Score and Parts Concert Band (Score and Parts) - Grade 3 SKU: HL.4008730...(+)
Score and Parts
Concert Band (Score and
Parts) - Grade 3
SKU:
HL.4008730
Concert
Band, Grade 3 3:50 Score
and parts. Composed
by Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392302.
Published by Hal Leonard
(HL.4008730).
ISBN
9798350119473. UPC:
196288195238.
The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
Concert
Band, Grde 3 3:50
Score. Composed by
Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392301.
Published by Hal Leonard
(HL.4008731).
UPC:
196288195245.
The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
Free Day Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-001207-010 Composed by Bria...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-001207-010
Composed by Brian
Connery. Challenger
Series. Set (Score &
Parts). Composed 2013. 56
pages. Gobelin Music
Publications #GOB
001207-010. Published by
Gobelin Music
Publications
(BT.GOB-001207-010).
9x12 inches.
English.
This
cheerful and varied piece
is characterised by its
ABA form. The first motif
is developed with energy
and vigour right from the
start. The second
movement is more serious
and exudes an air of
romance too. The third
and final movement
takeselements of the
introduction, which
together with a rather
complex rhythmic line,
lead to a triumphant
conclusion.
Dit
opgewekte, afwisselende
stuk is geschreven in
ABA-vorm. Het eerste
motief wordt van het
begin af aan op energieke
en resolute wijze
gespeeld. Het tweede deel
is serieuzer van
karakter, met een vleugje
romantiek. Het derde en
laatste deel
omvatelementen uit de
inleiding, die
gecombineerd met een
complexe ritmische lijn
naar een triomfantelijk
slot voeren.
In
diesem unterhaltsamen und
abwechslungsreichen
Stück ist eine klare ABA
Form erkennbar. Das
kraftvolle Auftaktthema,
das sich im ersten Satz
entwickelt, wird im
zweiten Satz zunächst
durch eine getrageneres,
beinahe romantisches
Thema abgelöst,kehrt
dann aber im dritten Satz
in einer stärker
rhythmisierten Form
wieder und beschert dem
Stück schließlich ein
strahlendes
Finale.
La forme
ABA est mise en évidence
dans cette composition
agréable et variée. En
effet, trois thèmes
composent cette oeuvre.
Dès les premières
mesures, un motif
énergique et soutenu est
exploité. Le deuxième
mouvement est plus serein
et quelque peuromantique.
S’ensuit le dernier
mouvement qui reprend les
éléments de
l’introduction,
appuyés par une
rythmique relativement
développée jusqu’au
finale
triomphant.
Questo
pezzo allegro e
movimentato è
caratterizzato dalla sua
forma ABA. Il primo
motivo viene sviluppato
sin dall’inizio con
energia e incisivit . Il
secondo tema, invece, è
più serio e trasmette un
tocco di romanticismo. Il
terzo e ultimo
temariprende elementi
dell’introduzione che,
insieme a una linea
ritmica
piuttostocomplessa,
conduce a un finale
trionfale.
Composed by Steven Reineke. Concert Band. Opus III Series. Audio recording av...(+)
Composed by Steven
Reineke.
Concert Band. Opus III
Series. Audio recording
available separately
(item
CL.WFR352). Oversized
spiral-bound score.
Composed
2007. Duration 6 minutes,
37
seconds. Published by
Opus
III Wind Orchestra
Publications
Composed by Steven Reineke. Concert Band. Opus III Series. Audio recording avail...(+)
Composed by Steven
Reineke. Concert Band.
Opus III Series. Audio
recording available
separately (item
CL.WFR352). Score and set
of parts. Composed 2007.
Duration 6 minutes, 37
seconds. Published by
Opus III Wind Orchestra
Publications
Free Day Orchestre d'harmonie [Conducteur] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-001207-140 Composed by Bria...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-001207-140
Composed by Brian
Connery. Challenger
Series. Score Only.
Composed 2013. 12 pages.
Gobelin Music
Publications #GOB
001207-140. Published by
Gobelin Music
Publications
(BT.GOB-001207-140).
9x12 inches.
English.
