Gulliver's
Travels. Composed by
Maxime Aulio. Sovereign
Series. Concert Piece.
Set (Score & Parts).
Composed 2003. De Haske
Publications #DHP
1033505-010. Published by
De Haske Publications
(BT.DHP-1033505-010).
Jonathan Swifts
satirischer Roman
Gullivers Reisen -
eine literarische Reise
zwischen Vernunft und
Verrücktheit - regte
auch die Phantasie des
Komponisten Maxime Aulio
an. Seine Suite für
Blasorchester besteht aus
mehreren kurzen,
teilweise wie eine Kette
aneinander gereihten
Sätzen. Zyklisch in
veränderter Form
wiederkehrende Motive und
Themen beschreiben
Gullivers Gedanken und
Gefühle oder auch
Landschaften und
Personen, die ihm
unterwegs
begegnen.
Grade 2 SKU: CL.011-3607-01 Composed by Yeo. Young Concert Band. Command ...(+)
Grade 2
SKU:
CL.011-3607-01
Composed by Yeo. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR351). Extra
full score. Composed
2007. Duration 3 minutes,
32 seconds. C.L.
Barnhouse #011-3607-01.
Published by C.L.
Barnhouse
(CL.011-3607-01).
Containing
beautiful melodies that
will keep everyone
humming, this
inspirational and
encouraging new
composition from the pen
of a young composer from
Singapore will definitely
appeal to both your
players and audiences!
With reasonable ranges
for your developing
players, this is sure to
be a great tool to help
them gain confidence in
performance. The delicate
slow section includes a
short trumpet solo (cued
for flute) is also an
excellent opportunity to
teach your band phrasing
and expression. Beyond
the Highlands will make
your band sound BIG and
is an excellent choice
any concert, contest or
festival performance!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Bleak Forest Orchestre d'harmonie - Facile Hal Leonard
Score and Parts Concert Band (Score & Parts) - Level 2.5 SKU: HL.4008548 ...(+)
Score and Parts Concert
Band (Score & Parts) -
Level 2.5
SKU:
HL.4008548
Concert
Band, Grade 2.4 6:00
Score and Parts.
Composed by Andreas
Ziegelbä and ck.
Symphonic Dimensions.
Concert. Softcover. 107
pages. Duration 360
seconds. Hal Leonard
#SDP1972302. Published by
Hal Leonard (HL.4008548).
ISBN 9798350110371.
UPC:
196288179177.
Bleak
Forest is a piece for
smaller concert bands and
offers the musicians
above all space to
improve their sound and
their effect playing. The
technical requirements
are therefore
deliberately kept low.
With this piece, the
composer won the VLAMO
International Composition
Contest 2022.
Thematically, the work is
influenced by the
composer's childhood
memories. In his hometown
there was a dark and
mysterious forest, that
seemed to the children in
the small village to be
magical. Without a
reasonable explanation,
every trip into the woods
was exciting and somewhat
terrifying. There were
tales of dangerous
animals, which can be
heard at the beginning of
the piece, as well as
magical beasts. The magic
of the forest is depicted
musically from bar 70 in
the andante section. The
snapping of the fingers
represents single
raindrops. From bar 99
onwards, we hear the trek
home, with the occasional
moments of trepidation as
the children spook each
other with their fanciful
tales. In the end,
though, we arrive safely
at home because after
all, magical beasts only
exist in fairy tales
donÂ’t they? Andreas
Ziegelbäck studied
music education at the
Mozarteum University in
Salzburg, and history at
the Paris Lodron
Universität, Salzburg.
In addition to his
studies, he trained in
ensemble conducting for
wind orchestra with
conductor and composer
Thomas Doss. It was Doss
who sparked
Ziegelbäck's interest
in composing. In 2021,
Andreas Ziegelbäck
completed his composition
studies with Johannes
Maria Staud. In 2020, he
took part in a brass band
composition masterclass
in Bern with Oliver
Waespi, followed by a
premiere by the Swiss
Army Brass Band.
Bleak Forest Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Hal Leonard
Score and Parts Concert Band (Score & Parts) - Level 2.5 SKU: HL.4008983 ...(+)
Score and Parts Concert
Band (Score & Parts) -
Level 2.5
SKU:
HL.4008983
Concert
Band, Grade 2.5 6:00
Score and Parts.
Composed by Andreas
Ziegelbä and ck.
Symphonic Dimensions.
Concert, Concert Band.
Softcover. Duration 360
seconds. Hal Leonard
#SDP293-24-202. Published
by Hal Leonard
(HL.4008983).
UPC:
196288283775.
Bleak
Forest is a piece for
smaller concert bands and
offers the musicians
above all space to
improve their sound and
their effect playing. The
technical requirements
are therefore
deliberately kept low.
With this piece, the
composer won the VLAMO
International Composition
Contest 2022.
