The Battle of Varlar Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000262-140 Composed by Rob ...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000262-140
Composed by Rob Goorhuis.
Score Only. 20 pages.
Gobelin Music
Publications #GOB
000262-140. Published by
Gobelin Music
Publications
(BT.GOB-000262-140).
The work calls
to mind an important
event from the history of
the city Coesfeld in
Germany: the battle of
Varlar, which took place
in the year 1454. The
composition presents us
with a bird's eye view of
the events: First of all,
the consecration of the
chapel on the Klinkenberg
mountain is set to music
in a hymn, after which
the trumpets and
trombones announce the
imminent battle. In the
subsequent fray not only
the sounds of sabres and
rapiers can clearly be
heard but also the
wailing of the wounded.
When the Duke of
Brunswick is wounded and
captured by the troops of
Walraf, Konrad von Diepen
and his men march on
Coesfeld in victory. Set
against a festive melody,
the hymnresounds in full
glory.
De slag
bij Varlar vond plaats in
het jaar 1454 in de buurt
van de stad Coesfeld. Rob
Goorhuis nam deze
historische gebeurtenis
als bron van inspiratie
voor zijn gelijknamige
werk. Beginnend met een
hymne, refereert de
componist aan de
inwijding van een kapel,
om vervolgens met
trompetgeschal de
veldslag aan te kondigen.
Het houwen en kletteren
van de zwaarden, maar ook
de klagende stemmen van
de gewonden nemen de
krijgsgeluiden over, om
tenslotte uit te monden
in de klanken van de
hymne uit het begin. Dit
keer om de glorieuze
overwinning te
vieren…!
Die
Schlacht von Varlar fand
im Jahre 1454 in der
Gegend der Stadt Coesfeld
statt. Rob Goorhuis’
musikalisches Luftbild
der historischen
Ereignisse beginnt mit
einer Hymne zur
Einweihung einer Kapelle,
dann kündigen
Trompeten und Posaunen
die bevorstehende
Schlacht an. Im folgenden
Getümmel ist
Säbelgerassel, aber auch
das Wehklagen der
Verwundeten zu hören,
bevor mit der Hymne aus
dem Eingangsteil der
glorreiche Sieg gefeiert
wird.
La bataille
de Varlar a eu lieu en
l’an 1454 autour de la
ville de Coesfeld
(Allemagne). Telle une
vue aérienne, l’oeuvre
composée par Rob
Goorhuis brosse le
portrait des événements
qui s’enchaînent les
uns après les autres :
un hymne en honneur de la
chapelle près du champ
de bataille, puis
l’affrontement venir,
le bruit des bottes et le
cliquetis des sabres, les
gémissements des
blessés puis nouveau
l’hymne de
l’introduction, repris
cette fois dans un tempo
plus rapide car il est
destiné célébrer la
victoire.
Rob
Goorhuis riprende gli
avvenimenti storici della
battaglia di Varlar che
ebbe luogo nel 1454 nella
citt di Coesfeld in
Germania. Il brano inizia
con un inno che
simboleggia
l’inaugurazione di una
cappella, mentre le
trombe e i tromboni
annunciano l’imminente
inizio delle ostilit .
Segue un passaggio
caratterizzato dai suoni
tipici della cruenta
battaglia, ma anche dai
lamenti dei feriti, che
anticipano il glorioso
inno della vittoria.
Galloping Ghosts Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-064-5 Composed by William Ryden. S...(+)
Concert band - Grade 4
SKU:
MH.1-59913-064-5
Composed by William
Ryden. Suitable for high
school, community, and
college bands. Conductor
score and set of parts.
Duration 2:45. Published
by Manhattan Beach Music
(MH.1-59913-064-5).
ISBN
9781599130644.
I
wrote Galloping Ghosts (A
Ragtime March) to
conclude a concert of my
chamber music in New York
City on October 28, 1986.
It is the final part of a
work called Rags for
Divers Players. This work
was written to show the
variety possible within
the standard rag form. I
used all the players
available for the finale
-- two violins, viola,
cello, bass, flute, oboe,
clarinet, horn, bassoon,
and piano. Since this is
a rather unusual
instrumental combination
and not easy to
reassemble, I decided to
rescore the work for
concert band. Galloping
Ghosts is written in a
standard march form but
incorporates many of the
syncopations found in
ragtime. The uniquely
American music called
ragtime traces its
history to African
rhythms brought over by
slaves. Over the years
this music became welded
to European musical forms
such as the quadrille and
the march. Drums and
banjos and the minstrel
tradition lent a special
flavor, and from all
these elements ragtime
slowly evolved within the
largely unknown black
subculture of the late
19th century. In the late
1890's it emerged as a
fully developed form in
the classic piano solos
of Scott Joplin
(1869-1917). Joplin's
1899 hit, Maple Leaf Rag,
was an overnight
sensation and brought
ragtime worldwide fame.
Ensemble instrumentation:
1 Piccolo, 8 Flute 1 and
2, 2 Oboe, 1 Eb Clarinet,
4 Bb Clarinet 1, 4 Bb
Clarinet 2, 4 Bb Clarinet
3, 2 Eb Alto Clarinet, 3
Bb Bass and Bb Contrabass
Clarinet, 2 Bassoon 1 and
2, 2 Eb Alto Saxophone 1,
2 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Cornet 1, 3 Bb Cornet 2,
3 Bb Cornet 3, 2 Horn 1
and 2 in F, 2 Horn 3 and
4 in F, 4 Trombone 1 and
2, 4 Bass Trombone, 2
Baritone (B.C.), 2
Baritone (T.C.), 4 Tuba,
1 String Bass, 1 Timpani,
1 Xylophone, 3 Percussion
1, 3 Percussion 2.
