By Larry Henry. By Larry Henry. For Concert Band. Concert Band. Alfred Debut Ser...(+)
By Larry Henry. By Larry
Henry. For Concert Band.
Concert Band. Alfred
Debut Series. Level:
grade .5. Conductor Score
& Parts. Duration
1:55:00. Published by
Alfred Publishing.
The Magic of Harry Potter Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
(Featuring themes from all eight Harry Potter motion pictures). Arranged ...(+)
(Featuring themes from
all eight Harry
Potter motion
pictures). Arranged by
Michael Story and Michael
Story. Concert Band.
Concert Band; Part(s);
Score. Pop Young Band.
Form: Medley. Movie.
Grade 2. 264 pages.
Published by Alfred Music
Publishing
(Featuring themes from all eight Harry Potter motion pictures). Arranged ...(+)
(Featuring themes from
all eight Harry
Potter motion
pictures). Arranged by
Michael Story and Michael
Story. Concert Band.
Concert Band; Score;
SmartMusic. Pop Young
Band. Form: Medley.
Movie. Grade 2. 36 pages.
Published by Alfred Music
(AP.39534S
Arranged by Jay Althouse And John O'reilly. Arr. Jay Althouse and John O'Reilly....(+)
Arranged by Jay Althouse
And John O'reilly. Arr.
Jay Althouse and John
O'Reilly. For Concert
Band. Concert Band. Young
Symphonic. Conductor
Score and Parts.
Published by Alfred
Publishing.
Arranged by Jay Althouse And John O'reilly. Arr. Jay Althouse and John O'Reilly....(+)
Arranged by Jay Althouse
And John O'reilly. Arr.
Jay Althouse and John
O'Reilly. For Concert
Band. Concert Band. Young
Symphonic. Conductor
Score. 24 pages.
Published by Alfred
Publishing.
Stand Up and Swing Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
Composed by John O'Reilly. Concert Band. Concert Band; Score. Accent on Achievem...(+)
Composed by John
O'Reilly. Concert Band.
Concert Band; Score.
Accent on Achievement.
Light Concert; Swing.
Grade 1.5. 8 pages.
Published by Alfred Music
Composed
by Ottorino Respighi. De
Haske Concert Band. Score
Only. Composed 1989. De
Haske Publications
#890145. Published by De
Haske Publications
(HL.44001492).
UPC:
073999014921.
Not
much is known about the
origin of Huntingtower,
except for the fact that
this ballad was composed
in 1931 by the Italian
composer Ottorino
Respighi (1879-1936),
commissioned by Edwin
Franko Goldman and the
American Bandmaster
Association, and was
premiered on 17 April
1932 at a concert in
memory of John Philip
Sousa in Washington D.C.
It is not even certain
whether Respighi arranged
the work himself, or left
this to someone else.
Huntingtower is the name
of a castle in Scotland,
where Respighi spent some
time. It is possible that
this ballad contains his
musical impressions of
his stay there. The
orchestration on this CD,
made by Franco Cesarini
in 1987, is an adaptation
ofthe work to the demands
of the contemporary
concert band.
Si
l'annee de composition
est connue, les origines
de l'œuvre
Huntingtower
(1931) restent neanmoins
tres floues. Cette
ballade pour Orchestre
d'Harmonie du compositeur
italien Ottorino Respighi
(1879-1936) est une
œuvre de commande
pour Edwin Franko Goldman
et l'Association des
Chefs d'Orchestres a Vent
americains (American
Bandmaster Association).
Huntingtower a ete
cree a Washington, le 17
avril 1932, dans le cadre
d'un concert en hommage a
John Philip Sousa. On
ignore si Respighi a
personnellement orchestre
cette œuvre ou s'il
en a confie la
realisation a une tierce
personne. Huntingtower
est le nom d'un chateau
ecossais dans
lequelRespighi a sejourne
pendant quelque temps. Il
est donc probable que
l'œuvre livre des
impressions musicales sur
le chateau et son
environnement. Franco
Cesarini a realise cette
transcription en accord
avec les exigences de
l'Orchestre d'Harmonie
moderne.
