Town Hall Overture Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000388-010 Composed by Rob Go...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000388-010
Composed by Rob Goorhuis.
Set (Score & Parts). 78
pages. Gobelin Music
Publications #GOB
000388-010. Published by
Gobelin Music
Publications
(BT.GOB-000388-010).
Town Hall
Overture is a lively
piece, based on the Dutch
folksong with a nonsense
text about a June bug. In
Rob Goorhuis’
composition the melody is
initially played complete
and in unison, after
which the theme is
reworked in various ways
and in different time
signatures. A performance
sure to provide
entertainment for
musicians and audience
alike!
De Town
Hall Overture is een
sprankelend werk waaraan
een volkswijsje van eigen
bodem ten grondslag ligt.
Rob Goorhuis verwerkt het
thema op verschillende
manieren en in
verschillende
maatsoorten. Town Hall
Overture:kort en
krachtig vermaak voor
muzikanten en
publiek!
Die
Town Hall Overture
ist ein spritziges
Stück, das auf der
Grundlage eines
niederländischen
Volksliedes mit einem
Nonsenstext über einen
Maikäfer komponiert
wurde. In Rob Goorhuis‘
Werk präsentiert das
Blasorchester die Melodie
zunächst komplett und
unisono, dann wird das
Thema auf verschiedene
Weisen und in wechselnden
Taktarten verarbeitet.
Ein kurzweiliger Auftritt
für alle Musiker und
Zuhörer!
Town
Hall Overture est une
pièce joyeuse, composée
partir d‘une chanson
folklorique
néerlandaise. Une
fanfare d’ouverture
jouée par les cors, une
ornementation
rythmiquement colorée,
ainsi que différentes
signatures musicales
donnent cette composition
un air festif et ludique.
De quoi ravir vos
musiciens et vos
auditeurs.
Town Hall
Overture è un brano
gioioso, composto a
partire da una canzone
folk olandese. Una
fanfara di apertura
eseguita dai corni,
abbellimenti ritmici
coloriti, come anche
varie figurazioni
musicali conferiscono a
questa composizione un
tocco festivo e
ludico.
Nordic Adventure Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4759-01 Composed by Fenske. Young Concert Band. Extra...(+)
Grade 2
SKU:
CL.011-4759-01
Composed by Fenske. Young
Concert Band. Extra full
score. C.L. Barnhouse
#011-4759-01. Published
by C.L. Barnhouse
(CL.011-4759-01).
The thrilling
world of the Scandinavian
far North comes to life
as your band performs
Nordic Adventure! The
journey begins with a
Troll Stomp where low
instruments shine, and
musical surprises emerge
as mythical giants romp
through the forest. The
chorale-like second
movement, Midnight Sun,
uses a variety of
textures and sounds to
transport your audience
to the icy tranquility of
Nordic summer. In the
final movement, Elf
Dance, the energetic and
witty nature of these
tiny, mischievous Nordic
creatures can be heard as
the piece builds to a
rousing finish. Your
developing players, and
the audience as well,
will be delighted by this
excursion into the frozen
land of trolls and
elves!
Kalinka Orchestre d'harmonie - Débutant Hal Leonard
Score Only Concert Band; Symphonic Band (Score) - Level 1.5 SKU: HL.4005144(+)
Score Only Concert Band;
Symphonic Band (Score) -
Level 1.5
SKU:
HL.4005144
(Russian Folk
Song). Composed by
Ivan Larionov. Arranged
by Robert Longfield.
MusicWorks Grade 1. Folk,
Russian. Softcover.
Published by Hal Leonard
(HL.4005144).
UPC:
888680694654.
9.0x12.0x0.026
inches.
In the
traditional bottle-dance
format, Kalinka is a
classic Russian folk
dance, carefully crafted
here for 2nd year
players. A terrific
opportunity to teach and
perform music, style and
tradition from another
land. Dur: 2:35.
Nordic Adventure Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4759-00 Composed by Fenske. Young Concert Band. Score...(+)
Grade 2
SKU:
CL.011-4759-00
Composed by Fenske. Young
Concert Band. Score and
set of parts. C.L.
Barnhouse #011-4759-00.
Published by C.L.
Barnhouse
(CL.011-4759-00).
The thrilling
world of the Scandinavian
far North comes to life
as your band performs
Nordic Adventure! The
journey begins with a
Troll Stomp where low
instruments shine, and
musical surprises emerge
as mythical giants romp
through the forest. The
chorale-like second
movement, Midnight Sun,
uses a variety of
textures and sounds to
transport your audience
to the icy tranquility of
Nordic summer. In the
final movement, Elf
Dance, the energetic and
witty nature of these
tiny, mischievous Nordic
creatures can be heard as
the piece builds to a
rousing finish. Your
developing players, and
the audience as well,
will be delighted by this
excursion into the frozen
land of trolls and
elves!
