Sing, Sing, Sing Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1033406-010 Composed by Louis...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1033406-010
Composed by Louis Prima.
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Concert Piece. Set
(Score & Parts). Composed
2003. De Haske
Publications #DHP
1033406-010. Published by
De Haske Publications
(BT.DHP-1033406-010).
The swing
classic Sing, Sing, Sing,
which in 1937was a major
hit for the Benny Goodman
Orchestra,was written by
its trumpet player Louis
Prima.Prima, born in New
Orleans, did not only
laterbecome known for his
spectacular live and
radioperformances, he
also created his own jazz
style- a mix of dixieland
and swing. This
arrangementfor concert
band brings the
unforgettable soundof the
big bands from the
thirties back to life.
De
swing-klassieker Sing,
Sing, Sing werd in
1937 een grote hit voor
het Benny Goodman
Orchestra. Het nummer is
geschreven door Louis
Prima, de trompettist van
dit orkest. Dit
arrangement van Naohiro
Iwai laat het
onvergetelijkegeluid van
de bigbands van de jaren
dertig
herleven.
Den
Swing-Klassiker Sing,
Sing, Sing, ein
großer Hit für das
Benny Goodman-Orchester
im Jahr 1937, hatte sein
Trompeter Louis Prima
geschrieben. Prima,
geboren in New Orleans,
wurde später nicht nur
bekannt für seine
Aufsehen erregenden
Bühnen- und
Radiovorstellungen, er
schuf auch seinen ganz
eigenen Jazzstil, eine
Mischung aus Dixieland
und Swing. Naohiro Iwais
Arrangement des
Jazzstandards Sing,
Sing, Sing macht den
unverwechselbaren Big
Band-Sound der 30er-Jahre
wieder
lebendig.
Winter Milky Way Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
Composed by Yukiko Nishimura. Carl Fischer Concert Performance Series. Score and...(+)
Composed by Yukiko
Nishimura. Carl Fischer
Concert Performance
Series. Score and
part(s). With Standard
notation. Duration 4
minutes, 31 seconds. Carl
Fischer #CPS208.
Published by Carl Fischer
(CF.CPS208).
Full Score. Composed by Ernesto Lecuona (1895-1963). Arranged by James Ba...(+)
Full Score.
Composed by Ernesto
Lecuona (1895-1963).
Arranged by James Barnes.
Southern Music.
Softcover. 36 pages.
Southern Music Company
#S966FS. Published by
Southern Music Company
(HL.236112).
Sing, Sing, Sing Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1033406-210 Composed by Louis...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1033406-210
Composed by Louis Prima.
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Original Light
Music. Score Only.
Composed 2003. De Haske
Publications #DHP
1033406-210. Published by
De Haske Publications
(BT.DHP-1033406-210).
De
swing-klassieker Sing,
Sing, Sing werd in
1937 een grote hit voor
het Benny Goodman
Orchestra. Het nummer is
geschreven door Louis
Prima, de trompettist van
dit orkest. Dit
arrangement van Naohiro
Iwai laat het
onvergetelijkegeluid van
de bigbands van de jaren
dertig
herleven.
Den
Swing-Klassiker Sing,
Sing, Sing, ein
großer Hit für das
Benny Goodman-Orchester
im Jahr 1937, hatte sein
Trompeter Louis Prima
geschrieben. Prima,
geboren in New Orleans,
wurde später nicht nur
bekannt für seine
Aufsehen erregenden
Bühnen- und
Radiovorstellungen, er
schuf auch seinen ganz
eigenen Jazzstil, eine
Mischung aus Dixieland
und Swing. Naohiro Iwais
Arrangement des
Jazzstandards Sing,
Sing, Sing macht den
unverwechselbaren Big
Band-Sound der 30er-Jahre
wieder
lebendig.
Concert Band/Harmonie - Grade 3 SKU: BT.1267-05-140-MS Arranged by Peter ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1267-05-140-MS
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2005. 36 pages. Music
Sales #1267-05-140 MS.
Published by Music Sales
(BT.1267-05-140-MS).
9x12 inches.
English-German-French-Dut
ch.
Ray Charles
(1930-2004) was a
multitalented and
pioneering American
pianist and soul singer
who became very popular
in the late fifties, and
remained respected for
his music in the decades
that followed. By
incorporating gospel,
jazz, blues, and big band
elements, he helped shape
the sound of rhythm and
blues, and brought a
soulful sound to
everything from country
music to pop standards.
Ray Charles embodied the
American dream, starting
out a poor, blind boy
from the southern United
States and becoming an
international music
phenomenon; his nickname
was “the
Genius†for a good
reasonIn this arrangement
for concert band, Peter
Kleine Schaars presents
five of the songs
thatcontributed to Ray
Charles’ fame: I
Can’t Stop Loving
You, Hit the Road Jack,
Georgia on My Mind,
Hallelujah I Love Her So,
and Unchain My Heart.
Ray Charles
(1930-2004) was een
vernieuwend Amerikaans
pianist en soulzanger die
populair werd in de jaren
vijftig en geliefd bleef
in de decennia die
volgden. Hij gaf mede
vorm aan de sound van de
rhythm & blues en hij gaf
een soulachtigeklank aan
alle muziek van country
tot aan popstandards -
waarin hij gospel, jazz,
blues en
bigband-elementen
verwerkte. Dit
arrangement bevat vijf
van de songs die
bijdroegen aan de roem
van Ray Charles: I
Can’t StopLoving
You, Hit the Road Jack,
Georgia on My Mind,
Hallelujah I Love Her
So en Unchain My
Heart.