Bandshop Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1145613-010 Composed by Pet...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1145613-010
Composed by Peter
Riedemann. On Parade! Set
(Score & Parts). Composed
2014. De Haske
Publications #DHP
1145613-010. Published by
De Haske Publications
(BT.DHP-1145613-010).
English-German-French-
Dutch.
The main
role in this attractive
march is played by the
harmonic elements of
minor and major. These
ingredients are supported
by a solid bass passage,
various dynamic contrasts
and a lovely
cantabile trio
theme. Bandshop is
a wonderfulmarch that
brings pleasure to
performer and listener
alike-and is ideal for
any concert
program.
In deze
attractieve mars spelen
de harmonische
componenten mineur en
majeur de hoofdrol. Deze
elementen worden
aangevuld door een
stevige baspassage,
verschillende dynamische
contrastwerkingen en een
fraai zangrijk triothema.
Bandshop is
eenprachtige mars die
veel luister- en
speelplezier biedt en die
geschikt is voor elk
concertprogramma!
In diesem attraktiven
Marsch spielen die
harmonischen Komponenten
Moll und Dur die
Hauptrolle. Diese
Elemente werden durch
eine solide Passage im
Bass, verschiedene
dynamische Kontraste und
ein liebliches
Cantabile-Triothema
ergänzt.
Bandshopist ein
wundervoller Marsch, der
viel Spiel- und
Hörspaß bietet und
sich für jedes
Konzertprogramm
eignet!
In
questa accattivante
marcia, gli elementi
armonici in tonalit
maggiore e minore
rivestono un ruolo
principale. Questi motivi
sono completati da una
solida linea del basso,
mentre i differenti
contrasti di dinamiche
sostengono un piacevole
triocantabile.
Bandshop è una
splendida marcia che
oltre ad essere
emozionante da eseguire,
offre momenti di puro
piacere musicale a chi
ascolta!
Best of the West! Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 3 SKU: AP.46635S Featuring: I'm On My Way (from P...(+)
Concert Band - Grade 3
SKU: AP.46635S
Featuring: I'm On My
Way (from Paint Your
Wagon) / The Good, the
Bad, and the Ugly / The
Magnificent Seven.
Composed by Various.
Arranged by Michael
Story. Concert Band;
Performance Music
Ensemble; Single Titles.
Pop Concert Band. Form:
Medley. Movie. Score. 24
pages. Duration 4:00.
Alfred Music #00-46635S.
Published by Alfred Music
(AP.46635S).
ISBN
9781470654733. UPC:
038081539287. English.
Various.
A
rollicking medley of four
popular, contrasting
western movie themes
including: I'm On My Way
(from Paint Your Wagon),
The Good, the Bad, and
the Ugly, Blazing
Saddles, and The
Magnificent Seven. It
just can't get any
better. So grab your
popcorn . . . Gitty up!
Ride 'em cowboy!
The Snake Pit Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Cabasa,
China Cymbal, Clarinet 1,
Clarinet 2, Congas,
Cowbell, Euphonium,
Euphonium T.C., Flute,
Flute 2, Glockenspiel,
Gong, Horn, Mallet
Percussion, Maracas,
Oboe, Percussion 1,
Percussion 2, Snare Drum
and more. - Grade 1.5
SKU: CF.FPS151
Composed by Tyler Arcari.
First Plus Band (FPS).
Set of Score and Parts.
With Standard notation.
8+2+4+4+2+5+2+2+4+4+4+6+3
+1+1+3+6+12+2 pages.
Duration 1 minute, 36
seconds. Carl Fischer
Music #FPS151. Published
by Carl Fischer Music
(CF.FPS151).
ISBN
9781491152119. UPC:
680160909612.
Every
one remembers the first
time that they saw a
snake. Though fascinating
to some and terrifying to
others, few animals are
as universally
mesmerizing. Composer
Tyler Arcari has crafted
a very fun piece making
use of auxiliary
percussion instruments to
emulate a snake's hiss or
ominous rattle. With very
strong and interesting
melodic material, and
scored to make a
developing band sound
great, this piece is sure
to be a favorite among
students. Everyone
remembers the first time
that they saw a snake.
The majority of people
have a base fear of them,
while others have a
“heebie-jeebiesâ
experience. We all
know how the great
explorer Dr. Indiana
Jones felt about snakes,
especially when he
famously fell into a
snake pit during Raiders
of the Lost Ark. However
you feel about snakes, a
pit of them certainly
sounds like an
adventure.About the
work:Snake Pit uses a lot
of auxiliary percussion
instruments. Some of
these sounds are intended
to subtly mimic the
sounds that snakes make.
The maraca in m. 4, of
course, is a
rattler’s call!
The Chinese cymbal is
intended to sound like
the “hiss†of
a not-so-friendly
serpent. The eighth-note
pattern at m. 9 is used
throughout as a
“creepyâ€
effect using dynamic
contrast so take care to
emphasize this when
present.I enjoy the gong
as a “colorâ€
instrument in the band. I
try to balance it with
the low brass. Take care
that at m. 42 the gong is
not “front-and
center†but more of
a support for the nice
accented chords in the
low brass. Also, the
trumpets can become
spaced too much here. The
accents are more for
emphasis and less
space.
Bruno Mars Four-Pack Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
Concert Band - Grade 1 SKU: AP.47390S Featuring: That's What I Like / ...(+)
Concert Band - Grade 1
SKU: AP.47390S
Featuring: That's What
I Like / Just the Way You
Are (Amazing) / The Lazy
Song / Marry You.
Composed by Various.
Arranged by Michael
Story. Concert Band;
Performance Music
Ensemble. Pop Beginning
Band. Pop. Score. 28
pages. Duration 4:30.
Alfred Music #00-47390S.
Published by Alfred Music
(AP.47390S).
ISBN
9781470653057. UPC:
038081546582.