For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L).
UPC:
680160039531. 11 x 17
inches.
Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland.
Concert Band and Vocal Soloist (Score) - Grade 5 SKU: HL.44011763 Poem...(+)
Concert Band and Vocal
Soloist (Score) - Grade 5
SKU: HL.44011763
Poems by Graeme
King. Composed by
Marco Putz. De Haske
Concert Band. Concert
Piece. Score Only.
Composed 2010. De Haske
Publications #1094768.
Published by De Haske
Publications
(HL.44011763).
The hymn Nun
ruhen alle Walder (Now
All Forests Rest),
arranged by J.S. Bach
(No. 6, So sei nun,
Seele, deine, from
Cantata BWV 13), is a
guiding light throughout
this four-movement
composition. Pütz
wrote this work as a
musical outcry against
the wilful, profit-driven
destruction of our
environment. When Bach
used the word ruhen (to
rest) over 350 years ago,
it probably had a
different nuance from the
meaning it has today. At
the beginning of the 21st
century - the so-called
age of progress - nun
ruhen alle Walder should
mean now all forests die
. Massive
industrialization and
globalization, coupled
with pure greed,
corruption, political
scandals, an
ever-wideninggap between
the rich and poor, and
other such senseless
human actions, are
pushing our blue planet
closer and closer to the
point of no return. This
work is not intended to
be a ranting accusation.
It should remind us of
the beauty and harmony
that can exist all around
us in nature, if we take
care of it. Pütz
hopes that this will, one
day, help put a greater
emphasis on humanity's
survival, and coexistence
with nature rather than
the exploitation
described earlier. All
four texts were created
by Australian poet Graeme
King, whose works were
discovered by Pütz,
by chance on the
internet. Pütz was
especially captivated by
King's clarity, and
intrigued by the
possibilities of adapting
and melding the strong
rhythmical structure of
King's writing with his
own musical language. The
four movements are as
follows: 1. Tears of
Nature 2. Grrrevolution
3. Stand up! 4. Tomorrow
The world premiere of
Four Earth Songs took
place on 7 July 2009 at
the 14th WASBE-Conference
in Cincinnati (USA). This
work is dedicated in
friendship to Jouke
Hoekstra, conductor, and
the Frysk Fanfare Orkest
(the Frisian
Fanfare-Orchestra).
De hymne Nun
ruhen alle Walder,
gearrangeerd door J.S.
Bach (nr. 6, So sei nun,
Seele, deine, uit cantate
BWV 13), is de leidraad
in deze vierdelige
compositie. Putz schreef
het werk als een muzikaal
protest tegen de
moedwillige,op winstbejag
gebaseerde vernietiging
van ons milieu. Toen Bach
het woord 'ruhen'
(rusten) meer dan 350
jaar geleden gebruikte,
lag er waarschijnlijk een
andere nuance in dan
tegenwoordig. Aan het
begin van de 21e eeuw -
dezogenaamde eeuw van de
vooruitgang - zou 'nun
ruhen alle Walder' zelfs
kunnen betekenen: 'nu
sterven alle bossen'. De
grootschalige
industrialisatie en
globalisering, in
combinatie met pure
hebzucht, corruptie,
politieke schandalen,een
groeiende kloof tussen
arm en rijk, en andere
dwaze menselijke
verrichtingen, brengen
onze blauwe planeet
steeds verder in de
problemen, tot er
misschien geen weg terug
meer is. Dit werk is niet
bedoeld als een
beschuldigendetirade. Het
moet ons wijzen op de
schoonheid en harmonie
die in de natuur om ons
heen kan bestaan, als we
er goed voor zorgen. Putz
hoopt dat er op een dag
meer nadruk gelegd zal
worden op het overleven
van de mensheid
invreedzame co-existentie
met de natuur, zonder de
eerdergenoemde
uitbuiting. Alle vier de
teksten zijn geschreven
door de Australische
dichter Graeme King,
wiens werk Putz bij
toeval tegenkwam op het
internet. Hij werd
getroffendoor Kings
helderheid en raakte
geintrigeerd door de
mogelijkheid de sterke
ritmische structuur van
Kings teksten om te
zetten in zijn eigen
muzikale taal. De vier
delen zijn de volgende:
1. Tears of Nature 2.
Grrrevolution 3.Stand up!
4. Tomorrow De
wereldpremiere van Four
Earth Songs vond plaats
op 7 juli 2009 tijdens de
14e WASBE Conference in
Cincinnati (VS). Dit werk
is in vriendschap
opgedragen aan dirigent
Jouke Hoekstra en zijn
Fryskt Fanfare
Der
Choral Nun ruhen alle
Walder, hier in einer
Bearbeitung von J.S. Bach
(Nr. 6 So sei nun, Seele,
deine aus der Kantate BWV
13), zieht sich wie ein
roter Faden durch diese
viersatzige Komposition,
die als musikalischer
Aufschrei (Anfang!) gegen
die mutwillige,
profitgesteuerte
Zerstorung unserer Umwelt
gedacht ist. Sicher hatte
das Wort ruhen vor
über 350 Jahren,
als der Liedtext
entstand, eine andere
Bedeutung als heute. Zu
Beginn des 21.
Jahrhunderts, im
sogenannten Zeitalter des
Fortschritts,
müsste es leider
wohl eher heissen: Nun
sterben alle Walder...
Massive
Industrialisierung,
Globalisierung, aber auch
Profitgier, Korruption,
politische
Unfahigkeit,krasse
Unterschiede zwischen arm
und reich, und
schlussendlich die
Uneinsichtigkeit des
einzelnen Menschen haben
dazu geführt, dass
der Blaue Planet heute
kurz vor dem Kollaps
steht. Dieses Werk soll
jedoch nicht nur
anklagen, es soll auch
die verbliebenen
Schonheiten unserer Natur
aufzeigen, in der
Hoffnung, dass es einmal
gelingen wird, die
Rettung der Natur und den
Schutz der Umwelt
über die oben
genannten Interessen zu
stellen. Alle vier Texte
stammen aus der Feder des
australischen Dichters
Graeme King, dessen Werk
der Komponist durch einen
glücklichen Zufall
im Internet entdeckte.
Besonders inspirierend
war die Direktheit von
Graemes Aussagen, aber
auch die kraftvolle
Rhythmik seiner Verse mit
den daraus resultierenden
Moglichkeiten der
musikalischen Umsetzung.
Die vier Satze sind wie
folgt
überschrieben: 1.
Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow Die
offizielle
Uraufführung von
Four Earth Songs fand am
7. Juli 2009 statt,
anlasslich der 14.
WASBE-Konferenz in
Cincinnati (USA). Das
Werk ist dem Dirigenten
Jouke Hoekstra und dem
Frysk Fanfare Orkest
(Friesischen
Fanfareorchester) in
aller Freundschaft
gewidmet.
Le
cantique Nun ruhen alle
Walder, dont la ligne
melodique fut reprise par
Jean-Sebastien Bach pour
son choral So sein nun,
Seele, deine (Choral
ndeg6 - Cantate BWV 13),
est le fil conducteur de
cette oeuvre en quatre
mouvements concue comme
un cri contre la
destruction volontaire de
la nature pour le profit.