Composed by
Bruce Fraser. Band Music,
closer. Score only.
Duration 4:30. Published
by G & M Brand Music
Publishers (CN.S11203).
Freedom's Sword
tells the tale of battle
and reconciliation
between two lands,
deriving themes from the
well-known Scottish song
Ca' the yowes. Horn calls
and pounding drums set
the tone for the battle
scenes while a dreamy
alto saxophone solo
creates an air of
optimism.
This
work was originally
commissioned by Nigel
Boddice for the West
Lothian Schools Brass
Band to play at the
European Youth Brass Band
Championships in 1997
entitled Devolution to
celebrate the setting up
of the new Scottish
Parliament. It appears in
this revised version for
Concert Band with the
title Freedom's Sword.
The opening section
recalls days gone by when
the Scots and English
fought many a battle. The
themes are derived from
the well-known haunting
song Ca' the yowes. The
horn calls and off-stage
percussion sound of a
distant battle and it
gradually comes closer.
The centre section
creates a mood of
reconciliation with a
dreamy Alto Saxophone
solo. The last section
now looks ahead with
optimism and various
bright dance themes
appear based on
traditional Scottish reel
tunes, one of which is a
two-part vocal scat
section The piece then
heads for its conclusion
including a full
statement of the main
theme.
Composed by
Bruce Fraser. Band Music,
closer. Score and parts.
Duration 4:30. Published
by G & M Brand Music
Publishers (CN.R10203).
Freedom's Sword
tells the tale of battle
and reconciliation
between two lands,
deriving themes from the
well-known Scottish song
Ca' the yowes. Horn calls
and pounding drums set
the tone for the battle
scenes while a dreamy
alto saxophone solo
creates an air of
optimism.
This
work was originally
commissioned by Nigel
Boddice for the West
Lothian Schools Brass
Band to play at the
European Youth Brass Band
Championships in 1997
entitled Devolution to
celebrate the setting up
of the new Scottish
Parliament. It appears in
this revised version for
Concert Band with the
title Freedom's Sword.
The opening section
recalls days gone by when
the Scots and English
fought many a battle. The
themes are derived from
the well-known haunting
song Ca' the yowes. The
horn calls and off-stage
percussion sound of a
distant battle and it
gradually comes closer.
The centre section
creates a mood of
reconciliation with a
dreamy Alto Saxophone
solo. The last section
now looks ahead with
optimism and various
bright dance themes
appear based on
traditional Scottish reel
tunes, one of which is a
two-part vocal scat
section The piece then
heads for its conclusion
including a full
statement of the main
theme.
Hunting Scenes Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135460-010 An Epic Tone P...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135460-010
An Epic Tone Poem
based on Taiwanese
Traditional Melodies.
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Set (Score & Parts).
Composed 2013. De Haske
Publications #DHP
1135460-010. Published by
De Haske Publications
(BT.DHP-1135460-010).
9x12 inches.
English-German-French-Dut
ch.
Satoshi
Yagisawa’s
often-dramatic concert
band works are not only
played in his homeland of
Japan, but also
throughout Asia and
further a_x001F_field.
The commission for this
work in fact came from
Taiwan, upon which
Yagisawa drew inspiration
from the traditional
hunting songs of the
Taroko, a people native
to Eastern Taiwan.
De indrukwekkende
werken van Satoshi
Yagisawa worden niet
enkel in zijn thuisland
Japan veel gespeeld, maar
staan intussen wereldwijd
op het programma. In dit
werk, dat hij schreef in
opdracht van de Taiwain
Clinic, haalde de
componist zijn inspiratie
uit traditionale
jachtliederen van de
Taroko stam in
Oost-Taiwan.
Die
oft dramatischen
Blasorchesterwerke von
Satoshi Yagisawa werden
nicht nur in seiner
Heimat Japan, sondern in
ganz Asien und
darüber hinaus
gespielt. Aus Taiwan kam
der Auftrag zu diesem
Werk, zu dem er sich von
den traditionellen
Jagdliedern des in
Osttaiwan beheimateten
Volkes der Taroko
inspirieren ließ.
La fama delle
composizioni di Satoshi
Yagisawa, spesso di
carattere drammatico, ha
oltrepassato i
confi_x001E_ni del suo
paese natale, il
Giappone. La musica di
Yagisawa è conosciuta
ed apprezzata in tutto
l’estremo oriente
e da Taiwan è arrivato
l’incarico di
comporre Hunting
Scenes che, come
rivela il titolo, si
ispira alla caccia in
generale e a tradizionali
canzoni venatorie in
particolare.
Hunting Scenes Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135460-140 An Epic Tone P...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135460-140
An Epic Tone Poem
based on Taiwanese
Traditional Melodies.