Thematically, the work is
influenced by the
composer's childhood
memories. In his hometown
there was a dark and
mysterious forest, that
seemed to the children in
the small village to be
magical. Without a
reasonable explanation,
every trip into the woods
was exciting and somewhat
terrifying. There were
tales of dangerous
animals, which can be
heard at the beginning of
the piece, as well as
magical beasts. The magic
of the forest is depicted
musically from bar 70 in
the andante section. The
snapping of the fingers
represents single
raindrops. From bar 99
onwards, we hear the trek
home, with the occasional
moments of trepidation as
the children spook each
other with their fanciful
tales. In the end,
though, we arrive safely
at home because after
all, magical beasts only
exist in fairy tales
dont they? Andreas
Ziegelbäck studied music
education at the
Mozarteum University in
Salzburg, and history at
the Paris Lodron
Universität, Salzburg.
In addition to his
studies, he trained in
ensemble conducting for
wind orchestra with
conductor and composer
Thomas Doss. It was Doss
who sparked Ziegelbäck's
interest in composing. In
2021, Andreas Ziegelbäck
completed his composition
studies with Johannes
Maria Staud. In 2020, he
took part in a brass band
composition masterclass
in Bern with Oliver
Waespi, followed by a
premiere by the Swiss
Army Brass Band.
Concert
Band, Grade 2.5 6:00
Score and Parts.
Composed by Andreas
Ziegelbä and ck.
Symphonic Dimensions.
Concert, Concert Band.
Softcover. Duration 360
seconds. Hal Leonard
#SDP293-24-201. Published
by Hal Leonard
(HL.4008984).
UPC:
196288283782.
Bleak
Forest is a piece for
smaller concert bands and
offers the musicians
above all space to
improve their sound and
their effect playing. The
technical requirements
are therefore
deliberately kept low.
With this piece, the
composer won the VLAMO
International Composition
Contest 2022.
Thematically, the work is
influenced by the
composer's childhood
memories. In his hometown
there was a dark and
mysterious forest, that
seemed to the children in
the small village to be
magical. Without a
reasonable explanation,
every trip into the woods
was exciting and somewhat
terrifying. There were
tales of dangerous
animals, which can be
heard at the beginning of
the piece, as well as
magical beasts. The magic
of the forest is depicted
musically from bar 70 in
the andante section. The
snapping of the fingers
represents single
raindrops. From bar 99
onwards, we hear the trek
home, with the occasional
moments of trepidation as
the children spook each
other with their fanciful
tales. In the end,
though, we arrive safely
at home because after
all, magical beasts only
exist in fairy tales
dont they? Andreas
Ziegelbäck studied music
education at the
Mozarteum University in
Salzburg, and history at
the Paris Lodron
Universität, Salzburg.
In addition to his
studies, he trained in
ensemble conducting for
wind orchestra with
conductor and composer
Thomas Doss. It was Doss
who sparked Ziegelbäck's
interest in composing. In
2021, Andreas Ziegelbäck
completed his composition
studies with Johannes
Maria Staud. In 2020, he
took part in a brass band
composition masterclass
in Bern with Oliver
Waespi, followed by a
premiere by the Swiss
Army Brass Band.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134702
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Conductor Score
& Parts. Kalmus Orchestra
Library. Score and
Part(s). LudwigMasters
Publications #36-A134702.
Published by
LudwigMasters
Publications
(AP.36-A134702).
UPC:
659359985690.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134748
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Solo Violin
Part. Kalmus Orchestra
Library. Part(s).
LudwigMasters
Publications #36-A134748.
Published by
LudwigMasters
Publications
(AP.36-A134748).
ISBN
9798888529850. UPC:
659359935244.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134701
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A134701.
Published by
LudwigMasters
Publications
(AP.36-A134701).
ISBN
9798888529843. UPC:
659359537080.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Band concert band - beginner, intermediate, advanced SKU: KJ.W78 Composed...(+)
Band concert band -
beginner, intermediate,
advanced
SKU:
KJ.W78
Composed by
Dean Sorenson. Band
method. Excellence in
Jazz Pedagogy, Vol. 1.
Book (not sheet music).
88 pages. Neil A. Kjos
Music Company #W78.
Published by Neil A. Kjos
Music Company (KJ.W78).
ISBN
9780849770258.
Exce
llence in Jazz Pedagogy
is a series of short,
targeted publications by
renowned jazz educator,
composer, and performer
Dean Sorenson. Each book
in this collection
focuses on specific
topics important to
anyone teaching or
studying
jazz.
Use the
books in the series
as: * reference
guides for the working
music educator. *
supplements to
instrumental techniques
and methods courses that
are a part of music
education degree
programs. *
stand-alone texts for
undergraduate or graduate
level jazz pedagogy
courses. *
introductions to jazz
topics for students
studying privately. *
refreshers for seasoned
jazz
professionals.
