Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.46500013L
For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L).
UPC:
680160600151. 11 x 14
inches.
I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
When We Go Orchestre d'harmonie - Intermédiaire Excelcia Music Publishing
Concert Band Concert Band - Grade 4 SKU: XC.MCB1901 Composed by Tyler Arc...(+)
Concert Band Concert Band
- Grade 4
SKU:
XC.MCB1901
Composed
by Tyler Arcari. Concert
Concert Band. Maestro
Band Series. Concert and
Contest. Classical,
Acoustic. Set of parts.
Excelcia Music Publishing
#MCB1901. Published by
Excelcia Music Publishing
(XC.MCB1901).
UPC:
812598032222. 9 x 12
inches.
When We Go
is an introspective
journey into our time
here on earth dedicated
to loved ones lost.
Composer Tyler Arcari
weaves a personal tale
throughout this piece
utilizing returning
melodic lines and
harmonic anchor points. A
creative and heartfelt
piece that will inspire
musicians.
When We Go... Orchestre d'harmonie [Conducteur] - Intermédiaire Excelcia Music Publishing
Concert Band Concert Band - Grade 4 SKU: XC.MCB1901FS Composed by Tyler A...(+)
Concert Band Concert Band
- Grade 4
SKU:
XC.MCB1901FS
Composed
by Tyler Arcari. Concert
Concert Band. Maestro
Band Series. Concert and
Contest. Classical,
Acoustic. Score. Excelcia
Music Publishing
#MCB1901FS. Published by
Excelcia Music Publishing
(XC.MCB1901FS).
UPC:
812598031607. 9 x 12
inches.
When We Go
is an introspective
journey into our time
here on earth dedicated
to loved ones lost.
Composer Tyler Arcari
weaves a personal tale
throughout this piece
utilizing returning
melodic lines and
harmonic anchor points. A
creative and heartfelt
piece that will inspire
musicians.
On the Movieset Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000758-140 Composed by John E...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.GOB-000758-140
Composed by John Emerson
Blackstone. Score Only.
36 pages. Gobelin Music
Publications #GOB
000758-140. Published by
Gobelin Music
Publications
(BT.GOB-000758-140).
Glitter and
glamour, good-looking
people, a lot of Bling
Bling and fast cars
images like these will
cross our minds when we
think of the movie world.
However, reality proves
to be different : as a
rule, a tremendous amount
of work will have been
done on the set before a
film is ready to be shown
on the big screen. A
visit to an actual movie
set inspired John Emerson
Blackstone to write a
composition bearing the
same name. He had both
seen a number of
characteristic attributes
and heard the typical
phrases used in film
making, and he
incorporated them into
‘On the Movie Set’
.
In the first
part, ‘The
Clapboard’, a
‘director’s
assistant’ is supposed
to shout “Quieton the
set’” and
“Action!”, as is done
before a real scene is
shot. Subsequently, in
order to create the right
atmosphere, the clacking
of a ‘Clapboard’
should be heard.
During a romantic scene
we should be transported
to another world by means
of sweet sounds in the
background, so romantic
music is of course heard
in the next part, ‘Love
Scene’. At the end
of a long working day
‘It’s a wrap’ is
called on the set to
inform everyone that the
filming on that day is
completed.
Now
there is only one more
thing left to dream of :
an Oscar.....
Perf. Note: The use
of the right props will
add to the performance
and appreciation of ‘On
the Movie Set’. A red
carpet and a glamorous
reception should give
your audience the feeling
they are attending a real
‘opening night’!
‘Glamour’ en
‘Glitter’, mooie
mensen, veel ‘bling
bling’ en snelle
auto’s. Zomaar een
aantal zaken waar we aan
denken als het om de
filmwereld gaat. Maar
voordat de film klaar is
voor de bioscoop moet er
doorgaans hard gewerkt
wordentijdens het draaien
op de filmset. Een
bezoekje op een filmset
inspireerde John Emerson
Blackstone tot het
schrijven van ‘On the
Movieset’. Hij zag een
aantal zeer
karakteristieke
attributen en hoorde
kreten die hij
verwerktein deze
compositie.
In
het eerste deel: ‘The
Clapboard’, is het de
bedoeling dat de
assistent van de
regisseur ‘de bekende
kreten’ (Quiet on the
set of And Action!)
roept, voordat er een
take opgenomen wordt.
Daarnamoet natuurlijk met
een ‘Clapboard’
geklakt worden. Bij
een ‘Love Scene’
hoort uiteraard
sfeerverhogende
romantische muziek. Want
zwijmelen bij een film
gaat nu eenmaal niet
zonder zoete klanken.
Aan het einde van
eenlange dag klinkt
altijd ‘It’s a
wrap’. Dit betekent dat
het laatste shot van de
dag gemaakt is.
Nu maar hopen dat er een
oscar in het verschiet
ligt.
Perf.
Note: Het gebruik van
de juiste rekwisieten
zalde uitvoering en
waardering van ‘On the
Movieset’ ten goede
komen. Een rode loper en
een chique ontvangst
zullen uw gasten een echt
‘premi?re’ gevoel
geven.
On the Movieset Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000758-010 Composed by John E...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.GOB-000758-010
Composed by John Emerson
Blackstone. Set (Score &
Parts). Gobelin Music
Publications #GOB
000758-010. Published by
Gobelin Music
Publications
(BT.GOB-000758-010).
Glitter and
glamour, good-looking
people, a lot of Bling
Bling and fast cars
images like these will
cross our minds when we
think of the movie world.
However, reality proves
to be different : as a
rule, a tremendous amount
of work will have been
done on the set before a
film is ready to be shown
on the big screen. A
visit to an actual movie
set inspired John Emerson
Blackstone to write a
composition bearing the
same name. He had both
seen a number of
characteristic attributes
and heard the typical
phrases used in film
making, and he
incorporated them into
‘On the Movie Set’
.
In the first
part, ‘The
Clapboard’, a
‘director’s
assistant’ is supposed
to shout “Quieton the
set’” and
“Action!”, as is done
before a real scene is
shot. Subsequently, in
order to create the right
atmosphere, the clacking
of a ‘Clapboard’
should be heard.
During a romantic scene
we should be transported
to another world by means
of sweet sounds in the
background, so romantic
music is of course heard
in the next part, ‘Love
Scene’. At the end
of a long working day
‘It’s a wrap’ is
called on the set to
inform everyone that the
filming on that day is
completed.
Now
there is only one more
thing left to dream of :
an Oscar.....
Perf. Note: The use
of the right props will
add to the performance
and appreciation of ‘On
the Movie Set’. A red
carpet and a glamorous
reception should give
your audience the feeling
they are attending a real
‘opening night’!
‘Glamour’ en
‘Glitter’, mooie
mensen, veel ‘bling
bling’ en snelle
auto’s. Zomaar een
aantal zaken waar we aan
denken als het om de
filmwereld gaat. Maar
voordat de film klaar is
voor de bioscoop moet er
doorgaans hard gewerkt
wordentijdens het draaien
op de filmset. Een
bezoekje op een filmset
inspireerde John Emerson
Blackstone tot het
schrijven van ‘On the
Movieset’. Hij zag een
aantal zeer
karakteristieke
attributen en hoorde
kreten die hij
verwerktein deze
compositie.
In
het eerste deel: ‘The
Clapboard’, is het de
bedoeling dat de
assistent van de
regisseur ‘de bekende
kreten’ (Quiet on the
set of And Action!)
roept, voordat er een
take opgenomen wordt.
Daarnamoet natuurlijk met
een ‘Clapboard’
geklakt worden. Bij
een ‘Love Scene’
hoort uiteraard
sfeerverhogende
romantische muziek. Want
zwijmelen bij een film
gaat nu eenmaal niet
zonder zoete klanken.
