Concert Band Clarinet - Grade 1 SKU: FJ.B1131 Composed by Andrew Balent. ...(+)
Concert Band Clarinet -
Grade 1
SKU:
FJ.B1131
Composed by
Andrew Balent. Arranged
by Andrew Balent. Concert
Band. FJH Beginning Band.
Score and Part(s).
Duration 2:00. The FJH
Music Company Inc
#98-B1131. Published by
The FJH Music Company Inc
(FJ.B1131).
UPC:
674398209965.
English.
This is a
wonderful way to feature
the lyrical playing of
your beginning clarinet
section. A simple
accompaniment in 3/4
provides a nice
background for the
beautiful melody
presented by the
clarinets. Plenty of cues
are provided, as well as
ample amounts of rest, in
each part. An excellent
choice to teach phrasing,
and show off the lyrical
abilities of your band.
(2:00).
About FJH
Beginning
Band
Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1.
Concert Band Concert Band - Grade 1 SKU: FJ.B1018 Composed by Brian Balma...(+)
Concert Band Concert Band
- Grade 1
SKU:
FJ.B1018
Composed by
Brian Balmages. Arranged
by Brian Balmages.
Beginning Band. FJH
Beginning Band. Score and
Part(s). Duration 2:00.
The FJH Music Company Inc
#98-B1018. Published by
The FJH Music Company Inc
(FJ.B1018).
UPC:
674398205479.
English.
A
beginning band piece
limited to a 6-note
range, Rite of Passage
will have your band
playing together in very
little time. Utilizing
smaller chamber sections
as well as the full band,
this is an excellent
teaching piece. With no
clarinets over the break
and no trumpets higher
than a written A, this is
a very easy Grade 1
concert march.
(2:00).
About FJH
Beginning
Band
Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1.
The Voyage Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS115 Composed by George Sweet. SWS ...(+)
Band Concert Band - Grade
2
SKU: CF.YPS115
Composed by George Sweet.
SWS FS. Young Performance
Series. Set of Score and
Parts. With Standard
notation.
16+4+8+8+4+4+10+4+4+4+4+4
+12+4+6+6+1+1+4+4+16
pages. Duration 2
minutes, 35 seconds. Carl
Fischer Music #YPS115.
Published by Carl Fischer
Music (CF.YPS115).
ISBN 9780825888038.
UPC: 798408088033. 9x12
inches. Key: Eb
major.
At first
lush and mysterious, then
light and uplifting, The
Voyage begins. Newcomer
George Sweet brings us
some invigorating ideas
and harmonic treatments,
as well as shifting
hythmic feels from 4/4 to
3/4 time. There is some
great interplay between
various sections of the
band that changes from
light woodwind sounds to
strong brass
interjections. George is
a composer to watch in
the years to come.
Composed
by George Sweet. Concert
Band (CPS). Full score.
With Standard notation.
28 pages. Carl Fischer
Music #CPS228F. Published
by Carl Fischer Music
(CF.CPS228F).
ISBN
9781491153222. UPC:
680160910724.
Black
light is defined as
infrared or ultraviolet
light which is invisible
to the naked eye. The
idea of an entire spectra
existing out of the range
of human perception was a
large influencing factor
for George Sweet in the
composition of this
piece. Richly scored
for the modern concert
band, Black Light is
written in a
post-minimalist style and
is also heavily
influenced by the work of
American composers Steve
Reich, John Adams, and
Philip Glass. Black
light is defined as
infrared or ultraviolet
light which is invisible
to the naked eye. The
idea of an entire spectra
existing out of the range
of human perception was
an influencing factor on
the composition of the
piece. Black Light is
written in a
post-minimalist style and
is also heavily
influenced by the work of
American composers Steve
Reich, John Adams, and
Philip Glass.This begins
with strict motor
accompaniment. Take care
to maintain equal balance
among the different
“moving
parts†so that they
blend to create a solid
whole both here and
throughout the piece. The
primary thematic material
is stated by the trumpets
and horns at m. 12. This
material is the basis for
much of the harmonic and
thematic material that
follows. A slightly
varied statement of the
main theme is presented
again at m. 26 with a
different type of motor
accompaniment. This leads
to a B-section at m. 44,
which is a bold
fanfare-like presentation
of the main material.