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Score Only. Composed
2013. 32 pages. De Haske
Publications #DHP
1135460-140. Published by
De Haske Publications
(BT.DHP-1135460-140).
9x12 inches.
English-German-French-Dut
ch.
Satoshi
Yagisawa’s
often-dramatic concert
band works are not only
played in his homeland of
Japan, but also
throughout Asia and
further a_x001F_field.
The commission for this
work in fact came from
Taiwan, upon which
Yagisawa drew inspiration
from the traditional
hunting songs of the
Taroko, a people native
to Eastern Taiwan.
De indrukwekkende
werken van Satoshi
Yagisawa worden niet
enkel in zijn thuisland
Japan veel gespeeld, maar
staan intussen wereldwijd
op het programma. In dit
werk, dat hij schreef in
opdracht van de Taiwain
Clinic, haalde de
componist zijn inspiratie
uit traditionale
jachtliederen van de
Taroko stam in
Oost-Taiwan.
Die
oft dramatischen
Blasorchesterwerke von
Satoshi Yagisawa werden
nicht nur in seiner
Heimat Japan, sondern in
ganz Asien und
darüber hinaus
gespielt. Aus Taiwan kam
der Auftrag zu diesem
Werk, zu dem er sich von
den traditionellen
Jagdliedern des in
Osttaiwan beheimateten
Volkes der Taroko
inspirieren ließ.
La fama delle
composizioni di Satoshi
Yagisawa, spesso di
carattere drammatico, ha
oltrepassato i
confi_x001E_ni del suo
paese natale, il
Giappone. La musica di
Yagisawa è conosciuta
ed apprezzata in tutto
l’estremo oriente
e da Taiwan è arrivato
l’incarico di
comporre Hunting
Scenes che, come
rivela il titolo, si
ispira alla caccia in
generale e a tradizionali
canzoni venatorie in
particolare.
Concert Band Concert Band - Grade 1 SKU: FJ.B1771 Composed by Timothy Loe...(+)
Concert Band Concert Band
- Grade 1
SKU:
FJ.B1771
Composed by
Timothy Loest. Concert
Band. FJH Beginning Band.
Light Concert; Novelty.
Score and Part(s).
Duration 2:30. The FJH
Music Company Inc
#98-B1771. Published by
The FJH Music Company Inc
(FJ.B1771).
UPC:
241444400418.
English.
Orphaned
toys come to life in this
eerie tour of an
abandoned toy store. The
work opens and closes
with Victor Herbert's
dreamlike Toyland as a
Jack-in-the-box plays Pop
Goes the Weasel. A wealth
of toy sounds make their
appearance among
diminished chords,
tri-tones, and the Dies
Irae, which surrounds an
aleatoric section
featuring a whole host of
noisy toys. Highly
accessible, extremely
creative, and definitely
memorable!
About FJH
Beginning
Band
Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1.
Concert Band Concert Band - Grade 1 SKU: FJ.B1771S Score Only. Com...(+)
Concert Band Concert Band
- Grade 1
SKU:
FJ.B1771S
Score
Only. Composed by
Timothy Loest. Concert
Band. FJH Beginning Band.
Light Concert; Novelty.
Score. Duration 2:30. The
FJH Music Company Inc
#98-B1771S. Published by
The FJH Music Company Inc
(FJ.B1771S).
English.
Orphane
d toys come to life in
this eerie tour of an
abandoned toy store. The
work opens and closes
with Victor Herbert's
dreamlike Toyland as a
Jack-in-the-box plays Pop
Goes the Weasel. A wealth
of toy sounds make their
appearance among
diminished chords,
tri-tones, and the Dies
Irae, which surrounds an
aleatoric section
featuring a whole host of
noisy toys. Highly
accessible, extremely
creative, and definitely
memorable!
About FJH
Beginning
Band
Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1.
Composed
by Larry Clark. First
Plus Band (FPS). Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #FPS155F.
Published by Carl Fischer
Music (CF.FPS155F).
ISBN 9781491152836.
UPC:
680160910335.
Quest
for the Throne evokes
images of kings and
castles, knights and
horses, and dragons in
all their glory. It is
a bold and aggressive
piece throughout, but
includes a contrasting,
lush secondary theme for
variety. In his typical
style, Clark has used
forceful figures, and
strong melodic content to
give students music
they'll want to practice
and play again and
again. This piece
should depict images of
kings and castles, knight
and horses, dragons and
damsels in distress. It
should be bold and
aggressive throughout,
but never with bad
tone. This is then
contrasted by the lush
second theme that is
presented first in a
softer thin
orchestration, but later
becomes a change for the
whole ensemble to play in
a strong, but lush
presentation of this
theme.One thing that is
important to me when
writing music for younger
students is to offer
pieces that challenge all
students in the ensemble
and give every section an
important part of the
musical presentation,
which naturally should
include some melodic
material. Every member
of the ensemble wants to
feel that they are
contributing to the
collective whole.It has
been my pleasure to have
the opportunity to write
this piece. I hope you
and your students enjoy
it and find it useful for
your
program.—Larry
ClarkLakeland, FL
2018.