Plus de trois siecles
nous separent du temps de
Bach. Si les mots sont
restes les memes, leur
sens primitif connait
cependant quelques
nuances. Ainsi, au XXIe
siecle - considere comme
le << siecle du progres
>>, il conviendrait de
traduire Nun ruhen alle
Walder (les forets se
reposent ) par Les forets
se meurent. La
mondialisation et
l'industrialisation
massiveassociees a
l'avidite predatrice, a
la corruption politique,
aux actions humaines
irrationnelles et au
fosse grandissant entre
riches et pauvres
conduisent notre planete
bleue a se rapprocher
chaque jour un peu plus
du point de non retour.
Cette composition n'est
pas une accusation
acerbe, mais plutot une
exhortation a prendre
soin de cette beaute si
harmonieuse que nous
offre la nature. Et
peut-etre, prendrons-nous
enfin conscience de
l'importance d'une
situation de coexistence
avec la nature,
necessaire pour la survie
de l'espece humaine, et
non d'exploitation qui
conduit a la destruction.
Un jour, alors qu'il
naviguait sur Internet,
Marco Pütz
decouvrit l'oeuvre du
poete australien Graeme
King. Fascine par la
clarte de l'ecriture et
le rythme des vers, Marco
Pütz imagina les
multiples possibilites
d'adaptation et de mise
en musique qu'offrent les
poemes de King. Il
choisit quatre poemes sur
la nature pour creer son
oeuvre Four Earth Songs
(Quatre chants de la
terre). 1. Tears of
Nature (Les larmes de la
Nature) 2. Grrrevolution
3. Stand up! (Levez-vous
!) 4. Tomorrow (Demain)
Four Earth Songs est
dedie amicalement a
l'Orchestre de Fanfare de
Frise (Frysk Fanfare
Orkest) et a son chef,
Jouke Hoekstra. L'oeuvre
a ete donnee en creation
mondiale par l'orchestre
dedicataire a l'occasion
de la 14eme Convention de
la WASBE a Cincinnati
aux.
Ralph Hultgren : Masada Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Brolga Music Publishing Company
By Ralph Hultgren. Concert Band. Brolga Music Symphonic Repertoire. Grade 5. Sco...(+)
By Ralph Hultgren.
Concert Band. Brolga
Music Symphonic
Repertoire. Grade 5.
Score and set of parts.
Duration 11:10. Published
by Brolga Music
Publishing Company
Kris Kringle's Jingle Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-2617-01 Composed by J. Williams. Concert Band. Herita...(+)
Grade 3
SKU:
CL.012-2617-01
Composed by J. Williams.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (item
CL.WFR319). Extra full
score. Composed 1994.
Duration 2 minutes, 6
seconds. Opus III Wind
Orchestra Publications
#012-2617-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-2617-01).
A bright
holiday selection that
will add a real sparkle
to your Christmas
concert. Not difficult
and sounding much harder
than it really is, Kris
Kringle’s Jingle
has the appeal and
familiarity that will
allow it to be performed
for many years to come.
EXCELLENT!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Kris Kringle's Jingle Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-2617-00 Composed by J. Williams. Concert Band. Herita...(+)
Grade 3
SKU:
CL.012-2617-00
Composed by J. Williams.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (item
CL.WFR319). Holiday.
Score and set of parts.
Composed 1994. Duration 2
minutes, 6 seconds. Opus
III Wind Orchestra
Publications
#012-2617-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-2617-00).
A bright
holiday selection that
will add a real sparkle
to your Christmas
concert. Not difficult
and sounding much harder
than it really is, Kris
Kringle’s Jingle
has the appeal and
familiarity that will
allow it to be performed
for many years to come.
EXCELLENT!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
The Soldier's Wife Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1115250-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1115250-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2012. 28
pages. De Haske
Publications #DHP
1115250-140. Published by
De Haske Publications
(BT.DHP-1115250-140).
9x12 inches.
English-German-French-Dut
ch.