English.
Bruno Mars
is undoubtedly one of
today's biggest recording
artists. He has had a
string of top hits and
has won a whopping 11
Grammy Awards to date.
Including That's What I
Like, Just the Way You
Are, The Lazy Song, and
Marry You, each of the
songs can be played alone
or may be combined into a
Bruno Mars suite.
(4:30).
Score and Parts Concert Band (Score & Parts) SKU: HL.44013266 Concert ...(+)
Score and Parts Concert
Band (Score & Parts)
SKU: HL.44013266
Concert Band Score and
Parts. Composed by
Michael Jackson. Arranged
by Takashi Hoshide. De
Haske Concert Band.
Classical, Pop.
Softcover. Duration 465
seconds. De Haske
Publications #1125265010.
Published by De Haske
Publications
(HL.44013266).
Jackson 5
Medley features the
catchiest hits from one
of the most successful
family pop groups of all
time, arranged for
concert band by Takashi
Hoshide. Includes the
songs IÂ’ll Be There,
I Want You Back, ABC and
Never Can Say
Goodbye.
The Snake Pit Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Cabasa,
China Cymbal, Clarinet 1,
Clarinet 2, Congas,
Cowbell, Euphonium,
Euphonium T.C., Flute,
Flute 2, Glockenspiel,
Gong, Horn, Mallet
Percussion, Maracas,
Oboe, Percussion 1,
Percussion 2, Snare Drum
and more. - Grade 1.5
SKU: CF.FPS151F
Composed by Tyler Arcari.
First Plus Band (FPS).
Full score. With Standard
notation. 12 pages. Carl
Fischer Music #FPS151F.
Published by Carl Fischer
Music (CF.FPS151F).
ISBN 9781491152799.
UPC:
680160910298.
Every
one remembers the first
time that they saw a
snake. Though fascinating
to some and terrifying to
others, few animals are
as universally
mesmerizing. Composer
Tyler Arcari has crafted
a very fun piece making
use of auxiliary
percussion instruments to
emulate a snake's hiss or
ominous rattle. With very
strong and interesting
melodic material, and
scored to make a
developing band sound
great, this piece is sure
to be a favorite among
students. Everyone
remembers the first time
that they saw a snake.
The majority of people
have a base fear of them,
while others have a
“heebie-jeebiesâ
experience. We all
know how the great
explorer Dr. Indiana
Jones felt about snakes,
especially when he
famously fell into a
snake pit during Raiders
of the Lost Ark. However
you feel about snakes, a
pit of them certainly
sounds like an
adventure.About the
work:Snake Pit uses a lot
of auxiliary percussion
instruments. Some of
these sounds are intended
to subtly mimic the
sounds that snakes make.
The maraca in m. 4, of
course, is a
rattler’s call!
The Chinese cymbal is
intended to sound like
the “hiss†of
a not-so-friendly
serpent. The eighth-note
pattern at m. 9 is used
throughout as a
“creepyâ€
effect using dynamic
contrast so take care to
emphasize this when
present.I enjoy the gong
as a “colorâ€
instrument in the band. I
try to balance it with
the low brass. Take care
that at m. 42 the gong is
not “front-and
center†but more of
a support for the nice
accented chords in the
low brass. Also, the
trumpets can become
spaced too much here. The
accents are more for
emphasis and less
space.
Journey to Illyria Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band concert band - Grade 0.5 SKU: CF.PPS53F Composed by Sean O'Loughlin....(+)
Band concert band - Grade
0.5
SKU: CF.PPS53F
Composed by Sean
O'Loughlin. Primer Band
(PPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#PPS53F. Published by
Carl Fischer Music
(CF.PPS53F).
ISBN
9781491152652. UPC:
680160910151.
Illyr
ia is a region in
southern Europe, and the
name has been used in
books and music
throughout history,
including Shakespearean
plays. Composer Sean
O'Loughlin takes
beginning students on a
musical journey, starting
with broad melodic
statements by the brass,
bold full ensemble
statements, a contrasting
lyrical section, and
concluding with a
relentless finish.
Journey to
Illyria is a
sophisticated musical
presentation that is
still playable by the
youngest of
students. The title
Journey to
Illyria comes out of a
recent internet search
that came up with a
similarly titled book by
an author named Sean
O'Loughlin (no relation).
I'm always fascinated by
how connected and small
this world can seem.
After some further
research, I found that
Illyria is also a name
that appears in some
fantasy fiction books and
even on the TV show
Angel. All of this gets
wrapped into the music
for this piece.It begins
with a broad melodic
statement by the brass.
It develops further at m.
9 and then transitions to
a full statement at m. 25
with plenty of imitation
between upper and lower
voices. A contrasting
slower section follows at
m. 39, which should bring
out the haunting, rich
sound of the ensemble.
The fast section returns
at m. 46 with
progressively building
imitation to bring back
the opening gesture at m.
58. The music then is
relentless to the rousing
end.
By Brian Balmages. FJH Starter Series. Very few compositions offer the opportuni...(+)
By Brian Balmages. FJH
Starter Series. Very few
compositions offer the
opportunity to truly work
on musical expression
without the technical
demands often placed on
students. I am often
disappointed by the
number of directors who
avoid lyrical works
because their students
"can't play that kind of
music without sounding
bad . . " As a result, I
have written a short
lyrical piece that uses
only six notes in all
instruments and is of
moderate length for young
musicians. It is my
sincere hope that this
work will open the door
that many ensembles have
hesitated to pass
through. This piece is
the second of three
included in Midnight
Suite. Score for this
title: B1321S. Extra part
for this title: B1321P.
Concert Band. Level: 0.5.
Score and Set of Parts.
