Overture 'Der
Zigeunerbaron'. The
Great Classics.
Transcription. Score
Only. Composed 2005. 48
pages. De Haske
Publications #DHP
1053860-140. Published by
De Haske Publications
(BT.DHP-1053860-140).
English-German-French-
Dutch.
The operetta
The Gipsy Baron is,
together with Die
Fledermaus (The Bat), the
most famous theatre work
by Johann Strauss Jr. A
libretto full of romance,
original musical ideas,
compelling Viennese
dances, fiery rhythmic
Hungarian music and
beautiful arias, were
just some of the
ingredients that lead to
its huge success. The
Gipsy Baron can also be
thought of as a comic
opera. The main motif of
this overture won first
prize in a contest that
was to provide a new
Hungarian anthem, however
because Strauss did not
have Hungarian
nationality, another
melody was chosen. A
great transcription to
bring a Hungarian twist
to any
programme.
De
operette Der
Zigeunerbaron is,
samen met Die
Fledermaus, het
beroemdste theaterwerk
van Johann Strauss jr.
Een libretto vol
romantiek, originele
muzikale ideeën,
meeslepende Weense
dansen, vurig ritmische
Hongaarsemuziek,
uitgewerkte
aria’s: al deze
ingrediënten moesten
wel tot succes leiden.
Het geheel is van een
dusdanig hoog niveau dat
Der Zigeunerbaron
ook een komische opera
genoemd mag worden. De
ouverture is niet een
bonte verzamelingvan
‘succesmotievenâ
™ uit de operette. Ze
is een (geslaagde) poging
om het publiek in de
sfeer te brengen van het
land waar de handeling
plaatsvindt:
Hongarije.
Die
Operette Der
Zigeunerbaron ist
eines der berühmtesten
Bühnenwerke von Johann
Strauss (Sohn). Ein
Libretto voll von
Romantik, originellen
musikalischen Ideen,
bezaubernden Wiener
Tänzen, feuriger
ungarischer Musik und
wunderschönen Arien
waren die Zutaten, die
zum Erfolg führten.
Die Ouvertüre ist
keine abwechslungsreiche
Sammlung der schönsten
Motive aus der Operette.
Sie ist ganz klar ein
(erfolgreicher) Versuch,
dem Publikum die
Atmosphäre des
Handlungsortes Ungarn
nahe zu bringen. Dies
gelingt auch Ihrem
Blasorchester mit Wil van
der Beeks
Transkription.
A met
tra l’operetta e
l’opera comica,
Il Barone Gitano
di Johann Strauss
contiene tutti gli
ingredienti del successo
annunciato: un libretto
romanzesco, idee musicali
originali, arie
meravigliose e
un’abile fusione
tra le sublimi danze
viennesi ed i ritmi
sfavillanti della musica
ungherese.
L’Ouverture
accompagna il pubblico
nell’universo
musicale
dell’Ungheria,
paese dove si svolge
l’intrigo.
Sinfonietta N. 3.
Composed by Ferrer
Ferran. IberMusica
Concert Band. Score Only.
Composed 2008. Hal
Leonard #IB047. Published
by Hal Leonard
(HL.44011308).
El Misteri del Foc
(Het geheim van het vuur)
is de derde sinfonietta
van de Spaanse componist
Ferrer Ferran. Dit
contrastvolle werk
bestaat uit drie
kleurrijke, levendige en
melodische delen:
Calixto III, Els
Canalsund Foguera
i Festa. De delen
Calixto III en
Els Canals
vertellen het
avontuurlijke verhaal van
paus Calixto III uit het
Spaanse Canals rond 1500.
In het deel Foguera i
Festa nodigen de
inwoners van Canalsu uit
op het feest van St.
Anthony. De climax van
dit feest is een groot
vreugdevuur op een
twintig meter hoge
stellage van hout. Een
vlammend werk voor
muzikant en
publiek!
El
Misteri del Foc (Das
Geheimnis des Feuers) ist
Ferrer Ferrans dritte
Sinfonietta. Dieses
kontrastreiche Werk
besteht aus drei
farbigen, lebhaften und
melodischen Satzen:
Calixto III, Els
Canals und Foguera
i Festa. Die Musik
handelt von der
abenteuerlichen
Geschichte des Papstes
Calixto aus dem
spanischen Canals des 15.
Jahrhunderts und einem
traditionellen Fest, bei
dem Feuer eine wichtige
Rolle spielt ... Spannend
fur Musiker und
Publikum!
El
Misteri del Foc (Le
mystere du feu) est
la troisieme sinfonietta
du compositeur espagnol
Ferrer Ferran. Cette
œuvre contrastante
est constituee de trois
mouvements colores,
espiegles, petillants,
dansants et melodiques. /
1. Calixte III :
Alfonso de Borgia, futur
Calixte III, naquit dans
la cite de Canals pres de
Valence en Espagne. Lors
d'une rencontre avec
Vicente Ferrer (Vincent
Ferrier), un dominicain
valencien et predicateur
illustre, celui-ci lui
predit qu'il serait elu
pape et qu'en tant que
tel, il le canoniserait.
Alfonso de Borgia fut elu
pape sous le nom de
Calixte III et fit
inscrire Vicente Ferrer
parmi les saints de
l'Eglise.Devenu souverain
pontife, son grand
objectif fut la
reconquete de
Constantinople tombee aux
mains des Turcs. Calixte
III appella a une
croisade pour liberer la
ville. Apres une premiere
bataille victorieuse, la
croisade s'acheva par un
echec cuisant. / 2.
Els Canals (Canals) :
Canals, ses paysages
colores, ses nombreux
canaux et rivieres, et
son sens de la fete, nous
invite a assister a la
Fete de la Saint Antoine,
a la cremation du bucher
beni, la benediction des
animaux et la Festa
dels Parells (La fete
des parents). / 3.
Foguera i Festa (Le
feu et la fete) : Le
point d'orgue de la Fete
de la Saint Antoine est
la mise a feu d'un
immense bucher de vingt
metres de haut dont la
construction necessite
chaque annee pas moins de
600 tonnes de bois
(essentiellement du
sapin). Le Feu de la
Saint Antoine est
accompagne des vivats des
habitants qui rendent
ainsi hommage a leur
saint patron. La Fete de
la Saint Antoine compte
parmi les fetes les plus
populaires dans la
tradition valencienne.
Rassembles autour du
bucher, les habitants de
Canals celebrent cette
fete avec
enthousiasme.
Sinfonietta N. 3.
Composed by Ferrer
Ferran. IberMusica
Concert Band. Score Only.
Composed 2008. Hal
Leonard #IB047. Published
by Hal Leonard
(HL.44011309).
El Misteri del Foc
(Het geheim van het vuur)
is de derde sinfonietta
van de Spaanse componist
Ferrer Ferran. Dit
contrastvolle werk
bestaat uit drie
kleurrijke, levendige en
melodische delen:
Calixto III, Els
Canalsund Foguera
i Festa. De delen
Calixto III en
Els Canals
vertellen het
avontuurlijke verhaal van
paus Calixto III uit het
Spaanse Canals rond 1500.
