Score and Parts Concert Band (Score & Parts) - Level 1.5 SKU: HL.4008722 ...(+)
Score and Parts Concert
Band (Score & Parts) -
Level 1.5
SKU:
HL.4008722
Composed
by Michael Sweeney.
MusicWorks Grade 1.
Concert. Softcover.
Duration 165 seconds.
Published by Hal Leonard
(HL.4008722).
UPC:
196288194736.
9.0x12.0x0.349
inches.
Originating
from the Iroquois Native
Americans, the term
“Orenda” describes an
extraordinary and
mystical force within all
people that empowers us
to affect positive
change. From the
chant-like opening
strains to the faster
section with its driving
pulse, this mature
sounding piece for young
players offers an
emotional and rewarding
musical experience. Dur:
ca. 2:45.
You Belong with Me Orchestre d'harmonie [Conducteur et Parties séparées] Hal Leonard
Score and Parts Concert Band (Score and Parts) - Level 1.5 SKU: HL.4008524(+)
Score and Parts Concert
Band (Score and Parts) -
Level 1.5
SKU:
HL.4008524
By Taylor
Swift. By Liz Rose and
Taylor Swift. Arranged by
Robert Longfield.
Discovery Concert Band.
Concert, Pop. Softcover.
Duration 220 seconds.
Published by Hal Leonard
(HL.4008524).
UPC:
196288177104.
9.0x12.0x0.334
inches.
One of the
early hits for Taylor
Swift, “You Belong With
Me” continues to be
popular with its tuneful
melody and upbeat style.
This fun arrangement is
effectively scored for
second year players.
Solo for Alto Sax or English Horn with Band. By Claude Debussy. Arranged by John...(+)
Solo for Alto Sax or
English Horn with Band.
By Claude Debussy.
Arranged by John Moss.
(Score and Parts).
MusicWorks Grade 4.
Concert Band. Score and
full set of parts.
Published by Hal Leonard.
Score and Parts Concert Band (Score) - Grade 2 SKU: HL.4005928 Composed b...(+)
Score and Parts Concert
Band (Score) - Grade 2
SKU: HL.4005928
Composed by Richard L.
Saucedo. MusicWorks Grade
2. Concert. Softcover. 24
pages. Duration 649
seconds. Published by Hal
Leonard (HL.4005928).
UPC: 888680944988.
9.0x12.0x0.07
inches.
Commissione
d by The American School
of the Hague (near
Amsterdam), 'To Dance
With Storm Clouds' is a
dynamic and evocative
work that affords
directors the opportunity
to teach 3/4 at a brisk
(and exciting) tempo! The
brief lyrical middle
section showcases a
baritone or tenor sax
soloist, and allows
players to focus on a
warm and blended tone.
The fast section returns
for a powerful ending,
closing out an
exhilarating emotional
ride! Dur: 3:15.
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Tara's Theme Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043663-010 From Gone with the WInd...(+)
Concert Band/Harmonie -
Grade 3
SKU: BT.DHP-1043663-010
From Gone with the WInd.
Arranged by Lorenzo
Bocci. DHP Pop, Film and
Show. Festive and Solemn
Music. Set (Score and
Parts). Composed 2004. De
Haske Publications #DHP
1043663-010. Published by
De Haske Publications
(BT.DHP-1043663-010).
Max Steiner was born in
Vienna in 1888, and grew
up surrounded by music.
He was a student of the
Imperial Academy of
Music, having among his
teachers Gustav Mahler.
In 1936 he signed an
agreement with Warner.
Steiner, considered the
father of symphonic music
in Hollywood style. One
of his most famous and
popular masterworks is,
without any doubt, Gone
with the Wind (1939). The
movie was an immediate
success and won ten
Academy Awards. In spite
of the years passed, this
movie still moves young
audiences around the
world. Lorenzo Bocci has
chosen the song Tara?s
Theme from this movie and
turned the romantic music
into an arrangement for
concert band.
Vom Winde verweht ist
einer der Filme, der
heute noch Generationen
vor dem Fernseher
vereint. Oft gezeigt,
wird jeder doch immer
wieder mitgerissen von
der tragischen
Liebesgeschichte inmitten
der Kriegswirren. Einen
nicht unwichtigen Anteil
an der bewegenden
Atmosphäre des
Filmklassikers hat die
großartige Musik von Max
Steiner, der als Urvater
der sinfonischen
Filmmusik im
Hollywoodstil gilt und
neben Vom Winde verweht
noch zahlreiche weitere
erfolgreiche Filme
vertonte. Lorenzo Bocci
wählte aus der Musik
Tara's Theme und
bearbeitete die
romantische Musik zu
einem Arrangement für
Blasorchester.
Gefühlvoll und
mitreißend!
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-402-140 A Fantasy on the H...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-402-140
A
Fantasy on the Hymn Tune
'Helmsley'. Composed
by Philip Sparke. Anglo
Music Midway Series.
