(A medley of traditional songs from the American West). By Clifton Jameson Jones...(+)
(A medley of traditional
songs from the American
West). By Clifton Jameson
Jones. Concert Band.
Concert Band; Part(s);
Score. Alfred Concert
Band. Folk. Grade 4. 284
pages. Published by
Alfred Music Publishing
St. Nick Salsa Orchestre d'harmonie [Conducteur] - Facile Belwin
By Traditional. Arranged by Michael Story and Michael Story. Concert Band. Conce...(+)
By Traditional. Arranged
by Michael Story and
Michael Story. Concert
Band. Concert Band.
Belwin Beginning Band.
Christmas; Latin; Winter.
Grade 2. Conductor Score.
16 pages. Published by
Belwin Publishing
By Traditional. Arranged by Michael Story and Michael Story. Concert Band. Conce...(+)
By Traditional. Arranged
by Michael Story and
Michael Story. Concert
Band. Concert Band.
Belwin Beginning Band.
Christmas; Winter. Grade
1. Conductor Score and
Parts. 182 pages.
Duration 1:40. Published
by Belwin Publishing
Composed by Traditional. Arranged by Paul Cook. Concert Band. Concert Band. Belw...(+)
Composed by Traditional.
Arranged by Paul Cook.
Concert Band. Concert
Band. Belwin Young Band.
Christmas; Winter. Grade
2. Conductor Score and
Parts. 128 pages.
Published by Belwin Music
You Raise Me Up Orchestre d'harmonie - Intermédiaire Music Sales
Concert Band/Harmonie and Euphonium Solo - Grade 3 SKU: BT.1891-12-140-MS ...(+)
Concert Band/Harmonie and
Euphonium Solo - Grade 3
SKU:
BT.1891-12-140-MS
Arranged by Takashi
Hoshide. New Sounds for
Concert Band. Solo &
Concerto. Score Only.
Composed 2011. 20 pages.
Music Sales #1891-12-140
MS. Published by Music
Sales
(BT.1891-12-140-MS).
9x12 inches.
English-German-French-Dut
ch.
You Raise Me
Up is a concert band
arrangement of one of the
most popular ballads of
all time by Takashi
Hoshide. Composed by Rolf
Løvland, who, inspired
by traditional Irish
melodies, asked Irish
author and lyricist
Brendan Graham to provide
lyrics, the song has
become a worldwide hit
through pop artists such
as Josh Groban and
Westlife. Featuring a
solo for euphonium or
baritone player.
De Noor Rolf
Løvland van de groep
Secret Garden componeerde
een werk dat hij
oorspronkelijk de titel
Silent Story gaf. Het was
gebaseerd op de melodie
van de Ierse traditional
Danny Boy. Løvland
vroeg de Ierse tekst- en
liedschrijverBrendan
Graham woorden te
bedenken bij zijn
melodie. Het resultaat is
You Raise Me Up dat in de
vertolkingen van Josh
Groban, de Ierse band
Westlife en vele andere
artiesten wereldwijd
succes boekte. Takashi
Hoshide maakte ereen
roerende versie voor
blaasorkest
van.
Der Norweger
Rolf Løvland von der
Gruppe Secret Garden
komponierte ein
Stück, das er
ursprünglich
Silent Story nannte,
nach der Melodie des
irischen Traditionals
Danny Boy und bat
den irischen
Schriftsteller und
Liedtexter Brendan Graham
um einen Text zu seiner
Melodie. Das Resultat,
You Raise Me Up,
wurde mit Josh Groban,
der irischen Band
Westlife und anderen
Künstlern zu einem
weltweiten Erfolg.
Takashi Hoshide setzte
die gefühlvolle
Ballade in ein
Solostück für
Euphonium/Bariton und
Blasorchester
um.
Il norvegese Rolf
Løvland, membro del
gruppo Secret Garden
compone, ispirato da
un’aria
tradizionale irlandese
(Danny Boy), una canzone
che intitola in un primo
tempo Silent Story.
Chiede al paroliere
irlandese Brendan Graham
di scrivere un testo per
questa melodia. Il
fantastico risultato, You
Raise Me Up, è oggi
accessibile a tutte le
orchestre di fiati grazie
al coinvolgente
arrangiamento firmato
Takashi Hoshide.