Aan het einde van
eenlange dag klinkt
altijd ‘It’s a
wrap’. Dit betekent dat
het laatste shot van de
dag gemaakt is.
Nu maar hopen dat er een
oscar in het verschiet
ligt.
Perf.
Note: Het gebruik van
de juiste rekwisieten
zalde uitvoering en
waardering van ‘On the
Movieset’ ten goede
komen. Een rode loper en
een chique ontvangst
zullen uw gasten een echt
‘premi?re’ gevoel
geven.
Two Symphonic Interludes Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000915-010 Composed by Harrie...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000915-010
Composed by Harrie
Janssen. Set (Score &
Parts). Gobelin Music
Publications #GOB
000915-010. Published by
Gobelin Music
Publications
(BT.GOB-000915-010).
Based on the
poems by German poet Carl
Hauptmann (late
Romanticism) and the
English poet William
Wordsworth (early
Romanticism).
Carl Hauptmann was in
poor health as a child,
but highly intelligent.
He studied philosophy,
psychology and biology.
In the latter he was
admitted to the degree of
doctor. His marriage
provided financial
independence, so that he
could focus on his
studies. Hauptmann
wrote various novels,
plays, poetry and
scientific works.
Night
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now the covering veil is
lifting quite: come
and look! See the
magicland before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
the dreaming country
sleeps. By the path
the shadow black and hogh
of a beach. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O my
soul! Drink of
solitude!
Carl
Hauptmann
Wordsworth 'introduced' a
new type of poetry, based
on the speech of the
common man. This was his
answer to the poetry of
the classicism which was
bound by rigid rules. His
definition of poetry was:
the spontaneous overflow
of powerful feelings from
emotions recollected in
tranquility.
My
heart leaps up when I
behold a rainbow in the
sky
My heart
leaps up when I behold A
rainbow in the sky:
So was it when my life
began. So is it now I
am a man. So be it
when I shall grow
old, Or let me
die! The Child is
father of the Man.
And I could wish my days
to be Bound each to each
by natural
piety.
William
Wordsworth
In a
truly poetic manner
Harrie Janssen has
transformed the
contemplative thoughts of
the poets into two
compositions for Concert
Band.
Two
Symphonic Interludes is
gebaseerd op gedichten
van de Duitse dichter
Carl Hauptmann (laat
Romantiek) en de Engelse
dichter William
Wordsworth (vroeg
Romantiek).
Carl
Hauptmann had als kind
een zeer zwakke
gezondheidmaar was zeer
intelligent. Hij
studeerde Filosofie,
Psychologie en Biologie.
In het laatste vak
promoveerde hij. Het
huwelijk zorgde voor
financiele
onafhankelijkheid zodat
hij zich kon richten op
zijn verdere studie.
Hauptmannschreef enkele
romans, toneelstukken,
poëzie en
wetenschappelijke
werken.
NIGHT -
Carl Hauptmann
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now thecovering veil is
lifting quite: come
and look! See the
magic land before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
thedreaming country
sleeps. By the path
the shadow black and hogh
of a beech. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O
mysoul! Drink of
solitude!
Wordsworth
'introduceerde' een nieuw
soort poëzie, gebaseerd
op de taal van de gewone
man. Het was een reactie
op de aan strenge regels
gebonden poëzie van het
Classicisme. Zijn
definitievan poëzie
luidde: 'the spontaneous
overflow of powerful
feelings from emotions
recollected in
tranquility'.
My
heart leaps up when I
behold a rainbow in the
sky - William
Wordsworth
My
heart leaps up whenI
behold A rainbow in
the sky: So was it
when my life began.
So is it now I am a
man. So be it when I
shall grow old, Or
let me die! The Child
is father of the Man.
And I could wish my days
to be
Two Symphonic Interludes Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000915-140 Composed by Harrie...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000915-140
Composed by Harrie
Janssen. Score Only.
Gobelin Music
Publications #GOB
000915-140. Published by
Gobelin Music
Publications
(BT.GOB-000915-140).
Based on the
poems by German poet Carl
Hauptmann (late
Romanticism) and the
English poet William
Wordsworth (early
Romanticism).
Carl Hauptmann was in
poor health as a child,
but highly intelligent.
He studied philosophy,
psychology and biology.
In the latter he was
admitted to the degree of
doctor. His marriage
provided financial
independence, so that he
could focus on his
studies. Hauptmann
wrote various novels,
plays, poetry and
scientific works.
Night
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now the covering veil is
lifting quite: come
and look! See the
magicland before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
the dreaming country
sleeps. By the path
the shadow black and hogh
of a beach. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O my
soul! Drink of
solitude!
Carl
Hauptmann
Wordsworth 'introduced' a
new type of poetry, based
on the speech of the
common man. This was his
answer to the poetry of
the classicism which was
bound by rigid rules. His
definition of poetry was:
the spontaneous overflow
of powerful feelings from
emotions recollected in
tranquility.
My
heart leaps up when I
behold a rainbow in the
sky
My heart
leaps up when I behold A
rainbow in the sky:
So was it when my life
began. So is it now I
am a man. So be it
when I shall grow
old, Or let me
die! The Child is
father of the Man.
And I could wish my days
to be Bound each to each
by natural
piety.
William
Wordsworth
In a
truly poetic manner
Harrie Janssen has
transformed the
contemplative thoughts of
the poets into two
compositions for Concert
Band.
Two
Symphonic Interludes is
gebaseerd op gedichten
van de Duitse dichter
Carl Hauptmann (laat
Romantiek) en de Engelse
dichter William
Wordsworth (vroeg
Romantiek).
Carl
Hauptmann had als kind
een zeer zwakke
gezondheidmaar was zeer
intelligent. Hij
studeerde Filosofie,
Psychologie en Biologie.
In het laatste vak
promoveerde hij. Het
huwelijk zorgde voor
financiele
onafhankelijkheid zodat
hij zich kon richten op
zijn verdere studie.
Hauptmannschreef enkele
romans, toneelstukken,
poëzie en
wetenschappelijke
werken.
NIGHT -
Carl Hauptmann
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now thecovering veil is
lifting quite: come
and look! See the
magic land before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
thedreaming country
sleeps. By the path
the shadow black and hogh
of a beech. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O
mysoul! Drink of
solitude!
Wordsworth
'introduceerde' een nieuw
soort poëzie,
gebaseerd op de taal van
de gewone man. Het was
een reactie op de aan
strenge regels gebonden
poëzie van het
Classicisme. Zijn
definitievan poëzie
luidde: 'the spontaneous
overflow of powerful
feelings from emotions
recollected in
tranquility'.
My
heart leaps up when I
behold a rainbow in the
sky - William
Wordsworth
My
heart leaps up whenI
behold A rainbow in
the sky: So was it
when my life began.
So is it now I am a
man. So be it when I
shall grow old, Or
let me die! The Child
is father of the Man.
And I could wish my days
to be
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043752-140 Composed by Modes...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043752-140
Composed by Modest
Petrovich Mussorgsky.
Arranged by Tohru
Takahashi. The Great
Classics. Concert Piece.
Score Only. Composed
2004. De Haske
Publications #DHP
1043752-140. Published by
De Haske Publications
(BT.DHP-1043752-140).
English-German-French-
Dutch.
Composer
Modest Moussorgsky
(1839-1881) came from the
prosperous environment of
Russian nobility. In
1865, after his
officer’s
education, he joined the
guard’s regiment
in St. Petersburg. Here
he met a number of
well-known
colleague-composers,
including Balakirev, Cui,
Rimsky- Korsakov and
Borodin. They strived to
develop a
“classical
style†of composing
while at the same time
retaining a strong
Russian influence. His
opera Boris Godunov tells
the tale of Boris, who
with the support of the
people, declared himself
Tsar, but totally fell
short of the role. The
opera became popular in
the re-orchestrated
version produced by
Rimsky-Korsakov in 1896.
