In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Harmonie

Par BULLA STEPHEN. This majestic Christmas medley for young band is unusually nice! A creative arrangement you'll want to use year after year, ANGEL SONG is from the pen of one of today's finest composer/arrangers, Stephen Bulla. The inspiring carols 'Angels from the Realms of Glory' and 'Angels We Have Heard On High' combine in an unforgettable Christmas masterpiece. If you're looking for something fresh and exciting, look no further. / Niveau : 1.5 / Répertoire / Concert Band ou Harmonie

Praise to Thee, Jesus Christ. Gelobet seist du Jesu Christ (We Praise You Jesus Christ) is an old Christmas hymn dating from the 16th century, which can still be found in many hymnbooks today. John Blanken has created a varied and imaginative arrangement on four verses of the hymn. After the introduction, derived from the opening notes, the hymn is first accompanied by an agile harmonisation. Next, we hear the chorale in a four-part setting with a percussion accompaniment. Then follows a short prologue to the third verse and finally its time for fireworks as the arrangement takes a stylistic leap in time with the festive prelude to the fourth and last verse. / Niveau : 3 / Hymnes et chorals / Recueil / Concert Band ou Harmonie

Par MUSSORGSKY MODEST. The Russian composer Mussorgsky was for the most part self-taught. His contemporaries were not always enthusiastic about the innovations in his music and accused him of lacking technique. Today, however, Mussorgsky is considered the innovator of Russian music par excellence. Although he gained fame primarily as a composer of operas and songs, Mussorgsky also wrote a number of piano works; for example the suite Pictures at an Exhibition, from 1874. / Niveau : 6 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par HOSAY JAMES L.. What an outstanding way to conclude your concert. James L. Hosay writes some of the most exciting music to be found in Concert Band literature, and music doesn’t get much more exciting than this! While titled as a Grand Finale, this concert band tour de force can be programmed in numerous ways. Consider it also as a roof-raising opener or even in the guise of an entr’acte as you return from intermission. You will find JOYFUL EXCLAMATIONS to be one of the most thrilling and uplifting arrangements available in band literature today. This is also a perfect vehicle through which to study music history. Indescribable! / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par CURNOW JAMES. Certain to become a staple of Grade 3 band literature this great new composition represents James Curnow at his finest. Beginning and ending with an exciting fanfare that contrasts various melodic, rhythmic, harmonic and stylistic concepts, The Spirit Soars captures the enduring spirit of today’s youth in music. The joyous scherzo energized with buoyant energy and an exquisite contrasting lyrical theme, many moods, and a grandioso finale all combine to ensure this piece becomes a landmark of literature for this level. Plan your next concert around this great new piece from CMP!Take wing! / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par CURNOW JAMES. Certain to become a staple of Grade 3 band literature this great new composition represents James Curnow at his finest. Beginning and ending with an exciting fanfare that contrasts various melodic, rhythmic, harmonic and stylistic concepts, The Spirit Soars captures the enduring spirit of today’s youth in music. The joyous scherzo energized with buoyant energy and an exquisite contrasting lyrical theme, many moods, and a grandioso finale all combine to ensure this piece becomes a landmark of literature for this level. Plan your next concert around this great new piece from CMP!Take wing! / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par BARNES JAMES. Risoluto is a music term of Italian derivation, first appearing in the mid 1700s. A great many musical terms such as this are in Italian, because many of the important composers from the Renaissance to the Baroque were from the geographic area known today as Italy and spoke some form of Italian. Consequently, performance markings in their published music, widely disseminated through the rest of Europe, were in the language that they best understood. Music marked in this manner is to be played firmly and decisively with firm resolve and little variance from the marked tempo. It can be seen that while there are several stylistic changes in this piece, the tempo varies not a bit, holding firm at Allegro vivo, quarter note at 120, from first measure to last. / Date parution : 2022-09-20/ Répertoire / Concert Band

Par SHELTON MELVIN L.. A touching and intense memoriam piece, the mechanics are on the easy side of Grade 4, but the demand for tone quality and control in tenuto passages and long slurred phrases calls for the best of musicianship from any group. The 'Adagio e Rubato' tempo indication invites the kind of wonderfully expressive ensemble playing that should probably make up a larger part of band literature than it does today. Over a quiet unifying heartbeat from the timpani, the band explores the emotions felt after a tragic personal loss. A soaring F Horn solo (cued in Trumpet. and Alto Saxophone) leads poignantly toward a gentle Orchestra Bells and Wind Chime ending. / Niveau : 4 / Musique pour célébration / Répertoire / Concert Band