Composed by
Larry Clark. First Plus
Band (FPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+5+2+2+4+4+4+6+3
+2+1+2+3+16+2 pages.
Duration 2 minutes, 11
seconds. Carl Fischer
Music #FPS155. Published
by Carl Fischer Music
(CF.FPS155).
ISBN
9781491152157. UPC:
680160909650.
Quest
for the Throne evokes
images of kings and
castles, knights and
horses, and dragons in
all their glory. It is
a bold and aggressive
piece throughout, but
includes a contrasting,
lush secondary theme for
variety. In his typical
style, Clark has used
forceful figures, and
strong melodic content to
give students music
they'll want to practice
and play again and
again. This piece
should depict images of
kings and castles, knight
and horses, dragons and
damsels in distress. It
should be bold and
aggressive throughout,
but never with bad
tone. This is then
contrasted by the lush
second theme that is
presented first in a
softer thin
orchestration, but later
becomes a change for the
whole ensemble to play in
a strong, but lush
presentation of this
theme.One thing that is
important to me when
writing music for younger
students is to offer
pieces that challenge all
students in the ensemble
and give every section an
important part of the
musical presentation,
which naturally should
include some melodic
material. Every member
of the ensemble wants to
feel that they are
contributing to the
collective whole.It has
been my pleasure to have
the opportunity to write
this piece. I hope you
and your students enjoy
it and find it useful for
your
program.—Larry
ClarkLakeland, FL
2018.
O Christmas Tree Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000905-010 Arranged by David ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000905-010
Arranged by David Well.
Set (Score & Parts).
Gobelin Music
Publications #GOB
000905-010. Published by
Gobelin Music
Publications
(BT.GOB-000905-010).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to 'kill' nature.
Needle-leaved trees were
the only ones which kept
their green colour
throughout the year, and
therefore became symbols
of immortality. These
'living' trees, said to
be the work of benign
spirits, were brought
into people's houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church inthe
course of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ's apparition could
be recognized. The German
organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song 'O
Tannenbaum', the melody
being a well-known folk
song. Next to 'Stille
Nacht' 'O Tannenbaum' is
the most famous German
Christmas song, now known
throughout the world. In
the United States of
America the melody of 'O
Tannenbaum' has even been
used in four States
(among which the State of
Maryland) for their State
song. In David Well's
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
De
traditie van de
‘Kerstboom’ gaat in
West-Europa terug tot ver
voordat er van enige
kerstening sprake was.
Gedurende de koude
strenge winters dacht men
dat kwade geesten de
natuur ‘vermoordde’.
Naaldbomen behielden als
enige hungroene kleur en
werden daardoor symbolen
van onsterflijkheid. Deze
‘levende’ bomen, het
werk van goede machten,
werden in huis gehaald om
kwade geesten en
levensbedreigende
krachten buitenshuis te
houden. Van
‘versierde’
kerstbomenwas het eerst
sprake in de 14e eeuw.
Het was een heidens
gebruik, dat in deze
periode in de Elzas
voorkwam. Tijdens de 15e
en 16e eeuw werd het
versieren van de
kerstboom door de kerk
overgenomen. De
versiering bestond in
eersteinstantie vooral
uit etenswaar, als appels
en koekjes. Later ging
men ook kleine cadeautjes
als versiering gebruiken.
Er wordt beweerd dat
Martin Luther, de
hervormer, als eerste
kaarsen in een kerstboom
deed. De fonkelende
vlammetjescreëerden een
sterrenhemel waarin men
Christus’ verschijning
leek te herkennen. De
Duitse organist Ernst
Anschütz uit Leipzig,
was de eerste die het
lied ‘O Tannenbaum’
op schrift stelde. De
melodie was een bekend
volkswijsje.Naast
‘Stille Nacht’ is
‘O Tannenbaum’ het
meest bekende kerstlied
dat vanuit Duitsland de
hele wereld veroverde. De
melodie van ‘O
Tannenbaum’ wordt zelfs
in de Verenigde Staten
van Amerika in vier
verschillende staten
(o.a.Maryland) als
volkslied gebruikt. In
het arrangement van David
Well hoort u het lied
eerst op de manier zoals
velen het kennen. Na deze
inleiding klinkt een
stevige rock-versie en is
de maatsoort niet meer de
gebruikelijke. Het
tussendeelis weer in de
vertrouwde
driekwarts-maatsoort.