You Raise Me Up Orchestre d'harmonie - Intermédiaire Music Sales
Concert Band/Harmonie and Euphonium Solo - Grade 3 SKU: BT.1891-12-010-MS ...(+)
Concert Band/Harmonie and
Euphonium Solo - Grade 3
SKU:
BT.1891-12-010-MS
Arranged by Takashi
Hoshide. New Sounds for
Concert Band. Solo &
Concerto. Set (Score &
Parts). Composed 2011.
Music Sales #1891-12-010
MS. Published by Music
Sales
(BT.1891-12-010-MS).
9x12 inches.
English-German-French-Dut
ch.
You Raise Me
Up is a concert band
arrangement of one of the
most popular ballads of
all time by Takashi
Hoshide. Composed by Rolf
Løvland, who, inspired
by traditional Irish
melodies, asked Irish
author and lyricist
Brendan Graham to provide
lyrics, the song has
become a worldwide hit
through pop artists such
as Josh Groban and
Westlife. Featuring a
solo for euphonium or
baritone player.
De Noor Rolf
Løvland van de groep
Secret Garden componeerde
een werk dat hij
oorspronkelijk de titel
Silent Story gaf. Het was
gebaseerd op de melodie
van de Ierse traditional
Danny Boy. Løvland
vroeg de Ierse tekst- en
liedschrijverBrendan
Graham woorden te
bedenken bij zijn
melodie. Het resultaat is
You Raise Me Up dat in de
vertolkingen van Josh
Groban, de Ierse band
Westlife en vele andere
artiesten wereldwijd
succes boekte. Takashi
Hoshide maakte ereen
roerende versie voor
blaasorkest
van.
Der Norweger
Rolf Løvland von der
Gruppe Secret Garden
komponierte ein
Stück, das er
ursprünglich
Silent Story
nannte, nach der
Melodie des irischen
Traditionals Danny Boy
und bat den irischen
Schriftsteller und
Liedtexter Brendan Graham
um einen Text zu seiner
Melodie. Das Resultat,
You Raise Me Up,
wurde mit Josh Groban,
der irischen Band
Westlife und anderen
Künstlern zu einem
weltweiten Erfolg.
Takashi Hoshide setzte
die gefühlvolle
Ballade in ein
Solostück für
Euphonium/Bariton und
Blasorchester
um.
Il norvegese Rolf
Løvland, membro del
gruppo Secret Garden
compone, ispirato da
un’aria
tradizionale irlandese
(Danny Boy), una canzone
che intitola in un primo
tempo Silent Story.
Chiede al paroliere
irlandese Brendan Graham
di scrivere un testo per
questa melodia. Il
fantastico risultato, You
Raise Me Up, è oggi
accessibile a tutte le
orchestre di fiati grazie
al coinvolgente
arrangiamento firmato
Takashi Hoshide.
Grade 2 SKU: CL.015-2857-00 Composed by K. Harris. Young Concert Band. Co...(+)
Grade 2
SKU:
CL.015-2857-00
Composed by K. Harris.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR183). March. Score
and set of parts.
Composed 1997. Duration 2
minutes, 24 seconds. C.L.
Barnhouse #015-2857-00.
Published by C.L.
Barnhouse
(CL.015-2857-00).
Ken Harris
definitely has a long
tradition of writing
exceptional marches for
younger bands and his
latest, Winning Tradition
is one of his nicest.
Tuneful and playable with
modest technical
requirements, you simply
can’t go wrong
with this quality march.
Perfect for contest or
concert performances. A
Real Winner! Recorded on
the CD King’s
Mountain Adventure by The
Washington Winds.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Composed by Sean O'Loughlin. Score and part(s). 20 132 pages. Duration 3 minut...(+)
Composed by Sean
O'Loughlin. Score and
part(s). 20 132 pages.
Duration 3 minutes, 49
seconds. Carl Fischer
#YPS0176. Published by
Carl Fischer (CF.YPS176).
By Bruce Pearson, Ryan Nowlin. For concert band. Band method. Tradition of Excel...(+)
By Bruce Pearson, Ryan
Nowlin. For concert band.
Band method. Tradition of
Excellence. Book B,2.
Conductor score.
Published by Neil A. Kjos
Music Company
By Gary Fagan. For Concert Band. Concert Band. Alfred Concert Band. Level: 3 (Me...(+)
By Gary Fagan. For
Concert Band. Concert
Band. Alfred Concert
Band. Level: 3 (Medium)
(grade 3). Conductor
Score and Parts. 282
pages. Published by
Alfred Publishing.