I
n Volume 1: Jazz Ensemble
Auditions and Repertoire
Selection, the author
takes a look at the
reasons for teaching jazz
in school music programs,
the rationale behind the
grading of jazz
materials, and some of
the basics to starting a
jazz ensemble program--in
particular holding
auditions and selecting
repertoire. Included with
each book is online
access to correlated
duplicable resources in
the Kjos Multimedia
Library.
Composed by Matthew R.
Putnam. First Plus Band
(FPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+5+2+2+4+4+4+6+3
+2+1+3+8+16+2 pages.
Duration 2 minutes, 6
seconds. Carl Fischer
Music #FPS150. Published
by Carl Fischer Music
(CF.FPS150).
ISBN
9781491152102. UPC:
680160909605.
The
title is a play on words,
but the composer had his
own ulterior motives in
mind when composing this
piece. He wanted a piece
that was fun to play, but
that helped developing
musicians work on their
rhythmic skills. Matt
Putnam uses the feel of
action film soundtracks
to create the mood of
this interesting new
piece. Interesting
grooves in the percussion
throughout add to the
piece’s feel of
mystery and thrill. To
understand my thoughts in
writing this piece, I
thought it best to define
the two ideas that give
the piece its title:
ulterior motives and
musical motifs. Ulterior
motives occur when you
believe that a person is
doing something for some
unknown or hidden reason.
Often, they are used in
action films or
literature to increase
the drama and tension of
the story. Musically, a
motif is a short rhythmic
and/or melodic idea. When
I wrote this piece, I
must confess that I had
my own ulterior motives:
I wanted to create a
piece that was fun to
play, but I also wanted a
piece that would help
students develop their
rhythmic counting skills.
In this piece, I use a
motif of a two
eighth-note pattern which
jumps from section to
section to help me
achieve my ulterior
motive.Mimicking the mood
of action films whose
characters often have
ulterior motives, the
mood of the piece is
suspenseful and exciting
as the motif jumps from
section to section
throughout the ensemble.
The motif keeps you
guessing as it occurs on
all four different beats
of the measure sometimes
ascending, sometimes
descending, and occurs
sometimes in the interval
of a second and sometimes
the interval of a third.
Interesting grooves in
the percussion throughout
add to the piece’s
feel of mystery and
thrill.I have no ulterior
motives when I say that I
hope you enjoy playing
Ulterior Motifs.
Composed by Matthew R.
Putnam. First Plus Band
(FPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#FPS150F. Published by
Carl Fischer Music
(CF.FPS150F).
ISBN
9781491152782. UPC:
680160910281.
The
title is a play on words,
but the composer had his
own ulterior motives in
mind when composing this
piece. He wanted a piece
that was fun to play, but
that helped developing
musicians work on their
rhythmic skills. Matt
Putnam uses the feel of
action film soundtracks
to create the mood of
this interesting new
piece. Interesting
grooves in the percussion
throughout add to the
piece’s feel of
mystery and thrill. To
understand my thoughts in
writing this piece, I
thought it best to define
the two ideas that give
the piece its title:
ulterior motives and
musical motifs. Ulterior
motives occur when you
believe that a person is
doing something for some
unknown or hidden reason.
Often, they are used in
action films or
literature to increase
the drama and tension of
the story. Musically, a
motif is a short rhythmic
and/or melodic idea. When
I wrote this piece, I
must confess that I had
my own ulterior motives:
I wanted to create a
piece that was fun to
play, but I also wanted a
piece that would help
students develop their
rhythmic counting skills.
In this piece, I use a
motif of a two
eighth-note pattern which
jumps from section to
section to help me
achieve my ulterior
motive.Mimicking the mood
of action films whose
characters often have
ulterior motives, the
mood of the piece is
suspenseful and exciting
as the motif jumps from
section to section
throughout the ensemble.
The motif keeps you
guessing as it occurs on
all four different beats
of the measure sometimes
ascending, sometimes
descending, and occurs
sometimes in the interval
of a second and sometimes
the interval of a third.
Interesting grooves in
the percussion throughout
add to the piece’s
feel of mystery and
thrill.I have no ulterior
motives when I say that I
hope you enjoy playing
Ulterior Motifs.
Grade 3 SKU: CL.026-4930-01 Composed by Neeck. Concert Band. Extra full s...(+)
Grade 3
SKU:
CL.026-4930-01
Composed by Neeck.
Concert Band. Extra full
score. C.L. Barnhouse
#026-4930-01. Published
by C.L. Barnhouse
(CL.026-4930-01).
This holiday
medley features unique
arrangements of three
traditional Christmas
carols: March of the
Kings, We Three Kings,
and Good King Wenceslas.
A musically and
educationally satisfying
piece, even if the size
of your band or
instrumentation are
limited. While the
full-sounding scoring
belies the reasonable
technical demands of the
piece, this uplifting
crowd-pleaser is sure to
inspire the holiday
spirit in your band and
audience.