Tohru Takahashi has
usedthe beautiful musical
themes of this opera in
Selections from Boris
Godunov - a captivating
work for concert band.
Moussorgskyâ€
s opera Boris
Godunov - gebaseerd
op het gelijknamige drama
van Aleksandr Pushkin
(waarin Boris Godunov
zichzelf met steun van
het volk uitroept tot
tsaar, maar in deze rol
compleet tekortschiet) -
werd populairin de
bewerking die
Rimsky-Korsakov in 1896
maakte. De
oorspronkelijke partituur
van Moussorgsky staat
echter vol originele
vondsten en
vooruitstrevende
harmonische, melodische
en instrumentale details.
Tohru Takahashi
gebruiktede prachtige
muzikale thematiek van
deze opera in
Selections from Boris
Godunov - een boeiend
werk voor
harmonieorkest.
Se
in Meisterwerk, die Oper
Boris Godunow,
schrieb Mussorgski auf
der Grundlage des
gleichnamigen Dramas von
Alexander Puschkin. In
diesem Stück
erklärt sich Boris
Godunow mit
Unterstützung des
Volkes selbst zum Zaren,
versagt aber kläglich
in dieser Rolle. Das Werk
ist voll von
einzigartigen Ideen und
damals sehr innovativen
harmonischen, melodischen
und instrumentalen
Details. Tohru Takahashi
verwendete in
Selections from Boris
Godunov die
wunderschönen
musikalischen Themen der
Oper - ein bezauberndes
Werk für
Blasorchester.
Compositore
essenzialmente
autodidatta, Modest
Mussorgski (1839-1881)
discende da una famiglia
agiata della nobilt
russa. Il suo capolavoro
lirico, Boris Godunov, si
basa sulla tragedia di
Alexander Puschkin, nella
quale Boris Godunov,
proclamatosi zar e
sostenuto dal popolo,
fallisce nel suo ruolo.
Nel 1896, l’opera
conosce il successo in
una versione ritoccata da
Rimski Korsakov. La
versione originale di
Mussorgski contiene idee
uniche, dettagli
armonici, melodici e
strumenti innovativi. Per
trascrivere questo brano
per banda, Tohru
Takahashi ha raccolto i
superlativi temi musicali
dell’opera.
Selections from Boris Godunov Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043752-010 Composed by Modes...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043752-010
Composed by Modest
Petrovich Mussorgsky.
Arranged by Tohru
Takahashi. The Great
Classics. Concert Piece.
Set (Score & Parts).
Composed 2004. De Haske
Publications #DHP
1043752-010. Published by
De Haske Publications
(BT.DHP-1043752-010).
English-German-French-
Dutch.
Composer
Modest Moussorgsky
(1839-1881) came from the
prosperous environment of
Russian nobility. In
1865, after his
officer’s
education, he joined the
guard’s regiment
in St. Petersburg. Here
he met a number of
well-known
colleague-composers,
including Balakirev, Cui,
Rimsky- Korsakov and
Borodin. They strived to
develop a
“classical
style†of composing
while at the same time
retaining a strong
Russian influence. His
opera Boris Godunov tells
the tale of Boris, who
with the support of the
people, declared himself
Tsar, but totally fell
short of the role. The
opera became popular in
the re-orchestrated
version produced by
Rimsky-Korsakov in 1896.
Tohru Takahashi has
usedthe beautiful musical
themes of this opera in
Selections from Boris
Godunov - a captivating
work for concert band.
Moussorgskyâ€
s opera Boris
Godunov - gebaseerd
op het gelijknamige drama
van Aleksandr Pushkin
(waarin Boris Godunov
zichzelf met steun van
het volk uitroept tot
tsaar, maar in deze rol
compleet tekortschiet) -
werd populairin de
bewerking die
Rimsky-Korsakov in 1896
maakte. De
oorspronkelijke partituur
van Moussorgsky staat
echter vol originele
vondsten en
vooruitstrevende
harmonische, melodische
en instrumentale details.
Tohru Takahashi
gebruiktede prachtige
muzikale thematiek van
deze opera in
Selections from Boris
Godunov - een boeiend
werk voor
harmonieorkest.
Se
in Meisterwerk, die Oper
Boris Godunow,
schrieb Mussorgski auf
der Grundlage des
gleichnamigen Dramas von
Alexander Puschkin. In
diesem Stück
erklärt sich Boris
Godunow mit
Unterstützung des
Volkes selbst zum Zaren,
versagt aber kläglich
in dieser Rolle. Das Werk
ist voll von
einzigartigen Ideen und
damals sehr innovativen
harmonischen, melodischen
und instrumentalen
Details. Tohru Takahashi
verwendete in
Selections from Boris
Godunov die
wunderschönen
musikalischen Themen der
Oper - ein bezauberndes
Werk für
Blasorchester.
Compositore
essenzialmente
autodidatta, Modest
Mussorgski (1839-1881)
discende da una famiglia
agiata della nobilt
russa. Il suo capolavoro
lirico, Boris Godunov, si
basa sulla tragedia di
Alexander Puschkin, nella
quale Boris Godunov,
proclamatosi zar e
sostenuto dal popolo,
fallisce nel suo ruolo.
Nel 1896, l’opera
conosce il successo in
una versione ritoccata da
Rimski Korsakov. La
versione originale di
Mussorgski contiene idee
uniche, dettagli
armonici, melodici e
strumenti innovativi. Per
trascrivere questo brano
per banda, Tohru
Takahashi ha raccolto i
superlativi temi musicali
dell’opera.
Heaven and Earth Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000304-010 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000304-010
Composed by Jan Bosveld.
Set (Score & Parts). 26
pages. Gobelin Music
Publications #GOB
000304-010. Published by
Gobelin Music
Publications
(BT.GOB-000304-010).
An Astrological
Composition.
Astrology is based on the
principle that each sort
of time has its own
quality. In order to
determine the quality of
a particular moment, an
astrologer looks at the
position of the planets
in the solar sustemat
that moment. Each planet
has specific types of
energies and its location
provides unique
information for a certain
moment on Earth. Thus:
its position in the sky
tells something about
what happens on
Earth.
In this
composition the typesof
energies of four planets
are musically translated.
The four planet were not
randomly chosen. There
are two pairs, whose
influence and energy are
opposite.
Venus
and Mars. Venus
represents the feminine
principle: harmony,
beauty,art, and the
ability to make
relationships and to keep
the peace. Venus
connects, and
communicates in order to
maintain the balance.
Mars represent the
masculine principle:
winning, impulsiveness,
enthusiasm, and sexual
energy for procreation.He
creates war enabling the
strongest to triumph.
Mars is musically
depicted in a stirring
march in which enthusiasm
characterises the
masculine
character.
Saturn
and Jupiter. Saturn
represents concentration
and withdrawal: the
strongnotion of
responsibility,
seriousness,
self-discipline and
melancholy. Saturn is the
hermit who will conquer
his fears and worries in
minimal conditions and by
self-chastisement. This
contemplative character
is depicted in the music
as if it isalmost
standing still, which
also reflects the given
character of this
planet. Jupiter
represents growth and
expansion: the positive,
self-confidence, the good
Samaritan, the healer.
Jupiter is the
philosopher who will make
the world a betterplace,
sees future
possibilities, and
searches for eternal
values. He is the prophet
who sometimes rants and
raves his doctrine and
proclamations, resulting
musically in a whirling
and upbeat finale. not
looking back at what has
been but searchingfor new
challenges.
Heaven and Earth was
commisioned by the Music
Lending and Information
Centre (MUI), a
department of the library
for the province of
Gelderland in Arnhem, The
Netherlands.Een
astrologische compositie.