The ABA
form is highlighted in
this pleasant and varied
piece. This work is
indeed composed of three
themes. Right from the
opening bars, an
energetic and sustained
motif is developed. The
second movement is more
serene and somewhat
romantic. Finally, the
third movement
reintroduces the opening
elements, now supported
by quite an elaborate
rhythmic line leading to
a triumphant
finale.
In
diesem unterhaltsamen und
abwechslungsreichen
Stück ist eine klare ABA
Form erkennbar. Das
kraftvolle Auftaktthema,
das sich im ersten Satz
entwickelt, wird im
zweiten Satz zunächst
durch eine getrageneres,
beinahe romantisches
Thema abgelöst,kehrt
dann aber im dritten Satz
in einer stärker
rhythmisierten Form
wieder und beschert dem
Stück schließlich ein
strahlendes Finale.
Composed by Steven Reineke. Concert Band. Opus III Series. Audio recording avail...(+)
Composed by Steven
Reineke. Concert Band.
Opus III Series. Audio
recording available
separately (item
CL.WFR352). Extra full
score. Composed 2007.
Duration 9 minutes, 32
seconds. Published by
Opus III Wind Orchestra
Publications
Five Minutes A Day #3 Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.015-2741-00 Composed by A. Clark. Young Concert Band. Sco...(+)
Grade 2
SKU:
CL.015-2741-00
Composed by A. Clark.
Young Concert Band. Score
and set of parts.
Composed 1995. C.L.
Barnhouse #015-2741-00.
Published by C.L.
Barnhouse
(CL.015-2741-00).
The third in
Andy Clark’s
extremely successful
series of time saving
warm-ups. Contains a
Chorale Warm-up, a Lip
Slur Exercise & Key
Study, in addition to a
short Tuning Routine to
get your rehearsal off to
a great start. An
excellent way to save
precious rehearsal time
and improve your band at
the same time.
Composed by Steven Reineke. Concert Band. Opus III Series. Audio recording av...(+)
Composed by Steven
Reineke.
Concert Band. Opus III
Series. Audio recording
available separately
(item
CL.WFR352). Oversized
spiral-bound score.
Composed
2007. Duration 9 minutes,
32
seconds. Published by
Opus
III Wind Orchestra
Publications
Grade 2 SKU: CL.015-2741-01 Composed by A. Clark. Young Concert Band. Ext...(+)
Grade 2
SKU:
CL.015-2741-01
Composed by A. Clark.
Young Concert Band. Extra
full score. Composed
1995. C.L. Barnhouse
#015-2741-01. Published
by C.L. Barnhouse
(CL.015-2741-01).
The third in
Andy Clark’s
extremely successful
series of time saving
warm-ups. Contains a
Chorale Warm-up, a Lip
Slur Exercise & Key
Study, in addition to a
short Tuning Routine to
get your rehearsal off to
a great start. An
excellent way to save
precious rehearsal time
and improve your band at
the same time.
Concert Band - Grade 4 SKU: AP.43158 (A Celebration of Life). Comp...(+)
Concert Band - Grade 4
SKU: AP.43158
(A Celebration of
Life). Composed by
Patrick Roszell. Concert
Band; Performance Music
Ensemble; Single Titles.
Belwin Symphonic Band.
Score and Part(s). 288
pages. Duration 4:45.
Belwin Music #00-43158.
Published by Belwin Music
(AP.43158).
UPC:
038081504674.
English.
Opening
with floating woodwinds
and an exuberant fanfare
in the brass, this work
celebrates the renewal of
life that we experience
each spring at Easter.
Festive, dark, and
ultimately inspiring,
this new piece for
concert band will be an
uplifting experience for
your students and
audience. (4:45).
Happy Holidays---Vol. 3 Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
IX. Rudolph, the Red-Nosed Reindeer. X. Santa Claus Is Coming to Town, XI. I'...(+)
IX. Rudolph, the
Red-Nosed Reindeer. X.
Santa Claus Is Coming to
Town, XI. I'll Be Home
for Christmas, XII.
Sleigh Ride. Arranged
by Jack Bullock. Concert
Band; Part(s); Score. Pop
Young Band. Christmas;
Pop; Secular; Winter. 248
pages. Published by
Alfred Music (AP.44916).