Composed by Bruce Pearson & Ryan Nowlin. For concert band. Band method. Traditio...(+)
Composed by Bruce Pearson
& Ryan Nowlin. For
concert band. Band
method. Tradition of
Excellence. Conductor's
score. Published by Neil
A. Kjos Music Company
Concert Band - Grade 2 SKU: AP.24735S Composed by Kevin Mixon. Concert Ba...(+)
Concert Band - Grade 2
SKU: AP.24735S
Composed by Kevin Mixon.
Concert Band; Performance
Music Ensemble; Single
Titles. Belwin Young
Band. Programmatic.
Score. 32 pages. Belwin
Music #00-24735S.
Published by Belwin Music
(AP.24735S).
UPC:
038081268668.
English.
This
substantive four-movement
suite encompasses several
musical styles: legato,
swing, march, and more,
with a spirited bravura
conclusion that students
and audiences will love.
The contrasting movements
include the lyrical River
Echoes, the jazzy
Railroads, the
hard-driving Machines
section, and the
climactic Traditions
finale. Though written to
represent central
Illinois, each movement
references significant
events encompassing
several periods in U.S.
history. Kevin Mixon's
River Valley Legacy
offers abundant
opportunities for
cross-curricular
instruction with a piece
that is sure to be a
favorite at your next
concert.
Superior Tradition Orchestre d'harmonie - Intermédiaire Alfred Publishing
Concert Band - Grade 3 SKU: AP.29489S Composed by Gary Fagan. Concert Ban...(+)
Concert Band - Grade 3
SKU: AP.29489S
Composed by Gary Fagan.
Concert Band; Performance
Music Ensemble; Single
Titles. Alfred Concert
Band. Score. 24 pages.
Duration 5:00. Alfred
Music #00-29489S.
Published by Alfred Music
(AP.29489S).
UPC:
038081315645.
English.
Superior
Tradition takes your band
on a rhythmic ride full
of syncopation and
energy. A contrasting
lyrical theme provides
moments of beauty and
dignity to this
outstanding composition.
(5:00).
Scottish Dances Orchestre d'harmonie - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000956-140 Composed by Pete...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000956-140
Composed by Peter Martin.
Arranged by Menno
Haantjes. Score Only.
Gobelin Music
Publications #GOB
000956-140. Published by
Gobelin Music
Publications
(BT.GOB-000956-140).
Scottish Dances
is based on three
Scottish traditionals:
Cock of the North, The
Bonnie Bank's O'Loch
Lomond and Marie's
Wedding.
I. Cock
of the North's name is
used for multiple things
or events. For example
for a locomotive to a
famous, it seems,
delicious liqueur, and
rallies to snowboard
competitions. Furthermore
is Cock O' the North a
nickname of a famous
Duke. (The 4th Duke of
Gordon). In this
composition Cock of the
North (a Jig) is a
traditional Scottish
bagpipe tune, regularly
played on tattoos by Pipe
Bands. Not infrequently
the drummers sing the
text.
Auntie
Mary, had a canary,
Up the leg of her
trousers While she
was sleeping Iwas
peeping Up the leg of
her trousers.
II.
The Bonnie Bank's O'Loch
Lomond is about a sad
story that took place
during an revolt against
the British. In 1745
Bonnie Prince Charlie had
to retreat. Two of his
men were captured. One
was convicted and
executed, while the other
was released. The spirit
of the executed soldier
would arrive in Scotland
via the 'low road'
(underworld) before his
companion, who had still
a long way to go.
You'll take the
high road And I'll
take the low road And
I'll be in Scotland afore
ye But me and my true
love will never meet
again On the Bonnie
Bonnie Banks of Loch
Lomond
III. In a
Scottish wedding, after
the official ceremonies,
there is often danced.
This is called a ceilidh.
For this we use
traditional Scottish
music such as Marie's
Wedding '. Mid dance
we go back to the church,
where a lovely song in
honor of the couple
sounds. Marie's
Wedding has been recorded
by Van Morrison (among
many others).
