band Music.
Score only. Duration
3:30. Published by G & M
Brand Music Publishers
(CN.S11104).
This beautiful
song reflects the
tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing.
This
beautiful song reflects
the tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing. Professor Kevin
Thompson is Principal and
Chief Executive of
Dartington College of
Arts, a University Sector
institution dedicated to
the performance
arts.After undergraduate
studies at the Royal
Northern College of
Music, he gained masters
and subsequently doctoral
degrees at the University
of London. He began his
career as a professional
trumpet player,
conductor, composer and
teacher. He was the
architect of University
of Salford's degree in
band musicianship,
launched in 1987 and the
first of its kind. From
1988 - 1993 he was
Principal of Birmingham
Conservatoire and during
this time was elected to
a personal professorship
and subsequently a
Deanship chair.On his
arrival at Dartington, he
was made an honorary
Professor by the
University of Plymouth.
In 1992 he gained a
Winston Churchill
Fellowship to study the
Great American Music
Schools: Juilliard,
Curtis, Eastman, Indiana.
Other awards include
those of the British
Association for American
Studies and the British
Council for the Royal
Danish Academy of Music.
He is a Freeman of the
City of London. His
publications include a
book on brass and wind
bands published by
Cambridge University,
many articles in Times
Newspaper and other
leading British and
American journals. The
book on wind and brass
bands became a key text
in many college and
university reading lists
and was read extensively
throughout the English
speaking world,
particularly in North
America and the Pacific
Rim. He is joint editor,
with Dr Gordon Cox of the
new eleven volume series
on brass playing and
teaching and author of
two of the volumes.
Salute to the Victor Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-440-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-440-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
March. Score Only.
Composed 2016. 24 pages.
Anglo Music Press #AMP
440-140. Published by
Anglo Music Press
(BT.AMP-440-140).
English-German-French-
Dutch.
Salute to
the Victor is in
traditional march form
and contains, as a
tribute to Victor Grieve
who was a devotee of
English music (in
particular that of Sir
Edward Elgar), a short
quote from Elgar’s
Sea Pictures in
the trio. Salute tothe
Victor was
commissioned by Helen,
Alex and James Grieve for
the Golden Kangaroos
(Hornsby Concert Band)
from Sydney, Australia,
in memory of their
parents, Louise and
Victor Grieve, Founder
and
Director.
Salut
e to the Victor is
een werk in traditionele
marsvorm. Als eerbetoon
aan Victor Grieve, een
liefhebber van Engelse
muziek (met name die van
Sir Edward Elgar), bevat
het in het trio een kort
citaat uit Sea
Pictures van die
componist.Salute to
the Victor is
gecomponeerd in opdracht
van Helen, Alex en James
Grieve, voor de Golden
Kangaroos (Hornsby
Concert Band) uit Sydney,
Australië, ter
herinnering aan hun
ouders, Louise en Victor
Grieve de oprichtster en
dirigent.
Salut
e to the Victor ist
in einer traditionellen
Marschform komponiert.
Das Stück enthält
im Trio ein kurzes Zitat
aus Elgars Sea
Pictures als Tribut
an Victor Grieve, der ein
Verehrer der englischen
Musik (insbesondere der
Musik vonSir Edward
Elgar), war. Salute to
the Victor wurde von
Helen, Alex und James
Grieve für die Golden
Kangaroos (Hornsby
Concert Band) aus
Sydney/Australien in
Erinnerung an ihre Eltern
Louise und Victor Grieve,
den Gründer und
ehemaliger Leiterder
Golden Kangaroos, in
Auftrag
gegeben.
Maestro Swing Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1104948-010 Boogie, Blues ...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1104948-010
Boogie, Blues &
Ragtime for Band.
Composed by Eric J. Hovi.
Compact Band Series.
Original Light Music. Set
(Score & Parts). Composed
2010. De Haske
Publications #DHP
1104948-010. Published by
De Haske Publications
(BT.DHP-1104948-010).
9x12 inches.
English-German-French-Dut
ch.
Het woord
‘Maestro’ in
deze titel slaat op drie
grote componisten van wie
Eric J. Hovi een aantal
van hun bekende
thema’s als
inspiratiebron nam. Zo is
Antonio’s
Boogie gebaseerd op
een motief uit De Vier
Jaargetijdenvan
Antonio Vivaldi. In
Ludwig’s
Blues gebruikte hij
de eerste vier tonen uit
de Vijfde Symfonie
van Ludwig van Beethoven.
Tenslotte is Amadeus
Rag een knipoog naar
het zogenaamde
hoornkwintet van Wolfgang
AmadeusMozart. Wij wensen
u veel plezier bij het
herontdekken van deze
‘meester’wer
ken!
Das Wort
Maestro“ in diesem
Titel steht für
gleich drei große
Meisterkomponisten, deren
Themen Eric J. Hovis
Inspirationsquelle
für diese Suite
waren. So basiert
Antonio’s Boogie
auf einem Motiv aus den
Vier Jahreszeiten von
Antonio Vivaldi. In
Ludwig’s Blues
wurden die ersten vier
Töne aus der 5.
Sinfonie von Ludwig van
Beethoven verwendet.
Zuletzt verweist Amadeus
Rag mit einem
Augenzwinkern auf das so
genannte Hornquintett von
Wolfgang Amadeus Mozart.
Viel Spaß beim
(Wieder-)
Entdecken!
Maestro Swing Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1104948-140 Boogie, Blues ...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1104948-140
Boogie, Blues &
Ragtime for Band.
Composed by Eric J. Hovi.
Compact Band Series.
Original Light Music.
Score Only. Composed
2010. 36 pages. De Haske
Publications #DHP
1104948-140. Published by
De Haske Publications
(BT.DHP-1104948-140).
9x12 inches.
English-German-French-Dut
ch.
