Concert Band/Harmonie - Grade 3

SKU: BT.AMP-142-140

Arranged by Philip Sparke. Anglo Music Midway Series. Pop & Rock. Score Only. Composed 2005. 28 pages. Anglo Music Press #AMP 142-140. Published by Anglo Music Press (BT.AMP-142-140).

9x12 inches.

Over a period of four decades Jimmy Webb (b. 1946) has written hits for a number of singers including Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash and Linda Ronstadt. His songs are often epic in character and include By the Time I Get to Phoenix; Up, Up and Away; Didn’t We; Wichita Lineman and Galveston. MacArthur Park (1968) was unlike anything that had gone before it. Running at over 7 minutes, it is 2 or 3 times the length of most pop songs and has an extended orchestral interlude. Richard Harris’ seminal recording topped the music charts in Europe, while peaking at number two on the U.S. charts. Philip Sparke has made this excellentarrangement for concert band, which is sure to become a regular feature on your concert programme.

MacArthur Park van Jimmy Webb, een nummer dat uitkwam in 1968, was niet te vergelijken met alles wat daarvoor was gemaakt. Met een duur van meer dan zeven minuten is deze song twee of drie keer zo lang als de meeste popsongs,ook het orkestraal tussenspel is bijzonder. Richard Harris’ originele opname stond bovenaan in de hitparades van Europa en op nummer 2 in de Verenigde Staten. Philip Sparke schreef een fantastisch arrangement dat zowel uw muzikantenals uw publiek zal aanspreken.

Jimmy Webbs Musik kennt jeder: sei es als Musik zur Fernsehserie Emergency Room oder als einen der Hits von großen Stars wie Frank Sinatra, Johnny Cash, Linda Ronstadt und vielen anderen. Mit dem Popsong MacArthur Park gelang Webb ein Riesenhit im Jahr 1968. Das Lied über eine verlorene Liebe ist ungewöhnlich lang für einen Popsong und enthält ein ausgearbeitetes Orchester-Zwischenspiel. Grund genug für Philip Sparke, diesen Hit für Blasorchester zu bearbeiten.

Pendan t plus de quarante ans, Jimmy Webb (1946) a composé des chansons succès pour divers artistes tels que Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash et Linda Ronstadt. En 1968, il écrit MacArthur Park, une chanson complètement novatrice. D’une durée de plus de sept minutes, elle est deux trois fois plus longue que la plupart des succès pop et contient un grand interlude orchestral. La version d’anthologie de MacArthur Park, interprétée et enregistrée par Richard Harris, s’est classée en tête des hit-parades européens et numéro 2 aux États-Unis.

Pe r oltre quarant’ anni, Jimmy Webb (1946) ha composto canzoni di successo per artisti come Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash e Linda Ronstadt. Nel 1968, scrive MacArthur Park, una canzone totalmente innovativa. Di una durata di oltre sette minuti, è da due a tre volte più lunga della maggior parte dei successi pop e contiene un interludio orchestrale. La versione d’antologia di MacArthur Park, interpretata ed incisa da Richard Harris, è stata in testa alle hit-parade europee e seconda negli Stati Uniti.

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

By Robert Sheldon. For Concert Band. Concert Band. Alfred Concert Band. Level: 5 (Difficult) (grade 5). Conductor Score and Parts. 300 pages. Published by Alfred Publishing.

Concert band - Grade 2

SKU: RM.DELB04016-CO

Composed by Laurent Delbecq. Recueils pour ensembles instrumentaux. Orchestra. Conductor's score. Editions Robert Martin #DELB04016-CO. Published by Editions Robert Martin (RM.DELB04016-CO).

By Samuel R. Hazo. For Concert Band (Score and Parts). MusicWorks Grade 5. Grade 5. Score and parts. Published by Hal Leonard

Composed by Randall D. Standridge. Concert Band. Concert Band; Part(s); Score. Alfred Debut Series. Grade 1.5. 138 pages. Published by Alfred Music

By Jan Van Der Roost. (Score and Parts). De Haske Concert Band Full Set. Published by De Haske Publications.

(Grade 4 - Score and Parts). Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by James Curnow. For Concert Band. Curnow Music Concert Band. Grade 4. Curnow Music #074403. Published by Curnow Music

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1053854-010

Fulnaho. Brilliant Marches. March. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053854-010. Published by De Haske Publications (BT.DHP-1053854-010).

9x12 inches. English-German-French-Dut ch.

Artemis is the Greek goddess of hunting and forests. In western art she is often pictured with deer, lions or bears with a bow in her hand. The tempo of this march is stately and the themes are “concertante” in character making Artemis best suited as a concert march rather than a street march. Technically this march is not too difficult although at times some dexterous fingering is necessary. The trio melody is especially lyrical and offers various sections within the band the possibility to show off their skill in playing the expressive melody. This excellent new concert march is sure to become a classic and be performed time and time again.