Score Only. Composed
2015. 22 pages. Anglo
Music Press #AMP 402-140.
Published by Anglo Music
Press (BT.AMP-402-140).
English-German-French-
Dutch.
With
Clouds Descending is
a fantasy on the powerful
Advent hymn Helmsley
which is long associated
with another Advent hymn
- Wesley’s Lo!
He Comes with Clouds
Descending. The hymn
tune is divided into an
introduction and three
completeverses of
Helmsley, which
surround a slower central
section, whose melody is
derived from the last
line of the hymn tune.
Philip Sparke’s
grade 4 arrangement of
this majestic piece for
Concert Band is equally
suitable as a concert
opener or amain concert
piece.
With
Clouds Descending is
een fantasie op de
krachtige adventshymne
Helmsley, die lang
is gekoppeld aan een
andere adventshymne, te
weten Lo! He Comes
with Clouds
Descending. Deze
hymne van Sparke is
onderverdeeld in
eeninleiding en drie
volledige verzen van
Helmsley. De componist
schreef dit majestueuze
werk voor harmonieorkest
in graad 4. Mooi als
openingswerk maar ook als
concertwerk.
Wi
th Clouds Descending
(Mit den Wolken
herabsteigen“) ist
eine Fantasie, die auf
der ausdruckvollen
Adventshymne
Helmsley basiert;
letztere wird wiederum
schon lange mit Wesleys
Adventshymne Lo! He
Comes with Clouds
Descendingin
Verbindung gebracht.
Philip Sparkes
mittelschweres
Arrangement dieses
majestätischen
Stückes für
Blasorchester eignet sich
gleichermaßen als
KonzerteröffnungsstÃ
ck oder als Hauptwerk
eines
Konzerts.
With Clouds Descending Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-402-010 A Fantasy on the H...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-402-010
A
Fantasy on the Hymn Tune
'Helmsley'. Composed
by Philip Sparke. Anglo
Music Midway Series.
Hymns & Chorals. Set
(Score & Parts). Composed
2015. Anglo Music Press
#AMP 402-010. Published
by Anglo Music Press
(BT.AMP-402-010).
English-German-French-
Dutch.
With
Clouds Descending is
a fantasy on the powerful
Advent hymn Helmsley
which is long associated
with another Advent hymn
- Wesley’s Lo!
He Comes with Clouds
Descending. The hymn
tune is divided into an
introduction and three
completeverses of
Helmsley, which
surround a slower central
section, whose melody is
derived from the last
line of the hymn tune.
Philip Sparke’s
grade 4 arrangement of
this majestic piece for
Concert Band is equally
suitable as a concert
opener or amain concert
piece.
With
Clouds Descending is
een fantasie op de
krachtige adventshymne
Helmsley, die lang
is gekoppeld aan een
andere adventshymne, te
weten Lo! He Comes
with Clouds
Descending. Deze
hymne van Sparke is
onderverdeeld in
eeninleiding en drie
volledige verzen van
Helmsley. De componist
schreef dit majestueuze
werk voor harmonieorkest
in graad 4. Mooi als
openingswerk maar ook als
concertwerk.
Wi
th Clouds Descending
(Mit den Wolken
herabsteigen“) ist
eine Fantasie, die auf
der ausdruckvollen
Adventshymne
Helmsley basiert;
letztere wird wiederum
schon lange mit Wesleys
Adventshymne Lo! He
Comes with Clouds
Descendingin
Verbindung gebracht.
Philip Sparkes
mittelschweres
Arrangement dieses
majestätischen
Stückes für
Blasorchester eignet sich
gleichermaßen als
KonzerteröffnungsstÃ
ck oder als Hauptwerk
eines
Konzerts.
First Lessons at School and Home (book and CD). By James Froseth. Band Method. I...(+)
First Lessons at School
and Home (book and CD).
By James Froseth. Band
Method. Instructional
Sacred. Book and 3 CDs.
Text language: English.
304 pages. Published by
GIA Publications.
Voyage with the VOC Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000834-010 Composed by Will...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000834-010
Composed by William Vean.
Set (Score & Parts). 36
pages. Gobelin Music
Publications #GOB
000834-010. Published by
Gobelin Music
Publications
(BT.GOB-000834-010).
The United East
India Company, or
Verenigde Oostindische
Compagnie (VOC) was one
of the first
international trading
companies in the
Netherlands. Voyage
With The VOC follows
the route of a ship
(first movement) on a
visit to the Rajah of
Yogakarta (second
movement) to load up the
ship before returning
home (third movement).
The fourth movement
describes the hard life
of a sailor before the
fifth movement sees the
ship safely to harbour
once again.
Mede
door de geografische
ligging is Nederland
sinds jaar en dag een
belangrijke handelsnatie.