Het woord
‘Maestro’ in
deze titel slaat op drie
grote componisten van wie
Eric J. Hovi een aantal
van hun bekende
thema’s als
inspiratiebron nam. Zo is
Antonio’s
Boogie gebaseerd op
een motief uit De Vier
Jaargetijdenvan
Antonio Vivaldi. In
Ludwig’s
Blues gebruikte hij
de eerste vier tonen uit
de Vijfde Symfonie
van Ludwig van Beethoven.
Tenslotte is Amadeus
Rag een knipoog naar
het zogenaamde
hoornkwintet van Wolfgang
AmadeusMozart. Wij wensen
u veel plezier bij het
herontdekken van deze
‘meester’wer
ken!
Das Wort
Maestro“ in diesem
Titel steht für
gleich drei große
Meisterkomponisten, deren
Themen Eric J. Hovis
Inspirationsquelle
für diese Suite
waren. So basiert
Antonio’s Boogie
auf einem Motiv aus den
Vier Jahreszeiten von
Antonio Vivaldi. In
Ludwig’s Blues
wurden die ersten vier
Töne aus der 5.
Sinfonie von Ludwig van
Beethoven verwendet.
Zuletzt verweist Amadeus
Rag mit einem
Augenzwinkern auf das so
genannte Hornquintett von
Wolfgang Amadeus Mozart.
Viel Spaß beim
(Wieder-)
Entdecken!
Composed by Kurt Weill (1900-1950). Arranged by Peter Kleine Schaars. De Haske C...(+)
Composed by Kurt Weill
(1900-1950). Arranged by
Peter Kleine Schaars. De
Haske Concert Band. De
Haske Publications
#1074314. Published by De
Haske Publications
(HL.44007260).
Music of the Spheres Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 6 SKU: BT.AMP-028-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.AMP-028-140
Composed by Philip
Sparke. Elite Series.
Concert Piece. Score
Only. Composed 2005. 68
pages. Anglo Music Press
#AMP 028-140. Published
by Anglo Music Press
(BT.AMP-028-140).
English-German-French-
Dutch.
The piece
reflects the composer's
fascination with the
origins of the universe
and deep space in
general. The title comes
from a theory, formulated
by Pythagoras, that the
cosmos was ruled by the
same laws he had
discovered that govern
the ratios of note
frequencies of the
musical scale.
(‘Harmonia’
in Ancient Greek, which
means scale or tuning
rather than harmony -
Greek music was
monophonic). He also
believed that these
ratios corresponded to
the distances of the six
known planets from the
sun and that the planets
each produced a musical
note which combined to
weave a continuous
heavenly melody (which,
unfortunately, we humans
cannot hear). In this
work, these six notesform
the basis of the sections
MUSIC OF THE SPHERES and
HARMONIA. The pieces
opens with a horn solo
called t = 0, a name
given by some scientists
to the moment of the Big
Bang when time and space
were created, and this is
followed by a depiction
of the BIG BANG itself,
as the entire universe
bursts out from a single
point. A slower section
follows called THE LONELY
PLANET which is a
meditation on the
incredible and unlikely
set of circumstances
which led to the creation
of the Earth as a planet
that can support life,
and the constant search
for other civilisations
elsewhere in the
universe. ASTEROIDS AND
SHOOTING STARS depicts
both the benign and
dangerous objects that
are flying through space
and which constantly
threaten our planet, and
the piece ends with THE
UNKNOWN, leaving in
question whether our
continually expanding
exploration of the
universe will eventually
lead to enlightenment or
destruction.
Dit
werk weerspiegelt de
fascinatie van de
componist voor het
heelal. Het begint met
een hoornsolo met de naam
t = 0, waarmee
sommige wetenschappers de
oerknal aanduiden. Dan
volgt een weergave van de
oerknal zelf. Het
volgendegedeelte, The
Lonely Planet, is een
meditatie over het
ongelooflijke samenspel
van omstandigheden dat
leidde tot het ontstaan
van de Aarde.
Asteroids and Shooting
Stars beschrijft
objecten in de ruimte.
Het werkeindigt met
The Unknown,
waarmee we in het
ongewisse blijven over de
gevolgen van onze verdere
verkenning van het
universum. In 2005 won
Philip Sparke met
Music of the
Spheres de National
Band Association/William
D.Revelli Memorial Band
Composition
Contest.
Dieses
Werk handelt vom Weltall
und unserem Platz im
Universum, auf dem
Weltbild von Pythagoras
basierend. Am einfachsten
lässt sich diese
außergewöhnliche
Komposition wohl als
Filmmusik ähnliches
Stück beschreiben ?
Musik zu einem
Science-Fiction-Film
eines Ripley Scott oder
Steven Spielberg oder
auch Musik, wie sie ein
John Williams oder Danny
Elfman schreiben
würde: absolut
stimmungsvoll, brillant
instrumentiert mit
Klangfarben, Strukturen,
Effekten und Timbres,
gemischt mit
fließenden
musikalischen Linien, die
die Substanz des Themas
auf den Punkt treffen.
Dieses atemberaubende
neue Stück hebt Ihr
Blasorchester auf ein
höheres Niveau, sowohl
im technischen als
auchmusikalischen Sinn.
Music of the
Spheres evidenza il
fascino che le origini
dell’universo
esercitano su Philip
Sparke. Il titolo
proviene da una teoria
del matematico greco
Pitagora, secondo la
quale il cosmo è retto
dalle stesse leggi che
governano i rapporti di
frequenza tra le note
della scala musicale.
Questa composizione
inizia con un assolo di
corno chiamato t = 0,
nozione che definisce il
momento del big-bang.
The Lonely Planet
(Il pianeta solitario)
è una meditazione
sulle circostanze che
hanno portato alla
creazione della terra.