Het tempo van deze mars is statig en de thema’s zijn concertant van karakter: Artemis is dus eerder geschikt als concertmars dan als loopmars. Technisch is dit werk niet erg lastig om spelen, al wordt af en toe wel wat vingervaardigheidvereist. De triomelodie is echter uitgesproken lyrisch en biedt diverse secties binnen het orkest de mogelijkheid om zich melodisch en expressief te etaleren. Een aangenaam klinkende en prima speelbare concertmars!

Artem is ist die griechische Göttin der Jagd und der Wälder. Jan Van der Roost ließ sich zum wiederholten Male von der griechischen Mythologie inspirieren und komponierte diesen Marsch mit gemäßigtem Tempo und konzertanten Themen. Obwohl technisch nicht sehr schwer, erfordert er doch stellenweise etwas Fingerfertigkeit. Der Trio-Teil ist jedoch besonders lyrisch und bietet verschiedenen Registern des Blasorchesters die Möglichkeit, sich in Melodie und Ausdruck zu beweisen. Kurz gesagt ist Artemis ein ausgezeichneter und gut spielbarer Konzertmarsch, der viele Blasorchester anspricht.

Arté mis est la déesse grecque de la nature sauvage et de la chasse. Dans l’art occidental, elle est souvent représentée armée d’un arc et de flèches et entourée de cerfs, de lions et d’ours. Évoluant sur un tempo majestueux et développant des thèmes au caractère concertant, Artemis s’inscrit pleinement dans la lignée des grandes marches de concert. Hormis quelques passages nécessitant une plus grande souplesse des doigts, elle ne contient que peu de difficultés techniques. Artemis est une pièce brillante qui convient au plus grand nombre d’Orchestres d’Harmonie.

Artemis è la Dea greca della natura selvatica e della caccia. Nella cultura occidentale, è spesso rappresentata armata di arco e frecce e circondata da cervi, leoni e orsi. Evolvendosi su un tempo maestoso e sviluppando temi centrali dal carattere concertante, Artemis rientra nella linea delle grandi marce da concerto. Ad eccezione di qualche passaggio che necessita una maggiore scioltezza delle dita, il brano contiene solo poche difficolt tecniche. Artemis è un pezzo brillante adatto alla maggior parte delle bande.

Score and Parts. By Franz Schubert. Arranged by Johan De Meij. (Score and Parts). Amstel Concert Bands. Published by Amstel Music.

By Paul Hart. Concert Band. Band Music. Level: Grade 5. Score and set of parts. Published by G and M Brand Music Publishers.

Concert band with mixed choir, narrator - medium-easy (grade 3)

SKU: RM.WAGN00251-BA

Composed by Richard Wagner. Arranged by Froment. Concert band. Orchestra. Full set. Editions Robert Martin #WAGN00251-BA. Published by Editions Robert Martin (RM.WAGN00251-BA).

ISBN 9790231002515.

Concert band

SKU: RM.WAGN00251-CO

Arranged by Froment. Concert band. Orchestra. Conductor's score. Editions Robert Martin #WAGN00251-CO. Published by Editions Robert Martin (RM.WAGN00251-CO).

Concert band

SKU: RM.WAGN00251-PK

Arranged by Froment. Concert band. Orchestra. Editions Robert Martin #WAGN00251-PK. Published by Editions Robert Martin (RM.WAGN00251-PK).

By Marty O\'donnell, Michael Salvatori, Christopher Tin, And Yoko Shimamura. Arranged by Ralph Ford. For Concert Band. Concert Band. Pop Concert Band. Video Game. Level: 3 (Medium Easy) (grade 3). Conductor Score and Parts. 272 pages. Published by Alfred Publishing.

Composed by Romeyn. Concert Band Series. Score and set of parts. Duration 8 minutes, 13 seconds. Published by C.L. Barnhouse (CL.012-4257-00).

Score Only Concert Band (Score) - Level 1.5

SKU: HL.4006631

Composed by Henry Purcell. Arranged by Robert Longfield. MusicWorks Grade 1. Concert. Softcover. 12 pages. Duration 850 seconds. Published by Hal Leonard (HL.4006631).

UPC: 840126924947. 9.0x12.0x0.027 inches.

Based on Purcell's Come, Ye Sons of Art, this carefully crafted arrangement for second year players features a nice variety in scoring and dynamic contrasts. Phrases are traded between the woodwind and brass sections (cues included), then the full band comes together for the final segment.

Concert Band - Grade 3

SKU: BT.DHP-1053854-040

Fulnaho. Brilliant Marches. March. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053854-040. Published by De Haske Publications (BT.DHP-1053854-040).

9x12 inches. English-German-French-Dut ch.

