Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1216355-140 Ava Max - Bi...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.DHP-1216355-140
Ava Max - Billie
Eilish - Dua Lipa.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop and Rock.
Score Only. Composed
2021. 34 pages. De Haske
Publications #DHP
1216355-140. Published by
De Haske Publications
(BT.DHP-1216355-140).
English-German-French-
Dutch.
Ava Max,
Billie Eilish and Dua
Lipa: altogether, they
possess a great deal of
girl power. That was all
Peter Kleine Schaars
needed to arrange this
exciting, great-sounding
and playable pop medley.
With hits like
‘Kings and
Queens’,‘My
Future’ and
‘Break My
Heart’, these
female artists from
today’s pop scene
certainly gave the year
2020 an entertaining
boost!
Ava Max,
Billie Eilish en Dua
Lipa: samen zijn ze goed
voor een flinke dosis
girlpower. Meer was er
voor Peter Kleine Schaars
niet nodig om een
spetterende, maar vooral
goed klinkende en
speelbare popmedley te
arrangeren. Met hitsals
‘Kings and
Queens’, ‘My
Future’ en
‘Break My
Heart’ wisten deze
vrouwelijke artiesten uit
de hedendaagse popmuziek
het jaar 2020 toch nog
behoorlijk wat schwung te
geven!
Ava Max,
Billie Eilish und Dua
Lipa sie alle stehen
für extrem viel
Girlpower. Mehr brauchte
Peter Kleine Schaars
nicht, um dieses
spannende, großartig
klingende und gut
spielbare Pop-Medley zu
arrangieren. Mit Hits wie
Kings andQueens“,
My Future“ und
Break My Heart“
haben die
Künstlerinnen aus der
heutigen Popszene dem
Jahr 2020 einen
unterhaltsamen Schub
verliehen!
Hadrian's Wall Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-3983-01 Composed by Robert W. Smith. Concert Band. Co...(+)
Grade 3
SKU:
CL.012-3983-01
Composed by Robert W.
Smith. Concert Band.
Concert Band Series.
Audio recording available
separately (item
CL.WFR367). Extra full
score. Composed 2010.
Duration 5 minutes, 48
seconds. Opus III Wind
Orchestra Publications
#012-3983-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3983-01).
When the Roman
emperor Hadrian first
envisioned a huge wall
across England in A.D.
122, he used stone, wood,
and iron to shield Roman
Britannia from the
unconquered Celtic
tribes. Hadrian's Wall by
Robert W. Smith is based
on the legend and lore of
the great wall. Suitable
for concert and festival
performance, Hadrian's
Wall is written well
within the technical
abilities of bands at the
medium easy level. This
powerful work will
capture the imagination
of the band while
providing exceptional
teaching opportunities.
An excellent work that
yields maximum musical
results.
A Mother's Love Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
By Brad Ciechomski. Concert Band. Concert Band; Part(s); Score. Young Symphonic....(+)
By Brad Ciechomski.
Concert Band. Concert
Band; Part(s); Score.
Young Symphonic. Form:
Ballade. Grade 2. 126
pages. Published by
Alfred Music Publishing
A Mother's Love Orchestre d'harmonie - Facile Alfred Publishing
Concert Band - Grade 2 SKU: AP.37819S Composed by Brad Ciechomski. Concer...(+)
Concert Band - Grade 2
SKU: AP.37819S
Composed by Brad
Ciechomski. Concert Band;
Performance Music
Ensemble; Single Titles.
Young Symphonic. Form:
Ballade. Score. 12 pages.
Alfred Music #00-37819S.
Published by Alfred Music
(AP.37819S).
UPC:
038081438474.
English.
A mother's
love is boundless,
never-ending, gentle, and
caressing. Written upon
the passing of the
composer's mother, this
composition opens with a
pure and simple melodic
statement that later
opens into the warmth of
the full ensemble sound,
much like the comfort of
a mother's embrace. The
opening interval of the
minor third is often
heard by a child calling
mom-my, and the piece
closes with the bells
playing this motive. The
composer dedicates this
piece to the memory of
his mother, who always
believed in his hopes and
dreams.