Asteroids and Shooting
Stars (Asteroidi e
Stelle cadenti) descrive
i molteplici oggetti che
si muovono nello spazio e
che rappresentano
unrischio per il nostro
pianeta. Le battute
finali portano verso
l’ignoto (The
Unknown) sollevando
una domanda la cui
risposta resta in
sospeso: la nostra
continua avanzata
nell’esplorazione
dell’Universo
porter un giorno alla
scoperta o alla
distruzione?
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-145-140 From Cantata No 20...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-145-140
From Cantata No 208
'The Hunt Cantata'.
Composed by Johann
Sebastian Bach. Arranged
by Philip Sparke. Anglo
Music Midway Series.
Sacred. Score Only.
Composed 2005. 16 pages.
Anglo Music Press #AMP
145-140. Published by
Anglo Music Press
(BT.AMP-145-140).
9x12
inches.
English-German-French-Dut
ch.
There are just
over twenty secular
cantatas in Bach's
prolific output, which
include The Coffee
Cantata (No 211), The
Wedding Cantata (No 202),
Phoebus and Pan (No 201)
and the Hunt Cantata (No
208) which contains the
famous aria Sheep May
Safely Graze. Written for
four vocal soloists it
was originally scored for
a relatively large
orchestra (including
flutes (recorders), oboes
and horns) and mixed
choir. Although secular
in character, the words
describe how well a
faithful shepherd keeps
watch over his flock and
hence has obvious
allusions to the
teachings of the
Christian church. Bring a
bit of the Baroque era to
your concert with this
first class arrangement
by Philip
Sparke.
Bach
schreef zijn Jachtcantate
(BWV 208) - met daarin de
aria Schafe können
sicher weiden
(Sheep May Safely
Graze) - in 1713, ter
gelegenheid van de
verjaardag van hertog
Christian van
Sachsen-Weißenfels.
Later volgdenbewerkingen
voor vergelijkbare
verjaardagsfeesten en
naamdagen. De cantate is
geschreven voor vier
solisten (Diana, Pales,
Endymion en Pan), een
relatief groot orkest
(met (blok)fluiten,
hobo’s en hoorns)
en koor. Sheep
MaySafely Graze wordt
gezongen door Pales, de
godin van kudden en
weiden, begeleid door een
paar blokfluiten of
dwarsfluiten. Deze
bewerking van Philip
Sparke betekent een
verrijking voor elk
repertoire.
Bachs
produktives Schaffen
brachte nur etwa zwanzig
weltliche Kantaten
hervor, darunter auch die
Jagd-Kantate (BWV
208),welche die
berühmte Arie
Schafe können
sicher weiden
enthält. Geschrieben
für vier Solisten, ist
die Kantate für ein
relativ großes
Orchester instrumentiert,
das neben Flöten,
Oboen und Hörnern auch
einen gemischten Chor
vorsieht. Bringen Sie mit
dieser gelungenen
Bearbeitung etwas barocke
Atmosphäre in Ihr
Konzert!
L’immenso
lavoro di Johann
Sebastian Bach contiene
una ventina di cantate
profane tra le quali la
Cantata della
Caccia (BWV 208)
dalla quale è estratta
Sheep May Safely
Graze (Schafe
können sicher weiden).
Accompagnata da due
flauti dolci, Pales, Dea
dei greggi e dei pastori,
intona l’aria
Sheep May Safely
Graze. Pur se di
carattere profano, il
testo utilizza
l’immagine del
pastore come
l’immagine della
grazia riportata ad una
parola fondamentale di
Gesù.
Sheep May Safely Graze Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-145-010 From Cantata No 20...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-145-010
From Cantata No 208
'The Hunt Cantata'.
Composed by Johann
Sebastian Bach. Arranged
by Philip Sparke. Anglo
Music Midway Series.
Sacred. Set (Score &
Parts). Composed 2005.
Anglo Music Press #AMP
145-010. Published by
Anglo Music Press
(BT.AMP-145-010).
9x12
inches.
English-German-French-Dut
ch.
There are just
over twenty secular
cantatas in Bach's
prolific output, which
include The Coffee
Cantata (No 211), The
Wedding Cantata (No 202),
Phoebus and Pan (No 201)
and the Hunt Cantata (No
208) which contains the
famous aria Sheep May
Safely Graze. Written for
four vocal soloists it
was originally scored for
a relatively large
orchestra (including
flutes (recorders), oboes
and horns) and mixed
choir. Although secular
in character, the words
describe how well a
faithful shepherd keeps
watch over his flock and
hence has obvious
allusions to the
teachings of the
Christian church. Bring a
bit of the Baroque era to
your concert with this
first class arrangement
by Philip
Sparke.
Bach
schreef zijn Jachtcantate
(BWV 208) - met daarin de
aria Schafe können
sicher weiden
(Sheep May Safely
Graze) - in 1713, ter
gelegenheid van de
verjaardag van hertog
Christian van
Sachsen-Weißenfels.
Later volgdenbewerkingen
voor vergelijkbare
verjaardagsfeesten en
naamdagen. De cantate is
geschreven voor vier
solisten (Diana, Pales,
Endymion en Pan), een
relatief groot orkest
(met (blok)fluiten,
hobo’s en hoorns)
en koor. Sheep
MaySafely Graze wordt
gezongen door Pales, de
godin van kudden en
weiden, begeleid door een
paar blokfluiten of
dwarsfluiten. Deze
bewerking van Philip
Sparke betekent een
verrijking voor elk
repertoire.
Bachs
produktives Schaffen
brachte nur etwa zwanzig
weltliche Kantaten
hervor, darunter auch die
Jagd-Kantate (BWV 208),
welche die berühmte
Arie Schafe können
sicher weiden
enthält. Geschrieben
für vier Solisten, ist
die Kantate für ein
relativ großes
Orchester instrumentiert,
das neben Flöten,
Oboen und Hörnern auch
einen gemischten Chor
vorsieht. Bringen Sie mit
dieser gelungenen
Bearbeitung etwas barocke
Atmosphäre in Ihr
Konzert!