Of Kings And Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 3 SKU: CL.026-4930-00 Composed by Neeck. Concert Band. Score and se...(+)
Grade 3
SKU:
CL.026-4930-00
Composed by Neeck.
Concert Band. Score and
set of parts. C.L.
Barnhouse #026-4930-00.
Published by C.L.
Barnhouse
(CL.026-4930-00).
This holiday
medley features unique
arrangements of three
traditional Christmas
carols: March of the
Kings, We Three Kings,
and Good King Wenceslas.
A musically and
educationally satisfying
piece, even if the size
of your band or
instrumentation are
limited. While the
full-sounding scoring
belies the reasonable
technical demands of the
piece, this uplifting
crowd-pleaser is sure to
inspire the holiday
spirit in your band and
audience.
Transcribed by R. Mark Rogers for Symphonic Wind Band. Composed by Dmitri ...(+)
Transcribed by R. Mark
Rogers
for Symphonic Wind Band.
Composed by Dmitri
Shostakovich (1906-1975).
Edited by Mark Rogers.
Southern Music. Concert.
Softcover. Southern Music
Company #S977CB.
Published by
Southern Music Company
Ceremony and Celebration Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4936-01 Composed by Neeck. Concert Band. Extra full s...(+)
Grade 3
SKU:
CL.012-4936-01
Composed by Neeck.
Concert Band. Extra full
score. Composed 2022.
Opus III Wind Orchestra
Publications
#012-4936-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4936-01).
Opening with a
majestic fanfare,
Ceremony and Celebration
develops into a joyous
tour-de-force which will
showcase the artistry and
musicality of your
ensemble. Tuneful brass
melodies, soaring
woodwind lines, and
pulsating percussion
propel this unforgettable
musical adventure for
your band. Great fun for
every section, the
reasonable technical
demands make this a
choice selection for
contest or concert.
Superb!
Ceremony and Celebration Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4936-00 Composed by Neeck. Concert Band. Score and se...(+)
Grade 3
SKU:
CL.012-4936-00
Composed by Neeck.
Concert Band. Score and
set of parts. Composed
2022. Opus III Wind
Orchestra Publications
#012-4936-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4936-00).
Opening with a
majestic fanfare,
Ceremony and Celebration
develops into a joyous
tour-de-force which will
showcase the artistry and
musicality of your
ensemble. Tuneful brass
melodies, soaring
woodwind lines, and
pulsating percussion
propel this unforgettable
musical adventure for
your band. Great fun for
every section, the
reasonable technical
demands make this a
choice selection for
contest or concert.
Superb!
Concert Band (Score) - Level 2.5 SKU: HL.4008046 Composed by Jacob De Haa...(+)
Concert Band (Score) -
Level 2.5
SKU:
HL.4008046
Composed
by Jacob De Haan. De
Haske Concert Band.
Concert. Softcover.
Duration 320 seconds. De
Haske Publications
#033907. Published by De
Haske Publications
(HL.4008046).
UPC:
196288114703.
These
days, many concert bands
celebrate their
centenary--this provided
a good reason to compose
the Centennial
Celebration. This work
has a festive, harmonious
and optimistic vibe. A
joyful introduction is
followed by a lyrical
passage with an enticing
melody, after which the
same theme can be heard
in a pop style variation.
Next is a kind of trio
with a melody that will
linger in your mind.
Lively sounds bring us
back to the lyrical main
theme once more, but this
time exuberant, like a
pop ballad. Finally, we
hear the festive sounds
of the introduction
again, now as a lustrous
conclusion.
Concert Band (Score & Parts) - Level 2.5 SKU: HL.4008045 Composed by Jaco...(+)
Concert Band (Score &
Parts) - Level 2.5
SKU: HL.4008045
Composed by Jacob De
Haan. De Haske Concert
Band. Concert. Softcover.
Duration 320 seconds. De
Haske Publications
#033907. Published by De
Haske Publications
(HL.4008045).
UPC:
196288114697.
These
days, many concert bands
celebrate their
centenary--this provided
a good reason to compose
the Centennial
Celebration. This work
has a festive, harmonious
and optimistic vibe. A
joyful introduction is
followed by a lyrical
passage with an enticing
melody, after which the
same theme can be heard
in a pop style variation.
Next is a kind of trio
with a melody that will
linger in your mind.
Lively sounds bring us
back to the lyrical main
theme once more, but this
time exuberant, like a
pop ballad. Finally, we
hear the festive sounds
of the introduction
again, now as a lustrous
conclusion.
Adagio in E Major, K. 261 Orchestre d'harmonie [Conducteur et Parties séparées] LudwigMasters Publications
Concert Band; Orchestra 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in...(+)
Concert Band; Orchestra
2.0.0.0: 2.0.0.0: Str
(4-4-3-3-3 in set): Solo
Violin in set
SKU:
AP.36-A744690
Composed by Wolfgang
Amadeus Mozart. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A744690.