Hier is echter de ritmiek
in een ander jasje
gestoken. Na de rijkelijk
met slingers versierde
rock-beat klinkt nog
één keer het
oorspronkelijke thema om
daarna feestelijk af.
O Christmas Tree Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000905-140 Arranged by David ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000905-140
Arranged by David Well.
Score Only. 10 pages.
Gobelin Music
Publications #GOB
000905-140. Published by
Gobelin Music
Publications
(BT.GOB-000905-140).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to 'kill' nature.
Needle-leaved trees were
the only ones which kept
their green colour
throughout the year, and
therefore became symbols
of immortality. These
'living' trees, said to
be the work of benign
spirits, were brought
into people's houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church inthe
course of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ's apparition could
be recognized. The German
organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song 'O
Tannenbaum', the melody
being a well-known folk
song. Next to 'Stille
Nacht' 'O Tannenbaum' is
the most famous German
Christmas song, now known
throughout the world. In
the United States of
America the melody of 'O
Tannenbaum' has even been
used in four States
(among which the State of
Maryland) for their State
song. In David Well's
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
De
traditie van de
‘Kerstboom’ gaat in
West-Europa terug tot ver
voordat er van enige
kerstening sprake was.
Gedurende de koude
strenge winters dacht men
dat kwade geesten de
natuur ‘vermoordde’.
Naaldbomen behielden als
enige hungroene kleur en
werden daardoor symbolen
van onsterflijkheid. Deze
‘levende’ bomen, het
werk van goede machten,
werden in huis gehaald om
kwade geesten en
levensbedreigende
krachten buitenshuis te
houden. Van
‘versierde’
kerstbomenwas het eerst
sprake in de 14e eeuw.
Het was een heidens
gebruik, dat in deze
periode in de Elzas
voorkwam. Tijdens de 15e
en 16e eeuw werd het
versieren van de
kerstboom door de kerk
overgenomen. De
versiering bestond in
eersteinstantie vooral
uit etenswaar, als appels
en koekjes. Later ging
men ook kleine cadeautjes
als versiering gebruiken.
Er wordt beweerd dat
Martin Luther, de
hervormer, als eerste
kaarsen in een kerstboom
deed. De fonkelende
vlammetjescreëerden een
sterrenhemel waarin men
Christus’ verschijning
leek te herkennen. De
Duitse organist Ernst
Anschütz uit Leipzig,
was de eerste die het
lied ‘O Tannenbaum’
op schrift stelde. De
melodie was een bekend
volkswijsje.Naast
‘Stille Nacht’ is
‘O Tannenbaum’ het
meest bekende kerstlied
dat vanuit Duitsland de
hele wereld veroverde. De
melodie van ‘O
Tannenbaum’ wordt zelfs
in de Verenigde Staten
van Amerika in vier
verschillende staten
(o.a.Maryland) als
volkslied gebruikt. In
het arrangement van David
Well hoort u het lied
eerst op de manier zoals
velen het kennen. Na deze
inleiding klinkt een
stevige rock-versie en is
de maatsoort niet meer de
gebruikelijke. Het
tussendeelis weer in de
vertrouwde
driekwarts-maatsoort.
Hier is echter de ritmiek
in een ander jasje
gestoken. Na de rijkelijk
met slingers versierde
rock-beat klinkt nog
één keer het
oorspronkelijke thema om
daarna feestelijk af.
Concert Band Concert Band - Grade 1.5 SKU: FJ.B1235S Score Only. C...(+)
Concert Band Concert Band
- Grade 1.5
SKU:
FJ.B1235S
Score
Only. Composed by
Chris Sharp. Arranged by
Chris Sharp. Concert
Band. FJH Developing
Band. Score. Duration
2:28. The FJH Music
Company Inc #98-B1235S.
Published by The FJH
Music Company Inc
(FJ.B1235S).
English.
Winderm
ere Overture captures the
grandeur of the largest
lake in England by the
same name. The short
introduction quickly
builds to the stately
theme of the work. The
middle section, while at
the same tempo, explores
a lighter texture and is
generally orchestrated by
instrument family. As the
changing timbres continue
to develop, the main
theme returns, bringing
the piece to a triumphant
ending. A great overture
that is easy to put
together!
About FJH
Developing
Band
Sligh
tly more advanced than
beginning band. Clarinet
1 begins to play over the
break. Rhythms and ranges
are expanded to
accommodate the end of
first-year as well as
second-year instruction.
Grade 1.5
Symphonette Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Curnow Music
Concert Band - Grade 5 SKU: BT.CMP-0749-03-040 Composed by Stephen Bulla....(+)
Concert Band - Grade 5
SKU:
BT.CMP-0749-03-040
Composed by Stephen
Bulla. Signature Series.
Concert Piece. Set (Score
& Parts). Composed 2003.