L’immenso
lavoro di Johann
Sebastian Bach contiene
una ventina di cantate
profane tra le quali la
Cantata della
Caccia (BWV 208)
dalla quale è estratta
Sheep May Safely
Graze (Schafe
können sicher weiden).
Accompagnata da due
flauti dolci, Pales, Dea
dei greggi e dei pastori,
intona l’aria
Sheep May Safely
Graze. Pur se di
carattere profano, il
testo utilizza
l’immagine del
pastore come
l’immagine della
grazia riportata ad una
parola fondamentale di
Gesù.
Concert Band piccolo, English horn, Bclarinet, contrabassassoon, 4 trumpetC, Btr...(+)
Concert Band piccolo,
English horn, Bclarinet,
contrabassassoon, 4
trumpetC, Btrombonne,
timpani, 5 percussion,
harp, piano
SKU:
PE.EP6898
For Wind
Symphony. Composed by
Eugene Bozza. Concert
Band. Edition Peters.
Score. 46 pages. Edition
Peters #98-EP6898.
Published by Edition
Peters (PE.EP6898).
ISBN 9790300751665.
297 x 420mm inches.
English.
Children's
Overture was written by
French composer Eugène
Bozza for the AWSO's
children's concerts in
the 1960s. The overture
is an overlay of French
tunes, masterfully
orchestrated,
incorporating incisive
rhythmic structures - a
treat for the performer
and listener alike.
This product is
Printed on Demand and may
take several weeks to
fulfill. Please order
from your favorite
retailer.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
African Scenes Orchestre d'harmonie - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1135407-015 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 1.5
SKU:
BT.DHP-1135407-015
Composed by Eric J. Hovi.
De Haske Flexible Series.
Original Light Music. Set
(Score and Parts).
Composed 2012. De Haske
Publications #DHP
1135407-015. Published by
De Haske Publications
(BT.DHP-1135407-015).
9x12 inches.
English-German-French-Dut
ch.
This work in
four sections is written
for a four-part variable
instrumentation together
with drums. We start
off_x001E_ in the
_x001F_first movement on
an adventurous safari. In
the second and third
movements weâ??re on the
hunt for great beasts of
Africa, which can also be
heard with all their
stomping, screeching and
yelling. A wonderful
musical safari that all
musicians and listeners
alike will enjoy!
Dit werk voor
vierstemmige variabele
bezetting met slagwerk
beschrijft in vier
deeltjes verschillende
taferelen van het
Afrikaanse continent. In
het eerste deel gaan we
op safari. In het tweede
deel gaan we op zoek naar
een olifant, een
neushoorn, een luipaard
een leeuw en een buffel.
Welke reptielen kunnen we
ontdekken in het derde
deel? En hoe kan het
beter stoppen dan met een
â??Monkey Rockâ???
Tijdens het werk kun je
actief verschillende
dierengeluiden nabootsen,
waardoor je je echt in de
jungle
waant!
Dieses
vierteilige Werk ist
für eine vierstimmig
variable Besetzung und
Schlagzeug
instrumentiert. Der Titel
spricht schon für
sich: In African
Scenes spielt der
schwarze Kontinent die
Hauptrolle. Im ersten
Satz starten wir zu einer
abenteuerlichen Safari.
Im zweiten Teil geht es
auf die Suche nach den
?Big Fiveâ?? - den
groÃ?en Fünfâ??:
Elefant, Nashorn,
Leopard, Löwe und
Büffel. Im dritten
Satz begegnen wir
allerlei unheimlichen
Reptilien, bevor das Werk
fröhlich mit dem
?Monkey Rockâ?? endet,
in dem auch ein Affenruf
vertont
wird.
Questo
brano in quattro parti
è pensato per
strumentazione variabile
a quattro voci e
percussioni. Il titolo
parla da solo: in
African Scenes il
continente nero riveste
il ruolo principale. Il
primo movimento vede i
protagonisti iniziare un
avventuroso safari. Nella
seconda parte inizia la
ricerca dei
â??Big-Fiveâ?:
elefante, rinoceronte,
leopardo, leone e bufalo.
Il terzo movimento si
caratterizza
dallâ??inaspettato
incontro con rettili
rari, e precede il quarto
e ultimo movimento.
Monkey Rock, in
stile più giocoso,
rappresenta lâ??incontro
con una simpatica e
vivace scimmietta.
African Scenes Orchestre d'harmonie [Conducteur] - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1135407-215 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 1.5
SKU:
BT.DHP-1135407-215
Composed by Eric J. Hovi.
De Haske Flexible Series.
Original Light Music.
Score Only. Composed
2012. 10 pages. De Haske
Publications #DHP
1135407-215. Published by
De Haske Publications
(BT.DHP-1135407-215).
9x12 inches.
English-German-French-Dut
ch.
This work in
four sections is written
for a four-part variable
instrumentation together
with drums. We start
off_x001E_ in the
_x001F_first movement on
an adventurous safari. In
the second and third
movements we’re on
the hunt for great beasts
of Africa, which can also
be heard with all their
stomping, screeching and
yelling. A wonderful
musical safari that all
musicians and listeners
alike will enjoy!
Dit werk voor
vierstemmige variabele
bezetting met slagwerk
beschrijft in vier
deeltjes verschillende
taferelen van het
Afrikaanse continent. In
het eerste deel gaan we
op safari. In het tweede
deel gaan we op zoek naar
een olifant, een
neushoorn, een luipaard
een leeuw en een buffel.
Welke reptielen kunnen we
ontdekken in het derde
deel? En hoe kan het
beter stoppen dan met een
‘Monkey
Rock’? Tijdens het
werk kun je actief
verschillende
dierengeluiden nabootsen,
waardoor je je echt in de
jungle
waant!