Another series of
variations on the main
theme begins at m. 50 and
incorporates many
different textural and
harmonic ideas in the
accompaniment. Once
again, be careful to not
let any one “moving
part†overwhelm
another and keep the
texture evenly balanced.
 A second, broader
presentation of the
B-section occurs at m. 90
and leads to a subdued
C-section at m. 100 with
new melodic material
presented in the trumpet.
A whimsical march-like
section pushes to the
return of the
introductory motor
material at m. 131. A
final heroic presentation
of the main thematic
material results in a
somewhat ambiguous coda,
which brings the piece to
a dramatic
conclusion.
Composed by
George Sweet. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
8+8+4+8+16+16+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+8+1+2+2+
2+2+4+8+2+28+4 pages.
Duration 4 minutes, 35
seconds. Carl Fischer
Music #CPS228. Published
by Carl Fischer Music
(CF.CPS228).
ISBN
9781491152546. UPC:
680160910045.
Black
light is defined as
infrared or ultraviolet
light which is invisible
to the naked eye. The
idea of an entire spectra
existing out of the range
of human perception was a
large influencing factor
for George Sweet in the
composition of this
piece. Richly scored
for the modern concert
band, Black Light is
written in a
post-minimalist style and
is also heavily
influenced by the work of
American composers Steve
Reich, John Adams, and
Philip Glass. Black
light is defined as
infrared or ultraviolet
light which is invisible
to the naked eye. The
idea of an entire spectra
existing out of the range
of human perception was
an influencing factor on
the composition of the
piece. Black Light is
written in a
post-minimalist style and
is also heavily
influenced by the work of
American composers Steve
Reich, John Adams, and
Philip Glass.This begins
with strict motor
accompaniment. Take care
to maintain equal balance
among the different
“moving
parts†so that they
blend to create a solid
whole both here and
throughout the piece. The
primary thematic material
is stated by the trumpets
and horns at m. 12. This
material is the basis for
much of the harmonic and
thematic material that
follows. A slightly
varied statement of the
main theme is presented
again at m. 26 with a
different type of motor
accompaniment. This leads
to a B-section at m. 44,
which is a bold
fanfare-like presentation
of the main material.
Another series of
variations on the main
theme begins at m. 50 and
incorporates many
different textural and
harmonic ideas in the
accompaniment. Once
again, be careful to not
let any one “moving
part†overwhelm
another and keep the
texture evenly balanced.
 A second, broader
presentation of the
B-section occurs at m. 90
and leads to a subdued
C-section at m. 100 with
new melodic material
presented in the trumpet.
A whimsical march-like
section pushes to the
return of the
introductory motor
material at m. 131. A
final heroic presentation
of the main thematic
material results in a
somewhat ambiguous coda,
which brings the piece to
a dramatic
conclusion.
Concert band SKU: GI.G-M523 Full Score with MP3s. Composed by Jame...(+)
Concert band
SKU:
GI.G-M523
Full
Score with MP3s.
Composed by James
Froseth. This edition:
Teacher's Resource
edition for Book 2. Band
Method. Do It! Music
Education. Book. GIA
Publications #M523.
Published by GIA
Publications (GI.G-M523).
ISBN 9781579992378.
English.
This major
band method by James O.
Froseth has it all:
Artist performers set
musical standards in
sound with more than 80
great performances on CD
for every instrument, and
one CD lasts for the
entire book! Performers
include: Michael Henoch
(Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert Blaser
(Cleveland State
University), Brian Bowman
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton
(LA percussion recording
artist and clinician),
Donald Sinta, Richard
Beene, Bryan Kennedy,
Debra Chodacki, Fritz
Kaenzig (University of
Michigan), Kristin Beene
(Toledo Symphony
Orchestra), and Jean
Moorehead Libs (Plymouth
Symphony Orchestra).