Published by The FJH
Music Company Inc
Band concert band - Grade 0.5 SKU: CF.PPS53 Composed by Sean O'Loughlin. ...(+)
Band concert band - Grade
0.5
SKU: CF.PPS53
Composed by Sean
O'Loughlin. Primer Band
(PPS). Set of Score and
Parts. With Standard
notation.
8+2+8+2+5+2+2+8+2+3+2+6+3
+1+1+2+5+16+2 pages.
Duration 2 minutes, 50
seconds. Carl Fischer
Music #PPS53. Published
by Carl Fischer Music
(CF.PPS53).
ISBN
9781491151976. UPC:
680160909476.
Illyr
ia is a region in
southern Europe, and the
name has been used in
books and music
throughout history,
including Shakespearean
plays. Composer Sean
O'Loughlin takes
beginning students on a
musical journey, starting
with broad melodic
statements by the brass,
bold full ensemble
statements, a contrasting
lyrical section, and
concluding with a
relentless finish.
Journey to
Illyria is a
sophisticated musical
presentation that is
still playable by the
youngest of
students. The title
Journey to
Illyria comes out of a
recent internet search
that came up with a
similarly titled book by
an author named Sean
O'Loughlin (no relation).
I'm always fascinated by
how connected and small
this world can seem.
After some further
research, I found that
Illyria is also a name
that appears in some
fantasy fiction books and
even on the TV show
Angel. All of this gets
wrapped into the music
for this piece.It begins
with a broad melodic
statement by the brass.
It develops further at m.
9 and then transitions to
a full statement at m. 25
with plenty of imitation
between upper and lower
voices. A contrasting
slower section follows at
m. 39, which should bring
out the haunting, rich
sound of the ensemble.
The fast section returns
at m. 46 with
progressively building
imitation to bring back
the opening gesture at m.
58. The music then is
relentless to the rousing
end.
Selections From Hairspray Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
By Shaiman and Whittman. Arranged by Ted Ricketts. Score and full set of parts. ...(+)
By Shaiman and Whittman.
Arranged by Ted Ricketts.
Score and full set of
parts. Young Band
(Concert Band). Grade 3.
Size 9x12 inches.
Published by Hal Leonard.
Concert Band - Grade 1 SKU: AP.47390 Featuring: That's What I Like / J...(+)
Concert Band - Grade 1
SKU: AP.47390
Featuring: That's What
I Like / Just the Way You
Are (Amazing) / The Lazy
Song / Marry You.
Composed by Various.
Arranged by Michael
Story. Concert Band;
Performance Music
Ensemble. Pop Beginning
Band. Pop. Score and
Part(s). 276 pages.
Duration 4:30. Belwin
Music #00-47390.
Published by Belwin Music
(AP.47390).
ISBN
9781470653040. UPC:
038081546575.
English.
Bruno Mars
is undoubtedly one of
today's biggest recording
artists. He has had a
string of top hits and
has won a whopping 11
Grammy Awards to date.
Including That's What I
Like, Just the Way You
Are, The Lazy Song, and
Marry You, each of the
songs can be played alone
or may be combined into a
Bruno Mars suite.
(4:30).
By John Lennon, Paul McCartney. Arranged by Michael Sweeney. Discovery Concert B...(+)
By John Lennon, Paul
McCartney. Arranged by
Michael Sweeney.
Discovery Concert Band
Plus. Grade 2. Score and
full set of parts.
Published by Hal Leonard.
Fantasia Nova Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
Concert band - Grade 5 SKU: MH.1-59913-082-3 Composed by Bob Margolis. Su...(+)
Concert band - Grade 5
SKU:
MH.1-59913-082-3
Composed by Bob Margolis.
Suitable for community
bands, high school bands,
and college bands. 14
minutes duration if
played as a suite; or
movements 1 or 3 may be
performed separately.
Conductor score and set
of parts. Duration 14:00.
Published by Manhattan
Beach Music
(MH.1-59913-082-3).
ISBN
9781599130828.
Fant
asia Nova is a suite
comprising two concert
marches and a slow,
middle movement that
derives its themes from
both marches. Ragtime
(composed in early
September, 1978) is a new
from old sort of piece.
Although its tunefulness
and harmonies have an
old-fashioned character,
its structure,
development, and
orchestration are unusual
for a march. In the
chorale section (measures
111 - 148) the band
director must be very
careful in balancing, for
each of the elements must
come through. More
important is that the
audience be brought up by
this section -- filled
with a joyous exaltation;
great attention must be
paid to sonority and the
band must play earnestly.
Ragtime stands on its own
and may be performed
separately. Dreams
(composed in late
September, 1978) is the
traditional march of the
two. It is very closely
modeled (in structure
only) to Sousa's Stars
and Stripes Forever. It
even includes a tricky
piccolo solo, although
the accompaniment has a
chorale texture, almost
like a school alma mater.
This march has a
patriotic, inspirational
sound, because it was
composed for the town of
Irondequoit, New York --
for a Town March contest
held by the town's
community concert band.
It did not, so far as I
know, become the town's
march; one can hear the
name, Irondequoit,
throughout the Trio, for
every turn of the melody
(in fact, each group of
four notes) fits the
accent pattern
(Ih-RON-dih-kwoit) of the
town's name. Parade
stands on its own as a
complete work and may be
performed separately.