Dieses
vierteilige Werk ist
für eine vierstimmig
variable Besetzung und
Schlagzeug
instrumentiert. Der Titel
spricht schon für
sich: In African
Scenes spielt der
schwarze Kontinent die
Hauptrolle. Im ersten
Satz starten wir zu einer
abenteuerlichen Safari.
Im zweiten Teil geht es
auf die Suche nach den
‚Big Five’ -
den großen
Fünf“: Elefant,
Nashorn, Leopard, Löwe
und Büffel. Im dritten
Satz begegnen wir
allerlei unheimlichen
Reptilien, bevor das Werk
fröhlich mit dem
‚Monkey
Rock’ endet, in
dem auch ein Affenruf
vertont
wird.
Questo
brano in quattro parti
è pensato per
strumentazione variabile
a quattro voci e
percussioni. Il titolo
parla da solo: in
African Scenes il
continente nero riveste
il ruolo principale. Il
primo movimento vede i
protagonisti iniziare un
avventuroso safari. Nella
seconda parte inizia la
ricerca dei
“Big-Fiveâ€:
elefante, rinoceronte,
leopardo, leone e bufalo.
Il terzo movimento si
caratterizza
dall’inaspettato
incontro con rettili
rari, e precede il quarto
e ultimo movimento.
Monkey Rock, in
stile più giocoso,
rappresenta
l’incontro con una
simpatica e vivace
scimmietta.
Bist du bei mir Orchestre d'harmonie [Conducteur et Parties séparées] De Haske Publications
Concert Band/Harmonie SKU: BT.DHP-1094772-010 Walzer. Arranged by ...(+)
Concert Band/Harmonie
SKU:
BT.DHP-1094772-010
Walzer. Arranged
by Ernst Hutter and Nick
Loris. Ernst Hutter und
Die Egerländer
Musikanten. Blasmusik.
Set (Score & Parts).
Composed 2009. De Haske
Publications #DHP
1094772-010. Published by
De Haske Publications
(BT.DHP-1094772-010).
9x12 inches.
English-German-French-Dut
ch.
Bist du bei
mir ist ein wunderbar
ruhiger Walzer von Nick
Loris, der mit seinen
typisch böhmischen
Flügelhorn- und
Tenorhornmelodien genauso
besticht, wie auch durch
seine ausgefeilten
Holzsolostellen. Das
Arrangement ist sehr
durchsichtig und lässt
schönes dynamisches
Musizieren zu. Im Text
von Katharina Praher, der
von langen Melodiephrasen
unterlegt ist, kommt die
Sehnsucht nach Liebe und
Geborgenheit zum
Ausdruck.Die fett
gedruckten Stimmen in der
Partitur entsprechen der
Originalbesetzung von
Ernst Hutter & Die
Egerländer Musikanten.
Das Werk ist bereits in
dieser Besetzung
spielbar. Um auch
Blasorchestern die
Möglichkeit zu bieten,
dieses Werk zu spielen,
sind indieser Ausgabe
weitere Stimmen zur
Vervollständigung der
Blasorchester-Besetzung
mitgeliefert.
Exultation Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-279-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-279-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
March. Score Only.
Composed 2010. 28 pages.
Anglo Music Press #AMP
279-140. Published by
Anglo Music Press
(BT.AMP-279-140).
9x12
inches.
English-German-French-Dut
ch.
Exultation is a
short and energetic
concert opener that is
similar to a palindrome.
A fanfare opens the work,
juxtaposing 3/4 and 6/8,
reminiscent of
Latin-American music. The
main theme is first heard
on the euphonium, horns
and saxophones which is
very bluesy. The
contrasting second theme
is short and spikey and
played by the bass
instruments of the band.
A lyric melody emerges as
the rest of the orchestra
joins in. The second
theme reappears which
leads back to the
‘blues’
melody, which leads back
to the opening fanfare.
Palindromic!
Exult
ation (Jubel) ist ein
kurzes, rhythmisch und
stilistisch
abwechslungsreiches
Eröffnungsstück,
das in seiner Form einem
Palindrom ähnelt: Nach
einer Fanfare in einem
fast lateinamerikanischen
Stil erscheint ein
bluesiges“
Hauptthema, das nach
einer kurzen
Ãœberleitung zu einem
zweiten Staccato-Thema
führt. Es folgt ein
lyrisches Thema, sodann
geht es
rückwärts wieder
zum Stacccato-Thema und
dann über die
Bluesmelodie“
zurück zur
Eröffnungsfanfare und
damit zum Anfang und Ende
zugleich!
Exultation è
un breve brano di
apertura che offre
diversit ritmiche e
stilistiche e che nella
sua forma ricorda un
palindromo. Dopo una
fanfara in stile
latino-americano, appare
il tema principale
eseguito dagli eufoni,
dai corni e dai sax,
caratterizzato da accenti
di blues che accompagna
ad un seconda tema in
staccato. Segue un tema
lirico, prima di tornare
nuovamente al tema in
staccato e, attraverso
una “melodia
bluesâ€, nuovamente
alla fanfara di apertura
e alla fine del
brano.
Cambrinus Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1165711-140 Based on the s...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1165711-140
Based on the song Lied
van Hertog Jan (Floris
van der Putt).
Composed by Matthias van
Nispen tot Pannerden.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2016. De Haske
Publications #DHP
1165711-140. Published by
De Haske Publications
(BT.DHP-1165711-140).
English-German-French-
Dutch.
The name
Cambrinus, a
corrupted variation on
‘Jan Primus’
(John the First), refers
to the flamboyant John I
of Brabant, who was the
Duke of the Dutch
provinces Brabant and
Limburg, in the second
half of the 13th century.
This piece of music tells
the story of this notable
man, starting with the
Battle of Worringen in
1288, where he scored a
glorious victory,
followed by an exuberant
celebration in which he
also contemplates about
the suffering he and his
men have caused. The
works offers exciting
energetic musical scenes
with lots of action, as
well as beautiful
romantic and heroic
themes offering plenty of
opportunities for your
band to unfold all its
qualities.