Curnow Music #CMP
0749-03-040. Published by
Curnow Music
(BT.CMP-0749-03-040).
This three
movement work, modeled on
his earlier work
Rhapsody for
Brass, develops from
and mirrors the earlier
work, but with more
modern tonal outlines and
original melodic
material. The first
movement opens with
several fanfare-like
figures, which recur at
various times in
different instrumental
combinations. With
development, this music
takes on a carnival-like
atmosphere before
concluding with an upward
flourish. The second
movement commences
quietly with a slower
theme shared by several
solo instruments and
develops into an extended
study on The Water is
Wide, a folk song
which seems to have its
beginnings in the United
Kingdom as O Waley,
Waley. Thethird
movement reverts to the
rhapsodic format with a
lively theme marked
‘in a playful
manner’. This
substantial work is a gem
in the concert band
repertoire.
Dit
werk is opgedragen aan
wijlen Sir Dean Goffin en
in grote lijnen gevormd
naar de structuur van
diens Rhapsody in
Brass. Het eerste
deel opent met
fanfareachtige motieven,
die terugkeren in
verschillende
instrumentgroepen.Deel
twee begint met een
langzaam thema dat in
diverse solo-instrumenten
naar voren komt. De
muziek ontwikkelt zich
hier tot een etude over
het Amerikaanse lied
The Water is Wide.
In het levendige derde
deel gebruikte
Bulla,refererend aan
Goffin’s afkomst,
het Maori-lied Shout
the Sound. Na een
majestueuze herhaling van
de opening van het deel
wordt het werk afgesloten
met een presentatie van
technisch
kunnen.
In drei
unterschiedlichen
Sätzen entwickelt
dieses Werk die
Rhapsody in Brass
von Sir Dean Goffin
weiter, dem die
Symphonette auch
gewidmet wurde. Fanfare
ähnliche Figuren
eröffnen den ersten
Satz, der dann eine
ausgelassene Stimmung
entfaltet. Im zweiten
Satz wird ein langsameres
Thema von verschiedenen
Soloinstrumenten
präsentiert. Er
entwickelt sich zu einer
Studie über ein altes
englisches Volkslied. Im
letzten, rhapsodischen
Satz folgte Bulla Goffins
Wurzeln, indem er ein
Lied der Maori aus
Neuseeland verarbeitete.
Ein grandioses Werk, das
viele einzelne Facetten
Ihres Blasorchesters,
aber auch dessen
Können als Ensemble
beleuchtet.
Grim Grinning Ghosts Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
Composed by Xavier Atencio, music by Buddy Baker [Disney]. Arranged by Dougl...(+)
Composed by Xavier
Atencio,
music by Buddy Baker
[Disney].
Arranged by Douglas E.
Wagner.
Concert Band. Concert
Band;
Part(s); Score. Pop Young
Band. Fall; Haloween;
Pop.
Grade 2. 124 pages.
Published
by Alfred Music
Grim Grinning Ghosts Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Composed by Xavier Atencio, music by Buddy Baker [Disney]. Arranged by Douglas...(+)
Composed by Xavier
Atencio,
music by Buddy Baker
[Disney].
Arranged by Douglas E.
Wagner.
Concert Band. Concert
Band;
Score. Pop Young Band.
Fall;
Haloween; Pop. Grade 2.
16
pages. Published by
Alfred
Music
Band concert band - Grade 1.5 SKU: KJ.WB334F Composed by Nolan Schmit. Ed...(+)
Band concert band - Grade
1.5
SKU: KJ.WB334F
Composed by Nolan Schmit.
Edited by Bruce Pearson.
Standard of Excellence in
Concert. Score. Neil A.
Kjos Music Company
#WB334F. Published by
Neil A. Kjos Music
Company (KJ.WB334F).
The Voice on
the Mountain was written
for Mike Veak, a band
director who dedicated 30
years of his life to
teaching instrumental
music in Lincoln,
Nebraska. Nolan Schmit
begins the piece with a
flute solo representing a
solitary voice on a
mountain. The voice
begins to build in
strength and intensity as
it travels down the
mountain, is heard by
others and is
communicated to distant
lands. This is a musical
metaphor for a teacher -
a solitary voice - who
impacts generations of
students. This is really
a tribute to all band
directors. A dramatic
setting with an explosive
ending.
About Standard
of Excellence in
Concert
Th
e Standard of Excellence
In Concert series
presents exceptional
arrangements,
transcriptions, and
original concert and
festival pieces for
beginning and
intermediate band. Each
selection is correlated
to a specific page in the
Standard of Excellence
Band Method, reinforcing
and expanding skills and
concepts introduced in
the method up to that
point. Exciting parts
with extensive
cross-cueing are
presented for every
player. Accessible
ranges, appropriate
rhythmic challenges, and
creative percussion
section writing enhance
the pedagogical value of
the series.