The
Soldier’s Wife
is a short and simple
piece commissioned by the
Singapore Ministry of
Education. It was
originally intended as a
compulsory piece for the
2012 Singapore Youth
Festival. Because many
school bands in Singapore
are incomplete, the
composer was specifically
asked to create a work
that could equally be
played by a limited
ensemble—which
explains various doubled
and optional parts. The
warm tones of a melodic
passage open this short
work: the wife of the
wooden soldier sings a
kind of lullaby. This
lyrical section is
followed by a more
powerful part which is,
however, based on the
same melodic material.
The rhythm, syncopated at
times, infuses
thissection with a
particular energy. The
harmony, too, has some
surprising
turns—and we must
never lose sight of the
restrictions imposed by
the limited level of
difficulty of the piece.
Although the work begins
softly and sweetly, much
more ‘feminine
energy’ is
projected by the close.
The
Soldier’s Wife
is een kort en eenvoudig
werkje dat is geschreven
in opdracht van het
Singaporese ministerie
van Onderwijs. Het was
aanvankelijk bedoeld als
verplicht werk voor het
Singapore Youth Festival
2012. Omdat
veelschoolorkesten in
Singapore een onvolledige
bezetting hebben, kreeg
de componist het
nadrukkelijke verzoek om
het werk zo vorm te geven
dat het ook met een
beperkt ensemble
uitgevoerd kan worden:
dat verklaart een aantal
verdubbelingenen
instrumenten ad
libitum.Een warme,
melodische passage opent
dit korte werkje: de
vrouw van het - houten -
soldaatje zingt als het
ware een wiegeliedje.
Nadat dit lyrische deel
is afgerond, volgt een
energieker gedeeltedat
qua melodisch materiaal
op dezelfde bouwstenen is
gebaseerd. De hier en
daar gesyncopeerde
ritmiek verleent dit deel
een bijzondere energie,
en ook harmonisch zijn er
een paar verrassende
wendingen - waarbij
rekening is gehoudenmet
de beperkingen die
verbonden zijn aan werken
voor dit muzikale niveau.
Begon het werkje zacht en
liefelijk, aan het slot
is er heel wat meer
‘girl power’
voelbaar!
The
Soldier’s Wife
ist ein kurzes, einfaches
Werk, das im Auftrag des
Bildungsministeriums von
Singapur geschrieben
wurde. Es war zunächst
als Pflichtstück
für das Singapurer
Jugendfestival 2012
gedacht. Da viele
Schulblasorchester in
Singapur unvollständig
besetzt sind, bat man den
Komponisten
ausdrücklich, das Werk
so zu gestalten, dass es
auch mit einem begrenzten
Ensemble gespielt werden
könne: Dies erklärt
einige Verdopplungen und
optionale Instrumente.
Eine warm klingende,
melodische Passage
eröffnet dieses kurze
Werk: Die Frau des -
hölzernen- Soldaten
singt eine Art
Wiegenlied. Nach diesem
lyrischen Abschnitt folgt
ein kraftvollerer Teil,
der aber aufdemselben
melodischen Material
aufbaut. Der hier und da
synkopierte Rhythmus
verleiht diesem Teil eine
besondere Energie und
auch harmonisch gibt es
einige überraschende
Wendungen - wobei immer
an die auferlegten
Beschränkungen durch
den Schwierigkeitsgrad
gedacht werden muss. Ist
das Werk zu Beginn noch
leise und lieblich, ist
zum Schluss doch schon
wesentlich mehr weibliche
Energie“
spürbar...!
“Guarda,
è la moglie del
soldato di legnoâ€!
All’inizio, canta
una dolce ninnananna, che
precede una sezione
più potente dai ritmi
sincopati e con
sorprendenti cambiamenti
di armonie. The
Soldier’s Wife
inizia in modo calmo e
dolce per poi trovare
un’energia
tipicamente femminile
verso il finale. The
Soldier’s Wife
è un brano breve e
semplice, perfetto anche
per formazioni a organico
ridotto grazie alle parti
raddoppiate e
opzionali.
Kingdom Adventures Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Joshua V. Hinkel. Concert Band. Concert Band; Part(s); Score. Alfred Debut Se...(+)
By Joshua V. Hinkel.