Step we gaely, on we go,
heel for heel and toe for
toe Arm and arm and
on we go, all for Marie's
wedding
Scottish
Dances is gebaseerd op
drie Schotse
traditionals: Cock of the
North, The Bonnie Bank's
O'Loch Lomond en Marie's
Wedding.
I. De
naam Cock of the North
wordt voor meerdere
dingen of evenementen
gebruikt. Van een
beroemdelocomotief tot
een, naar het schijnt,
een heerlijke likeur, en
van rally's tot snowboard
wedstrijden. Bovendien
was 'Cock O' the North'
een bijnaam van een
bekende hertog. (the 4th
Duke of Gordon) Het
in deze
compositiegebruikte Cock
of the North (een Jig) is
een traditioneel Schotse
bagpipe tune (doedelzak
liedje) wat regelmatig
gespeeld wordt op taptoes
door Pipebands. Niet
zelden zingen de
slagwerkers de tekst
mee.
Auntie Mary,
had acanary, Up the
leg of her trousers
While she was sleeping I
was peeping Up the
leg of her
trousers.
You'll
take the high road
And I'll take the low
road And I'll be in
Scotland aforeye But
me and my true love will
never meet again On
the Bonnie Bonnie Banks
of Loch Lomond
III. Bij een Schotse
bruiloft wordt na de
officiele plechtigheden
vaak gedanst. Dit noemt
men een ceilidh. Hiervoor
gebruiktmen traditionele
Schotse muziek zoals
bijv. 'Marie's
Wedding'. Halverwege
de dans gaan we nog even
terug naar de kerk, waar
een lieflijk lied ter ere
van het bruidspaar
klinkt. Marie's
Wedding is o.a. door Van
Morrison opgenomen.
For trombones and
band. Composed by
Harm Evers. Solo
Spectrum. March. Set
(Score & Parts). Composed
2005. De Haske
Publications #DHP
1053784-010. Published by
De Haske Publications
(BT.DHP-1053784-010).
English-German-French-
Dutch.
Halloween is
celebrated in many
countries around the
world on October 31.
Traditionally, children
go door-to-door dressed
up in costumes and
collect sweets and
treats. A hollowed out
pumpkin with a face
carved into it, called a
jack-o-lantern, is a
traditional symbol of
Halloween. Some
jack-o-lanterns have
scary faces, while others
have fun, whimsical
faces. The trombones in
this piece represent the
jack-o-lanterns with
their whimsical
faces—hence the
title The Funny Pumpkins.
Your trombone section
will have immense fun
with this new solo
feature.
In diesem
lustigen Stück von
Harm Evers stellen die
Posaunen die halb
gruseligen, halb
komischen Gesichter dar,
die zu Halloween aus
Kürbissen (englisch
'pumpkins') geschnitzt
werden. Ein leichter,
lebhafter Marsch 'mit
einem Augenzwinkern', der
nicht nur zu Halloween
für gute Stimmung
sorgt!
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1074279-015 Arra...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1074279-015
Arranged by Roland
Kernen. Flexible 5
Series. Christmas. Set
(Score & Parts). Composed
2007. De Haske
Publications #DHP
1074279-015. Published by
De Haske Publications
(BT.DHP-1074279-015).
9x12 inches.
English-German-French-Dut
ch.
The well-known
traditional melodies
Rock My Soul, Go Tell
It on the Mountain
and Mary´s Boy
Child have been put
together by Roland Kernen
in this attractive
medley. Arranged in a way
that enables flexible
instrumentation this work
isplayable by a
non-standard brass band
line-up. The percussion
parts are optional. A
lively work that will
leave your audience
rockin off to
Christmas.
De
wereldwijd bekende
traditionals Rock My
Soul, Go Tell It on the
Mountain en
Mary’s Boy
Child zijn door
Roland Kernen
samengevoegd in een
bijzonder geslaagde
medley voor
harmonieorkest. Rock
in the Mountainsis
fijn om te spelen voor
het orkest en een feest
der herkenning voor het
publiek.
Die
bekannten traditionellen
Lieder Rock My Soul,
Go Tell It on the
Mountain und
Mary's Boychild
wurden von Roland Kernen
zu einem sehr reizvollen
Medley zusammengefügt.
Die Instrumentierung
für eine variable
fünfstimmigeBesetzung
macht das Werk vielen
Kombinationen von
Blasinstrumenten
zugänglich. Die
Schlagzeugstimmen sind ad
libitum.