Eén van de eerste
multinationals was de
‘Verenigde Oostindische
Compagnie’ (VOC). Het
doel van de VOC was
schepen naar Azië te
sturen ompeper en
specerijen te kopen en
het Portugese monopolie
over te nemen. De VOC
werd een succes. De
Gouden Eeuw brak aan en
het was een tijd van
grote welvaart. Naast een
bloeiende economie
floreerden ook de
schilderkunst
(Rembrandtvan Rijn) en de
wetenschap (Constantijn
Huygens).Inhoud: The
Sails are set, A Visit to
the Rajah of Yogyakarta,
The Holds have been
loaded, Death sails
along en A joyful
homecoming.
Di
e Verenigde Oostindische
Compagnie (VOC) war eine
der ersten
internationalen
Handelsgesellschaften der
Niederlande. Voyage
with the VOC verfolgt
ein Schiff vom Ablegen an
(1. Satz) auf eine seiner
Reisen. Nach einem Besuch
beim Rajah von Yogakarta
(2. Satz) wird das Schiff
beladen und die Heimreise
angetreten (3. Satz). Der
vierte Satz beschreibt
das harte Leben auf See,
das Risiken wie
Schiffsbruch, Krankheiten
und Tod in sich barg,
bevor im fünften
Satz das Schiff
schließlich
glücklich
heimkehrt.
La
société Verenigde
Oostindische Compagnie
(VOC), a été l’une
des premières agences de
négoce international des
Pays-Bas. Voyage with
the VOC décrit les
péripéties d’un
navire en partance pour
l’Asie dans une oeuvre
en 5 mouvements : les
voiles sont hissées et
il y beaucoup
d’animation sur le quai
- le voyage aura duré de
nombreuses semaines,
enfin, le lieu de
destination est atteint -
une visite au Rajah de
Yogyakarta s’impose -
les cales sont remplies
d’épices, le voyage de
retour peut être amorcé
- mort sous les voiles,
un marin est décédé -
après plusieurs mois
d’absence, le retour
quai est chaleureux et
festif !
La
compagnia delle Indie
Occidentali (Vereenigde
Oostindische Companie/VOC
in olandese) fu una delle
prime societ di commercio
dell’Olanda. Voyage
with the VOC segue una
nave nel suo viaggio
(primo movimento). Dopo
una visita al rajah di
Yogakarta (secondo
movimento), la nave viene
caricata ed ha inizio il
viaggio di ritorno (terzo
movimento). Il quarto
movimento descrive la
dura vita in alto mare, i
rischi di avaria, di
malattie e addirittura di
morte prima di
attraccare. Il quinto
movimento descrive la
nave che arriva
felicemente a
destinazione.
Voyage with the VOC Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000834-140 Composed by Will...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000834-140
Composed by William Vean.
Score Only. 36 pages.
Gobelin Music
Publications #GOB
000834-140. Published by
Gobelin Music
Publications
(BT.GOB-000834-140).
The United East
India Company, or
Verenigde Oostindische
Compagnie (VOC) was one
of the first
international trading
companies in the
Netherlands. Voyage
With The VOC follows
the route of a ship
(first movement) on a
visit to the Rajah of
Yogakarta (second
movement) to load up the
ship before returning
home (third movement).
The fourth movement
describes the hard life
of a sailor before the
fifth movement sees the
ship safely to harbour
once again.
Mede
door de geografische
ligging is Nederland
sinds jaar en dag een
belangrijke handelsnatie.
Eén van de eerste
multinationals was de
‘Verenigde Oostindische
Compagnie’ (VOC). Het
doel van de VOC was
schepen naar Azië te
sturen ompeper en
specerijen te kopen en
het Portugese monopolie
over te nemen. De VOC
werd een succes. De
Gouden Eeuw brak aan en
het was een tijd van
grote welvaart. Naast een
bloeiende economie
floreerden ook de
schilderkunst
(Rembrandtvan Rijn) en de
wetenschap (Constantijn
Huygens).Inhoud: The
Sails are set, A Visit to
the Rajah of Yogyakarta,
The Holds have been
loaded, Death sails along
en A joyful
homecoming.
Die
Verenigde Oostindische
Compagnie (VOC) war eine
der ersten
internationalen
Handelsgesellschaften der
Niederlande. Voyage with
the VOC verfolgt ein
Schiff vom Ablegen an (1.
Satz) auf eine seiner
Reisen. Nach einem Besuch
beim Rajah von Yogakarta
(2. Satz) wird das Schiff
beladen und die Heimreise
angetreten (3. Satz). Der
vierte Satz beschreibt
das harte Leben auf See,
das Risiken wie
Schiffsbruch, Krankheiten
und Tod in sich barg,
bevor im fünften
Satz das Schiff
schließlich
glücklich
heimkehrt.