Ensemble instrumentation:
1 Piccolo, 6 Flutes, 2
1st & 2nd Oboes, 1
English Horn, 1 Eb
Clarinet, 3 1st Bb
Clarinet, 3 2nd Bb
Clarinet, 3 3rd Bb
Clarinet, 1 Eb Alto
Clarinet, 2 Bb Bass
Clarinet, 1 Eb Contrabass
Clarinet (optional), 2
1st & 2nd Bassoons, 1
Contrabassoon (optional),
1 1st Eb Alto Saxophone,
1 2nd Eb Alto Saxophone,
1 Bb Tenor Saxophone, 1
Eb Baritone Saxophone, 3
1st Bb Cornets, 3 2nd Bb
Cornets, 3 3rd Bb
Cornets, 1 1st Horn in F,
1 2nd Horn in F, 2 3rd
and 4th Horns in F, 2 1st
Trombones, 2 2nd
Trombones, 2 3rd
Trombones, 1 Euphonium
(Treble Clef), 2
Euphonium (Bass Clef), 4
Tuba, 1 String Bass, 1
Timpani (Triangle), 5
Percussion.
Orchestra piccolo, English horn, B-clarinet, contrabassoon-4, 1-4 percussion-har...(+)
Orchestra piccolo,
English horn, B-clarinet,
contrabassoon-4, 1-4
percussion-harp-strings
SKU: PE.EP73404
Composed by Rihards
Dubra. Full Orchestra.
Edition Peters. Book.
Duration 00:37:00.
Edition Peters
#98-EP73404. Published by
Edition Peters
(PE.EP73404).
ISBN
9790577018348. 297 x 420
mm inches.
English.
Rihards
Dubra (born Latvia, 1964)
wrote his Symphony
No. 2 in 2014. It is
a large-scale work, over
30 minutes long, in three
movements (titled
'Visio', 'Cantus', 'Et
vidi...'), for large
orchestra comprising
triple wind and brass,
percussion and
harp.
Speaking of
symphonic writing, the
composer says: 'I don't
think a symphony should
speak about small,
everyday things and
issues; it should speak
of global, fundamental
and substantial things.
Only then does it justify
the name 'symphony'. It
must be something
serious.'
This full
score (EP 73404) is now
available as part of the
Peters Baltic
Library.
Peters Baltic Library is
a new series of full
scores of orchestral
music by contemporary
composers from the Baltic
States.
Published
in partnership with the
leading music publisher
from the region: Musica
Baltica.
Peters
Baltic Library presents a
rich selection of
compositions that
demonstrates both the
distinctiveness and the
variety of stylistic
approaches adopted by the
region's most prominent
composers.
<
br>This product is
Printed on Demand and may
take several weeks to
fulfill. Please order
from your favorite
retailer.
Overture in D-Minor Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band - Grade 4 SKU: BT.DHP-0910268-040 Composed by George Frideri...(+)
Concert Band - Grade 4
SKU:
BT.DHP-0910268-040
Composed by George
Frideric Handel. Arranged
by Frans E. Hendrikx. The
Great Classics. Opening
Pieces. Set (Score &
Parts). Composed 1991. De
Haske Publications #DHP
0910268-040. Published by
De Haske Publications
(BT.DHP-0910268-040).
Im April 2009
jährt sich der
Todestag von Georg
Friedrich Händel zum
250. Mal. Ein guter
Grund, seinen Werken in
diesem Jahr besondere
Aufmerksamkeit zu
schenken. Zum Beispiel
mit einem thematischen
Konzertprogramm, das mit
dieser Bearbeitung der
Ouvertüre in
d-Moll beginnen
könnte.
Orchestra Full Orchestra with Mixed Choirs and Brass Band SKU: PE.EP72880 ...(+)
Orchestra Full Orchestra
with Mixed Choirs and
Brass Band
SKU:
PE.EP72880
For
Youth and Mixed Choirs,
Brass Band and
Orchestra. Composed
by Roxanna Panufnik. This
edition: Expanded. Full
Orchestra. Expanded.
Form: Fanfare.
Contemporary. Score. 20
pages. Edition Peters
#98-EP72880. Published by
Edition Peters
(PE.EP72880).
ISBN
9790577023144.
F
airfield Fanfare
(expanded version) by
Roxanna Panufnik is a
4-minute work for youth
and mixed choirs, brass
band and orchestra.
Originally commissioned
to celebrate the
50th
anniversary of the
Fairfield Halls, Croydon
in 2012, the opening
chords are based on all
the alphabetic note names
from FA-ir-F(#)-i-E-l-D,
heralding a flourishing
section of hustle and
bustle that is the city
of Croydon today. This
expanded version includes
brass band and choirs,
with a setting of the
text from Psalm
127.
The expanded
version was commissioned
by the London Mozart
Players, who premiered
the piece on 30 June 2016
at Fairfield Halls,
Croydon.
This
edition is the full score
in C (EP 72880). It is
available for sale as
part of the Peters
Contemporary Library. The
performance material can
be hired as well as a
transposed full score, if
preferred. This product
is Printed on Demand and
may take several weeks to
fulfill. Please order
from your favorite
retailer.
Composed by Bart Howard,
Charles Strouse, Howard
Greenfield, Jimmy Webb,
L. Duddy, L. Pockriss,
Lee Adams, Neil Sedaka,
R.C. Bennett, and Sid
Tepper. Arranged by
Naohiro Iwai. New Sounds
for Concert Band. Pop &
Rock. Set (Score &
Parts). Composed 2007.
Music Sales #1510-07-010
MS. Published by Music
Sales
(BT.1510-07-010-MS).
9x12 inches.
For
this medley, Naohiro Iwai
has gathered six of the
finest Americanhits from
the 1940's and 1950's,
that despite their age
are still in thehearts
and minds of many people
today - true American
Beauties!
Dit
werk bevat een aantal
Amerikaanse muzikale
juweeltjes in een
vakkundig arrangement
voor harmonieorkest van
de hand van Naohiro Iwai.
Met Johnny Angel, By
the Time I Get to
Phoenix, Oh! Carol, Red
Roses for a Blue Lady,
FlyMe to the Moon
en Bye Bye
Birdie.