Concert Band. Concert
Band; Part(s); Score.
Alfred Debut Series.
Form: Overture. Grade 1.
122 pages. Published by
Alfred Music Publishing
The Soldier's Wife Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1115250-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1115250-010
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2012.
De Haske Publications
#DHP 1115250-010.
Published by De Haske
Publications
(BT.DHP-1115250-010).
9x12 inches.
English-German-French-Dut
ch.
The
Soldier's Wife is a
short and simple piece
commissioned by the
Singapore Ministry of
Education. It was
originally intended as a
compulsory piece for the
2012 Singapore Youth
Festival. Because many
school bands in Singapore
areincomplete, the
composer was specifically
asked to create a work
that could equally be
played by a limited
ensemble - which explains
various doubled and
optional parts.
The
Soldier’s Wife
is een kort en eenvoudig
werkje dat is geschreven
in opdracht van het
Singaporese ministerie
van Onderwijs. Het was
aanvankelijk bedoeld als
verplicht werk voor het
Singapore Youth Festival
2012. Omdat
veelschoolorkesten in
Singapore een onvolledige
bezetting hebben, kreeg
de componist het
nadrukkelijke verzoek om
het werk zo vorm te geven
dat het ook met een
beperkt ensemble
uitgevoerd kan worden:
dat verklaart een aantal
verdubbelingenen
instrumenten ad
libitum.Een warme,
melodische passage opent
dit korte werkje: de
vrouw van het - houten -
soldaatje zingt als het
ware een wiegeliedje.
Nadat dit lyrische deel
is afgerond, volgt een
energieker gedeeltedat
qua melodisch materiaal
op dezelfde bouwstenen is
gebaseerd. De hier en
daar gesyncopeerde
ritmiek verleent dit deel
een bijzondere energie,
en ook harmonisch zijn er
een paar verrassende
wendingen - waarbij
rekening is gehoudenmet
de beperkingen die
verbonden zijn aan werken
voor dit muzikale niveau.
Begon het werkje zacht en
liefelijk, aan het slot
is er heel wat meer
‘girl power’
voelbaar!
Sieh an
hier haben wir die Frau
des hölzernen
Soldaten! Zu Beginn singt
sie ein sanftes
Wiegenlied, doch dann
folgt ein kraftvollerer
Abschnitt mit
synkopierten Rhythmen und
überraschenden
harmonischen Wendungen.
Ist dieses Werk, das auch
vonunvollständig
besetzten Blasorchestern
gespielt werden kann, zu
Beginn noch leise und
lieblich, klingt zum
Schluss doch schon
wesentlich mehr weibliche
Energie“
durch...!
â€
Guarda, è la moglie
del soldato di
legnoâ€!
All’inizio, canta
una dolce ninnananna, che
precede una sezione
più potente dai ritmi
sincopati e con
sorprendenti cambiamenti
di armonie. The
Soldier’s Wife
inizia in modo calmo e
dolce per poi trovare
un’energia
tipicamente femminile
verso il finale. The
Soldier’s Wife
è un brano breve e
semplice, perfetto anche
per formazioni a organico
ridotto grazie alle parti
raddoppiate e
opzionali.
Symphonic Rock Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Music Sales
Concert Band/Harmonie - Grade 4 SKU: BT.1534-08-010-MS The Music of Qu...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1534-08-010-MS
The Music of Queen and
Genesis. Composed by
Brian May, Freddie
Mercury, John Deacon,
Mike Mike, Phil Collins,
Roger Taylor, and Tony
Banks. Arranged by
Gilbert Tinner. Ovation
Series. Pop & Rock. Set
(Score & Parts). Composed
2008. Music Sales
#1534-08-010 MS.
Published by Music Sales
(BT.1534-08-010-MS).
9x12 inches.
English-German-French-Dut
ch.