Published by
LudwigMasters
Publications
(AP.36-A744690).
UPC:
659359882814.
English.
It is
widely believed that
Wolfgang Amadeus Mozart
(1756-1791) wrote the
Adagio in E major, K. 261
in or around 1776 as a
replacement for the
second movement of his
Violin Concerto No. 5 in
A, K. 219. The likely
reason for the
replacement is a
complaint by Italian
violinist Antonio
Brunetti, recently
brought to the Salzburg
court orchestra by the
Prince-Archbishop of
Salzburg, Heironymus
Colloredo, that the
original movements was
too artificial, according
to a letter from Leopold
Mozart. The Mozarts,
finding Brunetti boorish
and morally
objectionable, also would
have thought his
complaint regarding the
artificial second
movement to confirm their
worst opinions of Italian
taste. Still, young
Mozart wrote the
replacement Adagio as
requested, and its serene
beauty in sonata form
remains a fine example of
his lyrical ability.
Instrumentation: 2.0.0.0:
2.0.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in...(+)
Concert Band; Orchestra
2.0.0.0: 2.0.0.0: Str
(4-4-3-3-3 in set): Solo
Violin in set
SKU:
AP.36-A744601
Composed by Wolfgang
Amadeus Mozart. Full
Orchestra, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A744601.
Published by
LudwigMasters
Publications
(AP.36-A744601).
ISBN
9798888529805. UPC:
659359863653.
English.
It is
widely believed that
Wolfgang Amadeus Mozart
(1756-1791) wrote the
Adagio in E major, K. 261
in or around 1776 as a
replacement for the
second movement of his
Violin Concerto No. 5 in
A, K. 219. The likely
reason for the
replacement is a
complaint by Italian
violinist Antonio
Brunetti, recently
brought to the Salzburg
court orchestra by the
Prince-Archbishop of
Salzburg, Heironymus
Colloredo, that the
original movements was
too artificial, according
to a letter from Leopold
Mozart. The Mozarts,
finding Brunetti boorish
and morally
objectionable, also would
have thought his
complaint regarding the
artificial second
movement to confirm their
worst opinions of Italian
taste. Still, young
Mozart wrote the
replacement Adagio as
requested, and its serene
beauty in sonata form
remains a fine example of
his lyrical ability.
Instrumentation: 2.0.0.0:
2.0.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in...(+)
Concert Band; Orchestra
2.0.0.0: 2.0.0.0: Str
(4-4-3-3-3 in set): Solo
Violin in set
SKU:
AP.36-A744648
Composed by Wolfgang
Amadeus Mozart. Full
Orchestra, Solo Violin
Part. Kalmus Orchestra
Library. Part(s).
LudwigMasters
Publications #36-A744648.
Published by
LudwigMasters
Publications
(AP.36-A744648).
ISBN
9798888529812. UPC:
659359901379.
English.
It is
widely believed that
Wolfgang Amadeus Mozart
(1756-1791) wrote the
Adagio in E major, K. 261
in or around 1776 as a
replacement for the
second movement of his
Violin Concerto No. 5 in
A, K. 219. The likely
reason for the
replacement is a
complaint by Italian
violinist Antonio
Brunetti, recently
brought to the Salzburg
court orchestra by the
Prince-Archbishop of
Salzburg, Heironymus
Colloredo, that the
original movements was
too artificial, according
to a letter from Leopold
Mozart. The Mozarts,
finding Brunetti boorish
and morally
objectionable, also would
have thought his
complaint regarding the
artificial second
movement to confirm their
worst opinions of Italian
taste. Still, young
Mozart wrote the
replacement Adagio as
requested, and its serene
beauty in sonata form
remains a fine example of
his lyrical ability.
Instrumentation: 2.0.0.0:
2.0.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Mixed Choir and Organ, Concert Band/Harmonie ad lib - Grade 3 SKU: BT.DHP-115...(+)
Mixed Choir and Organ,
Concert Band/Harmonie ad
lib - Grade 3
SKU:
BT.DHP-1155661-050
For Mixed Choir and
Organ - Set of 25 SATB
scores. Composed by
Jacob De Haan. Musica
Sacra. Set of Scores.
Composed 2015. De Haske
Publications #DHP
1155661-050. Published by
De Haske Publications
(BT.DHP-1155661-050).
English-German-French-
Dutch.
This Latin
mass for choir and wind
band was composed in
honour of Saint
Cecilia’s feast
day, Saint Cecilia being
the patroness of
musicians. For this
reason, many ensembles
have annual concerts
dedicated to Saint
Cecila, which was the
inspiration forthis
piece. It is a festive,
optimistic, but also
comforting work, which in
style perfectly suits the
character of Saint
Cecilia’s Feast
Day. After Missa
Brevis, Missa
Katharina and The
Gospel Mass, Missa
Santa Cecilia isthe
fourth published mass by
the Dutch composer Jacob
de Haan.