Ray
Charles, dem Hollywood
jüngst mit einer Oscar
preisgekrönten
Filmproduktion huldigte,
ist die Verkörperung
des amerikanischen
Traums: Vom armen,
blinden Jungen aus den
Südstaaten wurde er
zum internationalen
musikalischen
Phänomen; seinen
Spitznamen Genie trug er
völlig zu Recht. In
dieser Bearbeitung für
Blasorchester
präsentiert Peter
Kleine Schaars fünf
der Lieder, die zu Ray
Charles' Ruhm beitrugen.
Ray
Charles è un vero
mito: cinque decenni di
successi, una carriera
eccezionale ricca di
decine di successi che
hanno fatto il giro del
mondo diventando fonte di
ispirazione per intere
generazioni di giovani
artisti. Soprannominato
“The Geniusâ€,
questo pioniere del R&B e
della soul music, cieco
dall’et di sette
anni, ha composto alcune
delle canzoni memorabili
della musica nera
americana tra cui I
Can’t Stop Loving
You, Hit the Road Jack,
Georgia on My Mind,
Hallelujah I Love Her
so e Unchain My
Heart.
A Tribute to Ray Charles Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1267-05-010-MS Arranged by Peter ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1267-05-010-MS
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2005. Music
Sales #1267-05-010 MS.
Published by Music Sales
(BT.1267-05-010-MS).
9x12 inches.
English-German-French-Dut
ch.
Ray Charles
(1930-2004) was a
multitalented and
pioneering American
pianist and soul singer
who became very popular
in the late fifties, and
remained respected for
his music in the decades
that followed. By
incorporating gospel,
jazz, blues, and big band
elements, he helped shape
the sound of rhythm and
blues, and brought a
soulful sound to
everything from country
music to pop standards.
Ray Charles embodied the
American dream, starting
out a poor, blind boy
from the southern United
States and becoming an
international music
phenomenon; his nickname
was “the
Genius†for a good
reasonIn this arrangement
for concert band, Peter
Kleine Schaars presents
five of the songs
thatcontributed to Ray
Charles’ fame: I
Can’t Stop Loving
You, Hit the Road Jack,
Georgia on My Mind,
Hallelujah I Love Her So,
and Unchain My Heart.
Ray Charles
(1930-2004) was een
vernieuwend Amerikaans
pianist en soulzanger die
populair werd in de jaren
vijftig en geliefd bleef
in de decennia die
volgden. Hij gaf mede
vorm aan de sound van de
rhythm & blues en hij gaf
een soulachtigeklank aan
alle muziek van country
tot aan popstandards -
waarin hij gospel, jazz,
blues en
bigband-elementen
verwerkte. Dit
arrangement bevat vijf
van de songs die
bijdroegen aan de roem
van Ray Charles: I
Can’t StopLoving
You, Hit the Road Jack,
Georgia on My Mind,
Hallelujah I Love Her
So en Unchain My
Heart.
In den
fünfziger Jahren
erlangte der Pianist und
Soulsänger Ray Charles
große, bis heute
ungebrochene
Popularität. In dieser
Bearbeitung für
Blasorchester
präsentiert Peter
Kleine Schaars fünf
der Lieder, die
wesentlich zu Ray
Charles’ Ruhm
beitrugen und auch heute
noch ein hoch
ansteckendes Soul-Fieber
unter Musikern und
Zuhörern auslösen
können.
Ray
Charles è un vero
mito: cinque decenni di
successi, una carriera
eccezionale ricca di
decine di successi che
hanno fatto il giro del
mondo diventando fonte di
ispirazione per intere
generazioni di giovani
artisti. Soprannominato
“The Geniusâ€,
questo pioniere del R&B e
della soul music, cieco
dall’et di sette
anni, ha composto alcune
delle canzoni memorabili
della musica nera
americana tra cui I
Can’t Stop Loving
You, Hit the Road Jack,
Georgia on My Mind,
Hallelujah I Love Her
so e Unchain My
Heart.
Swingin' at the Riverside Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Curnow Music
Concert Band/Harmonie and Saxophone Solo - Grade 2 SKU: BT.CMP-0991-06-010(+)
Concert Band/Harmonie and
Saxophone Solo - Grade 2
SKU:
BT.CMP-0991-06-010
Composed by Stephen
Bulla. Young Band. Set
(Score & Parts). Composed
2006. Curnow Music #CMP
0991-06-010. Published by
Curnow Music
(BT.CMP-0991-06-010).
9x12
inches.
Feature
anywhere from one
Saxophone up to the
entire Sax section in
Stephen Bulla’s
jazzy new arrangement
titled Swingin’ at
the Riverside. The quick,
rhythmic swing-style
music is catchy to say
the least! It’s
the perfect opportunity
to “lighten
up†during the next
concert performance. In
addition, it’s a
good piece to program
just before or after that
large work that’s
taxing for the Brass
players. It’s lots
of fun for Brasses to
play but gives them
plenty of short rests
throughout so they can
refresh their chops.
Now’s the time to
let the Saxes
shine!Light-hearted
and fun!
Dit
is een lekker vlot en
swingend werk waarin een
hoofdrol is weggelegd
voor de saxofoon. De
interactie tussen het
orkest en de solist(en)
is leuk en boeiend voor
zowel de muzikanten als
het publiek. De titel
Swingin’at the
Riversideis
natuurlijk een zinspeling
op de alom bekende
spiritual Down by the
Riverside, die te
horen is terwijl de
muziek zich ontvouwt. Een
levendige aanvulling op
uw eerstvolgende
concertprogramma!