In het deel Foguera i
Festa nodigen de
inwoners van Canalsu uit
op het feest van St.
Anthony. De climax van
dit feest is een groot
vreugdevuur op een
twintig meter hoge
stellage van hout. Een
vlammend werk voor
muzikant en
publiek!
El
Misteri del Foc (Das
Geheimnis des Feuers) ist
Ferrer Ferrans dritte
Sinfonietta. Dieses
kontrastreiche Werk
besteht aus drei
farbigen, lebhaften und
melodischen Satzen:
Calixto III, Els
Canals und Foguera
i Festa. Die Musik
handelt von der
abenteuerlichen
Geschichte des Papstes
Calixto aus dem
spanischen Canals des 15.
Jahrhunderts und einem
traditionellen Fest, bei
dem Feuer eine wichtige
Rolle spielt ... Spannend
fur Musiker und
Publikum!
El
Misteri del Foc (Le
mystere du feu) est
la troisieme sinfonietta
du compositeur espagnol
Ferrer Ferran. Cette
œuvre contrastante
est constituee de trois
mouvements colores,
espiegles, petillants,
dansants et melodiques. /
1. Calixte III :
Alfonso de Borgia, futur
Calixte III, naquit dans
la cite de Canals pres de
Valence en Espagne. Lors
d'une rencontre avec
Vicente Ferrer (Vincent
Ferrier), un dominicain
valencien et predicateur
illustre, celui-ci lui
predit qu'il serait elu
pape et qu'en tant que
tel, il le canoniserait.
Alfonso de Borgia fut elu
pape sous le nom de
Calixte III et fit
inscrire Vicente Ferrer
parmi les saints de
l'Eglise.Devenu souverain
pontife, son grand
objectif fut la
reconquete de
Constantinople tombee aux
mains des Turcs. Calixte
III appella a une
croisade pour liberer la
ville. Apres une premiere
bataille victorieuse, la
croisade s'acheva par un
echec cuisant. / 2.
Els Canals (Canals) :
Canals, ses paysages
colores, ses nombreux
canaux et rivieres, et
son sens de la fete, nous
invite a assister a la
Fete de la Saint Antoine,
a la cremation du bucher
beni, la benediction des
animaux et la Festa
dels Parells (La fete
des parents). / 3.
Foguera i Festa (Le
feu et la fete) : Le
point d'orgue de la Fete
de la Saint Antoine est
la mise a feu d'un
immense bucher de vingt
metres de haut dont la
construction necessite
chaque annee pas moins de
600 tonnes de bois
(essentiellement du
sapin). Le Feu de la
Saint Antoine est
accompagne des vivats des
habitants qui rendent
ainsi hommage a leur
saint patron. La Fete de
la Saint Antoine compte
parmi les fetes les plus
populaires dans la
tradition valencienne.
Rassembles autour du
bucher, les habitants de
Canals celebrent cette
fete avec
enthousiasme.
Sinfonietta N. 3.
Composed by Ferrer
Ferran. IberMusica
Concert Band. Score Only.
Composed 2008. Hal
Leonard #IB047. Published
by Hal Leonard
(HL.44011307).
El Misteri del Foc
(Het geheim van het vuur)
is de derde sinfonietta
van de Spaanse componist
Ferrer Ferran. Dit
contrastvolle werk
bestaat uit drie
kleurrijke, levendige en
melodische delen:
Calixto III, Els
Canalsund Foguera
i Festa. De delen
Calixto III en
Els Canals
vertellen het
avontuurlijke verhaal van
paus Calixto III uit het
Spaanse Canals rond 1500.
In het deel Foguera i
Festa nodigen de
inwoners van Canalsu uit
op het feest van St.
Anthony. De climax van
dit feest is een groot
vreugdevuur op een
twintig meter hoge
stellage van hout. Een
vlammend werk voor
muzikant en
publiek!
El
Misteri del Foc (Das
Geheimnis des Feuers) ist
Ferrer Ferrans dritte
Sinfonietta. Dieses
kontrastreiche Werk
besteht aus drei
farbigen, lebhaften und
melodischen Satzen:
Calixto III, Els
Canals und Foguera
i Festa. Die Musik
handelt von der
abenteuerlichen
Geschichte des Papstes
Calixto aus dem
spanischen Canals des 15.
Jahrhunderts und einem
traditionellen Fest, bei
dem Feuer eine wichtige
Rolle spielt ... Spannend
fur Musiker und
Publikum!
El
Misteri del Foc (Le
mystere du feu) est
la troisieme sinfonietta
du compositeur espagnol
Ferrer Ferran. Cette
œuvre contrastante
est constituee de trois
mouvements colores,
espiegles, petillants,
dansants et melodiques. /
1. Calixte III :
Alfonso de Borgia, futur
Calixte III, naquit dans
la cite de Canals pres de
Valence en Espagne. Lors
d'une rencontre avec
Vicente Ferrer (Vincent
Ferrier), un dominicain
valencien et predicateur
illustre, celui-ci lui
predit qu'il serait elu
pape et qu'en tant que
tel, il le canoniserait.
Alfonso de Borgia fut elu
pape sous le nom de
Calixte III et fit
inscrire Vicente Ferrer
parmi les saints de
l'Eglise.Devenu souverain
pontife, son grand
objectif fut la
reconquete de
Constantinople tombee aux
mains des Turcs. Calixte
III appella a une
croisade pour liberer la
ville. Apres une premiere
bataille victorieuse, la
croisade s'acheva par un
echec cuisant. / 2.
Els Canals (Canals) :
Canals, ses paysages
colores, ses nombreux
canaux et rivieres, et
son sens de la fete, nous
invite a assister a la
Fete de la Saint Antoine,
a la cremation du bucher
beni, la benediction des
animaux et la Festa
dels Parells (La fete
des parents). / 3.
Foguera i Festa (Le
feu et la fete) : Le
point d'orgue de la Fete
de la Saint Antoine est
la mise a feu d'un
immense bucher de vingt
metres de haut dont la
construction necessite
chaque annee pas moins de
600 tonnes de bois
(essentiellement du
sapin). Le Feu de la
Saint Antoine est
accompagne des vivats des
habitants qui rendent
ainsi hommage a leur
saint patron. La Fete de
la Saint Antoine compte
parmi les fetes les plus
populaires dans la
tradition valencienne.
Rassembles autour du
bucher, les habitants de
Canals celebrent cette
fete avec
enthousiasme.
Odyssee Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000508-140 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000508-140
Composed by Jan Bosveld.
Score Only. 20 pages.
Gobelin Music
Publications #GOB
000508-140. Published by
Gobelin Music
Publications
(BT.GOB-000508-140).
The Odyssee
tells the story of
Odysseus, the undaunted
hero. In times long
ago the blind poet Homer
wrote this famous epic.
The Odyssey follows
the Iliad, the story of
the bloody war between
the Greek and the
Trojans. This battle
endsafter ten years
thanks to the Odysseys
famous trick. the Trojan
Horse. The Odyssey
is not a war epic, but a
story about perseverance,
loyalty, adventure, and
the survival instinct of
its ingenious hero.
