Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208).
ISBN
9781491152287. UPC:
680160909780. Key: D
minor.
A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465.
A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Manzara Orchestre d'harmonie - Facile De Haske Publications
Concert Band (Score) - Grade 2.5 SKU: HL.44012880 Full Score. Comp...(+)
Concert Band (Score) -
Grade 2.5
SKU:
HL.44012880
Full
Score. Composed by
Jacob De Haan. De Haske
Concert Band. Softcover.
Composed 2016. De Haske
Publications #1165659140.
Published by De Haske
Publications
(HL.44012880).
UPC:
888680671143.
English-German-French-Dut
ch.
This work is
named after the Turkish
word for 'landscape':
Manzara. The title
describes the marshland
in Rheinland-Pfalz, which
in 150 years has
gradually been
transformed into a wild
landscape through the
harvesting of peat.
Different musical
elements such as fugues
and rhythmical patterns,
as well as beautiful
melodic themes, depict
several aspects of the
evolution and occurrences
of this region. An
exciting and challenging
concert or contest
piece!
(Exercises for the Instrumental Conductor). Arranged by Robert Spradling. Concer...(+)
(Exercises for the
Instrumental Conductor).
Arranged by Robert
Spradling. Concert Band
Method. Carl Fischer Band
Books Series.
Teacherââ?¬Å¡Ã?â
??�´s book. 328
pages. Published by Carl
Fischer
Rosa Gallica Orchestre d'harmonie De Haske Publications
Concert Band (SCORE+PARTS) - Level 3.5 SKU: HL.4006429 Composed by Jacob ...(+)
Concert Band
(SCORE+PARTS) - Level 3.5
SKU: HL.4006429
Composed by Jacob De
Haan. De Haske Concert
Band. Concert. Softcover.
Duration 510 seconds. De
Haske Publications #DHP
1206227. Published by De
Haske Publications
(HL.4006429).
UPC:
888680989880. 9.0x12.0
inches.
Rosa
Gallica has been written
to commemorate the
centenary of the First
World War. The work
focuses largely on France
as a lot of the fighting
took place there. With
the title Rosa Gallica
(French rose), the
composer wishes to
emphasize the poetic
image of the rose. The
stem represents the years
gone by - such as those
taken up by the First
World War - and the
thorns refer to the
conflict and the pain
that the victims had to
endure. The rose itself
forms the picture of
beauty - and symbolizes
opening up to a peaceful
world. The piece depicts
France from the end of
the 19th century through
to its role at the heart
of the First World War
and beyond. A spectacular
and dramatic new work by
Jacob de Haan.
Rosa Gallica Orchestre d'harmonie De Haske Publications
Concert Band (SCORE) - Level 3.5 SKU: HL.4006430 Composed by Jacob De Haa...(+)
Concert Band (SCORE) -
Level 3.5
SKU:
HL.4006430
Composed
by Jacob De Haan. De
Haske Concert Band.
Concert. Softcover.
Duration 510 seconds. De
Haske Publications #DHP
1206227. Published by De
Haske Publications
(HL.4006430).
UPC:
888680989897.
Rosa
Gallica has been written
to commemorate the
centenary of the First
World War. The work
focuses largely on France
as a lot of the fighting
took place there. With
the title Rosa Gallica
(French rose), the
composer wishes to
emphasize the poetic
image of the rose. The
stem represents the years
gone by - such as those
taken up by the First
World War - and the
thorns refer to the
conflict and the pain
that the victims had to
endure. The rose itself
forms the picture of
beauty - and symbolizes
opening up to a peaceful
world. The piece depicts
France from the end of
the 19th century through
to its role at the heart
of the First World War
and beyond. A spectacular
and dramatic new work by
Jacob de Haan.
Feelings is a
well-known easy listening
hit that was written
halfway through the
1970s, by the Brazilian
singer-songwriter Morris
Albert. However, the
melody is derived from a
French song (Pour toi)
from 1957, written by
Louis Gaste, who made
this claim successfully.
Over the years, Feelings
has been performed by
famous artists like Ella
Fitzgerald, Frank Sinatra
and Elvis Presley.
Numerous arrangements
have been made for
various instrumentations.
This arrangement by
Roland Kernen does
justice to the
original.
Feeli
ngs is een bekende
easy-listeninghit van
halverwege de jaren
zeventig. Het nummer werd
geschreven door de
Braziliaanse
singer-songwriter Morris
Albert. De
oorspronkelijke melodie
is echter afkomstig van
een Frans lied(Pour
toi) uit 1957, van de
hand van Louis Gaste, die
dit met succes claimde.