Astrologie is
gebaseerd op het principe
dat elke tijd zijn eigen
kwaliteit heeft. Tijd
voor koffie of het was je
tijd nog niet als
bijvoorbeeld een baan aan
je neus voorbij is
gegaan. Om de
kwaliteit van een moment
te lezen kijkt
deastroloog naar de stand
van de planeten in ons
zonnestelsel op dat
tijdstip. Elke planeet
heeft specifieke
energieën en de plaats
aan de hemel geeft unieke
informatie over een
bepaald moment op aarde.
Oftewel: de stand aan de
hemel (Ouranos)
verteltiets over wat er
op aarde (Gaia)
gebeurt.
In deze
compositie worden de
energieën van vier
planeten muzikaal
vertaald. De vier
planeten zijn niet
lukraak gekozen. Het zijn
twee paren, die qua
invloed en energie
tegenovergesteldzijn.
Venus en Mars.
Venus vertegenwoordigt
het vrouwelijke principe:
harmonieus, schoonheid,
de kunst, het vermogen om
verbindingen aan te gaan
en de vrede te bewaren.
Venus geeft door en
verbindt om de balans te
bewaren.
Marsvertegenwoordigt het
mannelijke principe:
winnen, anderen
aftroeven, impulsief en
enthousiast, seksuele
energie voor de
voortplanting. Mars
creëert oorlog om de
sterkste te laten
zegevieren. Venus
staat tot Mars als vrede
staat tot oorlog,
alsverbinden staat tot
verbreken, als harmonie
staat tot
competitie.
Jupiter en Saturnus.
Jupiter vertegenwoordigt
groei en expansie: het
positieve zelfvertrouwen,
de weldoener, de genezer.
Jupiter is de filosoof
die de wereld
wilverbeteren,
vooruitkijkend en zoekend
naar eeuwige waarden, de
profeet die soms al te
bombastisch zijn leer
verkondigt. Saturnus
vertegenwoordigt
concentratie en
inkrimping: het sterke
verantwoordelijkheidsbese
f, soberheid,
zelfdiscipline
enmelancholie. Saturnus
is de kluizenaar die
onder minimale
voorwaarden en
zelfkastijding zijn
angsten wil overwinnen.
De harde, serieuze werker
die volgens vaste regels
stug doorgaat om aan zijn
hoge eisen te voldoen.
Jupiter staat tot
Saturnusals uitbreiding
staat tot inkrimping, als
zelfvertrouwen staat tot
faalangst, als vrijheid
staat tot
structuur.
Heaven and Earth Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000304-140 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000304-140
Composed by Jan Bosveld.
Score Only. Gobelin Music
Publications #GOB
000304-140. Published by
Gobelin Music
Publications
(BT.GOB-000304-140).
An Astrological
Composition.
Astrology is based on the
principle that each sort
of time has its own
quality. In order to
determine the quality of
a particular moment, an
astrologer looks at the
position of the planets
in the solar sustemat
that moment. Each planet
has specific types of
energies and its location
provides unique
information for a certain
moment on Earth. Thus:
its position in the sky
tells something about
what happens on
Earth.
In this
composition the typesof
energies of four planets
are musically translated.
The four planet were not
randomly chosen. There
are two pairs, whose
influence and energy are
opposite.
Venus
and Mars. Venus
represents the feminine
principle: harmony,
beauty,art, and the
ability to make
relationships and to keep
the peace. Venus
connects, and
communicates in order to
maintain the balance.
Mars represent the
masculine principle:
winning, impulsiveness,
enthusiasm, and sexual
energy for procreation.He
creates war enabling the
strongest to triumph.
Mars is musically
depicted in a stirring
march in which enthusiasm
characterises the
masculine
character.
Saturn
and Jupiter. Saturn
represents concentration
and withdrawal: the
strongnotion of
responsibility,
seriousness,
self-discipline and
melancholy. Saturn is the
hermit who will conquer
his fears and worries in
minimal conditions and by
self-chastisement. This
contemplative character
is depicted in the music
as if it isalmost
standing still, which
also reflects the given
character of this
planet. Jupiter
represents growth and
expansion: the positive,
self-confidence, the good
Samaritan, the healer.
Jupiter is the
philosopher who will make
the world a betterplace,
sees future
possibilities, and
searches for eternal
values. He is the prophet
who sometimes rants and
raves his doctrine and
proclamations, resulting
musically in a whirling
and upbeat finale. not
looking back at what has
been but searchingfor new
challenges.
Heaven and Earth was
commisioned by the Music
Lending and Information
Centre (MUI), a
department of the library
for the province of
Gelderland in Arnhem, The
Netherlands.Een
astrologische compositie.
Astrologie is
gebaseerd op het principe
dat elke tijd zijn eigen
kwaliteit heeft. Tijd
voor koffie of het was je
tijd nog niet als
bijvoorbeeld een baan aan
je neus voorbij is
gegaan. Om de
kwaliteit van een moment
te lezen kijkt
deastroloog naar de stand
van de planeten in ons
zonnestelsel op dat
tijdstip. Elke planeet
heeft specifieke
energieën en de plaats
aan de hemel geeft unieke
informatie over een
bepaald moment op aarde.
Oftewel: de stand aan de
hemel (Ouranos)
verteltiets over wat er
op aarde (Gaia)
gebeurt.
In deze
compositie worden de
energieën van vier
planeten muzikaal
vertaald. De vier
planeten zijn niet
lukraak gekozen. Het zijn
twee paren, die qua
invloed en energie
tegenovergesteldzijn.
Venus en Mars.
Venus vertegenwoordigt
het vrouwelijke principe:
harmonieus, schoonheid,
de kunst, het vermogen om
verbindingen aan te gaan
en de vrede te bewaren.
Venus geeft door en
verbindt om de balans te
bewaren.
Marsvertegenwoordigt het
mannelijke principe:
winnen, anderen
aftroeven, impulsief en
enthousiast, seksuele
energie voor de
voortplanting. Mars
creëert oorlog om de
sterkste te laten
zegevieren. Venus
staat tot Mars als vrede
staat tot oorlog,
alsverbinden staat tot
verbreken, als harmonie
staat tot
competitie.
Jupiter en Saturnus.
Jupiter vertegenwoordigt
groei en expansie: het
positieve zelfvertrouwen,
de weldoener, de genezer.
Jupiter is de filosoof
die de wereld
wilverbeteren,
vooruitkijkend en zoekend
naar eeuwige waarden, de
profeet die soms al te
bombastisch zijn leer
verkondigt. Saturnus
vertegenwoordigt
concentratie en
inkrimping: het sterke
verantwoordelijkheidsbese
f, soberheid,
zelfdiscipline
enmelancholie. Saturnus
is de kluizenaar die
onder minimale
voorwaarden en
zelfkastijding zijn
angsten wil overwinnen.
De harde, serieuze werker
die volgens vaste regels
stug doorgaat om aan zijn
hoge eisen te voldoen.
Jupiter staat tot
Saturnusals uitbreiding
staat tot inkrimping, als
zelfvertrouwen staat tot
faalangst, als vrijheid
staat tot
structuur.
Selections from Boris Godunov Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band - Grade 5 SKU: BT.DHP-1043752-040 Composed by Modest Petrovi...(+)
Concert Band - Grade 5
SKU:
BT.DHP-1043752-040
Composed by Modest
Petrovich Mussorgsky.
Arranged by Tohru
Takahashi. The Great
Classics. Concert Piece.
Set (Score & Parts).
Composed 2004. De Haske
Publications #DHP
1043752-040. Published by
De Haske Publications
(BT.DHP-1043752-040).
English-German-French-
Dutch.
Composer
Modest Moussorgsky
(1839-1881) came from the
prosperous environment of
Russian nobility. In
1865, after his
officer’s
education, he joined the
guard’s regiment
in St. Petersburg. Here
he met a number of
well-known
colleague-composers,
including Balakirev, Cui,
Rimsky- Korsakov and
Borodin. They strived to
develop a
“classical
style†of composing
while at the same time
retaining a strong
Russian influence. His
opera Boris Godunov tells
the tale of Boris, who
with the support of the
people, declared himself
Tsar, but totally fell
short of the role. The
opera became popular in
the re-orchestrated
version produced by
Rimsky-Korsakov in 1896.