In The Odyssey, Homer
describes howOdysseus,
the king of Ithaca, had
to endure another ten
years of affliction after
the ten years of war in
Troy before he could
finally return to his
home land. During
those years, his wife,
Penelope, had to try and
keep her many admirers
away.These men not only
wanted het hand but also
the kingship. To prove
her husbands worth, she
played a trick: As soon
as I have finished
weaving this shroud for
my father-in-law,
Laertes, I will choose
one of you to become my
husband, she
promisedthem. But
during the night, she
secretly loosened what
she had woven during the
day, prolonging the time
until Odysseus would
finally return. After
twenty long years, when
he finally stood at the
door, she wondered: Is
this really my husband?
Ishe an imposter?
Cunningly, she asked him
to move the bed, because
only she and her husband
know that the bed was
immovable and was build
around an old three
trunk! Odysseus was
deeply moved: this really
was his wife, his
Penelope! Nearly
threethousands years
later, the loyalty and
strength of this
character, and all the
dangerous adventures that
Odysseus survived thanks
to courage and
intelligence, still moves
us today.
Odyssee
by Jan Bosveld is not
just an adventure story,
butrather a
characteristic piece in
which memories of Homers
story can be heard.
The composition opens
with a firm, stirring
theme describing our
hero, Odysseus, in
detail: This man is not
to be taken lightly.
The further
development of thisshort
introduction completes
this character sketch:
trustworthy, perseverant,
and a genius. After
that we can picture
Odysseus on the lonely
beach of Ogygia. Do the
trumpets depict his
memories of the war of
Troy? Does he think of
his wife, as werecognise
the weaving loom of
Penelope in the murmuring
eighth? In the
solemn, plaintive part
that follows, we can
imagine Penelope feeling
lonely, sitting in the
womens room with her
servants.One of the girls
plays the harp, but that
does notclear the sombre
atmosphere. Then we can
imagine seeing the
sorceress Circe, who
changed Odysseus men into
swine. After she gives a
simple magic sign
something follows that
reminds us of the sound
of pigs grunting. Then
the Odysseus theme
resounds:the hero comes
to savi his comrades.
Assisted by Hermes, he
forces Circe to lift the
spell. The piece ends
the same way as it began,
with an animated theme:
Odysseus is still the
same, undefeated and not
to be taken
lighty!
Het
muzikale relaas van de
Griekse schrijver Homerus
over de held Odyssee in
een karakterstuk vol
herinneringen. Een
stevig opgewekt thema
symboliseert de
grootsheid van Odyssee en
zijn karaktertrekken -
betrouwbaar, volhardenden
vernuftig. De tegenslagen
welke hij tegenkomt en in
het tweede tragische
gedeelte dreigen te
escaleren, nemen in het
derde snelle gedeelte bij
zijn verschijning toch
weer een positieve
wending. Nijmegenaar
Jan Bosveld bewijstin dit
originele werk dat hij op
de hoogte is van de
onmogelijkheden, maar
vooral de ongekende
mogelijkheden van
muzikanten uit de lagere
afdelingen.
Odyssee Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000508-010 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000508-010
Composed by Jan Bosveld.
Set (Score & Parts). 72
pages. Gobelin Music
Publications #GOB
000508-010. Published by
Gobelin Music
Publications
(BT.GOB-000508-010).
The Odyssee
tells the story of
Odysseus, the undaunted
hero. In times long
ago the blind poet Homer
wrote this famous epic.
The Odyssey follows
the Iliad, the story of
the bloody war between
the Greek and the
Trojans. This battle
endsafter ten years
thanks to the Odysseys
famous trick. the Trojan
Horse. The Odyssey
is not a war epic, but a
story about perseverance,
loyalty, adventure, and
the survival instinct of
its ingenious hero.
In The Odyssey, Homer
describes howOdysseus,
the king of Ithaca, had
to endure another ten
years of affliction after
the ten years of war in
Troy before he could
finally return to his
home land. During
those years, his wife,
Penelope, had to try and
keep her many admirers
away.These men not only
wanted het hand but also
the kingship. To prove
her husbands worth, she
played a trick: As soon
as I have finished
weaving this shroud for
my father-in-law,
Laertes, I will choose
one of you to become my
husband, she
promisedthem. But
during the night, she
secretly loosened what
she had woven during the
day, prolonging the time
until Odysseus would
finally return. After
twenty long years, when
he finally stood at the
door, she wondered: Is
this really my husband?
Ishe an imposter?
Cunningly, she asked him
to move the bed, because
only she and her husband
know that the bed was
immovable and was build
around an old three
trunk! Odysseus was
deeply moved: this really
was his wife, his
Penelope! Nearly
threethousands years
later, the loyalty and
strength of this
character, and all the
dangerous adventures that
Odysseus survived thanks
to courage and
intelligence, still moves
us today.
Odyssee
by Jan Bosveld is not
just an adventure story,
butrather a
characteristic piece in
which memories of Homers
story can be heard.
The composition opens
with a firm, stirring
theme describing our
hero, Odysseus, in
detail: This man is not
to be taken lightly.
The further
development of thisshort
introduction completes
this character sketch:
trustworthy, perseverant,
and a genius. After
that we can picture
Odysseus on the lonely
beach of Ogygia. Do the
trumpets depict his
memories of the war of
Troy? Does he think of
his wife, as werecognise
the weaving loom of
Penelope in the murmuring
eighth? In the
solemn, plaintive part
that follows, we can
imagine Penelope feeling
lonely, sitting in the
womens room with her
servants.One of the girls
plays the harp, but that
does notclear the sombre
atmosphere. Then we can
imagine seeing the
sorceress Circe, who
changed Odysseus men into
swine. After she gives a
simple magic sign
something follows that
reminds us of the sound
of pigs grunting. Then
the Odysseus theme
resounds:the hero comes
to savi his comrades.
Assisted by Hermes, he
forces Circe to lift the
spell. The piece ends
the same way as it began,
with an animated theme:
Odysseus is still the
same, undefeated and not
to be taken
lighty!
Het
muzikale relaas van de
Griekse schrijver Homerus
over de held Odyssee in
een karakterstuk vol
herinneringen. Een
stevig opgewekt thema
symboliseert de
grootsheid van Odyssee en
zijn karaktertrekken -
betrouwbaar, volhardenden
vernuftig. De tegenslagen
welke hij tegenkomt en in
het tweede tragische
gedeelte dreigen te
escaleren, nemen in het
derde snelle gedeelte bij
zijn verschijning toch
weer een positieve
wending. Nijmegenaar
Jan Bosveld bewijstin dit
originele werk dat hij op
de hoogte is van de
onmogelijkheden, maar
vooral de ongekende
mogelijkheden van
muzikanten uit de lagere
afdelingen.
Isn't She Lovely? Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125254-140 Composed by Stevi...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1125254-140
Composed by Stevie
Wonder. Arranged by
Hideaki Miura. New Sounds
for Concert Band. Pop &
Rock. Score Only.
Composed 2012. 24 pages.
De Haske Publications
#DHP 1125254-140.
Published by De Haske
Publications
(BT.DHP-1125254-140).