Sold
individually, each In
Concert selection
includes a full Conductor
Score and enough student
parts for large symphonic
bands. Each student part
also includes correlated
Warm-Up Studies. The
Conductor Score comes
complete with rehearsal
suggestions, a composer
biography, program notes,
a rehearsal piano part,
several
ready-to-duplicate
worksheets and a
duplicable written
quiz.
The Voice on the Mountain Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Kjos Music Company
Band concert band - Grade 1.5 SKU: KJ.WB334 Composed by Nolan Schmit. Edi...(+)
Band concert band - Grade
1.5
SKU: KJ.WB334
Composed by Nolan Schmit.
Edited by Bruce Pearson.
Standard of Excellence in
Concert. Score and set of
parts. Neil A. Kjos Music
Company #WB334. Published
by Neil A. Kjos Music
Company (KJ.WB334).
UPC:
8402701478.
The
Voice on the Mountain was
written for Mike Veak, a
band director who
dedicated 30 years of his
life to teaching
instrumental music in
Lincoln, Nebraska. Nolan
Schmit begins the piece
with a flute solo
representing a solitary
voice on a mountain. The
voice begins to build in
strength and intensity as
it travels down the
mountain, is heard by
others and is
communicated to distant
lands. This is a musical
metaphor for a teacher -
a solitary voice - who
impacts generations of
students. This is really
a tribute to all band
directors. A dramatic
setting with an explosive
ending.
About Standard
of Excellence in
Concert
Th
e Standard of Excellence
In Concert series
presents exceptional
arrangements,
transcriptions, and
original concert and
festival pieces for
beginning and
intermediate band. Each
selection is correlated
to a specific page in the
Standard of Excellence
Band Method, reinforcing
and expanding skills and
concepts introduced in
the method up to that
point. Exciting parts
with extensive
cross-cueing are
presented for every
player. Accessible
ranges, appropriate
rhythmic challenges, and
creative percussion
section writing enhance
the pedagogical value of
the series.
Sold
individually, each In
Concert selection
includes a full Conductor
Score and enough student
parts for large symphonic
bands. Each student part
also includes correlated
Warm-Up Studies. The
Conductor Score comes
complete with rehearsal
suggestions, a composer
biography, program notes,
a rehearsal piano part,
several
ready-to-duplicate
worksheets and a
duplicable written
quiz.
Part I, II, III and IV. Composed by Alex Poelman. The Best Original Compo...(+)
Part I, II, III and
IV. Composed by Alex
Poelman. The Best
Original Compositions for
Concert Band/Catalogue
Master Works Vol. 1.
Molenaar Masterpieces.
Recorded on The Seven
Wonders of the Ancient
World (ML.311080720).
Full set. Duration 20
minutes, 58 seconds.
Published by Molenaar
Edition (ML.012792100).
Concert Band Concert Band - late intermediate SKU: RU.10281S March...(+)
Concert Band Concert Band
- late intermediate
SKU: RU.10281S
March. Composed by
R.B. Hall. Edited by
Timothy Rhea. Arranged by
Edited by Timothy Rhea.
Contest/Festival. Legacy
of the March. Score. RBC
Publications #10281S.
Published by RBC
Publications (RU.10281S).
9 x 12
inches.
Independent
ia March was first
published in 1895. At
least eight of Hall’s
other marches were also
published in 1895. He was
living in Waterville,
Maine, at that time, was
thirty-seven years old,
and had established
certain principles in the
composition of his
marches. As demonstrated
by Independentia,
Hall’s marches were
composed primarily for
the typical community
bands in the New England
area around the turn of
the century. If the
prestigious military and
professional bands in the
United States and Europe
chose to play his music
(and they did), that was
fine! His marches are
gems of simplicity and
understatement, composed
of flowing melodies and
countermelodies,
contrasting dynamics, and
occasionally an element
of surprise – as in the
two beats of silence (or
bass drum & cymbal solos)
just before the last
strain of this march.
Composed by
Larry Clark. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
12+12+6+12+24+24+6+4+6+6+
6+6+8+8+8+4+4+6+6+6+8+2+1
+6+2+4+10+32+4 pages.
Duration 6 minutes, 9
seconds. Carl Fischer
Music #CPS225. Published
by Carl Fischer Music
(CF.CPS225).
ISBN
9781491152515. UPC:
680160910014.
Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017.
Composed
by Larry Clark. Concert
Band (CPS). Full score.
With Standard notation.
32 pages. Carl Fischer
Music #CPS225F. Published
by Carl Fischer Music
(CF.CPS225F).
ISBN
9781491153192. UPC:
680160910694.
Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017.
Composed by
John Stafford Smith.
Arranged by Sean
O'Loughlin. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
1+4+4+2+4+4+4+2+2+2+2+2+2
+3+3+3+2+2+2+2+3+3+3+2+3+
4+1+1+2+3+12 pages.