Professional studio
backgrounds capture the
rich diversity of
American music culture
with a repertoire of
American, Latin American,
African, European, and
Far Eastern styles. Music
of other times includes
12th-century conductus,
15th-century Dance of the
Bouffons, 16th-century
French branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll. The
repertoire and recorded
contexts are motivating,
informative, and entirely
musical. Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture. A unique
Rhythmic Pattern
Dictionary allows
students to look it up
and listen up. An
individualized format
allows students to
progress at different
rates with a theme and
variation format. Ear
training and
improvisation are
integral parts of the
lesson format. A 550+
page Teacher's Resource
edition and musical score
provides options galore,
including a double CD
with listen and play
exercises for group
instruction,
supplementary exercises
for technical
development, and resource
material for
improvisation and
composition. All the
resources needed for
teaching to the National
Standards for Music are
provided (coordinates
with rhythm flashcards).
Book 2 features
innovative, but optional
use of world percussion
instruments, as developed
by percussion educator
Steve Houghton. Click
here to download the
audio recordings for the
Book 2 Teacher's
Edition.
Concert Band - Grade 3 SKU: AP.47418S Featuring: The Army Goes Rolling...(+)
Concert Band - Grade 3
SKU: AP.47418S
Featuring: The Army
Goes Rolling Along / The
Marine's Hymn / Anchors
Aweigh / The U.S. Air
Force Song / Semper
Paratus (Always
Ready). Composed by
Various. Arranged by
Douglas E. Wagner.
Concert Band; Performance
Music Ensemble; Single
Titles. Pop Concert Band.
4th of July; Patriotic;
Summer. Score. 36 pages.
Duration 3:30. Alfred
Music #00-47418S.
Published by Alfred Music
(AP.47418S).
ISBN
9781470658717. UPC:
038081541938.
English.
In tribute
to these stalwart
defenders of freedom and
liberty, actively serving
here or abroad, and those
who have ever in the past
taken the oath of
enlistment and put on the
uniform, this medley
stands in testament,
along with the hearts of
a grateful nation. This
medley will naturally
assume pride of place on
any concert program with
an array of supplemental
ideas to enhance the
grandeur. A must-have in
every library, they'll
likely be singing along!
(3:30).
Blue Shades Orchestre d'harmonie [Conducteur] Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Conductor Full Score.
Duration 10:00. Published
by Manhattan Beach Music.
Level: Grade 5.
Blue Shades Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Level: Grade 5. Conductor
score and set of parts.
Duration 10:00. Published
by Manhattan Beach Music.
Arranged by Wil van der
Beek. Great Classics. Set
(Score & Parts). Composed
2012. De Haske
Publications #DHP
1125039-010. Published by
De Haske Publications
(BT.DHP-1125039-010).
Composed by Derek
Bourgeois. Band Music.
Score and parts. Duration
17:40. Published by G & M
Brand Music Publishers
(CN.R10193).
With
inspiration taken from
composers Maurice Ravel,
Arthur Benjamin and
Charles Ives, Bourgeois
take s a tongue-in-cheek
approach to this
challenging 3-movement
work. While the work is
infused with humor
throughout, it still
showcases his mastery of
the wind band
idiom.
In 1972, I
wrote a Sonata for Two
Pianos for two friends
who were piano teachers
at Wellington College.
When in 1995 I was asked
to write a work for wind
band, I returned to this
Sonata and have
re-arranged and in the
new version renamed it
Fantasy Triptych. There
are three movements: 1.
Le Tombeau d'Arthur
Benjamin Ravel wrote 'Le
Tombeau de Couperin,'
Arthur Benjamin wrote 'Le
Tombeau de Ravel' and so
the temptation to write
'Le Tombeau d'Arthur
Benjamin' was
overwhelming. At the end
of the movement there is
an oblique reference to
Benjamin's own 'Jamaican
Rumba' which accompanies
a quote from an old
Spanish folk song 'Loro,
enciende el hervidor de
agua.' 2. Mr. Bolt goes
for a ride in his motor
car, and Monsieur Ravel
turns in his grave. The
movement is dedicated to
an old friend, Geoffrey
Bolt, who adores the
music of Ravel. but at
the time of writing was
learning to drive. He
always described his
vehicle as a motor car.
To describe him as an
impatient motorist would
be a gross
understatement. The
refined suavity of
Ravel's music was in
complete contrast to
these early
manifestations of road
rage, hence the central
angry outburst. 3. The
War March of the
Ostriches The music of
Charles Ives was
fascinating me at the
time of writing this
movement and some of the
influence has rubbed off
in this rondo-like march.