La
société Verenigde
Oostindische Compagnie
(VOC), a été l’une
des premières agences de
négoce international des
Pays-Bas. Voyage with
the VOC décrit les
péripéties d’un
navire en partance pour
l’Asie dans une oeuvre
en 5 mouvements : les
voiles sont hissées et
il y beaucoup
d’animation sur le quai
- le voyage aura duré de
nombreuses semaines,
enfin, le lieu de
destination est atteint -
une visite au Rajah de
Yogyakarta s’impose -
les cales sont remplies
d’épices, le voyage de
retour peut être amorcé
- mort sous les voiles,
un marin est décédé -
après plusieurs mois
d’absence, le retour
quai est chaleureux et
festif !
La
compagnia delle Indie
Occidentali (Vereenigde
Oostindische Companie/VOC
in olandese) fu una delle
prime societ di commercio
dell’Olanda. Voyage
with the VOC segue una
nave nel suo viaggio
(primo movimento). Dopo
una visita al rajah di
Yogakarta (secondo
movimento), la nave viene
caricata ed ha inizio il
viaggio di ritorno (terzo
movimento). Il quarto
movimento descrive la
dura vita in alto mare, i
rischi di avaria, di
malattie e addirittura di
morte prima di
attraccare. Il quinto
movimento descrive la
nave che arriva
felicemente a
destinazione.
Two Songs Without Words Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(1. Country Song; 2. Country March). By Gustav Holst (1874-1934). Arranged by Fr...(+)
(1. Country Song; 2.
Country March). By Gustav
Holst (1874-1934).
Arranged by Frank
Erickson. Concert Band.
Concert Band;
Masterworks. Frank
Erickson Publications.
20th Century; Masterwork
Arrangement; Romantic.
Grade 4. Conductor Score
and Parts. 272 pages.
Published by Alfred Music
Publishing
(1. Country Song; 2. Country March). By Gustav Holst (1874-1934). Arranged by Fr...(+)
(1. Country Song; 2.
Country March). By Gustav
Holst (1874-1934).
Arranged by Frank
Erickson. Concert Band.
Concert Band;
Masterworks. Frank
Erickson Publications.
20th Century; Masterwork
Arrangement; Romantic.
Grade 4. Conductor Score.
52 pages. Published by
Alfred Music Publishing
Within These Walls Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Opus III Wind Orchestra Publications
Grade 4 SKU: CL.012-2487-00 Composed by Tatgenhorst. Concert Band. Herita...(+)
Grade 4
SKU:
CL.012-2487-00
Composed by Tatgenhorst.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (items
CL.WFR101 & CL.WFR197).
Score and set of parts.
Composed 1992. Duration 7
minutes, 6 seconds. Opus
III Wind Orchestra
Publications
#012-2487-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-2487-00).
An exceptional
band piece that utilizes
music John wrote
especially for the PBS
production of Within
These Walls, which
showcases the history of
our Presidential
residence during its
200th year. Originally
scored and recorded by
the U.S. Marine Band with
strings, John later
arranged the music for
band only and it will be
performed by the Marine
Band on tour. This
published arrangement is
slightly simplified and
shortened from that
version. Sections of the
piece represent various
important time periods in
the history of The White
House. The very nature of
this time capsule
approach makes this
number a wonderful tool
for teaching musical
style concepts.
Challenging!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Within These Walls Orchestre d'harmonie [Conducteur] - Intermédiaire Opus III Wind Orchestra Publications
Grade 4 SKU: CL.012-2487-01 Composed by Tatgenhorst. Concert Band. Herita...(+)
Grade 4
SKU:
CL.012-2487-01
Composed by Tatgenhorst.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (items
CL.WFR101 & CL.WFR197).
Extra full score.
Composed 1992. Duration 7
minutes, 6 seconds. Opus
III Wind Orchestra
Publications
#012-2487-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-2487-01).
An exceptional
band piece that utilizes
music John wrote
especially for the PBS
production of Within
These Walls, which
showcases the history of
our Presidential
residence during its
200th year. Originally
scored and recorded by
the U.S. Marine Band with
strings, John later
arranged the music for
band only and it will be
performed by the Marine
Band on tour. This
published arrangement is
slightly simplified and
shortened from that
version. Sections of the
piece represent various
important time periods in
the history of The White
House. The very nature of
this time capsule
approach makes this
number a wonderful tool
for teaching musical
style concepts.
Challenging!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
The Wrangler Orchestre d'harmonie [Conducteur et Parties séparées] Theodore Presser Co.
Cowboy Dances For Wind Ensemble. Composed by Carter Pann (1972-). Premier...(+)
Cowboy Dances For Wind
Ensemble. Composed by
Carter Pann (1972-).
Premiered in Carnegie
Hall, New York City.
Contemporary. Score and
part(s). With Standard
notation. Composed 2006.
260 pages. Duration 8
minutes. Theodore Presser
Company #115-40226.
Published by Theodore
Presser Company
(PR.115402260).
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-203-010 Composed by Claude De...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-203-010
Composed by Claude
Debussy. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Classical. Set (Score &
Parts). Composed 2007.