Concert Band - Grade 2 SKU: AP.44916S IX. Rudolph, the Red-Nosed Reind...(+)
Concert Band - Grade 2
SKU: AP.44916S
IX. Rudolph, the
Red-Nosed Reindeer, X.
Santa Claus Is Coming to
Town, XI. I'll Be Home
for Christmas, XII.
Sleigh Ride. Composed
by Various. Arranged by
Jack Bullock. Concert
Band; Performance Music
Ensemble; Single Titles.
Belwin Young Band.
Christmas; Pop; Secular;
Winter. Score. 36 pages.
Duration 7:00. Belwin
Music #00-44916S.
Published by Belwin Music
(AP.44916S).
UPC:
038081515762. English.
Various.
The third
installment in the wildly
versatile series, the
suite includes Rudolph,
the Red-Nosed Reindeer,
Santa Claus Is Coming to
Town, I'll Be Home for
Christmas, and Sleigh
Ride. Playable year after
year using quintets,
woodwind or brass
ensembles, or full
concert band. Adding this
volume, there are now 12
holiday classics
available for the
ultimate in flexibility
while programming your
holiday concert. Also
available: Vol. 1
(00-42178) and Vol. 2
(00-43107). Bravo!
(7:00).
A Shaker Gift Song Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Grade 2. Conductor
score and set of parts.
Duration 2:15. Published
by Manhattan Beach Music
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band (SCORE) - Grade 4.5 SKU: HL.4006434 Satire in Four Parts<...(+)
Concert Band (SCORE) -
Grade 4.5
SKU:
HL.4006434
Satire
in Four Parts.
Composed by Thomas Doss.
Mitropa Music Concert
Band. Concert. Softcover.
Duration 730 seconds.
Mitropa Music
#2201-20-010M. Published
by Mitropa Music
(HL.4006434).
UPC:
888680989934.
A
Little Stress Music was
commissioned by the
Lenzing Werkskapelle from
Austria and comprises of
four sections.
“Rush Hourâ€
depicts a Friday evening
during which everyone
wants to get home after
work. Unfortunately,
traffic jams and gridlock
stand in the way! In
“Promenade
Waltz†you can
picture an evening walk
along the beautiful
lakeside, then a glass of
wine loosens you up
leading to the third
movement:
“Romance,â€
which starts with a
promising conversation...
The funny finale
“Monday
Morning†brings you
back to reality and the
score provides the option
of the band applauding
itself for a job well
done! A humorous and
joyful new piece by
Thomas Doss!
Concert Band (SCORE+PARTS) - Grade 4.5 SKU: HL.4006433 Satire in Four ...(+)
Concert Band
(SCORE+PARTS) - Grade 4.5
SKU: HL.4006433
Satire in Four
Parts. Composed by
Thomas Doss. Mitropa
Music Concert Band.
Concert. Softcover.
Duration 730 seconds.
Mitropa Music
#2201-20-010M. Published
by Mitropa Music
(HL.4006433).
UPC:
888680989927. 9.0x12.0
inches.
A Little
Stress Music was
commissioned by the
Lenzing Werkskapelle from
Austria and comprises of
four sections.
“Rush Hourâ€
depicts a Friday evening
during which everyone
wants to get home after
work. Unfortunately,
traffic jams and gridlock
stand in the way! In
“Promenade
Waltz†you can
picture an evening walk
along the beautiful
lakeside, then a glass of
wine loosens you up
leading to the third
movement:
“Romance,â€
which starts with a
promising conversation...
The funny finale
“Monday
Morning†brings you
back to reality and the
score provides the option
of the band applauding
itself for a job well
done! A humorous and
joyful new piece by
Thomas Doss!
Concert
Band, Grade 5 10:27
Score. Composed by
Georges Sadeler.
Symphonic Dimensions.
Concert, Concert Band.
Softcover. Duration 627
seconds. Hal Leonard
#SDP259-24-01. Published
by Hal Leonard
(HL.4008964).
UPC:
196288282136.