Tohru Takahashi has
usedthe beautiful musical
themes of this opera in
Selections from Boris
Godunov - a captivating
work for concert band.
Moussorgskyâ€
s opera Boris
Godunov - gebaseerd
op het gelijknamige drama
van Aleksandr Pushkin
(waarin Boris Godunov
zichzelf met steun van
het volk uitroept tot
tsaar, maar in deze rol
compleet tekortschiet) -
werd populairin de
bewerking die
Rimsky-Korsakov in 1896
maakte. De
oorspronkelijke partituur
van Moussorgsky staat
echter vol originele
vondsten en
vooruitstrevende
harmonische, melodische
en instrumentale details.
Tohru Takahashi
gebruiktede prachtige
muzikale thematiek van
deze opera in
Selections from Boris
Godunov - een boeiend
werk voor
harmonieorkest.
Se
in Meisterwerk, die Oper
Boris Godunow,
schrieb Mussorgski auf
der Grundlage des
gleichnamigen Dramas von
Alexander Puschkin. In
diesem Stück
erklärt sich Boris
Godunow mit
Unterstützung des
Volkes selbst zum Zaren,
versagt aber kläglich
in dieser Rolle. Das Werk
ist voll von
einzigartigen Ideen und
damals sehr innovativen
harmonischen, melodischen
und instrumentalen
Details. Tohru Takahashi
verwendete in
Selections from Boris
Godunov die
wunderschönen
musikalischen Themen der
Oper - ein bezauberndes
Werk für
Blasorchester.
Compositore
essenzialmente
autodidatta, Modest
Mussorgski (1839-1881)
discende da una famiglia
agiata della nobilt
russa. Il suo capolavoro
lirico, Boris Godunov, si
basa sulla tragedia di
Alexander Puschkin, nella
quale Boris Godunov,
proclamatosi zar e
sostenuto dal popolo,
fallisce nel suo ruolo.
Nel 1896, l’opera
conosce il successo in
una versione ritoccata da
Rimski Korsakov. La
versione originale di
Mussorgski contiene idee
uniche, dettagli
armonici, melodici e
strumenti innovativi. Per
trascrivere questo brano
per banda, Tohru
Takahashi ha raccolto i
superlativi temi musicali
dell’opera.
Performed by The Canadian Brass. Arranged by John Moss. Score and full set of pa...(+)
Performed by The Canadian
Brass. Arranged by John
Moss. Score and full set
of parts. Canadian Brass
Concert Band. Size 9x12
inches. Published by Hal
Leonard.
The Baron of Dedem Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-001135-140 Composed by Carl W...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-001135-140
Composed by Carl
Wittrock. Score Only. 36
pages. Gobelin Music
Publications #GOB
001135-140. Published by
Gobelin Music
Publications
(BT.GOB-001135-140).
The Baron of
Dedem once ruled over a
large plot of peat in the
Netherlands. 1809 saw the
beginning of the
construction of a canal
to transport this fuel,
so important in those
days. The canal was named
after the Baron, as was
the nearby village. This
work describes the
establishment of the
canal and the village,
but also life in the
region nowadays, thereby
setting a slice of Dutch
life to music.
Met The Baron
of Dedem verklankt
Wittrock op bijzondere
wijze een mooi stukje
Nederlandse geschiedenis.
Baron van Dedem heerste
200 jaar geleden over een
aanzienlijk gebied waar
turf werd gewonnen. Toen
begin negentiende eeuween
groot kanaal werd
gegraven om deze
brandstof te vervoeren,
kreeg deze vaart de naam
Dedemsvaart mee. Ook een
nabijgelegen dorp kreeg
deze toepasselijke naam.
Dit werk beschrijft het
ontstaan van het kanaal
en het dorp. Maarook
staat het hedendaagse
leven op en rond de vaart
centraal. Dit werk werd
speciaal geschreven ter
gelegenheid van het
tweehonderdjarig jubileum
van Dedemsvaart. The
Baron of Dedem is
geschreven in opdracht
van muziekverenigingJubal
uit Dedemsvaart
(Nederland) ter
gelegenheid van het
200-jarig jubileum van De
Dedemsvaart.
Der
Baron von Dedem herrschte
einst über ein
großes Torfabbaugebiet
in den Niederlanden. Im
Jahre 1809 begann man zum
Abtransport des damals so
wichtigen Brennstoffs
einen Kanal zu bauen, der
nach dem Baron
Dedemsvaart genannt wurde
und in der Folge auch
einem nahe gelegenen Dorf
seinen Namen gab. Dieses
Werk beschreibt die
Entstehung des Kanals und
des Dorfes, aber auch das
Leben in der Region heute
und setzt damit ein
Stück
niederländischer
Geschichte in Musik
um.
Le Baron de
Dedem était
propriétaire d’une
grande tourbière dans
une province située au
nord des Pays-Bas. En
1809, l’idée lui vint
de construire un canal
pour faciliter le
transport de
combustibles. Le canal
fut nommé tel son
propriétaire, ainsi que
le fleurissant village
avoisinant. Alors que le
canal était l’apogée
de son influence
commerciale, le Baron dut
réduire son projet par
manque de financement.
Carl Wittrock signe avec
passion une page musicale
dans l’histoire de la
province
d’Overijssel.
Il
Barone di Dedem possedeva
una torbiera in una
provincia dei Paesi
Bassi. Nel 1809, l’uomo
ebbe l’idea di
costruire un canale per
facilitare il trasporto
della torba. Il canale
prese il nome del
proprietario e contribuì
alla prosperit dei
villaggi limitrofi. Al
culmine delle attivit
commerciali, il barone
dovette ridurre
l’importanza del
progetto per mancanza di
fondi. Carl Wittrock
firma con passione una
pagina musicale della
provincia olandese di
Overijssel.
Invocation Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000454-010 Composed by Marc v...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000454-010
Composed by Marc van
Delft. Set (Score &
Parts). 16 pages. Gobelin
Music Publications #GOB
000454-010. Published by
Gobelin Music
Publications
(BT.GOB-000454-010).
In this work
the Dutch composer Marc
van Delft attempts to
bring together two
parties (former friends),
after they have grown
inexplicably apart. For
this reason he calls in
the help (Invocation)
from the medium of
music. At first,
'Invocation' radiates a
sense of serene calme,
from which the composer
gradually creates an
atmosphere resembling a
conversation. Half-way
there is an increase of
suspense, ending once
again in calm. The
listener remains
uncertain, however,
regarding the finish. In
dit werk probeert de
Nederlandse componist
Marc van Delft twee
partijen samen te brengen
(vroegere vrienden),
nadat ze op
onverklaarbare wijze uit
elkaar zijn gegroeid.
Daaromroept hij de hulp
in (Invocation) van het
medium muziek. In
het begin straalt
'Invocation' een gevoel
van serene rust uit,
waaruit de componist
geleidelijk een sfeer
creëert die lijkt op een
gesprek. Halverwege
is er een toename van de
spanning, die weer in
rust eindigt. De
luisteraar blijft echter
onzeker over de afloop.
Invocation Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000454-140 Composed by Marc v...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000454-140
Composed by Marc van
Delft. Score Only.
Gobelin Music
Publications #GOB
000454-140. Published by
Gobelin Music
Publications
(BT.GOB-000454-140).