Rücken Sie einen
Saxophonisten oder auch
das ganze Register ins
Rampenlicht - mit Stephen
Bullas jazzigen Titel
Swingin’ at the
Riverside haben Sie
die Wahl! Die flotte,
swingende rhythmische
Musik ist absolut
eingängig, ein
strahlendes Highlight
für jedes
Konzertprogramm!
Idealerweise planen Sie
dieses Stück nach
einem für die
Blechbläser
anstrengenden
Programmpunkt ein, da sie
hier zwar auch jede Menge
Spaß, aber auch
genügend Pausen haben.
Nun sind die Saxophone
dran!
Questo brano di
Stephen Bulla nasce dallo
swing e combina con
originalit uno dei più
grandi successi del jazz
di New Orleans, Down
by the Riverside.
L’accompagnamento
è brillante ed i
solisti semplicemente
sfavillanti!
Caravan Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0991728-010 Arranged by Naohi...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0991728-010
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Original Light
Music. Set (Score &
Parts). Composed 1999. De
Haske Publications #DHP
0991728-010. Published by
De Haske Publications
(BT.DHP-0991728-010).
De Amerikaanse
pianist, orkestleider en
componist Duke Ellington
(1899-1974) had een
geweldig gevoel voor
instrumentale combinaties
en ontwikkelde een eigen
jazzy sound waarmee hij
wereldfaam verwierf. Hij
was een van de
belangrijkstejazzcomponis
ten van de twintigste
eeuw en hij liet dan ook
een indrukwekkend oeuvre
na. Sophisticated
Lady, Mood
Indigo maar ook
Caravan behoren
tot de echte
Ellington-standards.
Naohiro Iwai bewerkte
hetlaatstgenoemde nummer
tot een standard voor
blaasorkest.
Caravan Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-0991728-215 Arra...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3
SKU:
BT.DHP-0991728-215
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Original Light
Music. Score Only.
Composed 1999. De Haske
Publications #DHP
0991728-215. Published by
De Haske Publications
(BT.DHP-0991728-215).
De Amerikaanse
pianist, orkestleider en
componist Duke Ellington
(1899-1974) had een
geweldig gevoel voor
instrumentale combinaties
en ontwikkelde een eigen
jazzy sound waarmee hij
wereldfaam verwierf. Hij
was een van de
belangrijkstejazzcomponis
ten van de twintigste
eeuw en hij liet dan ook
een indrukwekkend oeuvre
na. Sophisticated
Lady, Mood
Indigo maar ook
Caravan behoren
tot de echte
Ellington-standards.
Naohiro Iwai bewerkte
hetlaatstgenoemde nummer
tot een standard voor
blaasorkest.
Caravan Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-0991728-020 Arranged by Naohiro Iwai. ...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-0991728-020
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Original Light
Music. Set (Score &
Parts). Composed 1999. De
Haske Publications #DHP
0991728-020. Published by
De Haske Publications
(BT.DHP-0991728-020).
De Amerikaanse
pianist, orkestleider en
componist Duke Ellington
(1899-1974) had een
geweldig gevoel voor
instrumentale combinaties
en ontwikkelde een eigen
jazzy sound waarmee hij
wereldfaam verwierf. Hij
was een van de
belangrijkstejazzcomponis
ten van de twintigste
eeuw en hij liet dan ook
een indrukwekkend oeuvre
na. Sophisticated
Lady, Mood
Indigo maar ook
Caravan behoren
tot de echte
Ellington-standards.
Naohiro Iwai bewerkte
hetlaatstgenoemde nummer
tot een standard voor
blaasorkest.
There's No Place
Like. Composed by
Robert Allen. Arranged by
Larry Clark. FS-SWS. Carl
Fischer Young Performance
Series. Score and Set of
Parts. With Standard
notation.
16+8+2+4+4+2+2+5+2+2+4+4+
4+6+3+2+3+2+1+2+2 pages.
Carl Fischer Music
#YPS38. Published by Carl
Fischer Music (CF.YPS38).
ISBN 9780825852152.
UPC: 798408052157. 9 X 12
inches. Key: Eb major.
Text: Al Stillman. Al
Stillman.
The
classic holiday favorite
by Al Stillman and Robert
Allen is presented here
in a playable arrangement
for concert band. It is
my hope that this
arrangement will be
equally satisfying for
the young band with ample
rehearsal time or for the
more mature band that
wants a holiday favorite
they can perform with
limited rehearsal. The
piece is presented first
in a lush chorale format
with the use of extended
jazz harmonies. Special
care should be given to
balancing and tuning the
inner voices for the most
pleasant sound. After the
lush opening on the
famous refrain the
arrangement moves to the
bridge in an up-tempo
swing. In this section
the percussion is written
to imitate a drum set,
but if a set is available
it may be preferable to
use it in order to get
the right feel. Following
the bridge is another
statement of the refrain
followed by a hymn-style
section by the reeds with
jazz interjections by the
brass straight out of the
famous Perry Como
rendition. This is
followed by a D.S. to the
bridge, one more refrain
and then a short coda It
has been my pleasure to
have the opportunity to
write this arrangement. I
hope you and your
students enjoy it and
find it useful for your
program. -LARRY CLARK New
York, NY 2003. The
classic holiday favorite
by Al Stillman and Robert
Allen is presented here
in a playable arrangement
for concert band. It is
my hope that this
arrangement will be
equally satisfying for
the young band with ample
rehearsal time or for the
more mature band that
wants a holiday favorite
they can perform with
limited rehearsal.The
piece is presented first
in a lush chorale format
with the use of extended
jazz harmonies. Special
care should be given to
balancing and tuning the
inner voices for the most
pleasant sound. After the
lush opening on the
famous refrain the
arrangement moves to the
bridge in an up-tempo
swing. In this section
the percussion is written
to imitate a drum set,
but if a set is available
it may be preferable to
use it in order to get
the right feel. Following
the bridge is another
statement of the refrain
followed by a
“hymn-styleâ€
section by the reeds with
jazz interjections by the
brass straight out of the
famous Perry Como
rendition. This is
followed by a D.S. to the
bridge, one more refrain
and then a short coda It
has been my pleasure to
have the opportunity to
write this arrangement. I
hope you and your
students enjoy it and
find it useful for your
program.-LARRY CLARKNew
York, NY 2003.
Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208).
ISBN
9781491152287. UPC:
680160909780. Key: D
minor.
A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Sleep, My Child Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465.
A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Clarinet Concerto Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie and Clarinet Solo - Grade 4 SKU: BT.AMP-058-140 Com...(+)
Concert Band/Harmonie and
Clarinet Solo - Grade 4
SKU:
BT.AMP-058-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2003. 76 pages.
Anglo Music Press #AMP
058-140. Published by
Anglo Music Press
(BT.AMP-058-140).
This is a great
opportunity to
incorporate a modern
concerto into your band's
repertoire, which will
provide a fresh and
appealing concert item
for your upcoming season.
The work follows the
standard 3-movement
concerto form witha
syncopated, rag-like
opening movement
contrasting with a
slower, beautifully
English-sounding second
movement. The third
movement is based on a
bebop style to show off
the jazzier qualities of
the clarinet. This
substantial workis
suitable for a Grade 4
standard
band.
Mozart
schreef zijn bekende
klarinetconcert voor de
virtuoos Anton Stadler,
met wie hij bevriend was.
Stadler was
verantwoordelijk voor
veel technische
verbeteringen aan zowel
de klarinet als de
bassethoorn, hij voegde
extra kleppentoe aan
beide instrumenten,
waardoor het bereik van
de klarinet in de laagte
werd uitgebreid. Mozart
schreef dit concerto voor
een klarinet met een
lager bereik in
vergelijking tot het
moderne instrument.
Ondanks de beperkingenvan
de klarinet van nu komt
het origineel in deze
bewerking prima tot zijn
recht. opname op cd:
The Magic of
Mozart (DHR
11-011-3)
Ein
Konzert in drei
Sätzen, das den
vielfältigen Facetten
des Instrumentes Rechnung
trägt. Der
Eröffnungssatz
ähnelt im Stil fast
einem Rag. Der langsamere
zweite Satz erforscht
zunächst das
Chalumeau-Register der
Klarinette in einem
Thema, das später vom
Orchester aufgenommen
wird, während der
Solist einen filigranen
Diskant entwickelt.
Dieser leitet direkt zum
dritten Satz über,
dessen Stil an Be-Bop
erinnert und die
jazzigere Seite der
Klarinette in den
Vordergrund treten
lässt. Modern und
vielseitig!
Summertime Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1084520-140 Composed by Georg...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1084520-140
Composed by George
Gershwin. Arranged by
Toshio Mashima. New
Sounds for Concert Band.
Pop & Rock. Score Only.
Composed 2008. 20 pages.
De Haske Publications
#DHP 1084520-140.
Published by De Haske
Publications
(BT.DHP-1084520-140).
9x12 inches.
English-German-French-Dut
ch.
Wie kent niet
de meeslepende en toch
lieflijke melodie van
Summertime?
Oorspronkelijk is dit een
aria voor mezzosopraan
uit de beroemde opera
Porgy and Bess
(1935) van de Amerikaanse
componist George
Gershwin. Het
personageClara zingt het
lied voor haar baby, aan
het begin van de opera.
In de loop der decennia
is Summertime ook
een eigen leven gaan
leiden. Talloze zangers,
zangeressen en
instrumentalisten hebben
zich eraan gewaagd.
Erzijn vele bewerkingen
van gemaakt. Toshio
Mashima schreef een
magnifiek arrangement
voor harmonieorkest dat
garant staat voor succes
bij uw volgende
concert.
Summer
time ist ein
Wiegenlied aus dem ersten
Akt der American Folk
Opera“ Porgy und
Bess von George
Gershwin, die 1935
uraufgeführt wurde.
Noch berühmter als
die Oper wurde das Lied
Summertime, das in
vielen Stilen, aber vor
allem von
Jazzgrößen, wie z.
B. Ella Fitzgerald und
Louis Armstrong, Billie
Holiday, Miles Davis und
vielen mehr interpretiert
wurde. Dank Toshio
Mashimas
Blasorchesterbearbeitung
kann sich Ihr
Blasorchester elegant in
diese illustre Liste
einreihen!
Band concert band - Grade 1 SKU: KJ.WB350F Composed by Ryan Nowlin. Edite...(+)
Band concert band - Grade
1
SKU: KJ.WB350F
Composed by Ryan Nowlin.
Edited by Bruce Pearson.
Standard of Excellence in
Concert. Score. Neil A.
Kjos Music Company
#WB350F. Published by
Neil A. Kjos Music
Company (KJ.WB350F).
Ryan Nowlin is
a new composer to the
Standard of Excellence In
Concert series of concert
band compositions for
young bands. Mr. Nowlin
currently teaches
instrumental music in the
Breckville-Broadview
Heights School District
(Ohio) where he directs
high school wind
ensemble, marching band,
and jazz ensemble. Ryan's
Steadfast Overture uses
lyrical melodies that are
very accessible to the
beginning musician.