Anglo Music Press #AMP
203-010. Published by
Anglo Music Press
(BT.AMP-203-010).
9x12
inches.
English-German-French-Dut
ch.
Claude Debussy
wrote his two books of
piano Preludes late in
life, between 1909 and
1913. The 12 short pieces
in each book display a
rich variety of styles,
moods and emotions almost
a summing up of his
compositional output and
each has its own
evocative title. The Girl
with the Flaxen Hair is
the 8th Prelude in the
1st book and popular for
its emotional depth,
despite its technical and
harmonic simplicity.
Indulge your band with
this delightful
arrangement.
Claud
e Debussy (1862-1918)
schreef zijn twee boeken
met pianopreludes laat in
zijn leven: tussen 1909
en 1913. De twaalf korte
stukken in elk boek
bevatten een rijke
variatie aan stijlen,
stemmingen en emoties.
The Girl with
theFlaxen Hair (La fille
au cheveux de lin) is
de achtste prelude uit
het eerste boek, ze is
geliefd vanwege de
emotionele diepgang in de
muziek, ondanks de
technische en harmonische
eenvoud. We weten niet
wie het meisje in
kwestiewas, maar deze
mooie miniatuur roept
levensechte beelden
op.
The Girl
with the Flaxen Hair
ist ein Präludium des
französischen
Komponisten Claude
Debussy und berühmt
für seine emotionale
Tiefe, trotz seiner
technischen und
harmonischen
Schlichtheit. Wer das im
Titel genannte Mädchen
mit dem flachsfarbenen
Haar war, ist nicht
bekannt, aber diese
wunderschöne Miniatur
lässt sehr lebendige
Bilder vor dem inneren
Auge entstehen. Bewegend!
Claude Debussy
scrisse i suoi due libri
di Preludi per pianoforte
in tarda et , tra il 1909
e il 1913. I 12 brevi
pezzi di ogni libro
mostrano una ricca variet
di stili, umori ed
emozioni, quasi un
riassunto della sua
produzione compositiva e
ognuno ha il suo titolo
evocativo. The Girl
with the Flaxen Hair
è l’ottavo
preludio nel primo libro
ed è molto popolare
per la sua profondit
emotiva, nonostante la
sua semplicit tecnica ed
armonica.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-203-140 Composed by Claude De...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-203-140
Composed by Claude
Debussy. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Classical. Score Only.
Composed 2007. 12 pages.
Anglo Music Press #AMP
203-140. Published by
Anglo Music Press
(BT.AMP-203-140).
9x12
inches.
English-German-French-Dut
ch.
Claude Debussy
wrote his two books of
piano Preludes late in
life, between 1909 and
1913. The 12 short pieces
in each book display a
rich variety of styles,
moods and emotions ?
almost a summing up of
his compositional output
? and each has its own
evocative title. The Girl
with the Flaxen Hair is
the 8th Prelude in the
1st book and popular for
its emotional depth,
despite its technical and
harmonic simplicity.
Indulge your band with
this delightful
arrangement.
Claud
e Debussy (1862-1918)
schreef zijn twee boeken
met pianopreludes laat in
zijn leven: tussen 1909
en 1913. De twaalf korte
stukken in elk boek
bevatten een rijke
variatie aan stijlen,
stemmingen en emoties.
The Girl with
theFlaxen Hair (La fille
au cheveux de lin) is
de achtste prelude uit
het eerste boek, ze is
geliefd vanwege de
emotionele diepgang in de
muziek, ondanks de
technische en harmonische
eenvoud. We weten niet
wie het meisje in
kwestiewas, maar deze
mooie miniatuur roept
levensechte beelden
op.
The Girl
with the Flaxen Hair
ist ein Präludium des
französischen
Komponisten Claude
Debussy und berühmt
für seine emotionale
Tiefe, trotz seiner
technischen und
harmonischen
Schlichtheit. Wer das im
Titel genannte Mädchen
mit dem flachsfarbenen
Haar war, ist nicht
bekannt, aber diese
wunderschöne Miniatur
lässt sehr lebendige
Bilder vor dem inneren
Auge entstehen. Bewegend!
Claude Debussy
scrisse i suoi due libri
di Preludi per pianoforte
in tarda et , tra il 1909
e il 1913. I 12 brevi
pezzi di ogni libro
mostrano una ricca variet
di stili, umori ed
emozioni, quasi un
riassunto della sua
produzione compositiva e
ognuno ha il suo titolo
evocativo. The Girl
with the Flaxen Hair
è l’ottavo
preludio nel primo libro
ed è molto popolare
per la sua profondit
emotiva, nonostante la
sua semplicit tecnica ed
armonica.
The Conqueror Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Carl Fischer
March. Composed by Carl Teike. Edited by Van B. Ragsdale. Score and part(...(+)
March. Composed by
Carl Teike. Edited by Van
B. Ragsdale. Score and
part(s). With Standard
notation. 24 328 pages.