“Th
e Old Fortress of
Luxembourg” is a
commissioned work by the
Luxembourg Ministry of
Culture for the overture
of the official ceremony
of Luxembourg's National
Day. The piece is less
concerned with history,
but rather draws
inspiration from the
architecture of the
ancient fortress of
Luxembourg, known as
“Lucilinburhuc.” The
fortress, over 1000 years
old and also referred to
as the “Gibraltar of
the North,” primarily
consists today of the
Bock Rock, the crypt, the
casemates (an underground
defense system consisting
of kilometers of
tunnels), and the Holy
Spirit Citadel. These
elements are portrayed
through radiant fanfare
sounds, rhythmic
orchestral movements,
patriotic choral
melodies, and at times,
somber musical
depictions. As an
optional highlight, a
choir, supported by a
boys' choir, interprets
the newly composed text
of the third verse of the
Luxembourgish National
Anthem, adding an
additional touch of
patriotic grandeur to
this piece.
Band concert band - Grade 4.5 SKU: CF.SPS75 Composed by Brant Karrick. SW...(+)
Band concert band - Grade
4.5
SKU: CF.SPS75
Composed by Brant
Karrick. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
3+12+12+6+12+12+12+6+6+6+
6+6+6+9+9+9+6+6+9+9+9+9+6
+12+6+9+3+9+9+40 pages.
Duration 6 minutes, 44
seconds. Carl Fischer
Music #SPS75. Published
by Carl Fischer Music
(CF.SPS75).
ISBN
9781491147702. UPC:
680160905201. 9 x 12
inches. Key: F
major.
When Hearts
Tremble is an emotion
packed piece dedicated to
musician friends lost all
to soon. This beautiful
composition by Brant
Karrick reflects on the
fragility of human
existence, joyous
memories of loved ones
and their effect on
everyone around them, and
maintaining hope for what
the future will hold when
all feels lost. This tour
de force piece perfectly
displays Karrick's
polished compositional
craft with impeccable
scoring, beautiful
melodic writing, and
exceptional
orchestrational
color. While the
day-to-day grind of our
lives can be filled with
overwhelming obligations,
goals and commitments, it
is sometimes very easy to
forget just how precious
and fragile life is . It
is so easy to get caught
up in our own personal
feelings and worries that
we sometimes don’t
realize and appreciate
the many blessings we
have, especially
friendships . On
Wednesday, November 18,
2015 the Jefferson High
School Band in Jefferson,
Georgia lost two of its
members to a fatal car
accident . The victims
were brothers . Music was
a constant part of their
lives, and the boys were
talented percussionists
in the marching band . To
help with the grieving
process the school and
community commissioned
this piece to celebrate
the lives of William and
Alex Trimble .As a
father, I cannot imagine
losing a child, let alone
two, and beginning this
piece was very difficult
as I felt extreme
anguish, especially for
the parents . But it was
decided the piece should
primarily reflect the
enthusiasm, youthful
spirits and positive
influence these two young
men demonstrated as they
were deeply loved by
their band mates,
community and family .
There are four main
themes, each representing
the feelings and emotions
that are certain to occur
after a loss of loved
ones . The first theme is
a short, introductory
fanfare, strong and bold,
to stand for courage . A
second dance-like melody
features a liltingly
mixed meter to portray a
youthful and carefree
innocence . This soon
changes into a third more
song-like, and stately
theme intended to provide
encouragement as we move
forward through life .The
middle of the piece
includes a soft
transition as two snare
drummers give voice to
the boys, allowing them
to thank their friends
and assuring them that it
will be okay . This moves
directly into a slow
melody introduced by the
saxophones (Alex, the
younger brother was also
a saxophonist) and is a
time for reflection and
allows for feelings of
sadness at losing beloved
friends . However, a
second statement of the
same theme, now at full
volume with a strong
percussion cadence,
intends to lift the
spirits and allows all
friends to unite in
joyous celebration of
life . Both the
enthusiastic dance theme
and stately lyrical theme
return, now in different
keys, and work their way
toward the highly
energetic burst of
glorious sound in the
short and wild coda .
When Hearts Tremble was
written to celebrate the
joys of youth and life,
and should remind us that
our friends and loved
ones are precious, and we
should live each day to
bring more joy into the
world and into the lives
of others .
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 9:00. Published
by Manhattan Beach Music.
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Grade
3. Conductor Full Score.
Duration 9:00
Song of David Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135481-140 Based on Dies ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135481-140
Based on Dies
Irae. Arranged by Jan
de Haan. Musica Sacra.