Met de
naam Cambrinus,
een verbastering van
‘Jan
Primus’, wordt de
flamboyante Jan I van
Brabant bedoeld, die in
de tweede helft van de
13e eeuw hertog van
Brabant en Limburg was.
Dit muziekstuk vertelt
het verhaal van deze
bijzondere man, te
beginnen met de Slag bij
Woeringen in het jaar
1288, waar hij een
glorieuze overwinning
behaalde, gevolgd door
een weelderig feest, maar
ook een moment van
contemplatie waarin hij
het leed overdenkt dat
hij en zijn mannen hebben
aangericht. Het werk
omvat energieke muzikale
taferelen met veel actie,
evenals prachtige
romantische en hero sche
thema’s die uw
orkest ruim de
mogelijkheid bieden om te
schitteren.
Der
Name Cambrinus,
eine Verballhornung von
Jan Primus“ (Johann
I.), bezieht sich auf den
extravaganten Johann I.
von Brabant, der in der
zweiten Hälfte des 13.
Jahrhunderts Herzog der
holländischen
Provinzen Brabant und
Limburg war. Das
Musikstück erzählt
die Geschichte dieses
bedeutenden Mannes und
beginnt mit der Schlacht
von Worringen im Jahr
1288, bei der er einen
glorreichen Sieg
davontrug. Bei dem
rauschenden Fest nach
diesem Triumph soll er
aber auch über das
Leid nachgedacht haben,
das seine Soldaten und er
verursacht haben. Dieses
Werk bietet spannende und
energiegeladene
musikalische Szenen mit
großer Wirkung, aber
auch wunderschöne
romantische und
heroischeThemen, bei
denen das Orchester all
seine Qualitäten
entfalten kann.
Cambrinus Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1165711-010 Based on the s...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1165711-010
Based on the song Lied
van Hertog Jan (Floris
van der Putt).
Composed by Matthias van
Nispen tot Pannerden.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2016. De
Haske Publications #DHP
1165711-010. Published by
De Haske Publications
(BT.DHP-1165711-010).
English-German-French-
Dutch.
The name
Cambrinus, a
corrupted variation on
‘Jan Primus’
(John the First), refers
to the flamboyant John I
of Brabant, who was the
Duke of the Dutch
provinces Brabant and
Limburg, in the second
half of the 13th century.
This piece of music tells
the story of this notable
man, starting with the
Battle of Worringen in
1288, where he scored a
glorious victory,
followed by an exuberant
celebration in which he
also contemplates about
the suffering he and his
men have caused. The
works offers exciting
energetic musical scenes
with lots of action, as
well as beautiful
romantic and heroic
themes offering plenty of
opportunities for your
band to unfold all its
qualities.
Met de
naam Cambrinus,
een verbastering van
‘Jan
Primus’, wordt de
flamboyante Jan I van
Brabant bedoeld, die in
de tweede helft van de
13e eeuw hertog van
Brabant en Limburg was.
Dit muziekstuk vertelt
het verhaal van deze
bijzondere man, te
beginnen met de Slag bij
Woeringen in het jaar
1288, waar hij een
glorieuze overwinning
behaalde, gevolgd door
een weelderig feest, maar
ook een moment van
contemplatie waarin hij
het leed overdenkt dat
hij en zijn mannen hebben
aangericht. Het werk
omvat energieke muzikale
taferelen met veel actie,
evenals prachtige
romantische en hero sche
thema’s die uw
orkest ruim de
mogelijkheid bieden om te
schitteren.
Der
Name Cambrinus,
eine Verballhornung von
Jan Primus“ (Johann
I.), bezieht sich auf den
extravaganten Johann I.
von Brabant, der in der
zweiten Hälfte des 13.
Jahrhunderts Herzog der
holländischen
Provinzen Brabant und
Limburg war. Das
Musikstück erzählt
die Geschichte dieses
bedeutenden Mannes und
beginnt mit der Schlacht
von Worringen im Jahr
1288, bei der er einen
glorreichen Sieg
davontrug. Bei dem
rauschenden Fest nach
diesem Triumph soll er
aber auch über das
Leid nachgedacht haben,
das seine Soldaten und er
verursacht haben. Dieses
Werk bietet spannende und
energiegeladene
musikalische Szenen mit
großer Wirkung, aber
auch wunderschöne
romantische und
heroischeThemen, bei
denen das Orchester all
seine Qualitäten
entfalten kann.
Concert band (Flute 1,
Flute 2, Oboe, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Alto
Saxophone 1/2, Tenor
Saxophone, Baritone
Saxophone, Horn in F 1,
Horn in F 2, Bb
Trumpet/Cornet 1, Bb
Trumpet/Cornet 2,
Trombone 1, Trombone 2,
Euphonium,) - grade 3
SKU: CN.R10163
From 'Carmen'.
Composed by Geoffrey
Brand. Arranged by
Geoffrey Brand. Band
Music. Score and parts.
Duration 3:30. Published
by G & M Brand Music
Publishers (CN.R10163).
Carmen can be
considered to be Bizet's
crowning achievement.
Geoffrey Brand's skillful
arrangement brings two of
Bizet's most popular
themes within the reach
of technically
less-advanced
players.
Carmen
can be considered to be
Bizet's crowning
achievement - as well as
transforming the French
'opera-comique' in the
process. It is odd
therefore that the
majority of critics
condemned the libretto
and music after the first
performance. Luckily,
history has changed that
verdict and recognized a
masterpiece. Geoffrey
Brand's skillful
arrangement brings two
themes within the reach
of technically less
advanced players.
Belvedere Orchestre d'harmonie - Facile De Haske Publications
Concert Band (Score) - Grade 2 SKU: HL.44012985 For Bb Flugel Horn (Or...(+)
Concert Band (Score) -
Grade 2
SKU:
HL.44012985
For Bb
Flugel Horn (Or Bb
Trumpet) and Fanfare Band
(Score). Composed by
Jan de Haan. De Haske
Concert Band. Solo &
Concerto. Softcover.
