The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Song of Hope Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115227-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115227-010
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Hymns & Chorals. Set
(Score & Parts). Composed
2012. De Haske
Publications #DHP
1115227-010. Published by
De Haske Publications
(BT.DHP-1115227-010).
9x12 inches.
English-German-French-Dut
ch.
2011 was a
disastrous year for
Japan: on March 11 the
northeast of the country
suffered a violent
earthquake, which
triggered a huge tsunami
and caused massive damage
to people and the
environment. The ensuing
problems with the nuclear
reactor atFukushima only
increased the misery: a
black day in the
country's
history... One almost
inevitable consequence of
such dramatic
circumstances is the
particular damage
suffered by the cultural
arts. And so it was in
Japan: various high
school wind orchestras in
the effected areas lost
their practice rooms
and/or instruments.It
will take a long time
before the damage
suffered is repaired -
and it will take great
effort to overcome the
psychological effects,
too. Focusing on the
latter, Yutada Nishida
(director of The
Bandwagon radio program)
asked a few composers
fora simple work that
could be played by many
orchestras. It just so
happened that the Osakan
Philharmonic Winds (with
whom Jan Van der Roost
had conducted a concert
exclusively of his own
works on September 25th)
had had a similar idea.
This concert saw the
baptism of Song of
Hope. This
pieceimmediately struck a
chord with musicians and
audience alike: it begins
bleakly in the low
register and evolves to a
more open, optimistic
close. There really is
hope for better
times!
2011 was
een rampzalig jaar voor
Japan: op 11 maart
teisterde een hevige
aardbeving het
noordoosten van het land,
bracht een enorme tsunami
teweeg en veroorzaakte
zeer grote schade aan
mens en natuur. De
daaruit voortvloeiende
problemenmet
dekernreactor van
Fukushima maakten de
ellende nog groter: een
zwarte pagina in het
bestaan van het land ...
Dat in dergelijke
dramatische
omstandigheden ook (en
vooral) het culturele
bestel een flinke knauw
krijgt, ishelaas een
haastonvermijdelijke
consequentie. Zo ook in
Japan: verschillende high
school bands in de
getroffen regio verloren
hun repetitieruimte en/of
instrumenten: het zal
lang duren voordat de
geleden schade is
hersteld - enhet zal ook
moeite kosten om er
mentaalweer bovenop te
geraken. Met het oog op
dat laatste aspect
verzocht Yutaka Nishida
(samensteller van het
radioprogramma The
Bandwagon) een paar
componisten om een
eenvoudig werkje te
schrijvendat speelbaar is
door een groot aantal
orkesten. Alsbij
toeval kwam een dergelijk
verzoek eveneens van de
kant van de OSAKAN
Philharmonic Winds,
waarmee Jan Van der Roost
op 25 september een
concert dirigeerde,
uitsluitend gewijdaan
eigen werken. Daar werd
Song of Hope dan
ook ten doop gehoudenen
het werkje sloeg meteen
aan bij uitvoerders en
publiek: na een tamelijk
donkere start in het lage
register evolueert het
tot een optimistischer en
opener slot.Er is
inderdaad hoop op betere
tijden!
Am 11.
März 2011 löste ein
heftiges Erdbeben in
Japan einen riesigen
Tsunami mit
desaströsen Folgen
für Mensch, Natur auch
das kulturelle Leben.
Yutaka Nishida vom
Radioprogramm The
Bandwagon bat daher
einige Komponisten,
darunter Jan Van
derRoost, ein einfaches,
für viele Orchester
spielbares Werk zu
schreiben. Song of
Hope beginnt
düster im tiefen
Register, um sich dann zu
einem optimistischeren
Schluss hin zu
entwickeln. Es gibt sie,
die Hoffnung auf bessere
Zeiten... !
Song of Hope Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115227-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115227-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Hymns & Chorals. Score
Only. Composed 2012. 20
pages. De Haske
Publications #DHP
1115227-140. Published by
De Haske Publications
(BT.DHP-1115227-140).
9x12 inches.
English-German-French-Dut
ch.