Written in overture form,
this piece gives young
students a chance to be
expressive. The main
theme in each occurrence
is treated in a different
fashion, keeping it fresh
to the ear. Although the
middle section is
performed at the same
tempo, the phrase
structure and feel
provide the distinct
contrast necessary in an
overture. Perfect for one
of your first concerts or
contest/festival
performances!
About Standard
of Excellence in
Concert
Th
e Standard of Excellence
In Concert series
presents exceptional
arrangements,
transcriptions, and
original concert and
festival pieces for
beginning and
intermediate band. Each
selection is correlated
to a specific page in the
Standard of Excellence
Band Method, reinforcing
and expanding skills and
concepts introduced in
the method up to that
point. Exciting parts
with extensive
cross-cueing are
presented for every
player. Accessible
ranges, appropriate
rhythmic challenges, and
creative percussion
section writing enhance
the pedagogical value of
the series.
Sold
individually, each In
Concert selection
includes a full Conductor
Score and enough student
parts for large symphonic
bands. Each student part
also includes correlated
Warm-Up Studies. The
Conductor Score comes
complete with rehearsal
suggestions, a composer
biography, program notes,
a rehearsal piano part,
several
ready-to-duplicate
worksheets and a
duplicable written
quiz.
Greenbrier Legacy Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Kjos Music Company
Band concert band - Grade 2.5 SKU: KJ.WB297 Composed by Michael Oare. Sta...(+)
Band concert band - Grade
2.5
SKU: KJ.WB297
Composed by Michael Oare.
Standard of Excellence in
Concert. Jazz Ensemble.
Score and set of parts.
Neil A. Kjos Music
Company #WB297. Published
by Neil A. Kjos Music
Company (KJ.WB297).
UPC:
8402700533.
Experie
nce stylistic contrasts,
exhilarating rhythms, and
a variety of tonal colors
all while alternating
between duple and triple
meter!
About Standard
of Excellence in
Concert
Th
e Standard of Excellence
In Concert series
presents exceptional
arrangements,
transcriptions, and
original concert and
festival pieces for
beginning and
intermediate band. Each
selection is correlated
to a specific page in the
Standard of Excellence
Band Method, reinforcing
and expanding skills and
concepts introduced in
the method up to that
point. Exciting parts
with extensive
cross-cueing are
presented for every
player. Accessible
ranges, appropriate
rhythmic challenges, and
creative percussion
section writing enhance
the pedagogical value of
the series.
Sold
individually, each In
Concert selection
includes a full Conductor
Score and enough student
parts for large symphonic
bands. Each student part
also includes correlated
Warm-Up Studies. The
Conductor Score comes
complete with rehearsal
suggestions, a composer
biography, program notes,
a rehearsal piano part,
several
ready-to-duplicate
worksheets and a
duplicable written
quiz.
Band concert band - Grade 2.5 SKU: KJ.JB66F Composed by David Bobrowitz. ...(+)
Band concert band - Grade
2.5
SKU: KJ.JB66F
Composed by David
Bobrowitz. Edited by
Bruce Pearson. Standard
of Excellence in Concert.
Jazz. Score. Neil A. Kjos
Music Company #JB66F.
Published by Neil A. Kjos
Music Company (KJ.JB66F).
This
composition by David
Bobrowitz describes,
musically, a giant eagle
looking for its morning
meal. The use of
ascending woodwind lines,
rapid staccato notes, and
the extensive use of
chromatics gives the
composition a new, fresh,
and appealing quality.
The Flight of the Eagle
truly comes to life in
this daring composition.
A perfect festival or
contest selection!
About Standard
of Excellence in
Concert
Th
e Standard of Excellence
In Concert series
presents exceptional
arrangements,
transcriptions, and
original concert and
festival pieces for
beginning and
intermediate band. Each
selection is correlated
to a specific page in the
Standard of Excellence
Band Method, reinforcing
and expanding skills and
concepts introduced in
the method up to that
point. Exciting parts
with extensive
cross-cueing are
presented for every
player. Accessible
ranges, appropriate
rhythmic challenges, and
creative percussion
section writing enhance
the pedagogical value of
the series.
Sold
individually, each In
Concert selection
includes a full Conductor
Score and enough student
parts for large symphonic
bands. Each student part
also includes correlated
Warm-Up Studies. The
Conductor Score comes
complete with rehearsal
suggestions, a composer
biography, program notes,
a rehearsal piano part,
several
ready-to-duplicate
worksheets and a
duplicable written
quiz.
The Flight of the Eagle Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Kjos Music Company
Band concert band - Grade 2.5 SKU: KJ.JB66 Composed by David Bobrowitz. E...(+)
Band concert band - Grade
2.5
SKU: KJ.JB66
Composed by David
Bobrowitz. Edited by
Bruce Pearson. Standard
of Excellence in Concert.
Jazz. Score and set of
parts. Neil A. Kjos Music
Company #JB66. Published
by Neil A. Kjos Music
Company (KJ.JB66).
UPC:
8402701480.
This
composition by David
Bobrowitz describes,
musically, a giant eagle
looking for its morning
meal. The use of
ascending woodwind lines,
rapid staccato notes, and
the extensive use of
chromatics gives the
composition a new, fresh,
and appealing quality.
The Flight of the Eagle
truly comes to life in
this daring composition.
A perfect festival or
contest selection!
About Standard
of Excellence in
Concert
Th
e Standard of Excellence
In Concert series
presents exceptional
arrangements,
transcriptions, and
original concert and
festival pieces for
beginning and
intermediate band. Each
selection is correlated
to a specific page in the
Standard of Excellence
Band Method, reinforcing
and expanding skills and
concepts introduced in
the method up to that
point. Exciting parts
with extensive
cross-cueing are
presented for every
player. Accessible
ranges, appropriate
rhythmic challenges, and
creative percussion
section writing enhance
the pedagogical value of
the series.