At the end there is a
quote from the very
beginning of the first
movement. The title was
inspired by the amusing
antics of a group of
ostriches during a visit
to Bristol Zoo.
Composed by Derek
Bourgeois. Band Music.
Score only. Duration
17:40. Published by G & M
Brand Music Publishers
(CN.S11193).
With
inspiration taken from
composers Maurice Ravel,
Arthur Benjamin and
Charles Ives, Bourgeois
take s a tongue-in-cheek
approach to this
challenging 3-movement
work. While the work is
infused with humor
throughout, it still
showcases his mastery of
the wind band
idiom.
In 1972, I
wrote a Sonata for Two
Pianos for two friends
who were piano teachers
at Wellington College.
When in 1995 I was asked
to write a work for wind
band, I returned to this
Sonata and have
re-arranged and in the
new version renamed it
Fantasy Triptych. There
are three movements: 1.
Le Tombeau d'Arthur
Benjamin Ravel wrote 'Le
Tombeau de Couperin,'
Arthur Benjamin wrote 'Le
Tombeau de Ravel' and so
the temptation to write
'Le Tombeau d'Arthur
Benjamin' was
overwhelming. At the end
of the movement there is
an oblique reference to
Benjamin's own 'Jamaican
Rumba' which accompanies
a quote from an old
Spanish folk song 'Loro,
enciende el hervidor de
agua.' 2. Mr. Bolt goes
for a ride in his motor
car, and Monsieur Ravel
turns in his grave. The
movement is dedicated to
an old friend, Geoffrey
Bolt, who adores the
music of Ravel. but at
the time of writing was
learning to drive. He
always described his
vehicle as a motor car.
To describe him as an
impatient motorist would
be a gross
understatement. The
refined suavity of
Ravel's music was in
complete contrast to
these early
manifestations of road
rage, hence the central
angry outburst. 3. The
War March of the
Ostriches The music of
Charles Ives was
fascinating me at the
time of writing this
movement and some of the
influence has rubbed off
in this rondo-like march.
At the end there is a
quote from the very
beginning of the first
movement. The title was
inspired by the amusing
antics of a group of
ostriches during a visit
to Bristol Zoo.
Composed by
John Pasternak. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
8+8+4+8+16+16+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+8+4+2+4+
4+24+4 pages. Duration 4
minutes, 4 seconds. Carl
Fischer Music #CPS214.
Published by Carl Fischer
Music (CF.CPS214).
ISBN 9781491152409.
UPC:
680160909902.
Adven
ture Express is about
a train heading out to
the old west, seeking new
adventures and new
opportunities. The piece
focuses on the beautiful
country sides,
breathtaking vistas and
the hard work of building
a new land. It is a
contest style piece by
budding composer John
Pasternak. It is tuneful
and well-scored. Perfect
for your next
contest/festival
performance. Adventure
Express is about a train
heading out to the old
west, seeking new
adventures and new
opportunities. The piece
focuses on the beautiful
countrysides,
breathtaking vistas and
the hard work of building
a new land.The beginning
of the piece should have
a very marcato feel.
Measure 18 should have a
lighter feel than the
beginning, with the snare
drum playing the part of
the rail cars going over
the tracks. Be sure to
pay attention to the
accents in the trumpet,
xylophone and snare drum
lining up with the
accents played by the
rest of the
ensemble. At m. 55,
the xylophone should ring
out and should be played
with intention. At m. 71,
the piece returns to a
marcato style, and
remains until the end of
the piece. There are a
few sudden dynamic
changes that are crucial
for effect, so pay close
attention to those
changes.
Composed
by John Pasternak.
Concert Band (CPS). Full
score. With Standard
notation. 24 pages. Carl
Fischer Music #CPS214F.
Published by Carl Fischer
Music (CF.CPS214F).
ISBN 9781491153086.
UPC:
680160910588.
Adven
ture Express is about
a train heading out to
the old west, seeking new
adventures and new
opportunities. The piece
focuses on the beautiful
country sides,
breathtaking vistas and
the hard work of building
a new land. It is a
contest style piece by
budding composer John
Pasternak. It is tuneful
and well-scored. Perfect
for your next
contest/festival
performance. Adventure
Express is about a train
heading out to the old
west, seeking new
adventures and new
opportunities. The piece
focuses on the beautiful
countrysides,
breathtaking vistas and
the hard work of building
a new land.The beginning
of the piece should have
a very marcato feel.