Arranged by Wil van der
Beek. Great Classics.
Classical. Set (Score &
Parts). Composed 2019. De
Haske Publications #DHP
1196069-010. Published by
De Haske Publications
(BT.DHP-1196069-010).
English-German-French-
Dutch.
To create
the musical material of
this medley, the arranger
drew upon the rich
arsenal of Russian folk
songs and dances.
Familiar traditional
tunes have been combined
with less well-known, but
certainly no less
interesting
manifestations of folk
music. In this attractive
arrangement the following
melodies are featured:
The Volga Boatmen
Song, The Jolly
Chap, The Red
Sarafan, The
Forest Glade, The
Nightingale and the
Gopak.
Voor
de keuze van het muzikale
materiaal waaruit deze
medley is samengesteld,
is geput uit het rijke
arsenaal van Russische
volksliederen en -dansen.
Bekende traditionals zijn
hierbij gecombineerd met
onbekendere, maar zeker
niet minder interessante
uitingen van volksmuziek.
In dit aantrekkelijke
arrangement komen de
volgende melodieën aan
bod: The Volga Boatmen
Song (Lied van de
Wolgaslepers), The
Jolly Chap (De
vrolijke jongen), The
Red Sarafan (De rode
sarafaan), The Forest
Glade (De open plek
in het bos), The
Nightingale (De
nachtegaal) en de
Gopak.
Der
Arrangeur hat bei der
Auswahl der Stücke
für dieses Medley auf
das reiche Angebot an
russischen Volksliedern
und Tänzen
zurückgegriffen.
Bekannte traditionelle
Stücke wurden mit
nicht so bekannten, aber
sicherlich nicht weniger
interessanten
Meilensteinen der
Volksmusik kombiniert.
Dieses reizvolle
Arrangement beinhaltet
folgende Melodien: The
Volga Boatmen Song,
The Jolly Chap,
The Red Sarafan,
The Forest Glade,
The Nightingale
und
Gopak.
Arranged by Wil van der
Beek. Great Classics.
Classical. Score Only.
Composed 2019. 24 pages.
De Haske Publications
#DHP 1196069-140.
Published by De Haske
Publications
(BT.DHP-1196069-140).
English-German-French-
Dutch.
To create
the musical material of
this medley, the arranger
drew upon the rich
arsenal of Russian folk
songs and dances.
Familiar traditional
tunes have been combined
with less well-known, but
certainly no less
interesting
manifestations of folk
music. In this attractive
arrangement the following
melodies are featured:
The Volga Boatmen
Song, The Jolly
Chap, The Red
Sarafan, The
Forest Glade, The
Nightingale and the
Gopak.
Voor
de keuze van het muzikale
materiaal waaruit deze
medley is samengesteld,
is geput uit het rijke
arsenaal van Russische
volksliederen en -dansen.
Bekende traditionals zijn
hierbij gecombineerd met
onbekendere, maar zeker
niet minder interessante
uitingen van volksmuziek.
In dit aantrekkelijke
arrangement komen de
volgende melodieën aan
bod: The Volga Boatmen
Song (Lied van de
Wolgaslepers), The
Jolly Chap (De
vrolijke jongen), The
Red Sarafan (De rode
sarafaan), The Forest
Glade (De open plek
in het bos), The
Nightingale (De
nachtegaal) en de
Gopak.
Der
Arrangeur hat bei der
Auswahl der Stücke
für dieses Medley auf
das reiche Angebot an
russischen Volksliedern
und Tänzen
zurückgegriffen.
Bekannte traditionelle
Stücke wurden mit
nicht so bekannten, aber
sicherlich nicht weniger
interessanten
Meilensteinen der
Volksmusik kombiniert.
Dieses reizvolle
Arrangement beinhaltet
folgende Melodien: The
Volga Boatmen Song,
The Jolly Chap,
The Red Sarafan,
The Forest Glade,
The Nightingale
und
Gopak.
Brass Band (Score & Parts) - Grade 3 SKU: HL.44012861 Composed by Mykola ...(+)
Brass Band (Score &
Parts) - Grade 3
SKU:
HL.44012861
Composed
by Mykola Dmytrovich
Leontovych. Arranged by
Philip Sparke. Anglo
Music Concert Band.
Christmas. Softcover.
Composed 2005. Anglo
Music Press #AMP134-030.