Festive and Solemn Music.
Score Only. Composed
2013. 60 pages. De Haske
Publications #DHP
1135481-140. Published by
De Haske Publications
(BT.DHP-1135481-140).
9x12 inches.
English-German-French-Dut
ch.
This work is
based on the 13th Century
Dies irae (Day of
Wrath) attributed to
Thomas von Celano. Many
famous composers have
already employed this
originally Gregorian
chant in their works,
including Berlioz,
Saint-Saëns, Mahler
and Lizst. In Jan de
Haan’s Song of
David - the title of
which is taken from the
third line of the Dies
Irae text - the theme
is presented in unison
initially and then
reappears in various
guises.
Dit werk
is gebaseerd op het 13e
eeuwse Gregoriaanse
Dies Irae zoals we
dit ook kennen uit werken
van Berlioz,
Saint-Saëns, Mahler en
Liszt. Voor de titel van
dit werk waarin hij het
thema verschillende
gedaantes meegeeft,
haalde Jan de Haan zijn
inspiratie in de derde
zin van het Dies
Irae, waarin verwezen
wordt naar David.
Dieses Werk
basiert auf dem Dies
Irae (Tag des Zorns)
aus dem 13. Jahrhundert,
das Thomas von Celano
zugeschrieben wird.
Bereits mehrere
berühmte
Komponisten, wie Berlioz,
Saint-Saëns, Mahler
und Liszt, haben den
ursprünglichen
gregorianischen Choral in
ihren Werken verwendet.
In Jan de Haan Song of
David, dessen Titel
auf die dritte Textzeile
von Dies Irae
verweist, wird das Thema
zunächst einstimmig
präsentiert und
erscheint dann in
verschiedenen
Gewändern.
Ques
to brano si ispira a
Dies Irae
attribuito a Tommaso da
Celano, considerato
l’autore della
versione
de_x001E_finitiva di
questo poema scritto nel
XIII secolo. Numerosi
celebri compositori quali
Berlioz, Saint-Saëns,
Mahler e Liszt hanno
integrato passaggi di
questo canto gregoriano
nelle loro opere. In
Song Of David (il
titolo fa riferimento
alla terza strofa del
testo originale), Jan de
Haan presenta un tema
all’unisono
ripreso in seguito con
diverse dinamiche.
Song of David Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135481-010 Based on Dies ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135481-010
Based on Dies
Irae. Arranged by Jan
de Haan. Musica Sacra.
Festive and Solemn Music.
Set (Score & Parts).
Composed 2013. De Haske
Publications #DHP
1135481-010. Published by
De Haske Publications
(BT.DHP-1135481-010).
9x12 inches.
English-German-French-Dut
ch.
This work is
based on the 13th Century
Dies Irae (Day of
Wrath) attributed to
Thomas von Celano. Many
famous composers have
already employed this
originally Gregorian
chant in their works,
including Berlioz,
Saint-Saëns, Mahler
and Lizst. In Jan de
Haan’s Song of
David - the title of
which is taken from the
third line of the Dies
Irae text - the theme
is presented in unison
initially and then
reappears in various
guises.
Dit werk
is gebaseerd op het 13e
eeuwse Gregoriaanse
Dies Irae zoals we
dit ook kennen uit werken
van Berlioz,
Saint-Saëns, Mahler en
Liszt. Voor de titel van
dit werk waarin hij het
thema verschillende
gedaantes meegeeft,
haalde Jan de Haan zijn
inspiratie in de derde
zin van het Dies
Irae, waarin verwezen
wordt naar David.
Dieses Werk
basiert auf dem Dies
Irae (Tag des Zorns)
aus dem 13. Jahrhundert,
das Thomas von Celano
zugeschrieben wird.
Bereits mehrere
berühmte
Komponisten, wie Berlioz,
Saint-Saëns, Mahler
und Liszt, haben den
ursprünglichen
gregorianischen Choral in
ihren Werken verwendet.
In Jan de Haan
David’s Song,
dessen Titel auf die
dritte Textzeile von
Dies Irae
verweist, wird das Thema
zunächst einstimmig
präsentiert und
erscheint dann in
verschiedenen
Gewändern.