2011 was a
disastrous year for
Japan: on March 11 the
northeast of the country
suffered a violent
earthquake, which
triggered a huge tsunami
and caused massive damage
to people and the
environment. The ensuing
problems with the nuclear
reactor at Fukushima only
increased the misery: a
black day in the
country’s
history…One almost
inevitable consequence of
such dramatic
circumstances is the
particular damage
suffered by the cultural
arts. And so it was in
Japan: various high
school wind orchestras in
the effected areas lost
their practice rooms
and/or instruments. It
will take a long time
before the damage
suffered is
repaired—and it
will take great effort to
overcome thepsychological
effects, too. Focusing on
the latter, Yutada
Nishida (director of The
Bandwagon radio program)
asked a few composers for
a simple work that could
be played by many
orchestras. It just so
happened that the Osakan
Philharmonic Winds (with
whom Jan Van der Roost
had conducted a concert
exclusively of his own
works on September 25th)
had had a similar idea.
This concert saw the
baptism of Song of Hope.
This piece immediately
struck a chord with
musicians and audience
alike: it begins bleakly
in the low register and
evolves to a more open,
optimistic close. There
really is hope for better
times!
2011 was
een rampzalig jaar voor
Japan: op 11 maart
teisterde een hevige
aardbeving het
noordoosten van het land,
bracht een enorme tsunami
teweeg en veroorzaakte
zeer grote schade aan
mens en natuur. De
daaruit voortvloeiende
problemenmet de
kernreactor van Fukushima
maakten de ellende nog
groter: een zwarte pagina
in het bestaan van het
land ... Dat in
dergelijke dramatische
omstandigheden ook (en
vooral) het culturele
bestel een flinke knauw
krijgt, ishelaas een
haast onvermijdelijke
consequentie. Zo ook in
Japan: verschillende high
school bands in de
getroffen regio verloren
hun repetitieruimte en/of
instrumenten: het zal
lang duren voordat de
geleden schade is
hersteld - enhet zal ook
moeite kosten om er
mentaal weer bovenop te
geraken. Met het oog op
dat laatste aspect
verzocht Yutaka Nishida
(samensteller van het
radioprogramma The
Bandwagon) een paar
componisten om een
eenvoudig werkje te
schrijvendat speelbaar is
door een groot aantal
orkesten. Als bij toeval
kwam een dergelijk
verzoek eveneens van de
kant van de OSAKAN
Philharmonic Winds,
waarmee Jan Van der Roost
op 25 september een
concert dirigeerde,
uitsluitend gewijdaan
eigen werken. Daar werd
Song of Hope dan ook ten
doop gehouden en het
werkje sloeg meteen aan
bij uitvoerders en
publiek: na een tamelijk
donkere start in het lage
register evolueert het
tot een optimistischer en
opener slot.Er is
inderdaad hoop op betere
tijden!
Am 11.
März 2011 löste ein
heftiges Erdbeben in
Japan einen riesigen
Tsunami mit
desaströsen Folgen
für Mensch, Natur auch
das kulturelle Leben.
Yutaka Nishida vom
Radioprogramm The
Bandwagon bat daher
einige Komponisten,
darunter Jan Van der
Roost, ein einfaches,
für viele Orchester
spielbares Werk zu
schreiben. Song of
Hope beginnt
düster im tiefen
Register, um sich dann zu
einem optimistischeren
Schluss hin zu
entwickeln. Es gibt sie,
die Hoffnung auf bessere
Zeiten... !
Il 2011 è
stato un anno tragico per
il Giappone; al
devastante terremoto e al
non meno catastrofico
tsunami dell’11
marzo, sono seguiti i
gravi problemi al
reattore nucleare di
Fukushima. Il settore
della cultura in
generale, e quello della
musica in particolare
hanno sofferto
immensamente a causa di
questi nefasti eventi
naturali. Song of
Hope è un brano
che ha profondamente
commosso esecutori e
pubblico.Song of
Hope inizia nel
registro acuto con suoni
oscuri e melanconici, ma
si sviluppa in un clima
di ottimismo, come a
voler simboleggiare un
futuro più sereno.
Operatica Orchestre d'harmonie - Intermédiaire Curnow Music
Concert Band/Harmonie - Grade 3 SKU: BT.CMP-0905-05-140 Composed by James...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.CMP-0905-05-140
Composed by James Hosay.
Concert Band. Concert
Piece. Score Only.
Composed 2005. 40 pages.
Curnow Music #CMP
0905-05-140. Published by
Curnow Music
(BT.CMP-0905-05-140).
English.
If you
seek truly dramatic
music, look to opera.