Full Score Concert Band (Score) - Grade 5 SKU: HL.48023758 Score Only<...(+)
Full Score Concert Band
(Score) - Grade 5
SKU:
HL.48023758
Score
Only. Composed by
Sergei Rachmaninoff.
Arranged by Jay
Juchniewicz.
Windependence Artist
Level. Festival.
Softcover. Boosey &
Hawkes #M051663484.
Published by Boosey &
Hawkes (HL.48023758).
UPC: 888680607999.
10.5x14.0x0.113
inches.
All-Night
Vigil (Vespers) is a
setting of music for a
night-long service on the
eves of Russian Orthodox
holy days, and became one
of Rachmaninoff's
favorite compositions.
Basing the 15 movements
of his choral setting on
a combination of
traditional Russian
Orthodox chants, Latin
hymns, and original
chants by the composer,
the work was completed in
less than two weeks in
1915. This arrangement
utilizes the 1st, 2nd,
7th, 10th, and 12th
movements, along with the
traditional Amens at the
beginning of Movements 1
and 2. Unlike other
settings of choral works
for wind ensemble, this
arrangement is
constructed as a complete
suite that is intended to
allow the performers and
audience to experience
the power and beauty of
the complete Vespers.
Dur: c. 16:00 (Recorded
by the Florida State
University Wind Orchestra
- Rick Clary,
conductor).
Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
16+4+8+16+16+4+4+4+4+4+4+
8+8+8+4+4+6+6+6+8+2+2+2+6
+12+24+4 pages. Duration
3 minutes, 55 seconds.
Carl Fischer Music
#CPS226. Published by
Carl Fischer Music
(CF.CPS226).
ISBN
9781491152522. UPC:
680160910021.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 24
pages. Carl Fischer Music
#CPS226F. Published by
Carl Fischer Music
(CF.CPS226F).
ISBN
9781491153208. UPC:
680160910700.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Work from Home Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
As Recorded by Fifth Harmony. Composed by Brian Lee, Josh Coleman, Jude Demor...(+)
As Recorded by Fifth
Harmony. Composed by
Brian
Lee, Josh Coleman, Jude
Demorest, Tyrone Griffin,
Alexander Izquierdo, and
Dallas Koehlke [Fifth
Harmony]. Arranged by
Michael Story. Concert
Band;
Part(s); Score. Pop
Beginning Band. Pop. 136
pages. Published by
Alfred
Music
Orchestra Orchestra SKU: AP.6-80531X Composed by Franz Joseph Haydn. Full...(+)
Orchestra Orchestra
SKU: AP.6-80531X
Composed by Franz Joseph
Haydn. Full Orchestra
(Full Score). Dover
Edition. Classical;
Masterwork. Score; Book.
300 pages. Dover
Publications #06-80531X.
Published by Dover
Publications
(AP.6-80531X).
ISBN
9780486805306. UPC:
800759805310.
English.
Commission
ed in 1786 by the
Paris-based orchestra Le
Concert de la Loge
Olympique, these six
symphonies were created
for an extraordinarily
large ensemble of both
professional and amateur
players, including
reinforced woodwind parts
and a large string
section. The symphonies
are: Symphony No. 82
in C major, L'Ours (The
Bear), 1786 Symphony
No. 83 in G minor, La
Poule (The Hen),
1785 Symphony No. 84
in E flat major, In
Nomine Domini,
1786 Symphony No. 85
in B flat major, La Reine
(The Queen),
1785 Symphony No. 86
in D major,
1786 Symphony No. 87
in A major,
1785 Composer Giuseppe
Maria Cambini, a member
of the orchestra, noted
that the enthusiastically
received premieres
featured some of the
city's finest musicians.
A contemporary critic
remarked that Each
hearing increases our
appreciation and
admiration of the works
of the great genius, who,
in all his pieces,
understands so well how
to draw the richest and
most varied developments
from every theme.
Reproduced from the
authoritative Breitkopf &
Härtel editions, this
volume offers musicians
and music lovers an
inexpensive and
authoritative compilation
of Haydn's ever-popular
works.