Ques
to brano si ispira a
Dies Irae
attribuito a Tommaso da
Celano, considerato
l’autore della
versione definitiva di
questo poema scritto nel
XIII secolo. Numerosi
celebri compositori quali
Berlioz, Saint-Saëns,
Mahler e Liszt hanno
integrato passaggi di
questo canto gregoriano
nelle loro opere. In
Song Of David (il
titolo fa riferimento
alla terza strofa del
testo originale), Jan de
Haan presenta un tema
all’unisono
ripreso in seguito con
diverse dinamiche.
Concert Band/Harmonie/Fanfare Band - Grade 4 SKU: BT.DHP-1216336-215 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 4
SKU:
BT.DHP-1216336-215
Composed by Peter Kleine
Schaars. Peter's Compact
Collection. Original
Light Music. Score Only.
Composed 2021. 30 pages.
De Haske Publications
#DHP 1216336-215.
Published by De Haske
Publications
(BT.DHP-1216336-215).
English-German-French-
Dutch.
From the
beginning of the Middle
Ages, we have known
performance practices in
which the duration of the
notes can differ from the
actual notation. In some
cases, binary written
melodies were performed
in a ternary way. This
isalso the case in the
present-day shuffle: the
written quavers are
performed in a long-short
system in which the ratio
is 2:1. In other words,
the performance practice
is based on a triplet
feel. In this
composition,
allingredients of the
shuffle are featured: a
vigorous swing rhythm, a
walking bass, the
successions of thirds in
the accompaniment and the
frequent use of triplets.
To make sure that the
binary written rhythms in
the accompanimentsare
performed in the correct
ternary manner, Peter
Kleine Schaars has
notated the melody themes
in triplets as much as
possible. Thus, this
composition is a very
useful exercise for the
swing development of your
ensemble.Additionally,
the work is a treat to
listen to, so your
audience will really
appreciate this up-tempo
big band like
composition. All ternary
rhythmic cells 17 till 24
pass in revue,
furthermore much
attention had been paid
to acorrect performance
of cell 4 in swing feel.
Al vanaf het
begin van de middeleeuwen
kennen we
uitvoeringspraktijken
waarbij de lengte van de
noten anders kan zijn dan
de daadwerkelijke
notatie. Zo werden in
sommige gevallen binair
uitgeschreven
melodieën ternair
uitgevoerd.Dat is ook het
geval bij de hedendaagse
shuffle: de geschreven
achtsten worden
uitgevoerd in een
lang-kortsysteem waarbij
de verhouding 2:1 geldt.
Oftewel de
uitvoeringspraktijk is
gebaseerd op een
triolenfeel. In deze
compositiekomen alle
ingrediënten van de
shuffle aan bod: een
stevig swingritme, een
walking bass, oplopende
tertsenreeksen in de
begeleiding en veelvuldig
gebruik van triolen. Om
ervoor te zorgen dat de
binair genoteerde
ritmieken in
debegeleidingen op de
juiste ternaire wijze
worden uitgevoerd, heeft
Peter Kleine Schaars de
melodiethema’s
zoveel mogelijk
uitgeschreven in triolen.
Hierdoor is deze
compositie een zeer
bruikbare oefening voor
de swingontwikkelingvan
uw ensemble. Daarnaast is
het werk een feest om
naar te luisteren en zal
het publiek deze uptempo
bigbandachtige compositie
zeker waarderen. Alle
ternaire ritmische cellen
17 tot 24 passeren de
revue, daarnaast is er
veelaandacht voor een
juiste uitvoering van cel
4 in swingfeel.
Seit Beginn des
Mittelalters sind uns
Aufführungspraktiken
bekannt, bei denen die
Dauer der Noten von der
tatsächlichen Notation
abweichen kann. In
einigen Fällen wurden
binär geschriebene
Melodien ternär
gespielt. Dies ist
auchbeim modernen Shuffle
der Fall: Die notierten
Achtelnoten werden in
einem
Lang-Kurz-System“
im Verhältnis 2:1
ausgeführt. Mit
anderen Worten, die
Aufführungspraxis
basiert auf einem
Triolengefühl. In
dieser Komposition sind
alleZutaten des Shuffle
enthalten: ein
kräftiger
Swing-Rhythmus, ein
Walking Bass, eine
Abfolge von Terzen in der
Begleitung und die
häufige Verwendung von
Triolen. Um
sicherzustellen, dass die
binär geschriebenen
Rhythmen in
denBegleitungen ternär
ausgeführt werden, hat
Peter Kleine Schaars die
Melodiethemen so weit wie
möglich als Triolen
notiert. Daher eignet
sich diese Komposition
zum Ãœben des Swings.