Opera has been enormously
influential on Classical,
Popular, and Film and
Television music over the
years. James L.
Hosay’s new
intermediate level piece,
Operatica, incorporates
the important elements of
Opera and Classical music
to bring exhilarating
drama to the concert band
stage. Style and
technical considerations
make this a rich learning
experience for the band.
Add in the dimension of
music history by studying
Opera and Classical
music, and you have a
wonderful teaching tool!
The grand theme explores
a multitude of colours as
it twists and turns its
way through opera-style
development and
variation. Whether for
formal,festival, or just
concert use, you will
find this to be a
thrilling addition to
your library.
Opera heeft in de
loop der jaren enorm veel
invloed gehad op
klassieke, populaire,
film- en televisiemuziek.
In Operatica zijn
belangrijke elementen
(drama, spanning en
passie) uit de
operamuziek van de
achttiende en
negentiendeeeuw verwerkt.
Deze ouverture,
voornamelijk in de
stijlen van Wagner en
Mozart geschreven, is
meeslepend en geeft uw
muzikanten tevens de
mogelijkheid om
belangrijke aspecten uit
de klassieke muziek te
leren kennen. Het
hoofdthemaomvat een
veelvoud van kleuren
terwijl het zijn weg
vindt in opera-achtige
variaties.
Operatica: een
aanwinst voor uw
repertoire!
Sind
Sie auf der Suche nach
wahrhaft dramatischer
Musik? Denken Sie an die
Oper. James L. Hosays
Komposition verbindet
wichtige Elemente von
Oper und klassischer
Musik miteinander und
bringt somit ganz
große Dramatik auf
Ihre Konzertbühne. Das
großartige Thema von
Operatica
entwickelt eine Fülle
an Klangfarben,
während es sich durch
zahlreiche Variationen im
Stil der Oper
schlängelt. Eine
wunderbare neue Erfahrung
für die Musiker und
ein Erlebnis für das
Publikum!
The
Innovation Trot - Ragtime
March. Composed by
Europe. Arranged by
Wilson. Concert Band.
Extra full score.
Composed 2020. Opus III
Wind Orchestra
Publications
#012-4874-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4874-01).
Composer James
Reese Europe, one of the
most famous
African-American
musicians of his day, was
called the Martin Luther
King of music by pianist
Eubie Blake. The first
African-American
bandmaster in the United
States Army, Europe
gained great popularity
as a dance band leader, a
military band leader,
recording artist, and a
composer of merit. Known
in New York music
circles, and also for
touring Europe with his
National Guard band,
Europe is remembered
today for composing
several works, including
Castles In Europe with
the subtitle The
Innovation Trot - Ragtime
March. This delightful
work is arranged for
todayâ??s concert band
by Chandler L. Wilson. An
enjoyable ragtime work
from an American composer
to be remembered!
An Overture for Symphonic Band. Composed by Steven Reineke. Concert Band. Opus I...(+)
An Overture for Symphonic
Band. Composed by Steven
Reineke. Concert Band.
Opus III Series. Audio
recording available
separately (item
CL.WFR358). Score and set
of parts. Composed 2008.
Duration 4 minutes, 33
seconds. Published by
Opus III Wind Orchestra
Publications
Celebration Fanfare Orchestre d'harmonie [Conducteur] - Intermédiaire Opus III Wind Orchestra Publications
An Overture for Symphonic Band. Composed by Steven Reineke. Concert Band. Opus I...(+)
An Overture for Symphonic
Band. Composed by Steven
Reineke. Concert Band.
Opus III Series. Audio
recording available
separately (item
CL.WFR358). Extra full
score. Composed 2008.
Duration 4 minutes, 33
seconds. Published by
Opus III Wind Orchestra
Publications
I Just Can't Stop Loving You Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Composed by Michael Jackson. Arranged by Miho Hazama. Pop and Rock. Set (Score...(+)
Composed by Michael
Jackson.
Arranged by Miho Hazama.
Pop
and Rock. Set (Score and
Parts).
Composed 2012. De Haske
Publications #DHP
1125271-
010. Published by De
Haske
Publications
From the Rock Opera Tommy (The Who)). Composed by Pete Townshend. Arranged by ...(+)
From the Rock Opera Tommy
(The Who)). Composed by
Pete
Townshend. Arranged by
Henk
Ummels. For concert band.