Published by Anglo Music
Press (HL.44012861).
9x12 inches.
English-German-French-Dut
ch.
The
Ukrainian Bell
Carol is part of a
large choral work
entitled Shchedryk by the
Ukrainian composer Mykola
Dmytrovich Leontovych
(1877-1921). The tune is
an adaptation of an old
'shchedrivka', a song
traditionally sung on
Ukrainian New Year's Eve
(January 13th) which
hopes for good fortune in
the year to come. The
tune has since been the
inspiration for at least
four different Christmas
carols, of which Carol
of the Bells is the
most famous. Philip
Sparke has sourced the
original Ukrainian melody
to create this stirring
arrangement.
The <
em>Ukrainian Bell
Carol is part
of a large choral work
entitled Shchedryk by the
Ukrainian composer Mykola
Dmytrovich Leontovych
(1877-1921).
The
tune is an adaptation of
an old 'shchedrivka', a
song traditionally sung
on Ukrainian New Year's
Eve (January 13th) which
hopes for good fortune in
the year to come. The
tune has since been the
inspiration for at least
four different Christmas
carols, of
which Carol of
the Bells is
the most famous. Philip
Sparke has sourced the
original Ukrainian melody
to create this stirring
arrangement.
D
e Ukrainian Bell
Carol is onderdeel
van het grote koorwerk
Shchedryk van de
Oekraiense componist
Mykola Dmytrovich
Leontovych (1877-1921).
De melodie is gebaseerd
op een 'shchedrivka', een
lied dat van oudsher
werdgezongen op de
Oekraiense oudejaarsavond
(13 januari). In
Shchedryk voegde
Leontovych de tekst toe
over de legende die
vertelt dat bij de
geboorte van Jezus alle
klokken op aarde begonnen
te luiden. Sindsdien is
deze melodiede
inspiratiebron geweest
voor ten minste vier
verschillende Christmas
carols, waarvan Carol
of the Bells de
beroemdste is. Voor dit
meeslepende arrangement
heeft Philip Sparke
echter de oorspronkelijke
Oekraiense
melodiegebruikt.
D
as Ukrainian Bell
Carol (Ukrainisches
Glocken- Weihnachtslied)
ist Teil eines grossen
Chorwerkes namens
Shchedryk vom
ukrainischen Komponisten
Mykola Dmytrovich
Leontovych. Sein Text
handelt von der Legende,
die besagt, dass zu Ehren
von Jesu Geburt alle
Glocken lauteten. Aus der
Melodie entstand unter
anderem auch das bekannte
Carol of the Bells
von Peter J. Wilhousky.
Philip Sparke griff fur
seine bewegende
Bearbeitung jedoch auf
die originale ukrainische
Melodie
zuruck.
Ukraini
an Bell Carol
constitue une des parties
de l'œuvre chorale
Shchedryk du
compositeur ukrainien
Mykola Dmytrovich
Leontovich (1877-1921).
La melodie s'inspire d'un
vieux chant traditionnel
ukrainien
(shchedrivka)
chante le Jour de l'An
(celebre le 13 janvier,
conformement au
calendrier julien) dans
l'espoir que l'annee a
venir se presente sous de
bons hospices. A
l'ecriture de
Shchedryk, Mykola
Leontovich a choisi de
changer les paroles. Il
opte pour la legende
selon laquelle, toutes
les cloches des eglises
se sont mises a
carillonner joyeusement
pour annoncer la
naissance de Jesus. La
melodie du chant a
inspire au moins quatre
noelsdifferents. Carol
of the Bells en est
la version la plus
celebre. Elle a ete
adaptee en 1936 (texte et
melodie) par Peter J.
Wilhousky (1902-1978)
d'apres la version
originale de Mykola
Leontovich. Philip Sparke
s'est base sur la melodie
du chant traditionnel
ukrainien pour realiser
cet arrangement brillant
et petillant.
Ukrainian Bell
Carol costituisce una
delle parti dell'opera
corale Shchedryk del
compositore ucraino
Mykola Dmytrovich
Leontovich (1877-1921).
Il testo narra una
leggenda secondo la quale
le campane delle chiese
si sono messe a suonare
per annunciare la nascita
di Gesu. La melodia di
Leontovich ha ispirato
almeno quattro canti
natalizi diversi. Carol
of the Bells di Peter
J.Wilhousky e la versione
piu celebre. Philip
Sparke ha scelto di
ispirarsi alla melodia
originale del canto
tradizionale ucraino
(shchedrivka) per
realizzare questo
brillante
arrangiamento.