Deze
Latijnse mis voor koor en
harmonieorkest is
gecomponeerd ter ere van
de feestdag van
Sint-Cecilia. Deze
heilige is de patrones
van de musici. Talrijke
muziekverenigingen en
koren organiseren elk
jaar concerten ter ere
van Sint-Cecilia,
eengegeven dat Jacob de
Haan inspireerde dit werk
te schrijven. Het is een
feestelijk, optimistisch,
maar ook troostend werk,
dat qua stijl uitstekend
past bij het karakter van
het Sint-Ceciliafeest. Na
Missa Brevis,
Missa Katharina
enThe Gospel Mass
is Missa Santa
Cecilia de vierde
uitgegeven mis van Jacob
de Haan.
Diese
lateinische Messe für
Chor und Blasorchester
wurde zu Ehren des
Gedenktages der heiligen
Cäcilia, der Patronin
der Musiker, komponiert.
Aus diesem Grund widmen
zahlreiche Ensembles der
heiligen Cäcilia jedes
Jahr Konzerte, was als
Inspirationfür dieses
Stück gedient hat. Es
handelt sich um ein
festliches,
optimistisches, aber auch
beruhigendes Werk, das
stilistisch perfekt zum
Gedenktag der heiligen
Cäcilia passt. Nach
der Missa Brevis,
der Missa
Katharina und The
GospelMass ist die
Missa Santa Cecilia
die vierte Messe des
holländischen
Komponisten Jacob de
Haan, die nun
veröffentlicht
wird.
Mixed Choir and Organ, Concert Band/Harmonie ad lib - Grade 3 SKU: BT.DHP-115...(+)
Mixed Choir and Organ,
Concert Band/Harmonie ad
lib - Grade 3
SKU:
BT.DHP-1155661-150
For Mixed Choir and
Organ. Composed by
Jacob De Haan. Musica
Sacra. Choral Score.
Composed 2015. De Haske
Publications #DHP
1155661-150. Published by
De Haske Publications
(BT.DHP-1155661-150).
English-German-French-
Dutch.
This Latin
mass for choir and wind
band was composed in
honour of Saint
Cecilia’s feast
day, Saint Cecilia being
the patroness of
musicians. For this
reason, many ensembles
have annual concerts
dedicated to Saint
Cecila, which was the
inspiration forthis
piece. It is a festive,
optimistic, but also
comforting work, which in
style perfectly suits the
character of Saint
Cecilia’s Feast
Day. After Missa
Brevis, Missa
Katharina and The
Gospel Mass, Missa
Santa Cecilia isthe
fourth published mass by
the Dutch composer Jacob
de Haan.
Deze
Latijnse mis voor koor en
harmonieorkest is
gecomponeerd ter ere van
de feestdag van
Sint-Cecilia. Deze
heilige is de patrones
van de musici. Talrijke
muziekverenigingen en
koren organiseren elk
jaar concerten ter ere
van Sint-Cecilia,
eengegeven dat Jacob de
Haan inspireerde dit werk
te schrijven. Het is een
feestelijk, optimistisch,
maar ook troostend werk,
dat qua stijl uitstekend
past bij het karakter van
het Sint-Ceciliafeest. Na
Missa Brevis,
Missa Katharina
enThe Gospel Mass
is Missa Santa
Cecilia de vierde
uitgegeven mis van Jacob
de Haan.
Diese
lateinische Messe für
Chor und Blasorchester
wurde zu Ehren des
Gedenktages der heiligen
Cäcilia, der Patronin
der Musiker, komponiert.
Aus diesem Grund widmen
zahlreiche Ensembles der
heiligen Cäcilia jedes
Jahr Konzerte, was als
Inspirationfür dieses
Stück gedient hat. Es
handelt sich um ein
festliches,
optimistisches, aber auch
beruhigendes Werk, das
stilistisch perfekt zum
Gedenktag der heiligen
Cäcilia passt. Nach
der Missa Brevis,
der Missa
Katharina und The
GospelMass ist die
Missa Santa Cecilia
die vierte Messe des
holländischen
Komponisten Jacob de
Haan, die nun
veröffentlicht
wird.
Concert Band (Score) - Grade 6 SKU: HL.44013337 Concert Band Score...(+)
Concert Band (Score) -
Grade 6
SKU:
HL.44013337
Concert Band
Score. Composed by
Philip Sparke. Anglo
Music Concert Band.
Classical. Softcover. 85
pages. Duration 982
seconds. Anglo Music
Press #AMP448103.
Published by Anglo Music
Press (HL.44013337).