Composed 2016. De Haske
Publications #1165682140.
Published by De Haske
Publications
(HL.44012985).
UPC:
888680706081.
English-German-French-Dut
ch.
Belvedere is a
beautiful solo for flugel
horn or trumpet and is
partly taken from City
Scapes, a concert work
that was inspired by
Central Park in New York
City. The title Belvedere
refers to 'Belvedere
Castle', erected in 1869,
and radiates the peaceful
atmosphere of this
place.
Concert band (Flute 1,
Flute 2, Oboe, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Alto
Saxophone 1/2, Tenor
Saxophone, Baritone
Saxophone, Horn in F 1,
Horn in F 2, Bb
Trumpet/Cornet 1, Bb
Trumpet/Cornet 2,
Trombone 1, Trombone 2,
Euphonium,) - grade 3
SKU: CN.S11163
From 'Carmen'.
Composed by Geoffrey
Brand. Arranged by
Geoffrey Brand. Band
Music. Score only.
Duration 3:30. Published
by G & M Brand Music
Publishers (CN.S11163).
Carmen can be
considered to be Bizet's
crowning achievement.
Geoffrey Brand's skillful
arrangement brings two of
Bizet's most popular
themes within the reach
of technically
less-advanced
players.
Carmen
can be considered to be
Bizet's crowning
achievement - as well as
transforming the French
'opera-comique' in the
process. It is odd
therefore that the
majority of critics
condemned the libretto
and music after the first
performance. Luckily,
history has changed that
verdict and recognized a
masterpiece. Geoffrey
Brand's skillful
arrangement brings two
themes within the reach
of technically less
advanced players.
Meine Liebe Orchestre d'harmonie [Conducteur et Parties séparées] De Haske Publications
Concert Band/Harmonie SKU: BT.DHP-1094771-010 Polka. Composed by C...(+)
Concert Band/Harmonie
SKU:
BT.DHP-1094771-010
Polka. Composed by
Christian Höcherl.
Arranged by Ernst Hutter.
Ernst Hutter und Die
Egerländer Musikanten.
Blasmusik. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094771-010. Published by
De Haske Publications
(BT.DHP-1094771-010).
Eine typische
Polka der neuen
Egerländer-Generation:
virtuos, flott und mit
allen typischen
Egerländer-Merkmalen
ausgestattet - so
präsentiert sich
Meine Liebe aus
der Feder von Christian
Höcherl, einem
Flügelhornisten der
Egerländer Musikanten.
Im Arrangement von Ernst
Hutter ist diese Polka
ein konzertantes
Highlight, das bereits
mit Erfolg auf der
Ohne Grenzen-Tournee
2008/2009 erprobt
wurde.Die fett gedruckten
Stimmen in der Partitur
entsprechen der
Originalbesetzung von
Ernst Hutter & Die
Egerländer Musikanten.
Das Werk ist bereits in
dieser Besetzung
spielbar. Um auch
Blasorchestern die
Möglichkeit zu bieten,
dieses Werk zu
spielen,sind in dieser
Ausgabe weitere Stimmen
zur Vervollständigung
der
Blasorchester-Besetzung
mitgeliefert.
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.46500013L
For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L).
UPC:
680160600151. 11 x 14
inches.
I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band
SKU:
PR.465000130
For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130).
ISBN
9781598064070. UPC:
680160600144. 9x12
inches.
Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Concert Band (Score and Parts) - Grade 5 SKU: HL.44012758 Composed by Phi...(+)
Concert Band (Score and
Parts) - Grade 5
SKU:
HL.44012758
Composed
by Philip Sparke. Anglo
Music Concert Band. Folk,
Japanese. Softcover.
Composed 2015. De Haske
Publications #AMP443010.
Published by De Haske
Publications
(HL.44012758).
To hear a
recording of this piece,
please visit the Hal
Leonard MGB Concert Band
page at
https://www.youtube.com/c
hannel/UCeHzOLTDBDG2pZX6f
YtaxSw
Based on
the traditional Japanese
tune
â??Suiryo-Bushi,â?
Reflections on an Old
Japanese Folk Song
opens with two
contrasting statements of
the melody - first
sparsely presented by the
woodwinds and then in a
harmonized version played
by the full band. This is
followed by a lively
section based on
pentatonic melodies that
characterize the folk
tune. The following
slower variation first
centers around a
plaintive English horn
melody made up of
sections of the original
tune, and later presents
the opening phrases of
â??Suiryo-Bushiâ?
against an intensely
florid accompaniment. The
final section is in the
form of a scherzo that
eventually forms the
accompaniment to a final
presentation of the folk
tune. Duration: 8:30.
Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 2:20. Published
by G & M Brand Music
Publishers (CN.S11266).
A short,
melting example of why
the music of Jules
Massenet was so respected
and admired in his native
France during his
lifetime. The Last Sleep
of the Virgin is from the
oratorio La Viege and was
originally for string
orchestra. This masterful
arrangement will provide
a delightful moment of
quiet beauty on your
program.
Nestling
within the pages of La
Viege, an Oratorio
written in 1880 but with
no evidence of a full
performance, is to be
found The Last Sleep of
the Virgin, a short
melting example of why
the music of Jules
Massenet (1842-1912) was
so highly respected and
admired in his native
France during his
lifetime. Massenet
composed more than 40
operas, including
Herodiade, Manon, Le Cid,
and Thais, and his
influence on French music
was monumental. The Last
Sleep of the Virgin was
originally scored for
string orchestra. This
arrangement for woodwind
and brass offers the
opportunity for this
gentle music to be heard
in a different hue,
whilst keeping its
inherent beauty for the
satisfaction of those
performing it and sharing
the experience as
listeners.