Concert Band/Harmonie - Grade 3.5 SKU: BT.AMP-503-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.AMP-503-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2021. 40 pages.
Anglo Music Press #AMP
503-140. Published by
Anglo Music Press
(BT.AMP-503-140).
English-German-French-
Dutch.
A Little
Klezmer Suite was
commissioned by Rushton
Park High School to
celebrate the 50th
anniversary of their band
programme. They gave the
premiere in a virtual
online concert in October
2020. Klezmer music
originated inthe
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages. 'Klezmer' is a
Yiddish termcombining the
Hebrew words
‘kley’
(instrument) and
‘zemer’
(song). The roots of the
style are found in
secular melodies, popular
dances, Jewish
‘hazanut’
(cantorial music) and
also the
‘nigunim’,
the wordless melodies
intoned bythe
‘Hasidim’
(orthodox Jews). The
melodies used in the four
movements of A Little
Klezmer Suite have
traditionally been used
in Jewish wedding
ceremonies and
celebrations.
A
Little Klezmer Suite
werd geschreven in
opdracht van de Rushton
Park High School ter
gelegenheid van het
vijftigjarig bestaan van
het blaasorkest van de
school. De première
vond in oktober 2020
plaats tijdens een
virtueelonlineconcert.
Klezmermuziek is ontstaan
in de 'sjtetls' (dorpen)
en getto’s van
Oost-Europa, waar
rondreizende Joodse
troubadours, de zogeheten
klezmorim, sinds de
vroege middeleeuwen
optraden bij feesten, met
name bruiloften.Klezmer
is een Jiddische term
waarin de Hebreeuwse
woorden 'kley'
(instrument) en 'zemer'
(lied) zijn gecombineerd.
De oorsprong van de stijl
is te vinden in
wereldlijke melodieën,
populaire dansen, de
chazanoet muziek uit
desynagoge met een
voorzanger en de nigunim,
de tekstloze melodieën
die worden gezongen door
de orthodoxe chassidische
joden. De melodieën
die in de vier delen van
A Little Klezmer
Suite zijn gebruikt,
werden vanoorsprong ten
gehore gebracht op Joodse
bruiloftsplechtigheden en
huwelijksfeesten.
A Little Klezmer
Suite wurde von der
Rushton Park High School
in Auftrag gegeben, um
den 50. Geburtstag ihres
Blasorchesters zu feiern.
Die Uraufführung fand
im Rahmen eines
virtuellen
Online-Konzerts im
Oktober 2020 statt.Die
Klezmer-Musik entstand in
den sogenannten
Schtetl“
(Dörfern) und in den
osteuropäischen
Ghettos, in denen
fahrende jüdische
Troubadoure, bekannt als
Klezmorim“, seit
dem frühen Mittelalter
bei Festen, insbesondere
beiHochzeiten,
aufgetreten sind.
Klezmer“ ist ein
jiddischer Begriff, der
die hebräischen
Wörter kley“
(Instrument) und
zemer“ (Lied)
miteinander kombiniert.
Der Ursprung des Stils
liegt in weltlichen
Melodien,
Volkstänzen,jüdisch
er Hazanut“
(Kantorenmusik) und in
den Nigunim“
Melodien ohne Text, die
von den Chassidim
(orthodoxen Juden)
intoniert wurden. Die
Melodien, die in den vier
Sätzen von A Little
Klezmer Suite
vorkommen,
wurdentraditionell bei
jüdischen
Hochzeitszeremonien und
Feiern
gespielt.
Concert Band/Harmonie - Grade 3.5 SKU: BT.AMP-503-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.AMP-503-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score and
Parts). Composed 2021.
Anglo Music Press #AMP
503-010. Published by
Anglo Music Press
(BT.AMP-503-010).
English-German-French-
Dutch.