WINNING
PERFORMANCE EBBC LILLE
2016 Raveling, Unraveling
- In Search of 'La Valse'
was written for the Cory
Band as their
own-choicetest piece for
the 2016 European Brass
Band Championships in
Lille. The piece found
its genesis in Sparkes
The Unknown Journey
(2014) for concert band,
and the use of Ravels La
Valse as a structural
undercurrent to the
original piece is an act
of reverence. Sparkes aim
was to produce a work
that is organic rather
than episodic in nature.
The composers view is
that little in music does
this better than La Valse
and for this reason he
uses various sections of
this masterpiece, both
manipulated and quoted
verbatim (including much
of its stunningclosing
passages) to provide the
overall geography of his
new work. As the music
progresses, more of the
Ravel appears, surfacing
completely as the piece
reaches its climax - a
gesture of homage to the
French master.
Score and Parts Concert Band (Score & Parts) SKU: HL.44013336 Concert ...(+)
Score and Parts Concert
Band (Score & Parts)
SKU: HL.44013336
Concert Band Score and
Parts. Composed by
Philip Sparke. Anglo
Music Concert Band.
Classical. Softcover.
Duration 982 seconds.
Anglo Music Press
#AMP448030. Published by
Anglo Music Press
(HL.44013336).
WINNING
PERFORMANCE EBBC LILLE
2016 Raveling, Unraveling
- In Search of 'La Valse'
was written for the Cory
Band as their
own-choicetest piece for
the 2016 European Brass
Band Championships in
Lille. The piece found
its genesis in Sparke's
The Unknown Journey
(2014) for concert band,
and the use of Ravel's La
Valse as a structural
undercurrent to the
original piece is an act
of reverence. Sparkes aim
was to produce a work
that is organic rather
than episodic in nature.
The composers view is
that little in music does
this better than La Valse
and for this reason he
uses various sections of
this masterpiece, both
manipulated and quoted
verbatim (including much
of its stunningclosing
passages) to provide the
overall geography of his
new work. As the music
progresses, more of the
Ravel appears, surfacing
completely as the piece
reaches its climax - a
gesture of homage to the
French master.
Score and parts Wind Orchestra (Score & Parts) - Grade 4 SKU: HL.4008712 ...(+)
Score and parts Wind
Orchestra (Score & Parts)
- Grade 4
SKU:
HL.4008712
Wind
Orchestra, Grade 4, 8:45
Score and Parts.
Composed by Stephan
Jaeggi. Arranged by
Gauthier Dupertuis. FC
Music Publishing. Concert
Band. Softcover. Duration
525 seconds. Hal Leonard
#FCMP007-CBHA. Published
by Hal Leonard
(HL.4008712).
ISBN
9798350115765. UPC:
196288190929.
As
part of the year 2023,
dedicated to Swiss
composers, the Swiss Wind
Band Association has
commissioned Gauthier
Dupertuis to write a new
orchestration of the
Overture in E-flat major
by Stephan Jaeggi.
Indeed, an update of the
instrumentation was
necessary for the
interpretation of this
work with modern
orchestras. Therefore,
the orchestration that
Gauthier Dupertuis
proposes and which he
wanted to be faithful to
the original while
meeting current
standards, will allow
todayÂ’s orchestras to
perform this piece of
classical-romantic
inspiration. Stephan
Jaeggi was a Swiss
composer and conductor
who was born into a large
family in Fulenbach
(Canton of Solothurn) in
1903. He began playing
the clarinet at the age
of 13, then studied music
at the Basel Conservatory
and attended his military
training with the Swiss
Army Band. Thereafter, he
became the conductor of
several wind orchestras.
In this role, and also
that of a composer,
Stephan Jaeggi went on to
achieve great success.
His early death in 1957
put a premature end to
Stephan Jaeggi's creative
life. All the more reason
why his work lives on
with unbroken power to
this day.
Invocation Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000454-010 Composed by Marc v...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000454-010
Composed by Marc van
Delft. Set (Score &
Parts). 16 pages. Gobelin
Music Publications #GOB
000454-010. Published by
Gobelin Music
Publications
(BT.GOB-000454-010).
In this work
the Dutch composer Marc
van Delft attempts to
bring together two
parties (former friends),
after they have grown
inexplicably apart. For
this reason he calls in
the help (Invocation)
from the medium of
music. At first,
'Invocation' radiates a
sense of serene calme,
from which the composer
gradually creates an
atmosphere resembling a
conversation. Half-way
there is an increase of
suspense, ending once
again in calm. The
listener remains
uncertain, however,
regarding the finish. In
dit werk probeert de
Nederlandse componist
Marc van Delft twee
partijen samen te brengen
(vroegere vrienden),
nadat ze op
onverklaarbare wijze uit
elkaar zijn gegroeid.
Daaromroept hij de hulp
in (Invocation) van het
medium muziek. In
het begin straalt
'Invocation' een gevoel
van serene rust uit,
waaruit de componist
geleidelijk een sfeer
creëert die lijkt op een
gesprek. Halverwege
is er een toename van de
spanning, die weer in
rust eindigt. De
luisteraar blijft echter
onzeker over de afloop.