9x12 inches.
English-German-French-Dut
ch.
“Isnâ€
™t she lovelyâ€
sang Stevie Wonder in
1976 on the birth of his
daughter Aisha. Since the
song never appeared as a
single it became known
chiefly through radio
airplay and continues to
be a much-loved tune
throughout the world.
Hideaki Miura’s
fabulous arrangement for
concert band is sure to
win the heart of your
audience!
Ist
sie nicht
entzückend“ sang
Stevie Wonder 1976
anlässlich der Geburt
seiner Tochter Aisha. Da
der Song nie als Single
erschien, wurde er vor
allem über das Radio
bekannt und blieb über
die Jahre hinweg in den
Ohren und Herzen der
Menschen auf der ganzen
Welt lebendig.
Entzücken Sie Ihr
Publikum mit der
gelungenen
Blasorchesterbearbeitung
von Hideaki Miura!
“Non è
splendida….â€
cantava Stevie Wonder nel
1976 dopo la nascita
della figlia Aisha. Una
meravigliosa ballata
romantica, dai testi
commoventi che i non
giovanissimi ricordano
aver ascoltato
innumerevoli volte alla
radio. Incantate il
pubblico con questo
arrangiamento molto
riuscito firmato Hideaki
Miura!
Isn't She Lovely? Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125254-010 Composed by Stevi...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1125254-010
Composed by Stevie
Wonder. Arranged by
Hideaki Miura. New Sounds
for Concert Band. Pop &
Rock. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1125254-010. Published by
De Haske Publications
(BT.DHP-1125254-010).
9x12 inches.
English-German-French-Dut
ch.
“Isnâ€
™t she lovelyâ€
sang Stevie Wonder in
1976 on the birth of his
daughter Aisha. Since the
song never appeared as a
single it became known
chiefly through radio
airplay and continues to
be a much-loved tune
throughout the world.
Hideaki Miura’s
fabulous arrangement for
concert band is sure to
win the heart of your
audience!
Ist
sie nicht
entzückend“
sang Stevie Wonder 1976
anlässlich der Geburt
seiner Tochter Aisha. Da
der Song nie als Single
erschien, wurde er vor
allem über das
Radio bekannt und blieb
über die Jahre
hinweg in den Ohren und
Herzen der Menschen auf
der ganzen Welt lebendig.
Entzücken Sie Ihr
Publikum mit der
gelungenen
Blasorchesterbearbeitung
von Hideaki Miura!
“Non è
splendida….â€
cantava Stevie Wonder nel
1976 dopo la nascita
della figlia Aisha. Una
meravigliosa ballata
romantica, dai testi
commoventi che i non
giovanissimi ricordano
aver ascoltato
innumerevoli volte alla
radio. Incantate il
pubblico con questo
arrangiamento molto
riuscito firmato Hideaki
Miura!
The Gipsy Baron Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band - Grade 4 SKU: BT.DHP-1053860-040 Overture 'Der Zigeunerb...(+)
Concert Band - Grade 4
SKU:
BT.DHP-1053860-040
Overture 'Der
Zigeunerbaron'. The
Great Classics.
Transcription. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053860-040.
Published by De Haske
Publications
(BT.DHP-1053860-040).
English-German-French-
Dutch.
The operetta
The Gipsy Baron is,
together with Die
Fledermaus (The Bat), the
most famous theatre work
by Johann Strauss Jr. A
libretto full of romance,
original musical ideas,
compelling Viennese
dances, fiery rhythmic
Hungarian music and
beautiful arias, were
just some of the
ingredients that lead to
its huge success. The
Gipsy Baron can also be
thought of as a comic
opera. The main motif of
this overture won first
prize in a contest that
was to provide a new
Hungarian anthem, however
because Strauss did not
have Hungarian
nationality, another
melody was chosen. A
great transcription to
bring a Hungarian twist
to any
programme.
Die
Operette Der
Zigeunerbaron ist
eines der berühmtesten
Bühnenwerke von Johann
Strauss (Sohn). Ein
Libretto voll von
Romantik, originellen
musikalischen Ideen,
bezaubernden Wiener
Tänzen, feuriger
ungarischer Musik und
wunderschönen Arien
waren die Zutaten, die
zum Erfolg führten.
Die Ouvertüre ist
keine abwechslungsreiche
Sammlung der schönsten
Motive aus der Operette.
Sie ist ganz klar ein
(erfolgreicher) Versuch,
dem Publikum die
Atmosphäre des
Handlungsortes Ungarn
nahe zu bringen. Dies
gelingt auch Ihrem
Blasorchester mit Wil van
der Beeks
Transkription.
A met
tra l’operetta e
l’opera comica,
Il Barone Gitano
di Johann Strauss
contiene tutti gli
ingredienti del successo
annunciato: un libretto
romanzesco, idee musicali
originali, arie
meravigliose e
un’abile fusione
tra le sublimi danze
viennesi ed i ritmi
sfavillanti della musica
ungherese.
L’Ouverture
accompagna il pubblico
nell’universo
musicale
dell’Ungheria,
paese dove si svolge
l’intrigo.
Composed by Freddie
Mercury. Arranged by
Philip Sparke. Anglo
Music Midway Series. Pop
& Rock. Set (Score &
Parts). Composed 2011.
Anglo Music Press #AMP
316-010. Published by
Anglo Music Press
(BT.AMP-316-010).
9x12
inches.
English-German-French-Dut
ch.
Bohemian
Rhapsody is undoubtedly
one of the most important
songs in the history of
rock ‘n’
roll. The song defied all
convention in terms of
form. It has no chorus.
Instead, it comprised of
an introduction, ballad,
guitar solo, operatic
interlude, hard rock
section and coda. Perhaps
the most mystifying
aspect of the song is the
lyrics, which are
commonly thought to be
autobiographical,
although members of the
band have never fully
explained them. Bring the
house down with Philip
Sparke’s authentic
arrangement!
Bohem
ian Rhapsody wordt vaak
gezien als het
belangrijkste nummer uit
de geschiedenis van de
rockmuziek. Naast de
nooit verklaarde
raadselachtige tekst, was
het vooral de ongewone
vorm die tot op de dag
van vandaag voor het
grote succeszorgde. Het
nummer kent geen refrein,
maar bestaat uit vijf
afzonderlijke delen:
inleiding, ballad,
gitaarsolo, hardrock en
slot. Philip Sparke is
met zijn arrangement zo
dicht mogelijk bij het
origineel gebleven.
Grotesk!
Bohemi
an Rhapsody wird oft
als der bedeutendste Song
in der Geschichte des
Rock bezeichnet. Neben
dem nie erklärten
rätselhaften Text trug
vor allem die
ungewöhnliche Form zum
heute noch andauernden
Erfolg des Liedes bei: Es
hat keinen Refrain,
sondern besteht aus den
Abschnitten Einleitung,
Ballade, Gitarrensolo,
Hardrock und Schluss.
Philip Sparke versuchte,
in seiner Version von
Bohemian Rhapsody
so nahe wie möglich am
Original zu
bleiben.