In
diesem Medley versammelte
Naohiro Iwai sechs der
schönsten
amerikanischen Hits, die
in den vierziger und
fünfziger Jahren
erstmals
veröffentlicht wurden,
aber heute noch in aller
Munde und Herzen sind:
wahre musikalische
American Beauties
eben!
Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
8+2+4+8+8+2+2+2+2+2+2+4+4
+4+2+2+3+3+3+4+1+1+1+1+3+
12+2 pages. Duration 3
minutes, 11 seconds. Carl
Fischer Music #CPS224.
Published by Carl Fischer
Music (CF.CPS224).
ISBN 9781491152508.
UPC:
680160910007.
Rainb
ow in the Clouds is
based on an old
traditional spiritual,
possibly an
African-American song
from the 19th century,
entitled God Put a
Rainbow in the
Clouds. Composer
Carol Brittin Chambers
was inspired by poetic
Maya Angelou to create of
setting of this beautiful
song. It is lush and
beautiful throughout and
will highlight the
musicianship of your
students. This would
serve as a welcome change
of pace piece on your
program for concert or
contest. Rainbow in
the Clouds was
commissioned by the
Pflugerville Middle
School Wind Ensemble in
Pflugerville, Texas,
directed by Shauna
Satrom. The piece
premiered in May 2017, in
memory and celebration of
Luis Ham, who was an
Assistant Principal at
Pflugerville Middle
School.This piece is
based on an old
traditional spiritual,
possibly an
African-American song
from the nineteenth
century, entitled God Put
a Rainbow in the Clouds.
The first time I heard
reference to this song
was in a Maya Angelou
video, in which she sings
a portion of it:
“When it looked
like the sun
wouldn’t shine
anymore, Oh, God put a
rainbow in the
clouds.†In the
video, Dr. Angelou honors
those who have
demonstrated kindness to
her in the past, and she
suggests that we all try
to be a blessing to
others. The Pflugerville
community believed that
Mr. Ham, with his
positive outlook, was
definitely a
“rainbow in the
clouds†for other
people.The piece begins
with a full ensemble
introduction, followed by
a woodwind treatment of
the first verse with a
fairly reserved tempo and
straight eighth-note
rhythm. When brass pick
up the melody on the
second phrase, we start
to hear the song more
like the original
spiritual, with
dotted-eighth, sixteenth
rhythms. The middle
section of the piece at
m. 22 begins to move at a
slightly quicker tempo,
and the mood becomes
lighter. This section
becomes a
call-and-response between
a euphonium solo and
upper woodwinds. The
final section of the
piece involves everyone
playing together joyously
and full, eventually
winding down with two
more solo statements in
flute and euphonium.Note
to the Conductor:Use this
piece to introduce or
reinforce the following
musical concepts:Lyrical,
expressive playing varied
stylesSolo
responsibilitiesKey
changes, tempo
changes.
Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 12
pages. Carl Fischer Music
#CPS224F. Published by
Carl Fischer Music
(CF.CPS224F).
ISBN
9781491153185. UPC:
680160910687.
Rainb
ow in the Clouds is
based on an old
traditional spiritual,
possibly an
African-American song
from the 19th century,
entitled God Put a
Rainbow in the
Clouds. Composer
Carol Brittin Chambers
was inspired by poetic
Maya Angelou to create of
setting of this beautiful
song. It is lush and
beautiful throughout and
will highlight the
musicianship of your
students. This would
serve as a welcome change
of pace piece on your
program for concert or
contest. Rainbow in
the Clouds was
commissioned by the
Pflugerville Middle
School Wind Ensemble in
Pflugerville, Texas,
directed by Shauna
Satrom. The piece
premiered in May 2017, in
memory and celebration of
Luis Ham, who was an
Assistant Principal at
Pflugerville Middle
School.This piece is
based on an old
traditional spiritual,
possibly an
African-American song
from the nineteenth
century, entitled God Put
a Rainbow in the Clouds.
The first time I heard
reference to this song
was in a Maya Angelou
video, in which she sings
a portion of it:
“When it looked
like the sun
wouldn’t shine
anymore, Oh, God put a
rainbow in the
clouds.†In the
video, Dr. Angelou honors
those who have
demonstrated kindness to
her in the past, and she
suggests that we all try
to be a blessing to
others. The Pflugerville
community believed that
Mr. Ham, with his
positive outlook, was
definitely a
“rainbow in the
clouds†for other
people.The piece begins
with a full ensemble
introduction, followed by
a woodwind treatment of
the first verse with a
fairly reserved tempo and
straight eighth-note
rhythm. When brass pick
up the melody on the
second phrase, we start
to hear the song more
like the original
spiritual, with
dotted-eighth, sixteenth
rhythms. The middle
section of the piece at
m. 22 begins to move at a
slightly quicker tempo,
and the mood becomes
lighter. This section
becomes a
call-and-response between
a euphonium solo and
upper woodwinds. The
final section of the
piece involves everyone
playing together joyously
and full, eventually
winding down with two
more solo statements in
flute and euphonium.Note
to the Conductor:Use this
piece to introduce or
reinforce the following
musical concepts:Lyrical,
expressive playing varied
stylesSolo
responsibilitiesKey
changes, tempo
changes.
Trumpeter's Lullaby Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Trumpet Solo - Grade 5 SKU: BT.DHP-1063975-010 ...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 5
SKU:
BT.DHP-1063975-010
Composed by Leroy
Anderson. Arranged by
Naohiro Iwai. New Sounds
for Concert Band.
Original Light Music. Set
(Score & Parts). Composed
2006. De Haske
Publications #DHP
1063975-010. Published by
De Haske Publications
(BT.DHP-1063975-010).
9x12 inches.
English-German-French-Dut
ch.