In de loop der jaren is
Feelings
uitgevoerd door beroemde
artiesten als Ella
Fitzgerald, Frank Sinatra
en Elvis Presley. Ook
zijn er
talrijkearrangementen
gemaakt voor diverse
bezettingen. Dit
arrangement van Roland
Kernen doet recht aan het
origineel.
Der
gefühlvolle Song
Feelings machte
Morris Albert, einen
gebürtigen
Brasilianer, im Jahre
1975 über Nacht zum
Weltstar. In den
folgenden Jahren sangen
sich auch berühmte
Künstler, wie Ella
Fitzgerald, Nina Simone,
Sarah Vaughan und Johnny
Mathis mit dem
romantischen Liebeslied
in die Hitparaden. Mit
der stimmungsvollen
Blasorchesterbearbeitung
von Roland Kernen bringen
Sie jedes Publikum zum
Schmelzen!
Concert Band Concert Band - Grade 3 SKU: FJ.B1220 Composed by Various. Ar...(+)
Concert Band Concert Band
- Grade 3
SKU:
FJ.B1220
Composed by
Various. Arranged by
Chris Sharp. Concert
Band. FJH Concert Band.
Christmas; Holiday Pops.
Score and Part(s).
Duration 3:35. The FJH
Music Company Inc
#98-B1220. Published by
The FJH Music Company Inc
(FJ.B1220).
UPC:
674398214372.
English.
This
collection of holiday
tunes represents the pure
joy of the holidays as
seen through the eyes of
a child. Selections
include Jolly Old Saint
Nicholas, Dance of the
Sugar Plum Fairy, Up on
the Housetop, Deck the
Hall, and more! Chris
Sharp has been creating
musical magic in theme
parks for years - now you
can bring his magic to
your own auditorium!
About FJH
Concert
Band
Desig
ned for high school
groups and upper-level
middle school groups.
Independence is
encouraged, but many
lines are cross-cued.
Usually includes an
expanded percussion
section. Grades 3 -
3.5
A Movement for Rosa Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire TRN Music Publisher
By Mark Camphouse. For concert band. Approved contest/festival piece for the Uni...(+)
By Mark Camphouse. For
concert band. Approved
contest/festival piece
for the University
Interscholastic League
(UIL). Grade 5. Score and
set of parts. Duration
12:00
Concert Band - Grade 0.5 SKU: AP.48155 Composed by Bernard de La Monnoye....(+)
Concert Band - Grade 0.5
SKU: AP.48155
Composed by Bernard de La
Monnoye. Arranged by
Michael Story. Concert
Band; MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Very Beginning
Band. Score and Part(s).
138 pages. Duration 1:30.
Belwin Music #00-48155.
Published by Belwin Music
(AP.48155).
ISBN
9781470658885. UPC:
038081554914.
English.
On the
charts for 300 years,
this classic French
carol, written by Bernard
de La Monnoye, was first
published in 1720.
Designed for students
halfway through their
first year in band using
just the initial handful
of notes presented in
most beginning band
methods and without a
written key signature.
Perfectly crafted for
your students' first
holiday performance!
(1:30) This title is
available in MakeMusic
Cloud.
Concert Band - Grade 0.5 SKU: AP.48155S Composed by Bernard de La Monnoye...(+)
Concert Band - Grade 0.5
SKU: AP.48155S
Composed by Bernard de La
Monnoye. Arranged by
Michael Story. Concert
Band; MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Very Beginning
Band. Score. 12 pages.
Duration 1:30. Belwin
Music #00-48155S.
Published by Belwin Music
(AP.48155S).
ISBN
9781470658892. UPC:
038081554921.
English.
On the
charts for 300 years,
this classic French
carol, written by Bernard
de La Monnoye, was first
published in 1720.
Designed for students
halfway through their
first year in band using
just the initial handful
of notes presented in
most beginning band
methods and without a
written key signature.
Perfectly crafted for
your students' first
holiday performance!
(1:30) This title
available in MakeMusic
Cloud.
Rio Grande Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
For Symphonic Band. Composed by Michael Daugherty (1954-). Michael Daughe...(+)
For Symphonic
Band. Composed by
Michael Daugherty
(1954-). Michael
Daugherty Music.
Contemporary. Softcover.
96 pages. Published by
Hal Leonard (HL.4004651).
Concert band - Grade 2 SKU: CL.011-4462-00 Composed by Phillips. Young Co...(+)
Concert band - Grade 2
SKU:
CL.011-4462-00
Composed by Phillips.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR390). Score and set
of parts. Composed 2016.