Sold
individually, each In
Concert selection
includes a full Conductor
Score and enough student
parts for large symphonic
bands. Each student part
also includes correlated
Warm-Up Studies. The
Conductor Score comes
complete with rehearsal
suggestions, a composer
biography, program notes,
a rehearsal piano part,
several
ready-to-duplicate
worksheets and a
duplicable written
quiz.
March of the Nightcrawlers Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Kjos Music Company
Band concert band - Grade 1.5 SKU: KJ.JB43 Composed by Thomas Duffy. Stan...(+)
Band concert band - Grade
1.5
SKU: KJ.JB43
Composed by Thomas Duffy.
Standard of Excellence in
Concert. Jazz. Score and
set of parts. Neil A.
Kjos Music Company #JB43.
Published by Neil A. Kjos
Music Company (KJ.JB43).
MARCH OF THE
NIGHTCRAWLERS opens with
a percussion interlude
followed by a whimsical
melody. A brief aleatoric
section and several
unconventional
techniques, such as
snapping, clapping, and
stomping follow. This
light-spirited, grade 1
I! work is ideal for
introducing new
techniques to young
students.
About Standard
of Excellence in
Concert
Th
e Standard of Excellence
In Concert series
presents exceptional
arrangements,
transcriptions, and
original concert and
festival pieces for
beginning and
intermediate band. Each
selection is correlated
to a specific page in the
Standard of Excellence
Band Method, reinforcing
and expanding skills and
concepts introduced in
the method up to that
point. Exciting parts
with extensive
cross-cueing are
presented for every
player. Accessible
ranges, appropriate
rhythmic challenges, and
creative percussion
section writing enhance
the pedagogical value of
the series.
Sold
individually, each In
Concert selection
includes a full Conductor
Score and enough student
parts for large symphonic
bands. Each student part
also includes correlated
Warm-Up Studies. The
Conductor Score comes
complete with rehearsal
suggestions, a composer
biography, program notes,
a rehearsal piano part,
several
ready-to-duplicate
worksheets and a
duplicable written
quiz.
Band concert band - Grade 1.5 SKU: KJ.WB292F Composed by Michael Grady. S...(+)
Band concert band - Grade
1.5
SKU: KJ.WB292F
Composed by Michael
Grady. Standard of
Excellence in Concert.
Jazz Ensemble. Score.
Neil A. Kjos Music
Company #WB292F.
Published by Neil A. Kjos
Music Company
(KJ.WB292F).
UPC:
8402703426.
Expose
your students to program
music with this
challenging and dramatic,
yet playable composition.
Great for contests and
festivals.
About Standard
of Excellence in
Concert
Th
e Standard of Excellence
In Concert series
presents exceptional
arrangements,
transcriptions, and
original concert and
festival pieces for
beginning and
intermediate band. Each
selection is correlated
to a specific page in the
Standard of Excellence
Band Method, reinforcing
and expanding skills and
concepts introduced in
the method up to that
point. Exciting parts
with extensive
cross-cueing are
presented for every
player. Accessible
ranges, appropriate
rhythmic challenges, and
creative percussion
section writing enhance
the pedagogical value of
the series.
Sold
individually, each In
Concert selection
includes a full Conductor
Score and enough student
parts for large symphonic
bands. Each student part
also includes correlated
Warm-Up Studies. The
Conductor Score comes
complete with rehearsal
suggestions, a composer
biography, program notes,
a rehearsal piano part,
several
ready-to-duplicate
worksheets and a
duplicable written
quiz.
Concert Band/Harmonie - Grade 6 SKU: BT.AMP-422-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.AMP-422-140
Composed by Philip
Sparke. Elite Series.
Score Only. Composed
2015. Anglo Music Press
#AMP 422-140. Published
by Anglo Music Press
(BT.AMP-422-140).
English-German-French-
Dutch.
Three
Washington Statues
was commissioned by the
United States Army Band
â??Pershings Ownâ?,
led by Colonel Thomas H.
Palmatier. Washington
D.C. contains some of the
worldâ??s most iconic
monuments, memorials and
statues. Philip Sparke
has chosenthree of these
as the inspiration for
this piece: â??The
Lincoln Memorialâ?? in
the form of a Greek Doric
temple in which the
composer depicts the
grandeur of this
monument; â??The Martin
Luther King, Jr.
Memorialâ?? on which
steps the iconic speech
â??I havea dreamâ?? was
given - the music is both
reverential as well as
powerful referring to
Martin Luther Kingsâ??
speech; and the
â??Encoreâ?? statue in
memory of the world
famousAfrican-American
composer, pianist and
bandleader Duke
Ellington. In this
finalmovement, Philip
Sparke catches the
virtuosic, energetic and
unique dynamism of
Ellingtonsâ??
music.
Three
Washington Statues is
geschreven in opdracht
van de United States Army
Band â??Pershingâ??s
Ownâ?? en de leider van
dit orkest, kolonel
Thomas H. Palmatier.
Washington D.C. is het
decor van een aantal van
de meest iconische
monumenten,gedenktekens
en standbeelden van de
VS. Componist Philip
Sparke heeft er drie
uitgekozen als inspiratie
voor dit werk: The
Lincoln Memorial, in de
vorm van een Griekse
Dorische tempel, waarin
de grandeur van het
monument wordt verklankt;
het MartinLuther King Jr.