Artemis is the Greek goddess of hunting and forests. In western art she is often pictured with deer, lions or bears with a bow in her hand. The tempo of this march is stately and the themes are “concertante” in character making Artemis best suited as a concert march rather than a street march. Technically this march is not too difficult although at times some dexterous fingering is necessary. The trio melody is especially lyrical and offers various sections within the band the possibility to show off their skill in playing the expressive melody. This excellent new concert march is sure to become a classic and be performed time and time again.

Het tempo van deze mars is statig en de thema’s zijn concertant van karakter: Artemis is dus eerder geschikt als concertmars dan als loopmars. Technisch is dit werk niet erg lastig om spelen, al wordt af en toe wel wat vingervaardigheidvereist. De triomelodie is echter uitgesproken lyrisch en biedt diverse secties binnen het orkest de mogelijkheid om zich melodisch en expressief te etaleren. Een aangenaam klinkende en prima speelbare concertmars!

Artem is ist die griechische Göttin der Jagd und der Wälder. Jan Van der Roost ließ sich zum wiederholten Male von der griechischen Mythologie inspirieren und komponierte diesen Marsch mit gemäßigtem Tempo und konzertanten Themen. Obwohl technisch nicht sehr schwer, erfordert er doch stellenweise etwas Fingerfertigkeit. Der Trio-Teil ist jedoch besonders lyrisch und bietet verschiedenen Registern des Blasorchesters die Möglichkeit, sich in Melodie und Ausdruck zu beweisen. Kurz gesagt ist Artemis ein ausgezeichneter und gut spielbarer Konzertmarsch, der viele Blasorchester anspricht.

Arté mis est la déesse grecque de la nature sauvage et de la chasse. Dans l’art occidental, elle est souvent représentée armée d’un arc et de flèches et entourée de cerfs, de lions et d’ours. Évoluant sur un tempo majestueux et développant des thèmes au caractère concertant, Artemis s’inscrit pleinement dans la lignée des grandes marches de concert. Hormis quelques passages nécessitant une plus grande souplesse des doigts, elle ne contient que peu de difficultés techniques. Artemis est une pièce brillante qui convient au plus grand nombre d’Orchestres d’Harmonie.

Artemis è la Dea greca della natura selvatica e della caccia. Nella cultura occidentale, è spesso rappresentata armata di arco e frecce e circondata da cervi, leoni e orsi. Evolvendosi su un tempo maestoso e sviluppando temi centrali dal carattere concertante, Artemis rientra nella linea delle grandi marce da concerto. Ad eccezione di qualche passaggio che necessita una maggiore scioltezza delle dita, il brano contiene solo poche difficolt tecniche. Artemis è un pezzo brillante adatto alla maggior parte delle bande.

By R. W. Smith. Concert band. Concert Band Series. Audio recording available separately (item CL.WFR373). Grade 3.5. Score and set of parts. Composed 2011. Duration 6 minutes, 13 seconds. Published by C.L. Barnhouse

(For Wind Symphony). Composed by Carter Pann (1972-). For concert band (piccolo, 2 flute 1, 2 flute 2, 2 flute 3, 2 flute 4, 2 oboes, 3 Bb clarinet 1, 3 Bb clarinet 2, 3 Bb clarinet 3, 3 Bb clarinet 4, 2 Bb bass clarinet (with low C), 2 bassoons, 2 Bb soprano saxophone, 2 Eb alto saxophone, 2 Bb tenor saxophone, 2 Eb baritone). Contemporary. Score and parts. Standard Notation. 48+280 pages. Duration 12 minutes. Published by Theodore Presser Company

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1053854-140

Fulnaho. Brilliant Marches. March. Score Only. Composed 2005. 32 pages. De Haske Publications #DHP 1053854-140. Published by De Haske Publications (BT.DHP-1053854-140).

9x12 inches. English-German-French-Dut ch.

Artemis is the Greek goddess of hunting and forests. In western art she is often pictured with deer, lions or bears with a bow in her hand. The tempo of this march is stately and the themes are “concertante” in character making Artemis best suited as a concert march rather than a street march. Technically this march is not too difficult although at times some dexterous fingering is necessary. The trio melody is especially lyrical and offers various sections within the band the possibility to show off their skill in playing the expressive melody. This excellent new concert march is sure to become a classic and be performed time and time again.

Het tempo van deze mars is statig en de thema’s zijn concertant van karakter: Artemis is dus eerder geschikt als concertmars dan als loopmars. Technisch is dit werk niet erg lastig om spelen, al wordt af en toe wel wat vingervaardigheidvereist. De triomelodie is echter uitgesproken lyrisch en biedt diverse secties binnen het orkest de mogelijkheid om zich melodisch en expressief te etaleren. Een aangenaam klinkende en prima speelbare concertmars!