Duration 2 minutes, 33
seconds. C.L. Barnhouse
#011-4462-00. Published
by C.L. Barnhouse
(CL.011-4462-00).
Embark upon a
musical adventure when
you board the
trans-Siberian railway in
Moscow! Let your
imagination roam as you
travel through the Ural
Mountains, the
geographical line between
European Russia and Asian
Russia. Visualize the
snow covered reaches of
Siberia and the vast
plains. Take a quick stop
at Baikal, the
worlds’ largest
and deepest freshwater
lake for a swim that
local legend says can add
years to your life.
Conclude your excursion
in Vladivostok by the Sea
of Japan. Let the music
take your thoughts on the
trip of a life-time! A
perfect cross-curricular
connection for your
students studying the
eastern hemisphere.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Concert band - Grade 2 SKU: CL.011-4462-01 Composed by Phillips. Young Co...(+)
Concert band - Grade 2
SKU:
CL.011-4462-01
Composed by Phillips.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR390). Extra full
score. Composed 2016.
Duration 2 minutes, 33
seconds. C.L. Barnhouse
#011-4462-01. Published
by C.L. Barnhouse
(CL.011-4462-01).
Embark upon a
musical adventure when
you board the
trans-Siberian railway in
Moscow! Let your
imagination roam as you
travel through the Ural
Mountains, the
geographical line between
European Russia and Asian
Russia. Visualize the
snow covered reaches of
Siberia and the vast
plains. Take a quick stop
at Baikal, the
worlds’ largest
and deepest freshwater
lake for a swim that
local legend says can add
years to your life.
Conclude your excursion
in Vladivostok by the Sea
of Japan. Let the music
take your thoughts on the
trip of a life-time! A
perfect cross-curricular
connection for your
students studying the
eastern hemisphere.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Space Probe Orchestre d'harmonie - Facile Curnow Music
Concert Band/Harmonie - Grade 2.5 SKU: BT.CMP-0625-02-140 Composed by Jam...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.CMP-0625-02-140
Composed by James Hosay.
Passport Plus Series.
Concert Piece. Score
Only. Composed 2002. 32
pages. Curnow Music #CMP
0625-02-140. Published by
Curnow Music
(BT.CMP-0625-02-140).
Now your band
can boldly go where no
band has gone before, and
bring the “final
frontier†to your
concert band stage!
Here’s James L.
Hosay’s
imaginative new tone poem
SPACE PROBE. Since the
1970's, NASA has been
launching long-range,
solar-powered probes into
space. Over the past 30
years, the Voyager,
Pioneer, and Galileo
series’ probes
have sent back incredible
photographs. The data
sent to Earth by these
probes, along with recent
photos and information
gathered by the orbital
telescope, Hubble, has
helped astronomers chart
the ever-expanding
universe all the way back
to its origins. This
composition provides
excellent opportunities
for cross-curriculum
teaching withscience. A
scintillating musical
spacescape ushers in the
bold thematic statement
in the Trumpets and Alto
Saxophones. French Horns
join in thrilling
variation. A boundless
contrasting espressivo
theme soars through to
the reprise of the
initial ideas. Explore
SPACE PROBE with your
band this year.
Inspiring!
Space Probe Orchestre d'harmonie - Facile Curnow Music
Score & Parts Concert Band (Score) - Level 2.5 SKU: HL.44004207 Grade ...(+)
Score & Parts Concert
Band (Score) - Level 2.5
SKU: HL.44004207
Grade 2.5 - Score
Only. Composed by
James Hosay. Curnow Music
Concert Band. 32 pages.
Curnow Music #62502140.
Published by Curnow Music
(HL.44004207).
UPC:
073999914436.
9.0x12.0x0.086 inches.
James L.
Hosay.
Your band
can boldly go where no
band has gone before with
James L. Hosay's
imaginative tone poem
SPACE PROBE. Since the
1970s NASA has been
launching long-range,
solar-powered probes into
space. This composition
provides excellent
opportunities for
cross-curriculum teaching
with science -- over the
past 30 years, the
Voyager, Pioneer, and
Galileo series probes
have sent back incredible
photographs. The data
sent to Earth by these
probes (along with photos
and information gathered
by the Hubble telescope)
has helped astronomers
chart the ever-expanding
universe all the way back
to its origins. A
scintillating musical
spacescape ushers in a
bold thematic statement
in the trumpets and alto
saxophones; French horns
join in thrilling
variation. A boundless
contrasting espressivo
theme soars through to
the reprise of the
initial ideas. Explore
this inspiring work with
your band this year.