Measure 18 should have a
lighter feel than the
beginning, with the snare
drum playing the part of
the rail cars going over
the tracks. Be sure to
pay attention to the
accents in the trumpet,
xylophone and snare drum
lining up with the
accents played by the
rest of the
ensemble. At m. 55,
the xylophone should ring
out and should be played
with intention. At m. 71,
the piece returns to a
marcato style, and
remains until the end of
the piece. There are a
few sudden dynamic
changes that are crucial
for effect, so pay close
attention to those
changes.
Mirage Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1115006-010 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1115006-010
Composed by Jacob De
Haan. On Parade! March.
Set (Score & Parts).
Composed 2010. De Haske
Publications #DHP
1115006-010. Published by
De Haske Publications
(BT.DHP-1115006-010).
MARS (135X180)
inches.
A mirage is
an illusion, something
without substance that
does not really exist.
Although not real, its
unattainable nature is
perfect for musical
inspiration. Composer
Jacob de Haan was
strolling through a
picturesque forest of the
Dutch Gelderland when he
thought he saw a body of
water. While there was no
water, its mere image
created waves that can be
relived in De
Haan’s original
composition, Mirage.
Mirage is
het Engelse synoniem voor
‘Fata
Morgana‘. De
creatieve aanleiding voor
deze compositie was dan
ook het verhaal van een
wandelaar die in een
boslandschap in
Gelderland water denkt te
zien. Het in het triodeel
deelsgezongen
‘wandelthemaâ€
brengt de vreugde die
de toeschouwer aan dit
natuurverschijnsel
beleeft bijzonder goed
tot
uitdrukking.
Mirag
e“ ist ein
englisches Synonym
für Fata
Morgana“. Als
kreativer Anstoß
für diese
Komposition diente Jacob
de Haan ein
Spaziergänger, der
durch eine Waldlandschaft
im holländischen
Gelderland geht und dabei
glaubt, ein Gewässer
zu sehen. Das im Trio
teilweise gesungene
Spaziergangs“-Thema
bringt die Freude an
diesem Naturerlebnis
besonders gut zum
Ausdruck.
Una sorta di
miraggio ha ispirato
Jacob de Haan a comporre
questo brano, prendendo
spunto appunto da un
“miraggio†di
uno specchio
d’acqua che gli si
è presentato durante
una passeggiata in una
foresta in Olanda. Il
tema della
“passeggiataâ€
parzialmente cantato nel
trio, enfatizza gli
spettacoli che la natura
ci offre.
Mirage Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1115006-140 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1115006-140
Composed by Jacob De
Haan. On Parade! March.
Score Only. Composed
2010. 16 pages. De Haske
Publications #DHP
1115006-140. Published by
De Haske Publications
(BT.DHP-1115006-140).
9x12 inches.
A
mirage is an illusion,
something without
substance that does not
really exist. Although
not real, its
unattainable nature is
perfect for musical
inspiration. Composer
Jacob de Haan was
strolling through a
picturesque forest of the
Dutch Gelderland when he
thought he saw a body of
water. While there was no
water, its mere image
created waves that can be
relived in De
Haan’s original
composition, Mirage.
Mirage is
het Engelse synoniem voor
‘Fata
Morgana‘. De
creatieve aanleiding voor
deze compositie was dan
ook het verhaal van een
wandelaar die in een
boslandschap in
Gelderland water denkt te
zien. Het in het triodeel
deelsgezongen
‘wandelthemaâ€
brengt de vreugde die
de toeschouwer aan dit
natuurverschijnsel
beleeft bijzonder goed
tot
uitdrukking.
Mirag
e“ ist ein
englisches Synonym
für Fata
Morgana“. Als
kreativer Anstoß
für diese
Komposition diente Jacob
de Haan ein
Spaziergänger, der
durch eine Waldlandschaft
im holländischen
Gelderland geht und dabei
glaubt, ein Gewässer
zu sehen. Das im Trio
teilweise gesungene
Spaziergangs“-Thema
bringt die Freude an
diesem Naturerlebnis
besonders gut zum
Ausdruck.