Bohemian
Rhapsody è spesso
menzionato come il titolo
più importante nella
storia della musica rock.
Scritta da Freddie
Mercury, questa canzone
sfida tutti i canoni fino
a allora rispettati. Si
compone di sei sezioni
ben distinte:
introduzione, ballata,
assolo di chitarra, parti
classiche e rock ed un
finale.
L’arrangiamento
per banda di Philip
Sparke è fedele
all’originale.
Composed by Freddie
Mercury. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Score Only. Composed
2011. 28 pages. Anglo
Music Press #AMP 316-140.
Published by Anglo Music
Press (BT.AMP-316-140).
9x12 inches.
English-German-French-Dut
ch.
Bohemian
Rhapsody is undoubtedly
one of the most important
songs in the history of
rock ‘n’
roll. The song defied all
convention in terms of
form. It has no chorus.
Instead, it comprised of
an introduction, ballad,
guitar solo, operatic
interlude, hard rock
section and coda. Perhaps
the most mystifying
aspect of the song is the
lyrics, which are
commonly thought to be
autobiographical,
although members of the
band have never fully
explained them. Bring the
house down with Philip
Sparke’s authentic
arrangement!
Bohem
ian Rhapsody wordt vaak
gezien als het
belangrijkste nummer uit
de geschiedenis van de
rockmuziek. Naast de
nooit verklaarde
raadselachtige tekst, was
het vooral de ongewone
vorm die tot op de dag
van vandaag voor het
grote succeszorgde. Het
nummer kent geen refrein,
maar bestaat uit vijf
afzonderlijke delen:
inleiding, ballad,
gitaarsolo, hardrock en
slot. Philip Sparke is
met zijn arrangement zo
dicht mogelijk bij het
origineel gebleven.
Grotesk!
Bohemi
an Rhapsody wird oft
als der bedeutendste Song
in der Geschichte des
Rock bezeichnet. Neben
dem nie erklärten
rätselhaften Text trug
vor allem die
ungewöhnliche Form zum
heute noch andauernden
Erfolg des Liedes bei: Es
hat keinen Refrain,
sondern besteht aus den
Abschnitten Einleitung,
Ballade, Gitarrensolo,
Hardrock und Schluss.
Philip Sparke versuchte,
in seiner Version von
Bohemian Rhapsody
so nahe wie möglich am
Original zu
bleiben.
Bohemian
Rhapsody è spesso
menzionato come il titolo
più importante nella
storia della musica rock.
Scritta da Freddie
Mercury, questa canzone
sfida tutti i canoni fino
a allora rispettati. Si
compone di sei sezioni
ben distinte:
introduzione, ballata,
assolo di chitarra, parti
classiche e rock ed un
finale.
L’arrangiamento
per banda di Philip
Sparke è fedele
all’originale.
Bruno Mars Four-Pack Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
Concert Band - Grade 1 SKU: AP.47390S Featuring: That's What I Like / ...(+)
Concert Band - Grade 1
SKU: AP.47390S
Featuring: That's What
I Like / Just the Way You
Are (Amazing) / The Lazy
Song / Marry You.
Composed by Various.
Arranged by Michael
Story. Concert Band;
Performance Music
Ensemble. Pop Beginning
Band. Pop. Score. 28
pages. Duration 4:30.
Alfred Music #00-47390S.
Published by Alfred Music
(AP.47390S).
ISBN
9781470653057. UPC:
038081546582.
English.
Bruno Mars
is undoubtedly one of
today's biggest recording
artists. He has had a
string of top hits and
has won a whopping 11
Grammy Awards to date.
Including That's What I
Like, Just the Way You
Are, The Lazy Song, and
Marry You, each of the
songs can be played alone
or may be combined into a
Bruno Mars suite.
(4:30).
Concert Band - Grade 1 SKU: AP.47390 Featuring: That's What I Like / J...(+)
Concert Band - Grade 1
SKU: AP.47390
Featuring: That's What
I Like / Just the Way You
Are (Amazing) / The Lazy
Song / Marry You.
Composed by Various.
Arranged by Michael
Story. Concert Band;
Performance Music
Ensemble. Pop Beginning
Band. Pop. Score and
Part(s). 276 pages.
Duration 4:30. Belwin
Music #00-47390.
Published by Belwin Music
(AP.47390).
ISBN
9781470653040. UPC:
038081546575.
English.
Bruno Mars
is undoubtedly one of
today's biggest recording
artists. He has had a
string of top hits and
has won a whopping 11
Grammy Awards to date.
Including That's What I
Like, Just the Way You
Are, The Lazy Song, and
Marry You, each of the
songs can be played alone
or may be combined into a
Bruno Mars suite.
(4:30).
Two Symphonic Interludes Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000915-010 Composed by Harrie...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000915-010
Composed by Harrie
Janssen. Set (Score &
Parts). Gobelin Music
Publications #GOB
000915-010. Published by
Gobelin Music
Publications
(BT.GOB-000915-010).
Based on the
poems by German poet Carl
Hauptmann (late
Romanticism) and the
English poet William
Wordsworth (early
Romanticism).
Carl Hauptmann was in
poor health as a child,
but highly intelligent.
He studied philosophy,
psychology and biology.
In the latter he was
admitted to the degree of
doctor. His marriage
provided financial
independence, so that he
could focus on his
studies. Hauptmann
wrote various novels,
plays, poetry and
scientific works.
Night
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now the covering veil is
lifting quite: come
and look! See the
magicland before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
the dreaming country
sleeps. By the path
the shadow black and hogh
of a beach. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O my
soul! Drink of
solitude!
Carl
Hauptmann
Wordsworth 'introduced' a
new type of poetry, based
on the speech of the
common man. This was his
answer to the poetry of
the classicism which was
bound by rigid rules. His
definition of poetry was:
the spontaneous overflow
of powerful feelings from
emotions recollected in
tranquility.
My
heart leaps up when I
behold a rainbow in the
sky
My heart
leaps up when I behold A
rainbow in the sky:
So was it when my life
began. So is it now I
am a man. So be it
when I shall grow
old, Or let me
die! The Child is
father of the Man.
And I could wish my days
to be Bound each to each
by natural
piety.
William
Wordsworth
In a
truly poetic manner
Harrie Janssen has
transformed the
contemplative thoughts of
the poets into two
compositions for Concert
Band.
Two
Symphonic Interludes is
gebaseerd op gedichten
van de Duitse dichter
Carl Hauptmann (laat
Romantiek) en de Engelse
dichter William
Wordsworth (vroeg
Romantiek).
Carl
Hauptmann had als kind
een zeer zwakke
gezondheidmaar was zeer
intelligent. Hij
studeerde Filosofie,
Psychologie en Biologie.
In het laatste vak
promoveerde hij. Het
huwelijk zorgde voor
financiele
onafhankelijkheid zodat
hij zich kon richten op
zijn verdere studie.
Hauptmannschreef enkele
romans, toneelstukken,
poëzie en
wetenschappelijke
werken.
NIGHT -
Carl Hauptmann
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now thecovering veil is
lifting quite: come
and look! See the
magic land before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
thedreaming country
sleeps. By the path
the shadow black and hogh
of a beech. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O
mysoul! Drink of
solitude!