Work from Home Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
As recorded by Fifth Harmony. Composed by Brian Lee, Josh Coleman, Jude D...(+)
As recorded by Fifth
Harmony. Composed by
Brian Lee, Josh Coleman,
Jude Demorest, Tyrone
Griffin, Alexander
Izquierdo, and Dallas
Koehlke [Fifth Harmony].
Arranged by Michael
Story. Concert Band;
Score. Pop Beginning
Band. Pop. 12 pages.
Published by Alfred Music
(AP.45777S).
The Old Castle (full set) Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
By Modest Petrovich Mussorgsky (1839-1881). Arranged by Robert W. Smith. For you...(+)
By Modest Petrovich
Mussorgsky (1839-1881).
Arranged by Robert W.
Smith. For young concert
band. Command Series.
Grade 2.5. Score and set
of parts. Published by
C.L. Barnhouse
Symphonic Rock Orchestre d'harmonie - Intermédiaire/avancé Music Sales
Concert Band/Harmonie - Grade 4 SKU: BT.1534-08-140-MS The Music of Qu...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1534-08-140-MS
The Music of Queen and
Genesis. Composed by
Brian May, Freddie
Mercury, John Deacon,
Mike Mike, Phil Collins,
Roger Taylor, and Tony
Banks. Arranged by
Gilbert Tinner. Ovation
Series. Pop & Rock. Score
Only. Composed 2008. 40
pages. Music Sales
#1534-08-140 MS.
Published by Music Sales
(BT.1534-08-140-MS).
9x12 inches.
English-German-French-Dut
ch.
Gilbert Tinner
bundelde enkele hits van
de bekende Britse
rockgroep Queen - en een
nummer van Genesis,
eveneens een rockformatie
uit Engeland - tot een
spetterend arrangement
met de veelzeggende titel
Symphonic Rock. De
instrumentatiekan
inderdaad symfonisch
worden genoemd, maar ook
belangrijke instrumenten
uit de popmuziek zijn
vertegenwoordigd. Zo is
er een grote rol
weggelegd voor de
elektrische gitaar en
ontbreekt ook een
synthesizer niet. In
demedley zijn
achtereenvolgens te
horen: Innuendo, A
Kind of Magic, Another
One Bites the Dust, Radio
Gaga, That’s
All en We Are the
Champions.
Gil
bert Tinner kombinierte
eine Reihe von Hits der
berühmten britischen
Rockgruppen Queen und
Genesis und schuf daraus
diese spannende
Bearbeitung mit dem Titel
Symphonic Rock.
Die Instrumentierung kann
tatsächlich als
symphonisch bezeichnet
werden, es sind aber auch
in der Popmusik wichtige
Instrumente, wie
E-Gitarre und Synthesizer
vertreten.
Jingle Bell Gallop Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Belwin
By James Pierpont (1822-1893). Arranged by Douglas E. Wagner. Concert Band. Conc...(+)
By James Pierpont
(1822-1893). Arranged by
Douglas E. Wagner.
Concert Band. Concert
Band; Part(s); Score;
SmartMusic. Belwin Young
Band. Christmas; Light
Concert; Secular; Winter.
Grade 2. 246 pages.
Published by Belwin Music
By Mark Williams. Music by Mark Williams. For Concert Band. Concert Band. Growin...(+)
By Mark Williams. Music
by Mark Williams. For
Concert Band. Concert
Band. Growing Band
Series. Level: Level 3
(grade 3). Conductor
Score & Parts. 2 pages.
Published by Alfred
Publishing.
It's Holiday Time Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
Arranged by John O'reilly. Concert Band. Concert Band; Part(s); Score. Accent on...(+)
Arranged by John
O'reilly. Concert Band.
Concert Band; Part(s);
Score. Accent on
Achievement. Christmas;
Secular; Winter. Grade 1.
134 pages. Published by
Alfred Music Publishing
Tone Builders for Developing Bands (Grade 1 to 2.5 - Score and Parts). By James ...(+)
Tone Builders for
Developing Bands (Grade 1
to 2.5 - Score and
Parts). By James Curnow.