Duration 1 minute, 48
seconds. Carl Fischer
Music #SPS73. Published
by Carl Fischer Music
(CF.SPS73).
ISBN
9781491147689. UPC:
680160905188. 9 x 12
inches. Key: Bb
major.
Composer/arr
anger Sean O'Loughlin has
provided a refreshing new
setting of our National
Anthem. It was originally
written for orchestral
brass and percussion and
has been performed at
both MLB and NBA events.
The arrangement begins
with a bold fanfare to
set the tone, but also to
provide the motive glue
to hold the arrangement
together and create
something unique.
Creative harmonic usage
and colorful
orchestration really make
this version stand out
from the rest. There
have been many great
arrangements of our
National Anthem
throughout the years .
The responsibility of
creating one that truly
brought something new to
the mix was very daunting
. I was fortunate enough
to get an opportunity to
write this version for
the Oregon Symphony Brass
Section to perform at the
Portland Trail Blazers
NBA games . Subsequent
performances have
occurred with the
Baltimore Symphony at the
Baltimore Orioles MLB
games . At this time, it
is my supreme honor to
adapt this for the
advanced concert band .In
bringing something new, I
decided to start with a
bold fanfare to set the
tone for this great music
. Introducing some more
dissonant harmonies also
created a more intense
feel .The first stanza
includes a flowing
counter line in the horns
and alto saxophones . The
trumpets interject some
flourishes on the second
pass to further the
intensity . These
flourishes continue
“ . . . when the
rockets red glare!â€
The final push at m . 29
is colored with pulsating
16th notes in the
woodwinds that lead to
some dramatic harmony at
the fermata in m . 32 .
The opening fanfare then
returns to let everyone
know that it's time to
“Play
ball!â€.
Fanfare for the Sun Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000337-140 Composed by Carl W...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000337-140
Composed by Carl
Wittrock. Score Only.
Gobelin Music
Publications #GOB
000337-140. Published by
Gobelin Music
Publications
(BT.GOB-000337-140).
Obviously, the
music of John Williams is
beyond comparison, but
subconsciously one's
thoughts do drift into
that direction.
Fanfare for the Sun is a
radiant fanfare from the
pen of Carl Wittrock.
Nearly three minutes
utmost concentration are
required of your
musicians to have them
display stunning feats of
technical brilliance.
A moment of calm in
this masterly composition
is the vivacious and
entertaining dialogue of
clarinet, bassoon, oboe,
and flute in the
middle-section. The
work was written as a
commission by the
Melomaan Foundation on
the occasion of its
anniversary. Een
vergelijking met de
muziek van John Williams
mag uiteraard niet gelegd
worden,maar onbewust gaan
de gedachten wel in die
richting. Fanfare for
the Sun is een stralende
fanfare van de hand van
Carl Wittrock, die zijn
voorliefde voor de
filmmuziek niet onder
stoelen of banken
steekt. Rustpunt in
deze korte doch
magistrale compositie is
de levendige en
onderhoudende dialoog
tussen klarinet, fagot,
hobo en fluit in het
middendeel. De
componist schreef dit
werk in opdracht van de
Stichting Melomaan
(Nederland) ter
gelegenheid van haar
jubileum.
Fanfare for the Sun Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000337-010 Composed by Carl W...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000337-010
Composed by Carl
Wittrock. Set (Score &
Parts). 74 pages. Gobelin
Music Publications #GOB
000337-010. Published by
Gobelin Music
Publications
(BT.GOB-000337-010).
Obviously, the
music of John Williams is
beyond comparison, but
subconsciously one's
thoughts do drift into
that direction.
Fanfare for the Sun is a
radiant fanfare from the
pen of Carl Wittrock.
Nearly three minutes
utmost concentration are
required of your
musicians to have them
display stunning feats of
technical brilliance.
A moment of calm in
this masterly composition
is the vivacious and
entertaining dialogue of
clarinet, bassoon, oboe,
and flute in the
middle-section. The
work was written as a
commission by the
Melomaan Foundation on
the occasion of its
anniversary. Een
vergelijking met de
muziek van John Williams
mag uiteraard niet gelegd
worden,maar onbewust gaan
de gedachten wel in die
richting. Fanfare for
the Sun is een stralende
fanfare van de hand van
Carl Wittrock, die zijn
voorliefde voor de
filmmuziek niet onder
stoelen of banken
steekt. Rustpunt in
deze korte doch
magistrale compositie is
de levendige en
onderhoudende dialoog
tussen klarinet, fagot,
hobo en fluit in het
middendeel. De
componist schreef dit
werk in opdracht van de
Stichting Melomaan
(Nederland) ter
gelegenheid van haar
jubileum.