In this work
the Dutch composer Marc
van Delft attempts to
bring together two
parties (former friends),
after they have grown
inexplicably apart. For
this reason he calls in
the help (Invocation)
from the medium of
music. At first,
'Invocation' radiates a
sense of serene calme,
from which the composer
gradually creates an
atmosphere resembling a
conversation. Half-way
there is an increase of
suspense, ending once
again in calm. The
listener remains
uncertain, however,
regarding the finish. In
dit werk probeert de
Nederlandse componist
Marc van Delft twee
partijen samen te brengen
(vroegere vrienden),
nadat ze op
onverklaarbare wijze uit
elkaar zijn gegroeid.
Daaromroept hij de hulp
in (Invocation) van het
medium muziek. In
het begin straalt
'Invocation' een gevoel
van serene rust uit,
waaruit de componist
geleidelijk een sfeer
creëert die lijkt op een
gesprek. Halverwege
is er een toename van de
spanning, die weer in
rust eindigt. De
luisteraar blijft echter
onzeker over de afloop.
Missa Brevis Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band and opt. Choir - Grade 2 SKU: B...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band and opt.
Choir - Grade 2
SKU:
BT.DHP-1033337-170
Composed by Jacob De
Haan. Musica Sacra. Hymns
and Chorals. Score Only.
Composed 2003. 28 pages.
De Haske Publications
#DHP 1033337-170.
Published by De Haske
Publications
(BT.DHP-1033337-170).
A4 (210X297)
inches.
Missa
Brevis is a major
work for choir and brass
band for performance in
church or in the concert
hall. For this mass,
there are many
performance possibilities
depending on the
musicians available. In
addition to the standard
orchestration ofchoir and
band a brass quartet can
also play the choral
parts. For this it is
desirable for the brass
quartet to be positioned
separately from the rest
of the band (on a
gallery, for example), so
that the idea of two
choirs is heard. It is
alsopossible to perform
the work with brass band
and organ. A truly
flexible religious
masterpiece. Choral parts
available
separately.
In een
uitvoering voor brassband
en koor is het in de
meeste gevallen aan te
bevelen de optie voor
scherp koper weg te
laten. Het koor zingt
zelfstandig, begeleid
door een volledige
brassband. In een
instrumentale uitvoering
kunt u denken aan
eencombinatiekwartet
(twee cornetten en twee
trombones)
brassband.Koorpartijen
apart
verkrijgbaar.
M
issa Brevis, eine
Messe für Brass
Band und Chor ad libitum,
kann in diversen
variablen
Spielstärken
aufgeführt werden.
Zahlreiche
mögliche
Instrumentenkombinationen
diverse mögliche
Kombinationen mit
großen oder
kleineren Chören,
lassen eineVielzahl von
verschiedenen
Aufführungen
dieser Messe zu. So kann
z. B. ein
Blechbläserquartet
t, von der Kirchenempore
herab spielend, die
Chorpartien
übernehmen.
Darüber hinaus
ergeben sich durch die
Orgelbegleitung weitere
Aufführungsvariant
en. EineAufstellung der
Wahlmöglichkeiten
wird vom Komponisten
mitgeliefert. Die
wunderschöne Musik
aus der Feder von Jacob
de Haan garantiert in
jedem Fall einen
gelungenen
Auftritt!Chorstimmen
separat
erhältlich.
Score Only Concert Band (Score) - Grade 3 SKU: HL.4005174 Composed by Lin...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4005174
Composed
by Lin-Manuel Miranda.
Arranged by Matt Conaway.
Young Concert Band.
Disney, Movies.
Softcover. 16 pages.
Published by Hal Leonard
(HL.4005174).
UPC:
888680697976.
9.0x12.0x0.037
inches.
From
Disney's blockbuster
Moana, and nominated for
Best Original Song, here
is the energetic and
upbeat single How Far
I'll Goin a solidly
scored and well-paced
version for the concert
stage.
Eldorado Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1206260-140 Composed by Thi...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.DHP-1206260-140
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2020. 39
pages. De Haske
Publications #DHP
1206260-140. Published by
De Haske Publications
(BT.DHP-1206260-140).
English-German-French-
Dutch.
The myth of
El Dorado (“the
golden oneâ€) stems
from the story of a
powerful chief who used
to cover himself with
gold dust before bathing
in a sacred lake where he
threw precious objects as
offerings to the gods.
The myth was soon relayed
to the Spanish
conquistadors and
inspired many
expeditions, although the
invaders didn’t
bring back nearly as much
gold as they expected, if
any at all.
Eldorado is a
mysterious and dynamic
work that illustrates the
myth of the golden man
and the European
expeditions that
followed. With a touch of
exotic influences, the
music is varied and rich.
This piece was
commissioned by the
French Cultural
Association Lille 3000 as
part of
theirEldorado-themed
festival in 2019.
De mythe van El
Dorado (de man van goud)
is het verhaal van een
machtig opperhoofd die
zichzelf met goudpoeder
bedekte voordat hij ging
baden in een heilig meer
waar hij ook kostbare
voorwerpen aan de goden
offerde. Deze mythe werd
al snel bekend bij de
Spaanse conquistadores en
vormde de aanzet tot vele
expedities, hoewel de
veroveraars niet met
grote hoeveelheden goud
terugkwamen, zoals ze
hadden gehoopt.
Eldorado is een
mysterieus, dynamisch
werk dat het verhaal van
de gouden man verklankt,
alsmede de Europese
expedities die op touw
werden gezet. Met een
vleugje exotische
invloeden is de muziek
gevarieerd en rijk aan
schakeringen. Het werk
werd geschreven in
opdrachtvan de Franse
culturele organisatie
Lille 3000 als onderdeel
van het thematische
programma Eldorado in
2019.
Der Mythos
von El Dorado (der
Goldene“) handelt
von einem mächtigen
Herrscher, der sich vor
dem Baden in einem
heiligen See mit
Goldstaub bedeckte und
als Opfergaben an die
Götter kostbare
Gegenstände in den See
warf. Der Mythos sprach
sich bald bei den
spanischen Eroberern
herum und war der Grund
für zahlreiche
Expeditionen doch sie
fanden nicht annähernd
so viel Gold, wie sie
erhofft hatten.
Eldorado ist ein
geheimnisvolles und
dynamisches Werk, das den
Mythos des goldenen
Mannes“ und die
daraus resultierenden
Expeditionen der
Europäer darstellt.
Durch ethnische
Anklänge ist die Musik
sehr abwechslungsreich.
Dieses Stück wurde vom
französischen
Kulturverein Lille3000
für den
Themenschwerpunkt
Eldorado“ im Jahr
2019 in Auftrag gegeben.
Eldorado Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1206260-010 Composed by Thi...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.DHP-1206260-010
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2020.
De Haske Publications
#DHP 1206260-010.
Published by De Haske
Publications
(BT.DHP-1206260-010).
English-German-French-
Dutch.
The myth of
El Dorado (“the
golden oneâ€) stems
from the story of a
powerful chief who used
to cover himself with
gold dust before bathing
in a sacred lake where he
threw precious objects as
offerings to the gods.
The myth was soon relayed
to the Spanish
conquistadors and
inspired many
expeditions, although the
invaders didn’t
bring back nearly as much
gold as they expected, if
any at all.
Eldorado is a
mysterious and dynamic
work that illustrates the
myth of the golden man
and the European
expeditions that
followed. With a touch of
exotic influences, the
music is varied and rich.
This piece was
commissioned by the
French Cultural
Association Lille 3000 as
part of
theirEldorado-themed
festival in 2019.
De mythe van El
Dorado (de man van goud)
is het verhaal van een
machtig opperhoofd die
zichzelf met goudpoeder
bedekte voordat hij ging
baden in een heilig meer
waar hij ook kostbare
voorwerpen aan de goden
offerde. Deze mythe werd
al snel bekend bij de
Spaanse conquistadores en
vormde de aanzet tot vele
expedities, hoewel de
veroveraars niet met
grote hoeveelheden goud
terugkwamen, zoals ze
hadden gehoopt.