SKU: SU.92090242 Composed by Roberto Sierra Live. Concert Band/Wind Ensem...(+)
SKU: SU.92090242
Composed by Roberto
Sierra Live. Concert
Band/Wind Ensemble. CD
(Audio). Subito Music
Corporation #92090242.
Published by Subito Music
Corporation
(SU.92090242).
The Eastman
Wind Ensemble is
America's leading wind
ensemble. Frederick
Fennell first formulated
the general concept of
the wind ensemble at
Eastman nearly 65 years
ago. Under his leadership
the group became known as
the pioneering force in
the wind ensemble
movement in the United
States and abroad. A.
Clyde Roller served as
conductor between 1962
and 1964, continuing the
tradition established by
Fennell. Donald
Hunsberger became
conductor in 1965 and led
the ensemble for 37 years
to international
prominence. The
ensemble's current
director, Mark Davis
Scatterday, was
introduced as the fourth
conductor of this
prestigious group during
the EWE's 50th
anniversary celebration
on February 8, 2002.
Since its founding, the
EWE has been the leader
in elevating the wind
repertory through
recordings. Fennell's
Mercury Recordings albums
of the 1950s and early
'60s are notable for
their pioneering use of
binaural, stereo, and
35mm recording
techniques. These Living
Presence recordings
focused on standard band
literature by the most
respected classical
composers -- heard for
the first time in the
newly balanced
one-per-part
instrumentation. They
also centered on major
repertory not found on
traditional band
programs, such as
Mozart's Serenade in
B-flat (the Gran
Partita), Messiaen's Et
exspecto resurrectionem
mortuorum, and
Stravinsky's Symphonies
of Wind Instruments.
Under Hunsberger, the EWE
continued its progressive
stance in recording
techniques with
participation in
quadraphonic and digital
recording. Since its
founding, the ensemble
has premiered more than
200 new works. The EWE
and Mark Scatterday have
continued this rich
recording tradition with
several CDs starting in
2005 with Danzante
(featuring trumpet
virtuosi James Thompson)
on Summit Records. Track
Listing Fandangos
Sinfonia No 3 La Salsa:
1. Tumbao Sinfonia No 3
La Salsa: 2. Habanera
Sinfonia No 3 La Salsa:
3. Danzas Sinfonia No 3
La Salsa: 4. Jolgorio
Fanfarria Diferencias: 1.
Fanfarria Diferencias: 2.
Sonoro Diferencias: 3.
Ritmico Diferencias: 4.
Sonoro Diferencias: 5.
Vigoroso The Phoenix from
Carnaval.
Band concert band - Grade 1 SKU: CF.BPS112F March. Composed by Jos...(+)
Band concert band - Grade
1
SKU: CF.BPS112F
March. Composed by
Joseph Compello.
Beginning Band (BPS).
Full score. With Standard
notation. 12 pages. Carl
Fischer Music #BPS112F.
Published by Carl Fischer
Music (CF.BPS112F).
ISBN 9781491152669.
UPC:
680160910168.
Josep
h Compello's Best Friends
Forever derives its
title from the phrase
popularized in social
media and frequently
texted with the acronym
BFF. This is a strong and
tuneful march in standard
form for beginning bands.
The composer draws on his
many years of teaching to
provide a well-written
march that will make
students sound
great!. Best Friends
Forever derives its title
from the phrase
popularized in social
media and frequently
texted with the acronym
BFF. As it pertains to
this piece, Best Friends
Forever refers to the two
melodies first heard
simultaneously at m. 5
after the repeat. Notice
that Flutes, Clarinets
and Bells play only the
second time through at m.
5. Stylistically the
entire piece should have
the feel of a little
march with an easy gait.
In addition to gaining
experience in independent
part playing, young
players will also learn
the importance of balance
by listening to what
other sections of the
band are playing.
Band concert band - Grade 1 SKU: CF.BPS112 March. Composed by Jose...(+)
Band concert band - Grade
1
SKU: CF.BPS112
March. Composed by
Joseph Compello.
Beginning Band (BPS). Set
of Score and Parts. With
Standard notation.
8+2+8+2+5+2+2+8+3+6+3+1+1
+2+1+12+2 pages. Duration
2 minutes, 6 seconds.
Carl Fischer Music
#BPS112. Published by
Carl Fischer Music
(CF.BPS112).
ISBN
9781491151983. UPC:
680160909483.
Josep
h Compello's Best Friends
Forever derives its
title from the phrase
popularized in social
media and frequently
texted with the acronym
BFF. This is a strong and
tuneful march in standard
form for beginning bands.