Wordsworth
'introduceerde' een nieuw
soort poëzie, gebaseerd
op de taal van de gewone
man. Het was een reactie
op de aan strenge regels
gebonden poëzie van het
Classicisme. Zijn
definitievan poëzie
luidde: 'the spontaneous
overflow of powerful
feelings from emotions
recollected in
tranquility'.
My
heart leaps up when I
behold a rainbow in the
sky - William
Wordsworth
My
heart leaps up whenI
behold A rainbow in
the sky: So was it
when my life began.
So is it now I am a
man. So be it when I
shall grow old, Or
let me die! The Child
is father of the Man.
And I could wish my days
to be
Two Symphonic Interludes Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000915-140 Composed by Harrie...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000915-140
Composed by Harrie
Janssen. Score Only.
Gobelin Music
Publications #GOB
000915-140. Published by
Gobelin Music
Publications
(BT.GOB-000915-140).
Based on the
poems by German poet Carl
Hauptmann (late
Romanticism) and the
English poet William
Wordsworth (early
Romanticism).
Carl Hauptmann was in
poor health as a child,
but highly intelligent.
He studied philosophy,
psychology and biology.
In the latter he was
admitted to the degree of
doctor. His marriage
provided financial
independence, so that he
could focus on his
studies. Hauptmann
wrote various novels,
plays, poetry and
scientific works.
Night
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now the covering veil is
lifting quite: come
and look! See the
magicland before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
the dreaming country
sleeps. By the path
the shadow black and hogh
of a beach. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O my
soul! Drink of
solitude!
Carl
Hauptmann
Wordsworth 'introduced' a
new type of poetry, based
on the speech of the
common man. This was his
answer to the poetry of
the classicism which was
bound by rigid rules. His
definition of poetry was:
the spontaneous overflow
of powerful feelings from
emotions recollected in
tranquility.
My
heart leaps up when I
behold a rainbow in the
sky
My heart
leaps up when I behold A
rainbow in the sky:
So was it when my life
began. So is it now I
am a man. So be it
when I shall grow
old, Or let me
die! The Child is
father of the Man.
And I could wish my days
to be Bound each to each
by natural
piety.
William
Wordsworth
In a
truly poetic manner
Harrie Janssen has
transformed the
contemplative thoughts of
the poets into two
compositions for Concert
Band.
Two
Symphonic Interludes is
gebaseerd op gedichten
van de Duitse dichter
Carl Hauptmann (laat
Romantiek) en de Engelse
dichter William
Wordsworth (vroeg
Romantiek).
Carl
Hauptmann had als kind
een zeer zwakke
gezondheidmaar was zeer
intelligent. Hij
studeerde Filosofie,
Psychologie en Biologie.
In het laatste vak
promoveerde hij. Het
huwelijk zorgde voor
financiele
onafhankelijkheid zodat
hij zich kon richten op
zijn verdere studie.
Hauptmannschreef enkele
romans, toneelstukken,
poëzie en
wetenschappelijke
werken.
NIGHT -
Carl Hauptmann
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now thecovering veil is
lifting quite: come
and look! See the
magic land before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
thedreaming country
sleeps. By the path
the shadow black and hogh
of a beech. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O
mysoul! Drink of
solitude!
Wordsworth
'introduceerde' een nieuw
soort poëzie,
gebaseerd op de taal van
de gewone man. Het was
een reactie op de aan
strenge regels gebonden
poëzie van het
Classicisme. Zijn
definitievan poëzie
luidde: 'the spontaneous
overflow of powerful
feelings from emotions
recollected in
tranquility'.
My
heart leaps up when I
behold a rainbow in the
sky - William
Wordsworth
My
heart leaps up whenI
behold A rainbow in
the sky: So was it
when my life began.
So is it now I am a
man. So be it when I
shall grow old, Or
let me die! The Child
is father of the Man.
And I could wish my days
to be
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043551-140 I. The Vision ...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043551-140
I. The Vision - II.
The Creation.
Composed by Jacob De
Haan. Sovereign Series.
Concert Piece. Score
Only. Composed 2004. De
Haske Publications #DHP
1043551-140. Published by
De Haske Publications
(BT.DHP-1043551-140).
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP
1125252.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-340-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-340-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2012.
Anglo Music Press #AMP
340-010. Published by
Anglo Music Press
(BT.AMP-340-010).
9x12
inches.
English-German-French-Dut
ch.
Philip Sparke
entitled this descriptive
work in honour of
America’s natural
wonders with lines from
the hymn America the
Beautiful: O Beautiful
the Spacious Skies is
as light as a spring sky,
From Sea to Shining
Sea describes
calm,flowing and bubbling
waters, while in the
third movement, For
Purple Majestic
Mountains, the
glowing hues of the
mountains are set to
music.
Philip
Sparke ontleende de
titels van de drie delen
van dit progrmamatische
werk over Amerikas
natuurschoon aan regels
uit het lied America
the Beautiful: O
beautiful for spacious
skies is licht als een
lentehemel, From sea to
shining seaverklankt het
stromende water in beken,
rivieren en meren,
terwijl in het derde
deel, For purple mountain
majesties, beelden worden
opgeroepen van een
indrukwekkende
bergketen.
Philip
Sparke betitelte sein
deskriptives Werk zu
Ehren von Amerikas
Naturwundern mit Zeilen
aus dem Lied America
the Beautiful: O
Beautiful for Spacious
Skies ist leicht wie
ein Frühlingshimmel,
From Sea to Shining
Sea
beschreibtruhende,
fließende und
sprudelnde Gewässer,
während im dritten
Satz, For Purple
Mountain Majesties,
die Erhabenheit der
purpurrot leuchtenden
Berge vertont
ist.
Philip
Sparke ha intitolato la
sua opera descrittiva in
onore delle meraviglie
naturali
dell’America
rifacendosi a versi della
canzone America the
Beautiful. O Beautiful
the Spacious Skies
è leggera come il
cielo di primavera.
From Sea toShining
Sea descrive le acque
silenziose, i corsi
d‘acqua
zampillanti, mentre nel
terzo movimento della
sinfonia For Purple
Majestic Mountains,
viene tradotta in musica
la maestosit delle
montagne.
Along the Weser Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175714-140 Inspired by th...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1175714-140
Inspired by the
traditional song An der
Weser. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece.
Score Only. Composed
2017. 23 pages. De Haske
Publications #DHP
1175714-140. Published by
De Haske Publications
(BT.DHP-1175714-140).
English-German-French-
Dutch.
Along the
Weser, as the title
suggests, is an homage to
the river Weser, the
beautiful waterway that
meanders through Northern
Germany. With its
exuberant rhythms and
lyrical melodic lines,
the work mirrors the
strong bond between
theinhabitants of the
region and the river
itself. The connecting
thread is the melody of
the well-known ‘An
der Weser’,
composed by Gustav
Pressel to lyrics by
Franz von Dingelstedt,
which has been
incorporated in three
different ways. The
result is acomposition
that is sure to be
enjoyed by both musicians
and audience
alike.