Duration 3 minutes, 19
seconds. Carl Fischer
#SPS0068. Published by
Carl Fischer (CF.SPS68).
Concert Band/Harmonie and Trumpet Solo - Grade 3 SKU: BT.AMP-320-010 T...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 3
SKU:
BT.AMP-320-010
Trumpet Solo.
Composed by J. W.
Callcott. Arranged by
Philip Sparke. Anglo
Music Midway Series. Set
(Score & Parts). Composed
2011. Anglo Music Press
#AMP 320-010. Published
by Anglo Music Press
(BT.AMP-320-010).
9x12
inches.
English-German-French-Dut
ch.
The lyrics to
Drink to Me Only with
Thine Eyes can be
traced to English poet
Ben Jonson, a
contemporary of
Shakespeare. The
melody’s origin,
on the other hand, is not
certain. In this three-
movement arrangement,
Philip Sparke provides
the soloist with plenty
of substance while
respecting the beautiful
simplicity of the
original tune.
Vooral bij jonge
musici is dit oude
Engelse lied van
onbekende herkomst
buitengewoon populair.
Met zijn arrangement voor
trompet en blaasorkest
dat uit drie coupletten
bestaat werkte Philip
Sparke de solomelodie
iets uit. De
eenvoudigeschoonheid van
het origineel verloor hij
daarbij echter niet uit
het oog.
Dieses
alte englische Lied nicht
ganz geklärter
Herkunft erfreut sich
besonders bei jungen
Musikern großer
Beliebtheit. In seinem
dreistrophigen
Arrangement für
Trompete und
Blasorchester arbeitete
Philip Sparke die Melodie
für den Solisten
etwas aus, immer jedoch
mit Rücksicht auf
die schlichte
Schönheit des
Originals.
Questa antica
canzone inglese, di
origini non ben definite,
è particolarmente
apprezzata dai giovani
musicisti. In questo
arrangiamento per tromba
e banda, composto da tre
strofe, Philip Sparke
elabora la parte solista
rimanendo però fedele
alla sobria bellezza
dell’originale.
Concert Band/Harmonie and Trumpet Solo - Grade 3 SKU: BT.AMP-320-140 T...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 3
SKU:
BT.AMP-320-140
Trumpet Solo.
Composed by J. W.
Callcott. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Score Only. Composed
2011. 20 pages. Anglo
Music Press #AMP 320-140.
Published by Anglo Music
Press (BT.AMP-320-140).
9x12 inches.
English-German-French-Dut
ch.
The lyrics to
Drink to Me Only with
Thine Eyes can be
traced to English poet
Ben Jonson, a
contemporary of
Shakespeare. The
melody’s origin,
on the other hand, is not
certain. In this three-
movement arrangement,
Philip Sparke provides
the soloist with plenty
of substance while
respecting the beautiful
simplicity of the
original tune.
Vooral bij jonge
musici is dit oude
Engelse lied van
onbekende herkomst
buitengewoon populair.
Met zijn arrangement voor
trompet en blaasorkest
dat uit drie coupletten
bestaat werkte Philip
Sparke de solomelodie
iets uit. De
eenvoudigeschoonheid van
het origineel verloor hij
daarbij echter niet uit
het oog.
Dieses
alte englische Lied nicht
ganz geklärter
Herkunft erfreut sich
besonders bei jungen
Musikern großer
Beliebtheit. In seinem
dreistrophigen
Arrangement für
Trompete und
Blasorchester arbeitete
Philip Sparke die Melodie
für den Solisten
etwas aus, immer jedoch
mit Rücksicht auf
die schlichte
Schönheit des
Originals.
Questa antica
canzone inglese, di
origini non ben definite,
è particolarmente
apprezzata dai giovani
musicisti. In questo
arrangiamento per tromba
e banda, composto da tre
strofe, Philip Sparke
elabora la parte solista
rimanendo però fedele
alla sobria bellezza
dell’originale.
Grade 3 SKU: CL.012-3326-99 Concert Band. Heritage of the March Series. A...(+)
Grade 3
SKU:
CL.012-3326-99
Concert Band. Heritage of
the March Series. Audio
recording available
separately (items
CL.WFR337, CL.WFR331 &
CL.WFR343). String score
and parts set. Composed
2004. Duration 4 minutes,
44 seconds. Opus III Wind
Orchestra Publications
#012-3326-99. Published
by Opus III Wind
Orchestra Publications
(CL.012-3326-99).
For band with
optional choir, strings,
narrator and audience
sing-a-long. This
glorious setting of two
of America's favorite
hymns, Amazing Grace and
Battle Hymn of The
Republic, is destined to
be the work of choice
when selecting that
special number for your
program's grand finale.
Playable by band alone,
this patriotic
arrangement also offers
the creative option of
adding choir, strings,
narrator, bagpiper and
even a group sing-a-long.