According to
music critic Mark Azarra,
Leroy Anderson
(1908-1975) was
“one of the four
best composers of
instrumental music in the
20th century, next to
George Gershwin, Aaron
Copland and Charles
Ivesâ€. Many of his
nostalgic songs such as
Sleigh Ride and
Blue Tango are
firmly embedded in the
American popular music
culture. In 1945 at the
request of Roger Voisin,
the principal trumpeter
of the Boston Pops
Orchestra, Anderson wrote
the Trumpeter’s
Lullaby. This version
for concert band by will
be a sure
winner.
Volgens
muziekcriticus Mark
Azarra was Leroy Anderson
(1908-1975) “een
van de vier beste
componisten van
instrumentale muziek in
de twintigste eeuw, naast
George Gershwin, Aaron
Copland en Charles
Ivesâ€. Nostalgische
songs van zijnhand, zoals
als Sleigh Ride en
Blue Tango, zijn
stevig ingebed in de
Amerikaanse
lichtemuziekcultuur. Op
verzoek van Roger Voisin,
destijds eerste
trompettist van het
Boston Pops Orchestra,
schreef Anderson in
1945het luchtige stuk
Trumpeter’s
Lullaby.
Tr
umpeter's Lullaby
gehört seit seinem
Entstehungsjahr 1950 zum
unterhaltsamen
Standardrepertoire vieler
Trompetensolisten. Leroy
Anderson komponierte den
Titel auf Anregung von
Roger Voisin, dem ersten
Trompeter des Boston
Symphony Orchestras.
Dieser wünschte sich
ein Solo, das sich vom
lauten, triumphalen Klang
der meisten Trompetensoli
unterschieden sollte. So
entstand die Idee zu
diesem Wiegenlied, das
nun in einer Bearbeitung
für Trompete und
Blasorchester
vorliegt.
Ai nostri
giorni, la musica leggera
che nel primo dopoguerra
fece la gioia di tanti
radioascoltatori, sta
cadendo
nell’oblio. Tra i
molti brani, spiccava la
musica del compositore
americano Leroy Anderson
(1908-1975). Descrittive
e spesso sorprendenti, le
sue musiche hanno
conservato la freschezza
e lo charme di allora.
Trumpeter’s
Lullaby è un brano
dolce dove la tromba
vuole essere tenera ed
eterea. Un brano magico
anche grazie
all’accompagnament
o.
Holiday in Rio Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000433-010 Composed by Andrea...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000433-010
Composed by Andreas
Ludwig Schulte. Set
(Score & Parts). 10
pages. Gobelin Music
Publications #GOB
000433-010. Published by
Gobelin Music
Publications
(BT.GOB-000433-010).
The party
atmosphere of the beaches
in Rio de Janeiro is
famous worldwide. Holiday
in Rio brings this party
to life and, right from
the first bar, conjures
up a Brazilian spirit on
the concert stage. No one
will be able to resist
the infectious rhythms of
this exciting piece!
De stranden van
Rio de Janeiro. Die staan
synoniem voor zon, feest
en uitbundige
vrolijkheid! Op dit
gegeven is het
aanstekelijke werk
Holiday in Rio gebaseerd.
Het brengt ons vanaf de
eerste maten direct in
Braziliaanse sferen.
Metmooie solo’s voor de
altsaxofoon, trompet en
trombone is dit zulke
opgewekte muziek, dat
niemand nog rustig kan
blijven
zitten!
Dass am
berühmten Strand von Rio
de Janeiro viel gefeiert
ist, ist weltweit
bekannt. Holiday in
Rio basiert auf diese
Lust am Feiern und
zaubert vom ersten Takt
an brasilianische
Atmosphäre auf die
Konzertbühne. Da kann
niemand
stillsitzen!
Sur
les plages de Rio de
Janeiro, il règne en
permanence une ambiance
festive plaisante aux
touristes et aux locaux.
Holiday in Rio nous
emporte dès la première
mesure, sur le sable
chaud de la baie de Rio.
Une pièce aux accents
brésiliens auxquels nul
ne pourra résister,
contenant des passages
solos pour saxophone
alto, trompette et
trombone.
Sulle
spiagge di Rio de Janeiro
regna tutto l’anno
un’atmosfera di
vacanza, perfetta per i
turisti ma anche per gli
abitanti del luogo.
Holiday in Rio accompagna
il vostro pubblico, gi
dalle prime misure, sulla
calda sabbia della baia
di Rio. Un brano
irresistibile dagli
accenti brasiliani e che
propone passaggi per sax
contralto, tromba e
trombone soli.
Trumpeter's Lullaby Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Trumpet Solo - Grade 5 SKU: BT.DHP-1063975-140 ...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 5
SKU:
BT.DHP-1063975-140
Composed by Leroy
Anderson. Arranged by
Naohiro Iwai. New Sounds
for Concert Band.
Original Light Music.
Score Only. Composed
2006. 24 pages. De Haske
Publications #DHP
1063975-140. Published by
De Haske Publications
(BT.DHP-1063975-140).
9x12 inches.
English-German-French-Dut
ch.
According to
music critic Mark Azarra,
Leroy Anderson
(1908-1975) was
“one of the four
best composers of
instrumental music in the
20th century, next to
George Gershwin, Aaron
Copland and Charles
Ivesâ€. Many of his
nostalgic songs such as
Sleigh Ride and
Blue Tango are
firmly embedded in the
American popular music
culture. In 1945 at the
request of Roger Voisin,
the principal trumpeter
of the Boston Pops
Orchestra, Anderson wrote
the Trumpeter’s
Lullaby. This version
for concert band by will
be a sure
winner.