Along
the Weser is, zoals
de titel al doet
vermoeden, een eerbetoon
aan de rivier de Weser,
die zo prachtig door het
Noord-Duitse land
meandert. In een jeugdige
ritmiek en met lyrische
melodische lijnen
verklankt het werk de
verbondenheid diede
bewoners met hun streek
langs de rivier ervaren.
Rode draad is de melodie
van het bekende lied
‘An der
Weser’, door
Gustav Pressel
gecomponeerd op een tekst
van Franz von
Dingelstedt, die in drie
verschillende stijlen
verwerkt is. Het
resultaat iseen
compositie waar
muzikanten en publiek
alleen maar blij van
kunnen
worden.
Along
the Weser ist, wie
der Titel andeutet, eine
Hommage an den fluss
Weser, der sich
wunderschön durch
Norddeutschland
schlängelt. Das Werk
spiegelt mit jugendlichen
Rhythmen und lyrischen
Melodielinien die starke
Verbundenheit der
Einwohnerentlang des
Flusses mit ihrer Region
wider. Als verbindendes
Element dient das
bekannte Lied An der
Weser“ komponiert
von Gustav Pressel zu
einem Text von Franz von
Dingelstedt , das in drei
verschiedenen
Stilrichtungen
verarbeitet wurde.
Darausresultiert eine
Komposition, die sowohl
den Musikern als auch dem
Publikum
gefällt.
Along
the Weser, come
suggerisce il titolo,
è un omaggio al fiume
Weser, la bellissima via
d'acqua che si snoda
attraverso la Germania
settentrionale. Con i
suoi ritmi esuberanti e
le linee melodiche
liriche, l'opera
rispecchia il forte
legame tra gli abitanti
della regione e il fiume
stesso. Il filo di
collegamento è la
melodia del ben noto
‘An der
Weser’, composto
da Gustav Pressel con i
testi di Franz von
Dingelstedt, che è
stato incorporato in tre
modi diversi. Il
risultato è una
composizione che sar
sicuramente apprezzata
sia dai musicisti che dal
pubblico.
Along the Weser Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175714-010 Inspired by th...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1175714-010
Inspired by the
traditional song An der
Weser. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece. Set
(Score & Parts). Composed
2017. De Haske
Publications #DHP
1175714-010. Published by
De Haske Publications
(BT.DHP-1175714-010).
English-German-French-
Dutch.
Along the
Weser, as the title
suggests, is an homage to
the river Weser, the
beautiful waterway that
meanders through Northern
Germany. With its
exuberant rhythms and
lyrical melodic lines,
the work mirrors the
strong bond between
theinhabitants of the
region and the river
itself. The connecting
thread is the melody of
the well-known ‘An
der Weser’,
composed by Gustav
Pressel to lyrics by
Franz von Dingelstedt,
which has been
incorporated in three
different ways. The
result is acomposition
that is sure to be
enjoyed by both musicians
and audience
alike.
Along
the Weser is, zoals
de titel al doet
vermoeden, een eerbetoon
aan de rivier de Weser,
die zo prachtig door het
Noord-Duitse land
meandert. In een jeugdige
ritmiek en met lyrische
melodische lijnen
verklankt het werk de
verbondenheid diede
bewoners met hun streek
langs de rivier ervaren.
Rode draad is de melodie
van het bekende lied
‘An der
Weser’, door
Gustav Pressel
gecomponeerd op een tekst
van Franz von
Dingelstedt, die in drie
verschillende stijlen
verwerkt is. Het
resultaat iseen
compositie waar
muzikanten en publiek
alleen maar blij van
kunnen
worden.
Along
the Weser ist, wie
der Titel andeutet, eine
Hommage an den fluss
Weser, der sich
wunderschön durch
Norddeutschland
schlängelt. Das Werk
spiegelt mit jugendlichen
Rhythmen und lyrischen
Melodielinien die starke
Verbundenheit der
Einwohnerentlang des
Flusses mit ihrer Region
wider. Als verbindendes
Element dient das
bekannte Lied An der
Weser“ komponiert
von Gustav Pressel zu
einem Text von Franz von
Dingelstedt , das in drei
verschiedenen
Stilrichtungen
verarbeitet wurde.
Darausresultiert eine
Komposition, die sowohl
den Musikern als auch dem
Publikum
gefällt.
Along
the Weser, come
suggerisce il titolo,
è un omaggio al fiume
Weser, la bellissima via
d'acqua che si snoda
attraverso la Germania
settentrionale. Con i
suoi ritmi esuberanti e
le linee melodiche
liriche, l'opera
rispecchia il forte
legame tra gli abitanti
della regione e il fiume
stesso. Il filo di
collegamento è la
melodia del ben noto
‘An der
Weser’, composto
da Gustav Pressel con i
testi di Franz von
Dingelstedt, che è
stato incorporato in tre
modi diversi. Il
risultato è una
composizione che sar
sicuramente apprezzata
sia dai musicisti che dal
pubblico.
Don't You Worry 'Bout A Thing Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1165689-010 As performed b...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1165689-010
As performed by Stevie
Wonder. Composed by
Stevie Wonder. Arranged
by Richard Johnsen. DHP
Pop, Film and Show. Pop &
Rock. Set (Score &
Parts). Composed 2016. De
Haske Publications #DHP
1165689-010. Published by
De Haske Publications
(BT.DHP-1165689-010).
Don’t
You Worry ‘Bout A
Thing is one of the
most popular songs by
Stevie Wonder and has
been performed by various
other famous artists
throughout the years. The
version from Al Jarreau
is probably the most well
known, and has been
arranged by the Norwegian
arranger Richard Johnsen.
Don’t
You Worry ‘Bout A
Thing is een van de
populairste songs van
superster Stevie Wonder.
Het nummer is in de loop
der jaren ook door
diverse andere beroemde
artiesten uitgevoerd. De
versie van Al Jarreau
waarschijnlijk de
bekendste is door de
Noorse arrangeur Richard
Johnsen gebruikt als
uitgangspunt voor zijn
fraaie bewerking.
Don’t
You Worry ‘Bout A
Thing gehört zu
den bekanntesten Songs
von Stevie Wonder und
wurde im Laufe der Jahre
auch von verschiedenen
anderen berühmten
Künstlern
aufgeführt. Die
Version von Al Jarreau
ist sicherlich die
bekannteste. Sie wurde
von dem norwegischen
Arrangeur Richard Johnson
bearbeitet.
Brano di
Stevie Wonder tra i
più amati di sempre,
Don’t You Worry
‘Bout A Thing
ha trovato anche in Al
Jarreau un eccellente
interprete. La
popolarissima versione di
quest’ultimo è
stata riarrangiata con
grande fedelt dal
musicista norvegese
Richard Johnsen.
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1165689-140 As performed b...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1165689-140
As performed by Stevie
Wonder. Composed by
Stevie Wonder. Arranged
by Richard Johnsen. DHP
Pop, Film and Show. Pop &
Rock. Score Only.
Composed 2016. De Haske
Publications #DHP
1165689-140. Published by
De Haske Publications
(BT.DHP-1165689-140).