Artem is ist die griechische Göttin der Jagd und der Wälder. Jan Van der Roost ließ sich zum wiederholten Male von der griechischen Mythologie inspirieren und komponierte diesen Marsch mit gemäßigtem Tempo und konzertanten Themen. Obwohl technisch nicht sehr schwer, erfordert er doch stellenweise etwas Fingerfertigkeit. Der Trio-Teil ist jedoch besonders lyrisch und bietet verschiedenen Registern des Blasorchesters die Möglichkeit, sich in Melodie und Ausdruck zu beweisen. Kurz gesagt ist Artemis ein ausgezeichneter und gut spielbarer Konzertmarsch, der viele Blasorchester anspricht.

Arté mis est la déesse grecque de la nature sauvage et de la chasse. Dans l’art occidental, elle est souvent représentée armée d’un arc et de flèches et entourée de cerfs, de lions et d’ours. Évoluant sur un tempo majestueux et développant des thèmes au caractère concertant, Artemis s’inscrit pleinement dans la lignée des grandes marches de concert. Hormis quelques passages nécessitant une plus grande souplesse des doigts, elle ne contient que peu de difficultés techniques. Artemis est une pièce brillante qui convient au plus grand nombre d’Orchestres d’Harmonie.

Artemis è la Dea greca della natura selvatica e della caccia. Nella cultura occidentale, è spesso rappresentata armata di arco e frecce e circondata da cervi, leoni e orsi. Evolvendosi su un tempo maestoso e sviluppando temi centrali dal carattere concertante, Artemis rientra nella linea delle grandi marce da concerto. Ad eccezione di qualche passaggio che necessita una maggiore scioltezza delle dita, il brano contiene solo poche difficolt tecniche. Artemis è un pezzo brillante adatto alla maggior parte delle bande.

By Marty O\'donnell, Michael Salvatori, Christopher Tin, And Yoko Shimamura. Arranged by Ralph Ford. For Concert Band. Concert Band. Pop Concert Band. Video Game. Level: 3 (Medium Easy) (grade 3). Conductor Score. 48 pages. Published by Alfred Publishing.

By Miller. Arranged by Ed Huckeby. For concert band. Concert Band. Lighter. Grade 2.5. Score and set of parts. Composed 2005. Duration 4 minutes, 25 seconds. Published by C.L. Barnhouse

Concert band - Grade 3

SKU: RM.MEHU08120-CO

Composed by Etienne Nicolas Mehul. Arranged by Desire Dondeyne. Classical music. Orchestra. Conductor's score. Editions Robert Martin #MEHU08120-CO. Published by Editions Robert Martin (RM.MEHU08120-CO).

Concert band, mixed choir - Grade 3

SKU: RM.MEHU08120-BA

Composed by Etienne Nicolas Mehul. Arranged by Desire Dondeyne. Classical music. Orchestra. Full set. Editions Robert Martin #MEHU08120-BA. Published by Editions Robert Martin (RM.MEHU08120-BA).

ISBN 9790231081206.

Concert band - Grade 1

SKU: RM.MEHU00647-CO

Composed by Etienne Nicolas Mehul. Arranged by Laurent Delbecq. Military marches. Orchestra. Conductor's score. Editions Robert Martin #MEHU00647-CO. Published by Editions Robert Martin (RM.MEHU00647-CO).

Concert band - Grade 1

SKU: RM.MEHU00647-BA

Composed by Etienne Nicolas Mehul. Arranged by Laurent Delbecq. Military marches. Orchestra. Full set. Editions Robert Martin #MEHU00647-BA. Published by Editions Robert Martin (RM.MEHU00647-BA).

ISBN 9790231006476.

Concert band - Grade 2

SKU: RM.STRA01106-PK

Composed by Johann Strauss Jr. Arranged by Borda. Classical music. Orchestra. Supplementary part. Editions Robert Martin #STRA01106-PK. Published by Editions Robert Martin (RM.STRA01106-PK).

By John Williams. Arranged by Donald Hunsberger. By John Williams / arr. Donald Hunsberger. For Concert Band. Concert Band. Donald Hunsberger Wind Library. Movie. Conductor Score and Parts. 772 pages. Published by Alfred Publishing.
Level: 5.5 (Medium Advanced to Difficult) (grade 5.5).

Concert Band, Symphonic Band (Score & Parts) - Grade 3.5

SKU: HL.4004951

Composed by Timothy Broege. MusicWorks Grade 3. Partita. Softcover. Published by Hal Leonard (HL.4004951).

UPC: 888680649722. 9x12 inches.

Composed as a suite, this descriptive work uses four short movements to create varied and distinctive moods. First is a bold Fanfare with rich harmonies, followed by the March in a traditional style. The third movement is a Blues in a minor key, followed by the final Rondo in triple meter. An appealing and creative addition to the young band repertoire. Duration: c. 7:30.