Invocation Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000454-140 Composed by Marc v...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000454-140
Composed by Marc van
Delft. Score Only.
Gobelin Music
Publications #GOB
000454-140. Published by
Gobelin Music
Publications
(BT.GOB-000454-140).
In this work
the Dutch composer Marc
van Delft attempts to
bring together two
parties (former friends),
after they have grown
inexplicably apart. For
this reason he calls in
the help (Invocation)
from the medium of
music. At first,
'Invocation' radiates a
sense of serene calme,
from which the composer
gradually creates an
atmosphere resembling a
conversation. Half-way
there is an increase of
suspense, ending once
again in calm. The
listener remains
uncertain, however,
regarding the finish. In
dit werk probeert de
Nederlandse componist
Marc van Delft twee
partijen samen te brengen
(vroegere vrienden),
nadat ze op
onverklaarbare wijze uit
elkaar zijn gegroeid.
Daaromroept hij de hulp
in (Invocation) van het
medium muziek. In
het begin straalt
'Invocation' een gevoel
van serene rust uit,
waaruit de componist
geleidelijk een sfeer
creëert die lijkt op een
gesprek. Halverwege
is er een toename van de
spanning, die weer in
rust eindigt. De
luisteraar blijft echter
onzeker over de afloop.
Barcarolle Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1125240-010 From Les Con...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1125240-010
From Les Contes
d'Hoffmann. Composed
by Jacques Offenbach.
Arranged by Wil van der
Beek. Great Classics.
Classical. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1125240-010. Published by
De Haske Publications
(BT.DHP-1125240-010).
9x12 inches.
English-German-French-Dut
ch.
The famous
Barcarolle from
Offenbach’s The
Tales of Hoffmann
opens the fourth act of
the opera, which takes
place in Venice. For this
reason Offenbach chose a
barcarolle - a Venetian
gondolier song with its
characteristic swaying
rhythm. Wil van der
Beek’s arrangement
gives this romantic song
an alternative, lighter
beginning, making it
suitable for almost any
wind orchestra.
Die
berühmte
Barcarolle aus der
Oper Hoffmanns
Erzählungen von
Jacques Offenbach
eröffnet den vierten
Akt der Oper, der in
Venedig spielt. Daher
wählte Offenbach eine
Barcarole - ein
venezianisches Gondellied
mit seinem
charakteristischen
wiegenden Rhythmus. Mit
einem alternativen,
leichteren Beginn macht
Wil van der Beeks
Bearbeitung das
romantische Lied fast
jedem Blasorchester
zugänglich.
La famosa
Barcarolle
dall’opera I
racconti di Hoffmann
di Jacques Offenbach,
apre il quarto atto
dell’opera che si
gira a Venezia, con una
barcarola, canzone dei
gondolieri veneziani dai
ritmi molto ondeggianti.
Optando per un inizio
più accessibile,
l’arrangiamento di
Wil van der Beek di
questa romantica canzone
è adatto alla grande
maggioranza delle
bande.
Barcarolle Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1125240-140 From Les Con...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1125240-140
From Les Contes
d'Hoffmann. Composed
by Jacques Offenbach.
Arranged by Wil van der
Beek. Great Classics.
Classical. Score Only.
Composed 2012. 12 pages.
De Haske Publications
#DHP 1125240-140.
Published by De Haske
Publications
(BT.DHP-1125240-140).
9x12 inches.
English-German-French-Dut
ch.
The famous
Barcarolle from
Offenbach’s The
Tales of Hoffmann
opens the fourth act of
the opera, which takes
place in Venice. For this
reason Offenbach chose a
barcarolle - a Venetian
gondolier song with its
characteristic swaying
rhythm. Wil van der
Beek’s arrangement
gives this romantic song
an alternative, lighter
beginning, making it
suitable for almost any
wind orchestra.
Die berühmte
Barcarolle aus der
Oper Hoffmanns
Erzählungen von
Jacques Offenbach
eröffnet den vierten
Akt der Oper, der in
Venedig spielt. Daher
wählte Offenbach eine
Barcarole - ein
venezianisches Gondellied
mit seinem
charakteristischen
wiegenden Rhythmus. Mit
einem alternativen,
leichteren Beginn macht
Wil van der Beeks
Bearbeitung das
romantische Lied fast
jedem Blasorchester
zugänglich.
La famosa
Barcarolle
dall’opera I
racconti di Hoffmann
di Jacques Offenbach,
apre il quarto atto
dell’opera che si
gira a Venezia, con una
barcarola, canzone dei
gondolieri veneziani dai
ritmi molto ondeggianti.
Optando per un inizio
più accessibile,
l’arrangiamento di
Wil van der Beek di
questa romantica canzone
è adatto alla grande
maggioranza delle
bande.