Eldorado is een
mysterieus, dynamisch
werk dat het verhaal van
de gouden man verklankt,
alsmede de Europese
expedities die op touw
werden gezet. Met een
vleugje exotische
invloeden is de muziek
gevarieerd en rijk aan
schakeringen. Het werk
werd geschreven in
opdrachtvan de Franse
culturele organisatie
Lille 3000 als onderdeel
van het thematische
programma Eldorado in
2019.
Der Mythos
von El Dorado (der
Goldene“) handelt
von einem mächtigen
Herrscher, der sich vor
dem Baden in einem
heiligen See mit
Goldstaub bedeckte und
als Opfergaben an die
Götter kostbare
Gegenstände in den See
warf. Der Mythos sprach
sich bald bei den
spanischen Eroberern
herum und war der Grund
für zahlreiche
Expeditionen doch sie
fanden nicht annähernd
so viel Gold, wie sie
erhofft hatten.
Eldorado ist ein
geheimnisvolles und
dynamisches Werk, das den
Mythos des goldenen
Mannes“ und die
daraus resultierenden
Expeditionen der
Europäer darstellt.
Durch ethnische
Anklänge ist die Musik
sehr abwechslungsreich.
Dieses Stück wurde vom
französischen
Kulturverein Lille3000
für den
Themenschwerpunkt
Eldorado“ im Jahr
2019 in Auftrag gegeben.
Composed by
Tyler Arcari. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
16+4+8+16+4+4+8+4+4+8+8+8
+4+4+4+4+6+6+2+6+8+2+3+2+
4+10+28+4 pages. Duration
4 minutes, 6 seconds.
Carl Fischer Music
#CPS219. Published by
Carl Fischer Music
(CF.CPS219).
ISBN
9781491152454. UPC:
680160909957.
Solar
Flare, by Tyler Arcari,
depicts the huge
explosion on the Sun that
appears as a sudden
bright flash. The piece
incorporates a whirlwind
of mixed meters to?depict
this phenomenon. Arcari
showcases his fresh,
exciting, and well-scored
compositional style in
this piece. Solar Flare
makes for? an excellent
concert opener. A
solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 6972 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99115 to the end
of the piece feature a
style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the Work:
Solar Flare began as a
piece with two goals: to
write a space piece in
7/8 and to write a
teaching 7/8 space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work.About the Work:Solar
Flare began as a piece
with two goals: to write
a space piece in 7/8 and
to write a
“teaching
7/8†space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69–72
should be treated as a
transitional fanfare to
the new material at m.
73.Measures 99–115
to the end of the piece
feature a style similar
to the beginning that
helps to transition to m.
115, which is the climax
of the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the “^â€
accent on the final note
is one meant to be played
heavy, and not short.
Composed
by Tyler Arcari. Concert
Band (CPS). Full score.
With Standard notation.
28 pages. Carl Fischer
Music #CPS219F. Published
by Carl Fischer Music
(CF.CPS219F).
ISBN
9781491153130. UPC:
680160910632.
Solar
Flare, by Tyler Arcari,
depicts the huge
explosion on the Sun that
appears as a sudden
bright flash. The piece
incorporates a whirlwind
of mixed meters to?depict
this phenomenon. Arcari
showcases his fresh,
exciting, and well-scored
compositional style in
this piece. Solar Flare
makes for? an excellent
concert opener. A
solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 6972 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99115 to the end
of the piece feature a
style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the Work:
Solar Flare began as a
piece with two goals: to
write a space piece in
7/8 and to write a
teaching 7/8 space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work.About the Work:Solar
Flare began as a piece
with two goals: to write
a space piece in 7/8 and
to write a
“teaching
7/8†space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69–72
should be treated as a
transitional fanfare to
the new material at m.
73.Measures 99–115
to the end of the piece
feature a style similar
to the beginning that
helps to transition to m.
115, which is the climax
of the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the “^â€
accent on the final note
is one meant to be played
heavy, and not short.
Let's Celebrate Orchestre d'harmonie [Conducteur] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-000737-140 Composed by Dagm...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-000737-140
Composed by Dagmar
Kildevann. Score Only.
Gobelin Music
Publications #GOB
000737-140. Published by
Gobelin Music
Publications
(BT.GOB-000737-140).
Is there
something to be
celebrated? Then let's
play 'Let's Celebrate'!
This four-part suite has
been based on two
birthday songs: the
world-famous 'Happy
Birthday to you' (which
is also sung in many
other languages), and the
Dutch song 'Lang zal
hij/zij leven'. The
Fanfare opens in grand
style with the motif of
'Lang zal hij leven' and
is followed by a cheerful
March in which the motifs
of both songs can be
heard. The third part,
Song, forms a moment of
contemplation, and the
birthday presents are
unwrapped by the
percussion section in the
fourth part, Surprise
Party. The yell may be
adapted to the occasion.
(the sleigh bells caused
the composer to note down
this somewhat peculiar
yell). Of course
everybody is expected to
join in.
Valt er
wat te vieren? dan spelen
we ‘Let’s
Celebrate’! Deze vier
delige suite is gebaseerd
op twee
verjaardagsliedjes. het
wereldbekende (en in vele
talen gezongen) ‘Happy
Birthday to you’ , en
het Nederlandse ‘Lang
zal hij/zijleven’. De
Fanfare opent groots met
het ‘Lang zal hij
leven’-motief, gevolgd
door een vrolijke March
waarin beide liederen
zijn verwerkt. Het derde
deel, Song, vormt het
moment van bezinning en
de pakjes worden in het
vierde deel,Surprise
Party, uitgepakt door het
slagwerk. De yell kan
aangepast worden aan de
gelegenheid. (de
sleighbells waren de
aanleiding voor de
componist om deze wat
vreemde yell te noteren).
Het is natuurlijk wel de
bedoeling datiedereen
meedoet.
Let's Celebrate Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-000737-010 Composed by Dagm...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-000737-010
Composed by Dagmar
Kildevann. Set (Score &
Parts). 118 pages.
Gobelin Music
Publications #GOB
000737-010. Published by
Gobelin Music
Publications
(BT.GOB-000737-010).
Is there
something to be
celebrated? Then let's
play 'Let's Celebrate'!
This four-part suite has
been based on two
birthday songs: the
world-famous 'Happy
Birthday to you' (which
is also sung in many
other languages), and the
Dutch song 'Lang zal
hij/zij leven'. The
Fanfare opens in grand
style with the motif of
'Lang zal hij leven' and
is followed by a cheerful
March in which the motifs
of both songs can be
heard. The third part,
Song, forms a moment of
contemplation, and the
birthday presents are
unwrapped by the
percussion section in the
fourth part, Surprise
Party. The yell may be
adapted to the occasion.
(the sleigh bells caused
the composer to note down
this somewhat peculiar
yell). Of course
everybody is expected to
join in.
Valt er
wat te vieren? dan spelen
we ‘Let’s
Celebrate’! Deze vier
delige suite is gebaseerd
op twee
verjaardagsliedjes. het
wereldbekende (en in vele
talen gezongen) ‘Happy
Birthday to you’ , en
het Nederlandse ‘Lang
zal hij/zijleven’. De
Fanfare opent groots met
het ‘Lang zal hij
leven’-motief, gevolgd
door een vrolijke March
waarin beide liederen
zijn verwerkt. Het derde
deel, Song, vormt het
moment van bezinning en
de pakjes worden in het
vierde deel,Surprise
Party, uitgepakt door het
slagwerk. De yell kan
aangepast worden aan de
gelegenheid. (de
sleighbells waren de
aanleiding voor de
componist om deze wat
vreemde yell te noteren).
Het is natuurlijk wel de
bedoeling datiedereen
meedoet.
Admiral Spirit Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000350-140 Composed by Timo...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000350-140
Composed by Timothy
Travis. Score Only. 36
pages. Gobelin Music
Publications #GOB
000350-140. Published by
Gobelin Music
Publications
(BT.GOB-000350-140).