Gilbert Tinner
combined a number of hits
by the well-known British
rock group Queen - and a
song by Genesis, also a
rock formation from
England - to form an
exciting arrangement with
the telling title
Symphonic Rock. The
instrumentation can
indeed be called
symphonic, but important
instruments from pop
music are also present.
For instance, an
important role is played
by the electric guitar,
and a synthesizer is used
as well. The medley
respectively features:
Innuendo, A Kind of
Magic, Another One Bites
the Dust, Radio Gaga,
That’s All and We
Are the
Champions.
Gilbert
Tinner bundelde enkele
hits van de bekende
Britse rockgroep Queen -
en een nummer van
Genesis, eveneens een
rockformatie uit Engeland
- tot een spetterend
arrangement met de
veelzeggende titel
Symphonic Rock. De
instrumentatiekan
inderdaad symfonisch
worden genoemd, maar ook
belangrijke instrumenten
uit de popmuziek zijn
vertegenwoordigd. Zo is
er een grote rol
weggelegd voor de
elektrische gitaar en
ontbreekt ook een
synthesizer niet. In
demedley zijn
achtereenvolgens te
horen: Innuendo, A
Kind of Magic, Another
One Bites the Dust, Radio
Gaga, That’s
All en We Are the
Champions.
Gil
bert Tinner kombinierte
eine Reihe von Hits der
berühmten britischen
Rockgruppen Queen und
Genesis und schuf daraus
diese spannende
Bearbeitung mit dem Titel
Symphonic Rock.
Die Instrumentierung kann
tatsächlich als
symphonisch bezeichnet
werden, es sind aber auch
in der Popmusik wichtige
Instrumente, wie
E-Gitarre und Synthesizer
vertreten.
Alligator Alley Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire American Composers Forum
Bandquest Series Grade 3. By Michael Daugherty. Score and full set of parts. Ame...(+)
Bandquest Series Grade 3.
By Michael Daugherty.
Score and full set of
parts. American Composers
Forum Concert Band.
CD-ROM only. Size 9x12
inches. Published by
American Composers Forum.
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1216355-010 Ava Max - Bi...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.DHP-1216355-010
Ava Max - Billie
Eilish - Dua Lipa.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop and Rock.
Set (Score and Parts).
Composed 2021. De Haske
Publications #DHP
1216355-010. Published by
De Haske Publications
(BT.DHP-1216355-010).
English-German-French-
Dutch.
Ava Max,
Billie Eilish and Dua
Lipa: altogether, they
possess a great deal of
girl power. That was all
Peter Kleine Schaars
needed to arrange this
exciting, great-sounding
and playable pop medley.
With hits like â??Kings
and Queensâ??,â??My
Futureâ?? and â??Break
My Heartâ??, these
female artists from
todayâ??s pop scene
certainly gave the year
2020 an entertaining
boost!
Ava Max,
Billie Eilish en Dua
Lipa: samen zijn ze goed
voor een flinke dosis
girlpower. Meer was er
voor Peter Kleine Schaars
niet nodig om een
spetterende, maar vooral
goed klinkende en
speelbare popmedley te
arrangeren. Met hitsals
â??Kings and Queensâ??,
â??My Futureâ?? en
â??Break My Heartâ??
wisten deze vrouwelijke
artiesten uit de
hedendaagse popmuziek het
jaar 2020 toch nog
behoorlijk wat schwung te
geven!
Ava Max,
Billie Eilish und Dua
Lipa sie alle stehen
für extrem viel
Girlpower. Mehr brauchte
Peter Kleine Schaars
nicht, um dieses
spannende, groÃ?artig
klingende und gut
spielbare Pop-Medley zu
arrangieren. Mit Hits wie
Kings andQueensâ??, My
Futureâ?? und Break My
Heartâ?? haben die
Künstlerinnen aus der
heutigen Popszene dem
Jahr 2020 einen
unterhaltsamen Schub
verliehen!