For Concert Band. Curnow
Music Concert Band. Grade
1-2. Curnow Music
#009496. Published by
Curnow Music
At the Movies---The Classics Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring Themes: 2001: A Space Odyssey / Singin' in the Rain / The Go...(+)
(Featuring Themes: 2001:
A
Space Odyssey /
Singin' in
the Rain / The Good, the
Bad, and the Ugly / The
Wizard of Oz). Arranged
by
Justin Williams. Concert
Band. Concert Band;
Part(s);
Score. Pop Concert Band.
Form: Medley. Movie.
Grade
3. Published by Alfred
Music
(I. Don't Stop Believin', II. Sing, Sing, Sing, III. You Raise Me Up, IV. Bang t...(+)
(I. Don't Stop Believin',
II. Sing, Sing, Sing,
III. You Raise Me Up, IV.
Bang the Drum All Day).
Arranged by Michael Story
and Michael Story.
Concert Band. Concert
Band; Part(s); Score. Pop
Beginning Band. Form:
Suite. Pop. Grade 1. 132
pages. Published by
Alfred Music Publishing
Grade 3 - Score Only. Composed by Paul Curnow. Arranged by Paul Curnow. Curnow M...(+)
Grade 3 - Score Only.
Composed by Paul Curnow.
Arranged by Paul Curnow.
Curnow Music Concert
Band. Concert, Scottish.
Curnow Music #8996140.
Published by Curnow Music
There's No Place
Like. Composed by
Robert Allen. Arranged by
Larry Clark. FS-SWS. Carl
Fischer Young Performance
Series. Score and Set of
Parts. With Standard
notation.
16+8+2+4+4+2+2+5+2+2+4+4+
4+6+3+2+3+2+1+2+2 pages.
Carl Fischer Music
#YPS38. Published by Carl
Fischer Music (CF.YPS38).
ISBN 9780825852152.
UPC: 798408052157. 9 X 12
inches. Key: Eb major.
Text: Al Stillman. Al
Stillman.
The
classic holiday favorite
by Al Stillman and Robert
Allen is presented here
in a playable arrangement
for concert band. It is
my hope that this
arrangement will be
equally satisfying for
the young band with ample
rehearsal time or for the
more mature band that
wants a holiday favorite
they can perform with
limited rehearsal. The
piece is presented first
in a lush chorale format
with the use of extended
jazz harmonies. Special
care should be given to
balancing and tuning the
inner voices for the most
pleasant sound. After the
lush opening on the
famous refrain the
arrangement moves to the
bridge in an up-tempo
swing. In this section
the percussion is written
to imitate a drum set,
but if a set is available
it may be preferable to
use it in order to get
the right feel. Following
the bridge is another
statement of the refrain
followed by a hymn-style
section by the reeds with
jazz interjections by the
brass straight out of the
famous Perry Como
rendition. This is
followed by a D.S. to the
bridge, one more refrain
and then a short coda It
has been my pleasure to
have the opportunity to
write this arrangement. I
hope you and your
students enjoy it and
find it useful for your
program. -LARRY CLARK New
York, NY 2003. The
classic holiday favorite
by Al Stillman and Robert
Allen is presented here
in a playable arrangement
for concert band. It is
my hope that this
arrangement will be
equally satisfying for
the young band with ample
rehearsal time or for the
more mature band that
wants a holiday favorite
they can perform with
limited rehearsal.The
piece is presented first
in a lush chorale format
with the use of extended
jazz harmonies. Special
care should be given to
balancing and tuning the
inner voices for the most
pleasant sound. After the
lush opening on the
famous refrain the
arrangement moves to the
bridge in an up-tempo
swing. In this section
the percussion is written
to imitate a drum set,
but if a set is available
it may be preferable to
use it in order to get
the right feel. Following
the bridge is another
statement of the refrain
followed by a
“hymn-styleâ€
section by the reeds with
jazz interjections by the
brass straight out of the
famous Perry Como
rendition. This is
followed by a D.S. to the
bridge, one more refrain
and then a short coda It
has been my pleasure to
have the opportunity to
write this arrangement. I
hope you and your
students enjoy it and
find it useful for your
program.-LARRY CLARKNew
York, NY 2003.