Volgens
muziekcriticus Mark
Azarra was Leroy Anderson
(1908-1975) “een
van de vier beste
componisten van
instrumentale muziek in
de twintigste eeuw, naast
George Gershwin, Aaron
Copland en Charles
Ivesâ€. Nostalgische
songs van zijnhand, zoals
als Sleigh Ride en
Blue Tango, zijn
stevig ingebed in de
Amerikaanse
lichtemuziekcultuur. Op
verzoek van Roger Voisin,
destijds eerste
trompettist van het
Boston Pops Orchestra,
schreef Anderson in
1945het luchtige stuk
Trumpeter’s
Lullaby.
Tr
umpeter's Lullaby
gehört seit seinem
Entstehungsjahr 1950 zum
unterhaltsamen
Standardrepertoire vieler
Trompetensolisten. Leroy
Anderson komponierte den
Titel auf Anregung von
Roger Voisin, dem ersten
Trompeter des Boston
Symphony Orchestras.
Dieser wünschte sich
ein Solo, das sich vom
lauten, triumphalen Klang
der meisten Trompetensoli
unterschieden sollte. So
entstand die Idee zu
diesem Wiegenlied, das
nun in einer Bearbeitung
für Trompete und
Blasorchester
vorliegt.
Ai nostri
giorni, la musica leggera
che nel primo dopoguerra
fece la gioia di tanti
radioascoltatori, sta
cadendo
nell’oblio. Tra i
molti brani, spiccava la
musica del compositore
americano Leroy Anderson
(1908-1975). Descrittive
e spesso sorprendenti, le
sue musiche hanno
conservato la freschezza
e lo charme di allora.
Trumpeter’s
Lullaby è un brano
dolce dove la tromba
vuole essere tenera ed
eterea. Un brano magico
anche grazie
all’accompagnament
o.
Dublin Dances Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1074289-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1074289-140
Composed by Jan Van der
Roost. Inspiration
Series. Concert Piece.
Score Only. Composed
2007. 40 pages. De Haske
Publications #DHP
1074289-140. Published by
De Haske Publications
(BT.DHP-1074289-140).
9x12 inches.
English-German-French-Dut
ch.
In Dublin
Dances Jan Van der
Roost has combined three
well-known traditional
Irish melodies to form an
attractive medley. The
medley contains Brian
Boru’s March,
a melody made popular by
worldfamous flautist
James Galway, followed
bythe atmospheric tune
The Minstrel Man/I>
and, as a cheerful
finale, The Irish
Washerwoman. Add a
little magic from the
Emerald Isle to your
concert with this rousing
medley.
In deze
‘Ierse
rapsodie’ put de
componist uit de rijke
schat aan Ierse
volksmuziek en rijgt hij
drie bekende melodieën
aaneen tot een fraai
geheel. De eerste
melodie, Brian
Boru’s March,
krijgt een verfrissende
opknapbeurt,trommels en
fluiten spelen daarbij
een belangrijke rol. Dan
volgt de melodie van
The Minstrel Man,
sfeervol gebracht door
diverse instrumenten en
met een sobere maar
treffende harmonisatie
omkaderd. Als
‘uitsmijter’
is erhet opgewekte The
Irish Washerwoman -
deze vrolijke finale
besluit dit muzikale
bezoek aan het oneindig
groene eiland.
In
Dublin Dances
verknüpfte Jan Van der
Roost drei bekannte
Melodien zu einem
ansprechenden Ganzen:
Brian Borus’s
March, bekannt vor
allem durch den
Flötisten James
Galway, ist geprägt
von Flöten und
Trommeln; dann folgt
The Minstrel Man,
ein stimmungsvolles Lied,
das in mehreren
Instrumentierungen
erscheint und
schließlich - als Clou
- The Irish
Washerwoman im
typisch irischen 6/8-Takt
als fröhliches Finale
dieses musikalischen
Besuchs auf der ewig
grünen
Insel.
Holiday in Rio Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000433-140 Composed by Andrea...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000433-140
Composed by Andreas
Ludwig Schulte. Score
Only. 16 pages. Gobelin
Music Publications #GOB
000433-140. Published by
Gobelin Music
Publications
(BT.GOB-000433-140).
The party
atmosphere of the beaches
in Rio de Janeiro is
famous worldwide. Holiday
in Rio brings this party
to life and, right from
the first bar, conjures
up a Brazilian spirit on
the concert stage. No one
will be able to resist
the infectious rhythms of
this exciting piece!
De stranden van
Rio de Janeiro. Die staan
synoniem voor zon, feest
en uitbundige
vrolijkheid! Op dit
gegeven is het
aanstekelijke werk
Holiday in Rio gebaseerd.
Het brengt ons vanaf de
eerste maten direct in
Braziliaanse sferen.
Metmooie solo’s voor de
altsaxofoon, trompet en
trombone is dit zulke
opgewekte muziek, dat
niemand nog rustig kan
blijven
zitten!
Dass am
berühmten Strand von Rio
de Janeiro viel gefeiert
ist, ist weltweit
bekannt. Holiday in
Rio basiert auf diese
Lust am Feiern und
zaubert vom ersten Takt
an brasilianische
Atmosphäre auf die
Konzertbühne. Da kann
niemand
stillsitzen!
Sur
les plages de Rio de
Janeiro, il règne en
permanence une ambiance
festive plaisante aux
touristes et aux locaux.
Holiday in Rio nous
emporte dès la première
mesure, sur le sable
chaud de la baie de Rio.
Une pièce aux accents
brésiliens auxquels nul
ne pourra résister,
contenant des passages
solos pour saxophone
alto, trompette et
trombone.
Sulle
spiagge di Rio de Janeiro
regna tutto l’anno
un’atmosfera di
vacanza, perfetta per i
turisti ma anche per gli
abitanti del luogo.
Holiday in Rio accompagna
il vostro pubblico, gi
dalle prime misure, sulla
calda sabbia della baia
di Rio. Un brano
irresistibile dagli
accenti brasiliani e che
propone passaggi per sax
contralto, tromba e
trombone soli.