Una sorta di
miraggio ha ispirato
Jacob de Haan a comporre
questo brano, prendendo
spunto appunto da un
“miraggio†di
uno specchio
d’acqua che gli si
è presentato durante
una passeggiata in una
foresta in Olanda. Il
tema della
“passeggiataâ€
parzialmente cantato nel
trio, enfatizza gli
spettacoli che la natura
ci offre.
Red Earth Dances Orchestre d'harmonie [Conducteur] - Débutant C.L. Barnhouse
Concert band - Grade 1 SKU: CL.024-4405-01 Composed by Romeyn. Young Conc...(+)
Concert band - Grade 1
SKU:
CL.024-4405-01
Composed by Romeyn. Young
Concert Band. Rising Band
Series for Developing
Bands! Audio recording
available separately
(item CL.WFR386). Extra
full score. Composed
2015. Duration 2 minutes,
10 seconds. C.L.
Barnhouse #024-4405-01.
Published by C.L.
Barnhouse
(CL.024-4405-01).
Rob Romeyn has
penned a fun and engaging
work for young band that
your students will want
to play everyday! After a
powerful introduction,
the infectious Tribal
Groove is introduced by
the percussion section.
From here, a memorable
theme is presented amid
varied textures. Along
the way, dynamics,
rhythmic accents and
ensemble interpretation
are the teaching goals.
The energy and intensity
of your students will
make this tune come
alive, and sure to be the
hit of any
performance.
Quirks Orchestre d'harmonie - Intermédiaire Carl Fischer
Band concert band - Grade 5 SKU: CF.SPS51 Composed by Brant Karrick. SWS ...(+)
Band concert band - Grade
5
SKU: CF.SPS51
Composed by Brant
Karrick. SWS FS.
Symphonic Performance
Series. Set of Score and
Parts. With Standard
notation.
16+16+4+4+16+16+16+8+4+4+
4+4+16+8+8+12+12+12+16+16
+12+12+12+8+12+16+12+3+30
+21+36 pages. Duration 6
minutes, 8 seconds. Carl
Fischer Music #SPS51.
Published by Carl Fischer
Music (CF.SPS51).
ISBN
9780825888519. UPC:
798408088514. 9x12
inches.
Quirksâ€
”a word defined as a
sudden sharp turn or an
unpredictable peculiarity
of behavior or
action—demonstrate
s the capricious nature
of the title in its
musical character. The
music vacillates between
fast and slow, happy and
sad, extroverted and
introverted, and just
never goes where you
expect. There is plenty
of interplay between
winds and percussion as
the four and three notes
of the main motive are
tossed about the many
instrumental colors. This
is a tour-de-force,
destined to become a band
standard for more
advanced bands. You must
give this a careful
listen.
Music by Johann Sebastian Bach (1685-1750), John Edmondson. Conductor's score fo...(+)
Music by Johann Sebastian
Bach (1685-1750), John
Edmondson. Conductor's
score for concert band.
Grade 1.5. Series: Hal
Leonard Discovery Concert
Band. 112 pages.
Published by Hal Leonard.
Vivo! Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Young concert band - Grade 2 SKU: CL.011-4103-01 Galop. Composed b...(+)
Young concert band -
Grade 2
SKU:
CL.011-4103-01
Galop. Composed by
Kiefer. Arranged by
Glover. Young Concert
Band. Command Series.
Audio recording available
separately (item
CL.WFR377). Extra full
score. Composed 2012.
Duration 1 minute, 40
seconds. C.L. Barnhouse
#011-4103-01. Published
by C.L. Barnhouse
(CL.011-4103-01).
Hang on tight!
This breathtaking circus
galop is sure to be a
favorite! Playable at a
wide variety of speeds,
here’s a perfect
encore number or chaser
for your next concert.
Limited technical demands
allow you the chance to
play this at speeds
reaching up to - - - who
knows?!?!? Rollicking fun
from start to finish! How
fast can you go???
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Record Breaker Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4865-00 Galop. Composed by Barnhouse. Arranged...(+)
Grade 2
SKU:
CL.011-4865-00
Galop. Composed by
Barnhouse. Arranged by
Glover. Young Concert
Band. Command Series.
Score and set of parts.
Composed 2020. Duration 1
minute, 59 seconds. C.L.