Memorial, het gebouw waar
de iconische toespraak
â??I have a dreamâ??
ooit weerklonk de sfeer
is respectvol en
eerbiedig, maar de muziek
weerspiegelt tevens de
karakteristiekekracht die
ervan uitgaat; en het
beeld â??Encoreâ??
vancomponist, pianist en
bandleider Duke Ellington
in dit laatste deel geeft
Philip Sparke de
virtuoze, energieke,
unieke en dynamische
stijl van Ellingtons
muziek
weer.
Three
Washington Statues
wurde von der United
States Army Band
Pershings Ownâ??, die
von Oberst Thomas H.
Palmatier geleitet wird,
in Auftrag gegeben.
Washington D.C. besitzt
einige der
weltberühmtesten
Bauwerke, Denkmäler
und Statuen. PhilipSparke
hat drei von diesen als
Inspiration für dieses
Stück genommen. So
beschreibt er die
Erhabenheit des Lincoln
Memorialâ??, das mit
seinen dorischen
Säulen in Form eines
griechischen Tempels
erbaut wurde. Das Martin
Luther King, Jr.
Memorialâ??erinnert an
die legendäre Rede
Martin Luther Kings I
have a dreamâ?? (Ich
habe einen Traumâ??).
Die ehrfurchtsvolle und
zugleich kraftvolle Musik
ist ein Tribut an diese
Rede. Die
StatueEncoreâ?? erinnert
an den weltbekannten
afroamerikanischenKomponi
sten, Pianisten und
Bandleader Duke
Ellington. In diesem
letzten Satz fängt
Philip Sparke die
virtuose, energiegeladene
und einzigartige Dynamik
von Duke Ellingtons Musik
ein.
Co
mmissionato dalla banda
dellâ??esercito
statunitense, condotta
dal colonnello Thomas H.
Palmatier, Three
Washington Statues
è un brano dedicato ad
alcuni dei più noti e
iconici monumenti
americani mai realizzati.
Philip Sparke ha
scelto,difatti, di
musicare la stentoreit
del Lincoln Memorial,
della statua di Martin
Luther King di West
Potomac Park e di quella
dedicata al gigante della
musica afro-americana
Duke Ellington.
Nordanvind Orchestre d'harmonie - Intermédiaire Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Se...(+)
Band concert band - Grade
4.5
SKU: CF.SPS71
Composed by Carl
Strommen. Set of Score
and Parts. With Standard
notation.
2+16+4+8+8+8+4+4+2+4+4+4+
4+6+6+6+4+4+4+4+6+6+6+6+4
+8+3+2+12+2+4+28 pages.
Duration 6 minutes, 26
seconds. Carl Fischer
Music #SPS71. Published
by Carl Fischer Music
(CF.SPS71).
ISBN
9781491143544. UPC:
680160901043. Key: G
minor.
Nordanvind
is a tour de force
symphonic rhapsody that
is built on three
Scandinavian folk songs.
Composer Carl Strommen
has composed these
Viking-influenced
melodies into a concert
setting that brings out
all of the history of the
Scandinavian people. The
piece is at times bold
and aggressive, at other
times beautiful. Carl
employs all of the
instrumental colors of
the concert band to
create a new work for
more advanced
ensembles. Modern
Scandinavians are
descendants of the
Vikings, an adventuresome
people who were known for
their love of the sea,
their naval prowess, and
as fierce fighters . The
Scandinavian Vikings were
warriors from Denmark,
Norway, and Sweden who
traded, raided and
settled in various parts
of Europe, Russia, the
North Atlantic islands,
and the northeastern
coast of North America
.Starting around 1850,
over one million Swedes
left their homeland for
the United States in
search of religious
freedom and open farm
land . Augustana College
was founded in 1860 by
graduates of Swedish
universities and is
located on the
Mississippi River in Rock
Island, Illinois . Home
of the
“Vikings,â€
Augustana College is the
oldest Swedish- American
institution of higher
learning in the United
States . This powerful
and lively piece takes
inspiration from Swedish
history and from Swedish
folk songs and hymns
.Havsdrake (Dragon of the
Sea)The Nordanvind or
“North Windâ€
blows a cold wind during
a journey of a group of
courageous Viking rowers
. The
“Dragon-shipâ€
or long ships designed
for raiding and war was a
sophisticated, fast ship
able to navigate in very
shallow water . To
musically portray these
magnificent seafaring
vessels, the director is
encouraged to use an
Ocean Drum (or a rain
stick) during the
introduction . Wind
players may consider
blowing air through their
instruments to suggest
the North wind . Adding
men’s voices to
accompany the haunting
low brass and percussive
“rowerâ€
sounds can be helpful in
creating the dark and
ominous portrayal of
Viking adventurers
.Slangpolska efter Byss -
KalleIn Sweden, a
“polska†is a
partner dance where the
dancers spin each other
(släng in Swedish
“to sling or
tossâ€) .
Slangpolska efter Byss -
Kalle is attributed to
Byss-Kalle, who was a
notable Swedish folk
musician, specifically a
nyckelharpa player .
Slangpolska efter Byss -
Kalle is a traditional
“polskaâ€
dance song most often
played on the Nyckelharpa
or keyed fiddle and is
commonly heard in pubs
and at festive events
throughout Sweden .