Rock/Catalogue Prom
Concerts/Catalogue New
Band
Music Vol. 12/Pop
Music/Movies/Summer
Concert/The 60s/The 70s.
Movie and Musical.
Recorded
on Sway (ML.311115720).
Grade 4. Score only.
Duration 3 minutes, 38
seconds. Published by
Molenaar Edition
By Various. Concert Band. For Eb Baritone Saxophone. Swiss import. Light Music; ...(+)
By Various. Concert Band.
For Eb Baritone
Saxophone. Swiss import.
Light Music; Pop. Level:
Grade 2+. Part. Published
by Editions Marc Reift.
(EMR 1250-13)
By Various. Concert Band. For Bb Tenor Saxophone. Swiss import. Light Music; Pop...(+)
By Various. Concert Band.
For Bb Tenor Saxophone.
Swiss import. Light
Music; Pop. Level: Grade
2+. Part. Published by
Editions Marc Reift. (EMR
1250-12)
By Various. Concert Band. For 1st/2nd Eb Alto Saxophone. Swiss import. Light Mus...(+)
By Various. Concert Band.
For 1st/2nd Eb Alto
Saxophone. Swiss import.
Light Music; Pop. Level:
Grade 2+. Part. Published
by Editions Marc Reift.
(EMR 1250-11)
By Various. Concert Band. For 1st/2nd Eb Alto Saxophone. Swiss import. Light Mus...(+)
By Various. Concert Band.
For 1st/2nd Eb Alto
Saxophone. Swiss import.
Light Music; Pop. Level:
Grade 2+. Part. Published
by Editions Marc Reift.
(EMR 1250-11)
By Various. Concert Band. For Bb Tenor Saxophone. Swiss import. Light Music; Pop...(+)
By Various. Concert Band.
For Bb Tenor Saxophone.
Swiss import. Light
Music; Pop. Level: Grade
2+. Part. Published by
Editions Marc Reift. (EMR
1250-12)
By Various. Concert Band. For Eb Baritone Saxophone. Swiss import. Light Music; ...(+)
By Various. Concert Band.
For Eb Baritone
Saxophone. Swiss import.
Light Music; Pop. Level:
Grade 2+. Part. Published
by Editions Marc Reift.
(EMR 1250-13)
With Voice of Triumph Raised Orchestre d'harmonie [Conducteur et Parties séparées] Opus III Wind Orchestra Publications
Composed by Seth Custer. Closer. Opus III Wind Orchestra series. Audio record...(+)
Composed by Seth Custer.
Closer. Opus III Wind
Orchestra series. Audio
recording available
separately (item
CL.WFR375).
Score and set of parts.
Composed 2012. Duration 8
minutes, 12 seconds.
Published by Opus III
Wind
Orchestra Publications
Shadowplay (full set) Orchestre d'harmonie [Conducteur et Parties séparées] Opus III Wind Orchestra Publications
Composed by Bob Buckley. Opus III Wind Orchestra series. Audio recording availab...(+)
Composed by Bob Buckley.
Opus III Wind Orchestra
series. Audio recording
available separately
(item CL.WFR375). Score
and set of parts.
Composed 2012. Duration 6
minutes, 12 seconds.
Published by Opus III
Wind Orchestra
Publications
Unity Fanfare Orchestre d'harmonie - Intermédiaire/avancé Mitropa Music
Composed by Otto M. Schwarz. For Concert Band (Score). Mitropa Music Concert Ban...(+)
Composed by Otto M.
Schwarz. For Concert Band
(Score). Mitropa Music
Concert Band. Grade 4-5.
24 pages. Mitropa Music
#174410140M. Published by
Mitropa Music
Open Thy Heart Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4303-75 Arranged by Glover. Concert Ba...(+)
Concert band - Grade 3
SKU:
CL.012-4303-75
Arranged by Glover.
Concert Band. Spotlight
Series. Audio recording
available separately
(item CL.WFR381).
Oversized, spiral-bound
score. Composed 2014.
Duration 2 minutes, 33
seconds. Opus III Wind
Orchestra Publications
#012-4303-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4303-75).
About C.L.
Barnhouse Spotlight
Series
The
Barnhouse Spotlight
series includes
publications for solo
instruments with concert
band accompaniment. These
publications are designed
to feature outstanding
members of your band as
soloist, and to provide
unique and entertaining
programming options. Solo
parts are graded more
difficult than the band
accompaniments