Musically appealing for
bands of varied levels,
this spectacular
production number will
offer grateful audiences,
young and old alike, a
wonderful opportunity to
experience the ultimate
in listening pleasure. A
guaranteed winner!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1108 Composed by Les Taylo...(+)
Concert Band Concert Band
- Grade 2.5
SKU:
FJ.B1108
Composed by
Les Taylor. Arranged by
Les Taylor. Concert Band.
FJH Young Band. Score and
Part(s). Duration 5:20.
The FJH Music Company Inc
#98-B1108. Published by
The FJH Music Company Inc
(FJ.B1108).
UPC:
674398209330.
English.
A moving
chorale introduces this
work that quickly
explodes into a lively
exchange between the
different wind choirs and
sectional voices. A good
timpanist is required in
the transition section
that features the
percussion and winds in a
heated exchange.
(5:20).
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-127-010 Composed by Stephen...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.AMP-127-010
Composed by Stephen
Foster. Arranged by
Philip Sparke. Debut
Series. Festive and
Solemn Music. Set (Score
& Parts). Composed 2005.
Anglo Music Press #AMP
127-010. Published by
Anglo Music Press
(BT.AMP-127-010).
English-German-French-
Dutch.
One of the
most beautiful songs ever
written. Philip
Sparke’s sumptuous
arrangement of this
Stephen Foster classic
will make a perfect item
to bring a few minutes of
peace and calm
tranquillity to any
concert. The lush
harmonies, so
characteristic of Philip
Sparke’s
arranging. Once you have
played this once you will
want it on every concert
programme.
Veel
van de songs van Stephen
Collins Foster
(1826-1864), die onder
meer Oh! Susannah,
My Old Kentucky
Home en Beautiful
Dreamer schreef,
waren erop gericht de
zwarte Amerikaanse slaven
een menselijker gezichtte
geven. Jeanie with the
Light Brown Hair
schreef hij echter naar
aanleiding van de
afwezigheid van zijn
vrouw toen hij in New
York en zij in Pittsburgh
woonde. De melancholie
van de song komt in dit
arrangement van
PhilipSparke prachtig
naar voren.
Viele
Lieder des amerikanischen
Komponisten Stephen
Foster handelten von den
schwarzamerikanischen
Sklaven zur Zeit der
Abschaffung der
Sklaverei. Foster war ein
gewissenhafter Arbeiter
und verbrachte manchmal
Monate damit, den Text
eines Liedes zu
perfektionieren.
Jeanie with the Light
Brown Hair schrieb
Foster nach einer langen
Trennung von seiner
geliebten Frau. Dieses
strahlende Werk ist ein
ideales langsames
Zwischenspiel für Ihr
Konzertprogramm.
S
tephen Foster
(1826-1864), fu un
compositore molto
meticoloso. Dedicò a
volte mesi al
perfezionamento della
scrittura di un testo.
Conobbe il successo nel
1848 con Oh!
Susanna e la
crescente notoriet gli
consentì di lasciare
la provincia americana
alla volta di New York.
Ma il trasferimento non
ebbe l’effetto
desiderato, tanto che nel
1854 sua moglie Jane e
sua figlia Marion
ritornarono a Pittsburgh.
L’assenza
prolungata di sua moglie
gli ispirò la canzone
Jeanie with the Light
Brown Hair.
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-127-140 Composed by Stephen...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.AMP-127-140
Composed by Stephen
Foster. Arranged by
Philip Sparke. Debut
Series. Festive and
Solemn Music. Score Only.
Composed 2005. 16 pages.
Anglo Music Press #AMP
127-140. Published by
Anglo Music Press
(BT.AMP-127-140).
English-German-French-
Dutch.
One of the
most beautiful songs ever
written. Philip
Sparke’s sumptuous
arrangement of this
Stephen Foster classic
will make a perfect item
to bring a few minutes of
peace and calm
tranquillity to any
concert. The lush
harmonies, so
characteristic of Philip
Sparke’s
arranging. Once you have
played this once you will
want it on every concert
programme.
Veel
van de songs van Stephen
Collins Foster
(1826-1864), die onder
meer Oh! Susannah,
My Old Kentucky
Home en Beautiful
Dreamer schreef,
waren erop gericht de
zwarte Amerikaanse slaven
een menselijker gezichtte
geven. Jeanie with the
Light Brown Hair
schreef hij echter naar
aanleiding van de
afwezigheid van zijn
vrouw toen hij in New
York en zij in Pittsburgh
woonde. De melancholie
van de song komt in dit
arrangement van
PhilipSparke prachtig
naar voren.
Viele
Lieder des amerikanischen
Komponisten Stephen
Foster handelten von den
schwarzamerikanischen
Sklaven zur Zeit der
Abschaffung der
Sklaverei. Foster war ein
gewissenhafter Arbeiter
und verbrachte manchmal
Monate damit, den Text
eines Liedes zu
perfektionieren.