The 'Admiral
Spirit' is the pride of
the Navy. The ship is at
sea, there is no wind,
the sun is shining. The
crew are busy piloting
the ship into port in
prime condition. The
admiral himself will
inspect the vessel.
The first movement
(Allegro Con Spirito)
gives musical expression
to the majestic ship and
its toiling crew. In
the second movement
(Andante), the ship sails
into port. It has been
polished and technically
everything is in order.
The admiral will be proud
when he inspects the
ship. Third movement
(Allegro Molto): the
captain and his crew are
nervous (modulations)
while working at the
'finishing touch'. The
Navy Band is ready to
receive the admiral !.
Hemay be proud of his
flagship. De bemanning
van het marineschip
Admiral Spirit is druk
bezig om het schip in
optimale conditie de
haven binnen te loodsen,
de admiraal gaat namelijk
het schip zelf
inspecteren. In het
eerste deel (Allegro con
spirito) horen we een
verklanking van het
majestueuze schip en de
zwoegende bemanning. Hoe
beeldend zijn de
emmertjes water welke
overboord gaan
(trombones). In het
tweede deel (Andante)
vaart het schip de haven
binnen. Het schip is
gepoetst en technisch is
alles in orde. Derde
deel (Allegro molto): De
kapitein en zijn
bemanning zijn nerveus
(modulaties) en er wordt
aan de finishing touch
gewerkt. De Navy Band
staat klaar om de
admiraal te ontvangen! De
admiraal kan trots zijn
op het vlaggenschip.
Een schitterend
speelwerk voor de lagere
afdelingen! Dit werk
is opgenomen in het Klein
repertorium, harmonie -
5e divisie
Admiral Spirit Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000350-010 Composed by Timo...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000350-010
Composed by Timothy
Travis. Set (Score &
Parts). 84 pages. Gobelin
Music Publications #GOB
000350-010. Published by
Gobelin Music
Publications
(BT.GOB-000350-010).
The 'Admiral
Spirit' is the pride of
the Navy. The ship is at
sea, there is no wind,
the sun is shining. The
crew are busy piloting
the ship into port in
prime condition. The
admiral himself will
inspect the vessel.
The first movement
(Allegro Con Spirito)
gives musical expression
to the majestic ship and
its toiling crew. In
the second movement
(Andante), the ship sails
into port. It has been
polished and technically
everything is in order.
The admiral will be proud
when he inspects the
ship. Third movement
(Allegro Molto): the
captain and his crew are
nervous (modulations)
while working at the
'finishing touch'. The
Navy Band is ready to
receive the admiral !.
Hemay be proud of his
flagship. De bemanning
van het marineschip
Admiral Spirit is druk
bezig om het schip in
optimale conditie de
haven binnen te loodsen,
de admiraal gaat namelijk
het schip zelf
inspecteren. In het
eerste deel (Allegro con
spirito) horen we een
verklanking van het
majestueuze schip en de
zwoegende bemanning. Hoe
beeldend zijn de
emmertjes water welke
overboord gaan
(trombones). In het
tweede deel (Andante)
vaart het schip de haven
binnen. Het schip is
gepoetst en technisch is
alles in orde. Derde
deel (Allegro molto): De
kapitein en zijn
bemanning zijn nerveus
(modulaties) en er wordt
aan de finishing touch
gewerkt. De Navy Band
staat klaar om de
admiraal te ontvangen! De
admiraal kan trots zijn
op het vlaggenschip.
Een schitterend
speelwerk voor de lagere
afdelingen! Dit werk
is opgenomen in het Klein
repertorium, harmonie -
5e divisie
For
Wind Band - Score.
Composed by Ottmar
Gerster. Arranged by
Norbert Studnitzky. Sheet
music. Schott Harmonie
Serie (Concert Band).
Classical. Condensed
Score. 36 pages. Duration
12'. Schott Music #SHS
1002-10. Published by
Schott Music
(HL.49012037).
ISBN
9790001100694.
8.25x11.75x0.123
inches.
These four
entertaining movements
originated in the
Thirties. They are an
example of popular
original compositions of
high quality. The work
was originally written
for small orchestra.
Norbert Studnitzky has
arranged this series of
dances for wind band and
at the same time also
retained longer chamber
music pasages as in the
original work.Thus here
we have a work for wind
band which on the one
hand is suitable for
developing a musical
sense of humour in a
playful way and which can
also be performed on
stage with a group of
folk dancers.Ottmar
Gerster studied in
Frankfurt/main and then
taught composition an
several colleges of music
in Leipzig. his music
aims to be accesible to
all listeners, even when
he uses advanced
composition
techniques.
(2
Floten, 1 Oboe ad lib., 1
Fagott ad lib., 1
Klarinette in Es ad lib.,
3 Klarinetten in B, 2
Alt-Saxophone in Es, 1
Tenor-Saxophon in B, 3
Horner in F, 3 Trompeten
in B, 3 Posaunen, 2
Flugelhorner in B, 3
Tenorhorner in B, 1
Bariton, 2 Tuben, Pauken,
Schlagzeug: kleine
Trommel, grosse Trommel,
Triangel, Becken).
Just a Game Orchestre d'harmonie [Conducteur] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-000490-140 Composed by John...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-000490-140
Composed by John DeBee.
Score Only. Gobelin Music
Publications #GOB
000490-140. Published by
Gobelin Music
Publications
(BT.GOB-000490-140).
Music that
sounds as clear as a bell
and is very suitable for
elementary bands.
Attention to the clap
hands part where there
are two rhythms played
simultaneously. Tip:
Instruct the audience
that can participate. A
short rehearsal is
necessary in connection
with the two-parts.
Luck and laughter
guaranteed!
Met
Just a Game wil de
componist aangeven dat
ook muziek maken
natuurlijk ook maar een
spelletje is maar dat het
wel een erg leuk
spelletje is. Een
spelletje wil je winnen
en er kan maar één
winnaar zijn. In dit
rockwerkje iseigenlijk
iedereen winnaar. De
rockmuziek wordt bepaald
door het strakke ritme en
beat van het slagwerk.
Als dit 'staat' gaat de
rest als het ware
vanzelf. Aandacht
voor het 'clap hands'
gedeelte op D waarbij er
twee ritmes
tegelijkertijdworden
gespeeld. Tip
Instrueer het publiek dat
het mee kan doen. Een
korte voorrepetitie is
dan noodzakelijk in
verband met de
tweestemmigheid.
Succes en hilariteit
verzekerd!
Just a Game Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-000490-010 Composed by John...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-000490-010
Composed by John DeBee.
Set (Score & Parts). 20
pages. Gobelin Music
Publications #GOB
000490-010. Published by
Gobelin Music
Publications
(BT.GOB-000490-010).
Music that
sounds as clear as a bell
and is very suitable for
elementary bands.
Attention to the clap
hands part where there
are two rhythms played
simultaneously. Tip:
Instruct the audience
that can participate. A
short rehearsal is
necessary in connection
with the two-parts.
Luck and laughter
guaranteed!
Met
Just a Game wil de
componist aangeven dat
ook muziek maken
natuurlijk ook maar een
spelletje is maar dat het
wel een erg leuk
spelletje is. Een
spelletje wil je winnen
en er kan maar één
winnaar zijn. In dit
rockwerkje iseigenlijk
iedereen winnaar. De
rockmuziek wordt bepaald
door het strakke ritme en
beat van het slagwerk.
Als dit 'staat' gaat de
rest als het ware
vanzelf. Aandacht
voor het 'clap hands'
gedeelte op D waarbij er
twee ritmes
tegelijkertijdworden
gespeeld. Tip
Instrueer het publiek dat
het mee kan doen. Een
korte voorrepetitie is
dan noodzakelijk in
verband met de
tweestemmigheid.
Succes en hilariteit
verzekerd!