The composer draws on his
many years of teaching to
provide a well-written
march that will make
students sound
great!. Best Friends
Forever derives its title
from the phrase
popularized in social
media and frequently
texted with the acronym
BFF. As it pertains to
this piece, Best Friends
Forever refers to the two
melodies first heard
simultaneously at m. 5
after the repeat. Notice
that Flutes, Clarinets
and Bells play only the
second time through at m.
5. Stylistically the
entire piece should have
the feel of a little
march with an easy gait.
In addition to gaining
experience in independent
part playing, young
players will also learn
the importance of balance
by listening to what
other sections of the
band are playing.
Washington Post Orchestre d'harmonie - Facile Alfred Publishing
Arranged by Michael Story. Arr. Michael Story. For Concert Band. Concert Band. B...(+)
Arranged by Michael
Story. Arr. Michael
Story. For Concert Band.
Concert Band. Belwin
Young Band. Level: Easy
(grade II). Conductor
Score & Parts. 232 pages.
Duration 1:54. Published
by Alfred Publishing.
Conzensus Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0960767-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0960767-010
Composed by Jan Van der
Roost. Inspiration
Series. Opening Pieces.
Set (Score & Parts).
Composed 1996. De Haske
Publications #DHP
0960767-010. Published by
De Haske Publications
(BT.DHP-0960767-010).
This stately
concert opener was
originally written by Jan
Van der Roost for a
special event in which
six respected wind
orchestras (two Belgian
and four Dutch) of
different composition
(two symphonic bands, two
fanfare bands and two
brass bands) were
featured during six
concerts. Each evening
brought forth a
performance by a
symphonic band, a
fanfare, and brass band,
so that the audience
could experience all
three types of ensembles.
This was indeed an
original concept.The
name, ConZEnSus, comes
from a combination of the
words, ‘Concert
Cyclus’ (concert
series) and
‘zes’ (Dutch
for ‘six’).
This leads to a new word,
which refers to
‘consensus’.
The general tenor of the
cycle isthus immediately
indicated. The richness
of color of the various
ensembles is revealed
through an open and
friendly atmosphere.
During all six concerts
(over a span of three
years), ConZEnSus
functioned as a permanent
opening number for each
orchestra. Thus the same
musical story was
portrayed in three
different packages.
Conzensus Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band - Grade 4 SKU: HL.44002614 Composed by Jan Van der Roost. De...(+)
Concert Band - Grade 4
SKU: HL.44002614
Composed by Jan Van der
Roost. De Haske Concert
Band. Concert. Score
Only. Composed 1996.
Duration 153 seconds. De
Haske Publications
#960767. Published by De
Haske Publications
(HL.44002614).
UPC:
073999026146.
This
stately concert opener
was originally written by
Jan Van der Roost for a
special event in which
six respected wind
orchestras (two Belgian
and four Dutch) of
different composition
(two symphonic bands, two
fanfare bands and two
brass bands) were
featured during six
concerts. Each evening
brought forth a
performance by a
symphonic band, a
fanfare, and brass band,
so that the audience
could experience all
three types of ensembles.
This was indeed an
original concept. The
name, ConZEnSus, comes
from a combination of the
words, 'Concert Cyclus'
(concert series) and
'zes' (Dutch for 'six').
This leads to a new word,
which refers to
'consensus'. The general
tenor of the cycle is
thus immediately
indicated. The richness
of color of the various
ensembles is revealed
through an open and
friendly atmosphere.
During all six concerts
(over a span of three
years), ConZEnSus
functioned as a permanent
opening number for each
orchestra. Thus the same
musical story was
portrayed in three
different packages.
Grade 2 SKU: CL.011-4071-01 Composed by Robert W. Smith. Young Concert Ba...(+)
Grade 2
SKU:
CL.011-4071-01
Composed by Robert W.
Smith. Young Concert
Band. Command Series.
Audio recording available
separately (item
CL.WFR374). Extra full
score. Composed 2011.
Duration 2 minutes, 12
seconds. C.L. Barnhouse
#011-4071-01. Published
by C.L. Barnhouse
(CL.011-4071-01).
Based on the
French carol Bring A
Torch, Jeanette Isabella,
this beautiful
arrangement for the
concert band is perfect
opening or closing
statement for your
holiday concert. In
addition to the dramatic
opening and closing
statements, Robert W.
Smith has contrasted the
timeless melody through
instrumental color with
features for both
woodwind and brass
choirs. A musically
rewarding arrangement
that will be part of your
holiday repertoire for
years to come!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.