Concert band with batterie-fanfare instruments (natural horn brass band)) - easy...(+)
Concert band with
batterie-fanfare
instruments (natural horn
brass band)) - easy
(grade 2)
SKU:
RM.CARR00726-BA
Composed by Carriere.
Arranged by Laurent
Delbecq. French variety.
Orchestra. Full set.
Editions Robert Martin
#CARR00726-BA. Published
by Editions Robert Martin
(RM.CARR00726-BA).
Brass Band (Score & Parts) - Grade 5 SKU: HL.44012770 Composed by Philip ...(+)
Brass Band (Score &
Parts) - Grade 5
SKU:
HL.44012770
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Softcover.
Composed 2008. Anglo
Music Press #AMP236-030.
Published by Anglo Music
Press (HL.44012770).
9x12 inches.
English-German-French-Dut
ch.
Philip
Sparke's The
Saga Of Haakon The
Good for Brass Band.
Score and parts.
The Saga of
Haakon the Good werd
geschreven in opdracht
van Frei Hornmusikk uit
Noorwegen, ter
gelegenheid van het
samengaan van de twee
Kommuner (gemeenten) Frei
en Kristiansund op 1
januari 2008. Deze
brassband gebruikte het
werk bij het Noorse
Nationale
Brassbandkampioenschap in
februari. De compositie
is gebaseerd op
belangrijke
gebeurtenissen in het
leven van Haakon de Goede
(ca. 920-961), die koning
Haakon 1 van Noorwegen
werd - THE FUTURE KING.
Hij werd opgevoed door
koning Adelstein
(Athelstan van Engeland)
als onderdeel van een
vredesovereenkomst die
zijn vader had gesloten.
De Engelse koning bracht
hem de christelijke
godsdienst bij. Toen het
nieuws kwam dat zijnvader
was overleden, kreeg
Haakon een aantal schepen
met bemanning mee om ten
strijde te trekken tegen
zijn halfbroer Erik
Bloedbijl, die tot koning
was uitgeroepen. In
Noorwegen aangekomen trok
hij noordwaarts - THE
JOURNEY TO TRONDHEIM -,
waar hij de steun van
landeigenaren wist te
verkrijgen door ze te
beloven dat hij de
belastingen die zijn
vader hief, zou
afschaffen.De zoons van
Erik zochten steun bij de
Denen, maar ze werden
verslagen door Haakon,
die slaagde in alles wat
hij deed, behalve in zijn
pogingen het christendom
in het land te
introduceren - THE
MISSIONARY KING. Hij
voelde zich niet
opgewassen tegen het
verzet dat hij hierin
ondervond. Een van zijn
beroemdste overwinningen
was de slag bij
Rastarkalv (dicht bij
Frei) - THE BATTLE OF
RASTARKALV - in 955. Door
tien vaandels ver van
elkaar te plaatsen langs
een lage bergkam (om de
indruk te wekken dat zijn
leger groter was dan in
werkelijkheid) lukte het
hem om Eriks zoons het
idee te geven dat zij in
de minderheid waren. De
Denen vluchtten en het
leger van Haakon
zegevierde. De genoemde
tien vaandels worden
weergegeven door tien
luide akkoorden vanaf
maat 420.
The
Saga of Haakon the
Good reflektiert das
Leben von Konig Haakon I
von Norwegen (um
920-961). Jeder der vier
Satze dieses Werkes hat
etwas Besonderes zu
bieten - von
ausdrucksvollen
Lento-Passagen bis zu
dynamischen rhythmischen
Abschnitten und vielen
spannenden Soli. The
Saga of Haakon the
Good war bereits
Pflichtstück bei
den British National
Brass Band Championships
2008. Wahrhaft
meisterlich!
Un
superbe morceau impose,
par le roi des imposes
Philip Sparke. Base sur
la legende de Haakon le
bon (vers 920-961).
Concert Band (Score) - Grade 4 SKU: HL.44012979 For Concert Band (Scor...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.44012979
For
Concert Band (Score).
Composed by Philip
Sparke. Anglo Music
Concert Band. Concert
March. Softcover.
Composed 2016. Anglo
Music Press #AMP440120.
Published by Anglo Music
Press (HL.44012979).
UPC: 888680706067.
English-German-French-Dut
ch.
Salute to the
Victor is in traditional
march form and contains,
as a tribute to Victor
Grieve who was a devotee
of English music (in
particular that of Sir
Edward Elgar), a short
quote from Elgar s Sea
Pictures in the trio.
Salute to the Victor was
commissioned by Helen,
Alex and James Grieve for
the Golden Kangaroos
(Hornsby Concert Band)
from Sydney, Australia,
in memory of their
parents, Louise and
Victor Grieve, Founder
and Director.
Rosa Gallica Orchestre d'harmonie De Haske Publications
Concert Band (SCORE+PARTS) - Level 3.5 SKU: HL.4006429 Composed by Jacob ...(+)
Concert Band
(SCORE+PARTS) - Level 3.5
SKU: HL.4006429
Composed by Jacob De
Haan. De Haske Concert
Band. Concert. Softcover.
Duration 510 seconds. De
Haske Publications #DHP
1206227. Published by De
Haske Publications
(HL.4006429).
UPC:
888680989880. 9.0x12.0
inches.
Rosa
Gallica has been written
to commemorate the
centenary of the First
World War. The work
focuses largely on France
as a lot of the fighting
took place there. With
the title Rosa Gallica
(French rose), the
composer wishes to
emphasize the poetic
image of the rose. The
stem represents the years
gone by - such as those
taken up by the First
World War - and the
thorns refer to the
conflict and the pain
that the victims had to
endure. The rose itself
forms the picture of
beauty - and symbolizes
opening up to a peaceful
world. The piece depicts
France from the end of
the 19th century through
to its role at the heart
of the First World War
and beyond. A spectacular
and dramatic new work by
Jacob de Haan.