Darüber hinaus hört
sich das Stück so
schön an,dass Ihr
Publikum von dieser
schnellen
Big-Band-ähnlichen
Komposition begeistert
sein wird. Die
ternären
Rhythmus-Einheiten 17 bis
24 kommen alle vor,
außerdem wurde ein
Schwerpunkt auf die
korrekte Umsetzung der
Rhythmus-Einheit4 im
Swing-Stil
gelegt.
Orchestra Concert Band SKU: PR.11640976S For Soprano and Orchestra...(+)
Orchestra Concert Band
SKU: PR.11640976S
For Soprano and
Orchestra. Composed
by James Primosch. Full
score. Duration 18
minutes. Merion Music
#116-40976S. Published by
Merion Music
(PR.11640976S).
UPC:
680160682768. Das
Stundenbuch.
This
cycle of orchestral songs
sets four poems from an
early collection by Rilke
entitled Das Stundenbuch,
or in English, Book of
Hours. Although the title
refers to a medieval book
of prayers for the
various times of day and
seasons of the liturgical
year, Rilke's texts
occupy a position some
distance from
conventional piety. There
is a melancholy to the
spirituality expressed
here, which speaks of an
experience of God that is
fragmentary, imperfect,
and unattainable. The
solitude evoked in the
second song (as layers of
busy activity are
gradually peeled away)
offers some solace, but
the third song is very
dark and fierce, filled
with a desperate, even
manic desire for God. The
last song returns to the
mood of the first, but
now in a global rather
than individual context.
This song, like the set
as a whole, speaks of our
world's brokenness, yet
strives to stammer
fragments of God's
name.
The Sacred Spheres Orchestre d'harmonie [Conducteur et Parties séparées] Peters
Composed by Tyler S. Grant. Concert Band; Performance Music Ensemble. Tyler ...(+)
Composed by Tyler S.
Grant.
Concert Band; Performance
Music Ensemble. Tyler S.
Grant
Music Works. Score and
Part(s). Edition Peters
#98-
TSGB026. Published by
Edition
Peters
Concert Band Pending - Advanced; Grade 5 SKU: PE.TSGB026S Composed by Tyl...(+)
Concert Band Pending -
Advanced; Grade 5
SKU:
PE.TSGB026S
Composed
by Tyler S. Grant.
Concert Band; Performance
Music Ensemble. Tyler S.
Grant Music Works. Score.
Edition Peters
#98-TSGB026S. Published
by Edition Peters
(PE.TSGB026S).
UPC:
038081585109.
The
Sacred Spheres by Tyler
S. Grant is written in
two contrasting
movements. The title of
the first movement, From
Harmony, from heav'nly
harmony..., comes
directly from the first
line of John Dryden's
poem, A Song for St.
Cecilia's Day. The first
few notes musically
depict the beginning of
the universal framework
described in the text
through delicate textures
and orchestrations that
develop as the movement
progresses. The second
stanza of the poem
highlights the capacity
for musical elements to
inspire passion, which is
represented at the climax
of the first movement.
The second
movement, Cries, hark the
foe comes, picks up the
poem from the third
stanza, highlighting the
spectrum of emotions that
can be summoned by
various instruments. The
beginning of the movement
highlights the trumpet's
loud clangor along with
drums that inspire war
and conflict. The
movement transitions to a
section of mourning
through the sound of a
warbling flute. The
ending of the movement
combines the final
stanzas along with the
Grand Chorus to
recapitulate earlier
material and create a
celebratory and impactful
finale.
Commissioned by a
consortium of bands in
honor of Randall O.
Coleman; Recorded by the
Kennesaw State University
Wind Ensemble.