Approximately 10,000
nyckelharpa players live
in Sweden today, and the
Swedish and the American
Nyckelharpa Associations
are dedicated to this
Swedish National
instrument . The director
is encouraged to share
video and audio examples
of the nyckelharpa
playing the original
Slangpolska efter Byss -
Kalle .Tryggare Kan Ingen
Vara (Children of the
Heavenly Father)Tryggare
Kan Ingen Vara Is a
traditional Swedish
melody, possibly of
German roots, and was
believed to be arranged
as a hymn by the Swedish
hymn writer, Karolina
Wilhelmina Sandell-Berg
(1832–1903) . As a
daughter of a Swedish
Lutheran minister, she
began writing poems as a
teenager and is said to
have written over 1,700
different texts . There
are two different
accounts as to the
inspiration for this hymn
. The first story is that
Lina (as she was called)
wrote the hymn to honor
her father and to say
thank you to him for
raising her and
protecting her . A second
belief is of her
witnessing the tragic
death of her father . She
and her father were on a
boat, when a wave threw
her father overboard . It
was said that the
profound effect of
watching her father drown
is what caused Lina to
write the text to this
hymn . Although this is a
treasured song to people
of Swedish descent
everywhere, it speaks to
all people about a father
tending and nourishing
his children, and
protecting them from evil
.SPS71FThe Augustana
College Concert
BandFounded in 1874, the
Augustana Band program is
one of the oldest
continuously active
collegiate band programs
in the country . The
Concert Band is one of
two bands on campus and
was formed more than
thirty years ago . The
Concert Band attracts
students of every skill
level and from a wide
variety of majors .
Students in the ensemble
play a large part in
choosing their music for
performance, which
include works from the
standard repertoire,
orchestral
transcriptions, and the
latest compositions from
leading composers .Rick
Jaeschke began his
musical career as a
clarinet player in the
1st US Army Band . He
received a Bachelor of
Music degree from
Susquehanna University, a
Masters of Music from
James Madison University,
and a doctorate from
Columbia University in
New York . He was also
fortunate to study
conducting with Donald
Hunsburger and with
Frederick Fennell .Dr .
Jaeschke taught band and
choir at Great Mills High
School in Southern
Maryland, and for fifteen
years, he was the
district Music Supervisor
in Armonk, New York,
where he taught high
school concert and jazz
bands, beginning band,
and music technology .
During that time, the
music program flourished,
and the high school band
consistently received
Gold Medals in the New
York State Festivals, as
well as in national, and
international festivals .
As a clarinet and
saxophone player, Dr .
Jaeschke performed in the
New York metropolitan
area with the Rockland
Symphony Orchestra, the
Putnam Symphony
Orchestra, Fine Arts
Symphony Orchestra, and
served as the concert
master for the Hudson
Valley Wind Symphony .For
several years, Dr .
Jaeschke served as the
Fine Arts Coordinator for
the District 204 schools
in Naperville, IL, a
district selected as One
of the Best 100 Schools
in America for Music .
Currently, Dr . Jaeschke
is an Associate Professor
at Augustana College
where he teaches music
and music education
courses, and directs the
Concert Band . He has
served on various
educational boards, is a
National edTPA scorer,
and has presented at
state, national and
international music
conferences . He lives
with his family in
Bettendorf Iowa, and
enjoys any opportunity to
explore the open water in
his sea kayak .
Valse Lyrique-Score Orchestre d'harmonie [Conducteur] - Facile Kjos Music Company
By William Himes. For concert band. Standard of Excellence in Concert. Jazz Ense...(+)
By William Himes. For
concert band. Standard of
Excellence in Concert.
Jazz Ensemble. Grade 2.5.
Score. Published by Neil
A. Kjos Music Company .
Score. Jazz Ensemble.
By Fred Fisher. Arranged by Jerry Nowak. Concert Band. For Concert Band. Carl Fi...(+)
By Fred Fisher. Arranged
by Jerry Nowak. Concert
Band. For Concert Band.
Carl Fischer Symphonic
Performance Series. Grade
4. Score and Set of
Parts. Duration 2:48.
Published by Carl Fischer
By Fred Fisher. Arranged by Jerry Nowak. Concert Band. For Concert Band. Carl Fi...(+)
By Fred Fisher. Arranged
by Jerry Nowak. Concert
Band. For Concert Band.
Carl Fischer Symphonic
Performance Series.
Level: Grade 4. Full
Score. Duration 2:48.
Published by Carl
Fischer.
By Bruce Pearson. For concert band. Standard of Excellence in Concert. Jazz Ense...(+)
By Bruce Pearson. For
concert band. Standard of
Excellence in Concert.
Jazz Ensemble. Grade 1.5.
Score and set of parts.
Published by Neil A. Kjos
Music Company . Score
and Parts. Jazz
Ensemble.
Band concert band - Grade 4 SKU: CF.SPS53 Composed by Harry Carroll. Arra...(+)
Band concert band - Grade
4
SKU: CF.SPS53
Composed by Harry
Carroll. Arranged by
Jerry Nowak. SWS FS.
Patriotic. Set of Score
and Parts. With Standard
notation.
2+8+8+4+8+8+8+4+4+4+4+4+4
+6+6+6+4+4+4+4+6+6+6+6+4+
8+4+1+2+20 pages.
Duration 3 minutes, 26
seconds. Carl Fischer
Music #SPS53. Published
by Carl Fischer Music
(CF.SPS53).
ISBN
9780825888540. UPC:
798408088545. 9x12
inches. Key: F
minor.
The standard
popular song by Harry
Carroll is given a
full-blown pops concert
style treatment by
arranger Jerry Nowak. In
the hands of a master
arranger, this classy
ballad will delight
audiences and give your
musicians the opportunity
to flex their jazz
muscles. This is perfect
for a pops concert or for
community bands.
Clarinet Concerto Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band - Grade 4 - Score and Parts. Arranged by Philip Sparke. De Haske Co...(+)
Concert Band - Grade 4 -
Score and Parts. Arranged
by Philip Sparke. De
Haske Concert Band Full
Set. Size 9x12 inches.
Published by DeHaske
Publications.