Barnhouse #011-4865-00.
Published by C.L.
Barnhouse
(CL.011-4865-00).
Here’s a
piece that’s
accelerated fun for
performers and audiences,
from start to finish!
Record Breaker can be
played at a wide range of
tempos, but is most
effective when taken at a
full-blown galop tempo.
Limited ranges and
technical demands present
the opportunity to lay
this rollicking galop at
rapid tempos. An
excellent and fun closer
or encore for any concert
situation. See how fast
you can go, and maybe you
can break the record!
Zoom!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Starscapes Orchestre d'harmonie [Conducteur] - Facile FJH
Concert Band Concert Band - Grade 2 SKU: FJ.B1333S Score Only. Com...(+)
Concert Band Concert Band
- Grade 2
SKU:
FJ.B1333S
Score
Only. Composed by
Brian Balmages. Concert
Band. FJH Young Band.
Programmatic. Score.
Duration 4:45. The FJH
Music Company Inc
#98-B1333S. Published by
The FJH Music Company Inc
(FJ.B1333S).
English.
This
three-movement
programmatic work is
based on various
constellations and their
Greek mythologies.
Movements include Orion
(The Hunter), Draco (The
Dragon), and Pegasus (The
Winged Horse). The
opening movement paints a
picture of the night sky
before introducing the
mighty Orion. The second
movement depicts the
fiery dragon and its
fierce triple row of
teeth. (An optional
lion's roar enhances the
movement.) The final
movement takes listeners
on a flight with Pegasus,
beginning with a fast
gallop on the ground
before the magnificent
animal takes flight. The
movements can be
performed separately or
as a whole. Absolutely
stunning!
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Concert Band Concert Band - Grade 1 SKU: FJ.B1234S Score Only. Com...(+)
Concert Band Concert Band
- Grade 1
SKU:
FJ.B1234S
Score
Only. Composed by
Brian Balmages. Arranged
by Brian Balmages.
Concert Band. FJH
Beginning Band. Score.
Duration 2:18. The FJH
Music Company Inc
#98-B1234S. Published by
The FJH Music Company Inc
(FJ.B1234S).
English.
You'll
be surprised to know that
this great sounding work
uses only six notes in
all instruments, with the
exception of the
clarinets, which also use
a low written B to
involve the right hand.
The piece has a
Renaissance quality to it
and includes a middle
processional theme (at
the same tempo) to work
on legato playing.
Optional parts are
included for clarinet 2
and trumpet 2. There is
something for everyone in
this dynamic addition to
the repertoire!
About FJH
Beginning
Band
Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1.
Danceries by Kenneth Hesketh. Concert Band. For Wind Band. Part(s); Score; Wind ...(+)
Danceries by Kenneth
Hesketh. Concert Band.
For Wind Band. Part(s);
Score; Wind Band. Faber
Edition: Faber Wind Band
Series. 20th Century;
Masterwork. Published by
Faber Music
Orchestre d'harmonie [Conducteur] Faber Music Limited
Composed by Kenneth Hesketh. 5 or More; Performance Music Ensemble; Solo Small E...(+)
Composed by Kenneth
Hesketh. 5 or More;
Performance Music
Ensemble; Solo Small
Ensembles; Wind Band.
Faber Edition: Faber Wind
Band Series. Form: Dance.
20th Century; Masterwork.
Score. Faber Music
#12-0571564704. Published
by Faber Music
Concert Band Concert Band - Grade 1 SKU: FJ.B1796 On a poem by William...(+)
Concert Band Concert Band
- Grade 1
SKU:
FJ.B1796
On a poem
by William
Wordsworth. Composed
by Timothy Loest. Concert
Band. FJH Beginning Band.
Form: Chorale. Score and
Part(s). The FJH Music
Company Inc #98-B1796.
Published by The FJH
Music Company Inc
(FJ.B1796).
UPC:
241444412466.
English.
This
incredibly expressive
work uses lush harmonies,
flowing phrases, and
interlacing textures to
depict the transcendent
beauty and grandeur of
clouds as they hover
across the sky. Easily
achievable by young
bands, this work is
equally suited for mature
ensembles. A great study
in musicianship that will
have your audience
looking up to the
heavens.
About FJH
Beginning
Band
Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1.