Jeanie with the Light
Brown Hair schrieb
Foster nach einer langen
Trennung von seiner
geliebten Frau. Dieses
strahlende Werk ist ein
ideales langsames
Zwischenspiel für Ihr
Konzertprogramm.
S
tephen Foster
(1826-1864), fu un
compositore molto
meticoloso. Dedicò a
volte mesi al
perfezionamento della
scrittura di un testo.
Conobbe il successo nel
1848 con Oh!
Susanna e la
crescente notoriet gli
consentì di lasciare
la provincia americana
alla volta di New York.
Ma il trasferimento non
ebbe l’effetto
desiderato, tanto che nel
1854 sua moglie Jane e
sua figlia Marion
ritornarono a Pittsburgh.
L’assenza
prolungata di sua moglie
gli ispirò la canzone
Jeanie with the Light
Brown Hair.
For
Alto Saxophone and
Concert Band.
Composed by Piet Swerts.
De Haske Concert Band.
Solo & Concerto. Score
Only. Composed 2005. De
Haske Publications
#1053826. Published by De
Haske Publications
(HL.44005579).
UPC:
884088058272.
English-German-French-Dut
ch.
Dance of Uzume
is a concertino that is
based on a Japanese myth:
out of anger toward her
brother Susanowa, the
storm god, the sun
goddess Amaterasu hides
in a cave. The goddess of
joy, Uzume, succeeds in
luring the sun goddess
out of the cave by
dancing wildly. The joy
and laughter of the other
gods as they watch Uzume
arouses Amaterasu's
curiosity and with her
appearance, the light on
earth returns. This
fantastic new original
work will make a much
needed addition to the
advanced repertoire for
saxophone and concert
band. A version for
saxophone and piano is
also
available.
Piet
Swerts componeerde
Dance of Uzume op
verzoek van de Japanse
topsaxofonist Nobuya
Sugawa. Het werk is
gebaseerd op een Japanse
mythe: uit woede op haar
broer Susanowa, de god
van de storm, verschuilt
de zonnegodin
Amaterasuzich in een
grot. De vreugdegodin
Uzume weet de godin van
de zon echter met een
wilde dans uit de grot te
lokken. Het gelach van de
andere goden wekt
namelijk de
nieuwsgierigheid van
Amaterasu en met haar
verschijning komt
hetlicht terug op aarde.
Dit verhaal wordt in de
muziek meesterlijk
weerspiegeld.
Dies
es Concertino fur
Altsaxophon und
Blasorchester basiert auf
einer japanischen Sage:
Aus Arger uber ihren
Bruder Susanowa, den Gott
des Sturms, versteckt
sich die Sonnengottin
Amaterasu in einer Hohle
und kann erst durch den
Tanz von Uzume, der
Gottin der Freude, wieder
hervorgelockt werden. Mit
ihr kehrt auch das Licht
wieder auf die Erde
zuruck. Piet Swerts'
anspruchsvolles und
abwechslungsreiches Werk
besteht aus einem
konzertanten Dialog
zwischen dem Solisten und
dem Orchester. Lebhafte
und lyrische Themen, ein
sehr melodischer
Mittelteil, Blues und
Marsch ahnliche Motive
sowie ostliche Anklange
sind eine lohnende
Herausforderung fur
Saxophonisten und bieten
vielAbwechslung fur das
gesamte Blasorchester.
Dance of Uzume
(La danse d'Uzume) est un
dialogue virtuose et
lyrique entre le soliste
et l'accompagnement. La
trame se developpe sur un
tempo unique et rapide.
Ce concertino raconte un
episode de la mythologie
japonaise. Ulceree par
les mefaits de son frere
Susanowo, dieu du vent et
des tempetes, Amaterasu,
deesse du Soleil, se
confine dans une caverne,
privant le monde de sa
lumiere. Ne supportant
plus l'obscurite, les
autres dieux se
reunissent devant
l'entree de la caverne
pour trouver un moyen de
la faire sortir. Uzume,
la deesse de la gaiete,
se met alors a danser
frenetiquement.
Intriguee, Amaterasu
parait enfin et le monde
retrouve la lumiere du
soleil.
Dance of
Uzume e un dialogo
virtuoso e lirico tra il
solista e
l'accompagnamento. La
trama si sviluppa su un
tempo unico e rapido.
Questo concertino narra
un episodio della
mitologia giapponese.
Devastata dai misfatti di
suo fratello Susanowo,
Dio del vento e delle
tempeste, Amaterasu, Dea
del Sole, si rifugia in
una caverna, privando il
mondo della luce. Non
sopportando piu
l'oscurita, gli altri Dei
si riuniscono davanti
all'entrata della caverna
per trovare un mezzo per
farla uscire. Uzume, la
Dea della gioia, inizia
una danza frenetica.
Intrigata, Amaterasu
appare all'entrata e il
mondo ritrova la luce del
sole.