Don’t
You Worry ‘Bout A
Thing is one of the
most popular songs by
Stevie Wonder and has
been performed by various
other famous artists
throughout the years. The
version from Al Jarreau
is probably the most well
known, and has been
arranged by the Norwegian
arranger Richard Johnsen.
Don’t
You Worry ‘Bout A
Thing is een van de
populairste songs van
superster Stevie Wonder.
Het nummer is in de loop
der jaren ook door
diverse andere beroemde
artiesten uitgevoerd. De
versie van Al Jarreau
waarschijnlijk de
bekendste is door de
Noorse arrangeur Richard
Johnsen gebruikt als
uitgangspunt voor zijn
fraaie bewerking.
Don’t
You Worry ‘Bout A
Thing gehört zu
den bekanntesten Songs
von Stevie Wonder und
wurde im Laufe der Jahre
auch von verschiedenen
anderen berühmten
Künstlern
aufgeführt. Die
Version von Al Jarreau
ist sicherlich die
bekannteste. Sie wurde
von dem norwegischen
Arrangeur Richard Johnson
bearbeitet.
Brano di
Stevie Wonder tra i
più amati di sempre,
Don’t You Worry
‘Bout A Thing
ha trovato anche in Al
Jarreau un eccellente
interprete. La
popolarissima versione di
quest’ultimo è
stata riarrangiata con
grande fedelt dal
musicista norvegese
Richard Johnsen.
Bohemian Rhapsody Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band (Score) - Grade 4 SKU: HL.44010995 Composed by Freddie Mercu...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.44010995
Composed
by Freddie Mercury.
Arranged by Philip
Sparke. Anglo Music
Concert Band. Pop. Score
Only. Composed 2011.
Anglo Music Press
#AMP316140. Published by
Anglo Music Press
(HL.44010995).
Bohemian
Rhapsody is undoubtedly
one of the most important
songs in the history of
rock 'n' roll. The song
defied all convention in
terms of form. It has no
chorus. Instead, it
comprised of an
introduction, ballad,
guitar solo, operatic
interlude, hard rock
section and coda. Perhaps
the most mystifying
aspect of the song is the
lyrics, which are
commonly thought to be
autobiographical,
although members of the
band have never fully
explained them. Bring the
house down with Philip
Sparke's authentic
arrangement!
Bohem
ian Rhapsody wordt vaak
gezien als het
belangrijkste nummer uit
de geschiedenis van de
rockmuziek. Naast de
nooit verklaarde
raadselachtige tekst, was
het vooral de ongewone
vorm die tot op de dag
van vandaag voor het
grote succeszorgde. Het
nummer kent geen refrein,
maar bestaat uit vijf
afzonderlijke delen:
inleiding, ballad,
gitaarsolo, hardrock en
slot. Philip Sparke is
met zijn arrangement zo
dicht mogelijk bij het
origineel gebleven.
Grotesk!
Bohemi
an Rhapsody wird oft
als der bedeutendste Song
in der Geschichte des
Rock bezeichnet. Neben
dem nie erklarten
ratselhaften Text trug
vor allem die
ungewohnliche Form zum
heute noch andauernden
Erfolg des Liedes bei: Es
hat keinen Refrain,
sondern besteht aus den
Abschnitten Einleitung,
Ballade, Gitarrensolo,
Hardrock und Schluss.
Philip Sparke versuchte,
in seiner Version von
Bohemian Rhapsody
so nahe wie moglich am
Original zu
bleiben.
Bohemian
Rhapsody est souvent
mentionne comme le titre
le plus important dans
l'histoire du Rock.
Ecrite par Freddie
Mercury, cette chanson
defie toutes les normes
jusque-la respectees.
Elle se compose de six
sections bien distinctes:
introduction, ballade,
solo de guitare, parties
opera et hard rock ainsi
qu'un finale.
L'arrangement pour
orchestre d'harmonie de
Philip Sparke reste
conforme a la version
originale. Succes
garanti!
Bohemian
Rhapsody e spesso
menzionato come il titolo
piu importante nella
storia della musica rock.
Scritta da Freddie
Mercury, questa canzone
sfida tutti i canoni fino
a allora rispettati. Si
compone di sei sezioni
ben distinte:
introduzione, ballata,
assolo di chitarra, parti
classiche e rock ed un
finale. L'arrangiamento
per banda di Philip
Sparke e fedele
all'originale.
The Doors in Concert Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Performed by The Doors. Arranged by Paul Murtha. (Score and Parts). Score and f...(+)
Performed by The Doors.
Arranged by Paul Murtha.
(Score and Parts). Score
and full set of parts.
Young Band (Concert
Band). Grade 3. Size 9x12
inches. Published by Hal
Leonard.
Composed by
Peter Meechan. Band
Music. Score only.
Duration 5:00. Published
by G & M Brand Music
Publishers (CN.S11279).
It's game time!
Match Day is an aural
representation of the
chants, songs, and
general excitement heard
at a football (soccer)
games in Britain.
Match Day takes
its inspiration from a
night in May 2005, when
the football team I have
supported from my
childhood, Liverpool FC,
won the European Cup in
what was considered by
many to be one of the
greatest football matches
of all time. The piece is
not only inspired by a
football match, but also
takes its musical
material from chants and
songs that you will hear
at 3pm on a Saturday
afternoon at any football
ground in Britain. Match
Day was written as a
result of a commission
from the National Youth
Brass Band of Great
Britain (with funds from
Youth Music), and their
Musical Director,
Bramwell Tovey, to whom
the piece is dedicated
and who conducted the
first performance in
April 2006.
Composed by
Peter Meechan. Band
Music. Score and parts.
Duration 5:00. Published
by G & M Brand Music
Publishers (CN.R10279).
It's game time!
Match Day is an aural
representation of the
chants, songs, and
general excitement heard
at a football (soccer)
games in Britain.
Match Day takes
its inspiration from a
night in May 2005, when
the football team I have
supported from my
childhood, Liverpool FC,
won the European Cup in
what was considered by
many to be one of the
greatest football matches
of all time. The piece is
not only inspired by a
football match, but also
takes its musical
material from chants and
songs that you will hear
at 3pm on a Saturday
afternoon at any football
ground in Britain. Match
Day was written as a
result of a commission
from the National Youth
Brass Band of Great
Britain (with funds from
Youth Music), and their
Musical Director,
Bramwell Tovey, to whom
the piece is dedicated
and who conducted the
first performance in
April 2006.
Composed by
Larry Clark. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
12+12+6+12+24+24+6+4+6+6+
6+6+8+8+8+4+4+6+6+6+8+2+1
+6+2+4+10+32+4 pages.
Duration 6 minutes, 9
seconds. Carl Fischer
Music #CPS225. Published
by Carl Fischer Music
(CF.CPS225).
ISBN
9781491152515. UPC:
680160910014.
Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017.
Composed
by Larry Clark. Concert
Band (CPS). Full score.
With Standard notation.
32 pages. Carl Fischer
Music #CPS225F. Published
by Carl Fischer Music
(CF.CPS225F).
ISBN
9781491153192. UPC:
680160910694.
Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017.
Loch Lomond Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.