A Little
Klezmer Suite was
commissioned by Rushton
Park High School to
celebrate the 50th
anniversary of their band
programme. They gave the
premiere in a virtual
online concert in October
2020. Klezmer music
originated inthe
‘shtetlâÃ
¢Â‚¬â„¢ (villages)
and the ghettos of
Eastern Europe, where
itinerant Jewish
troubadours, known as
‘klezmorimÃ
¢â‚¬â„¢, had
performed at
celebrations,
particularly weddings,
since the early Middle
Ages. 'Klezmer' is a
Yiddish termcombining the
Hebrew words
‘kleyââÂ
‚¬â„¢ (instrument)
and
‘zemerââ
‚¬â„¢ (song). The
roots of the style are
found in secular
melodies, popular dances,
Jewish
‘hazanutâ
€™ (cantorial
music) and also the
‘nigunimâ
€™, the
wordless melodies intoned
bythe
‘Hasidimâ
€™ (orthodox
Jews). The melodies used
in the four movements of
A Little Klezmer
Suite have
traditionally been used
in Jewish wedding
ceremonies and
celebrations.
A
Little Klezmer Suite
werd geschreven in
opdracht van de Rushton
Park High School ter
gelegenheid van het
vijftigjarig bestaan van
het blaasorkest van de
school. De
première vond in
oktober 2020 plaats
tijdens een
virtueelonlineconcert.
Klezmermuziek is ontstaan
in de 'sjtetls' (dorpen)
en getto’s
van Oost-Europa, waar
rondreizende Joodse
troubadours, de zogeheten
klezmorim, sinds de
vroege middeleeuwen
optraden bij feesten, met
name bruiloften.Klezmer
is een Jiddische term
waarin de Hebreeuwse
woorden 'kley'
(instrument) en 'zemer'
(lied) zijn gecombineerd.
De oorsprong van de stijl
is te vinden in
wereldlijke
melodieën,
populaire dansen, de
chazanoet muziek uit
desynagoge met een
voorzanger en de nigunim,
de tekstloze
melodieën die
worden gezongen door de
orthodoxe chassidische
joden. De
melodieën die in
de vier delen van A
Little Klezmer Suite
zijn gebruikt, werden
vanoorsprong ten gehore
gebracht op Joodse
bruiloftsplechtigheden en
huwelijksfeesten.
A Little Klezmer
Suite wurde von der
Rushton Park High School
in Auftrag gegeben, um
den 50. Geburtstag ihres
Blasorchesters zu feiern.
Die Uraufführung
fand im Rahmen eines
virtuellen
Online-Konzerts im
Oktober 2020 statt.Die
Klezmer-Musik entstand in
den sogenannten
Schtetl“
(Dörfern) und in
den
osteuropäischen
Ghettos, in denen
fahrende jüdische
Troubadoure, bekannt als
Klezmorim“,
seit dem frühen
Mittelalter bei Festen,
insbesondere
beiHochzeiten,
aufgetreten sind.
Klezmer“ ist
ein jiddischer Begriff,
der die
hebräischen
Wörter
kley“
(Instrument) und
zemer“
(Lied) miteinander
kombiniert. Der Ursprung
des Stils liegt in
weltlichen Melodien,
Volkstänzen,jÃÃ
‚¼discher
Hazanut“
(Kantorenmusik) und in
den Nigunim“
Melodien ohne Text, die
von den Chassidim
(orthodoxen Juden)
intoniert wurden. Die
Melodien, die in den vier
Sätzen von A
Little Klezmer Suite
vorkommen,
wurdentraditionell bei
jüdischen
Hochzeitszeremonien und
Feiern
gespielt.
Concert Band/Harmonie - Grade 3.5 SKU: BT.AMP-481-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.AMP-481-010
Composed by Philip
Sparke. Ceremonial
Series. Concert March.
Set (Score & Parts).
Composed 2021. Anglo
Music Press #AMP 481-010.
Published by Anglo Music
Press (BT.AMP-481-010).
English-German-French-
Dutch.
Guardians
of the Waves was
commissioned by the Japan
Coast Guard Band to
celebrate their 30th
anniversary in 2018. They
gave the premiere as part
of a 30th anniversary
concert on November 8th
that year. Set in
traditionalmarch form,
Guardians of the
Waves opens with a
short introduction, which
leads to the main theme,
played initially by the
brass and then repeated
with a florid woodwind
descant. The theme is
extended and morphs into
asecond theme, first
played tutti and then
quietly repeated by
bassoon, tenor sax and
euphonium. This leads to
a conventional
‘bass
strain’, played
twice with varying
accompaniments. A quieter
trio section follows,
delicatelyscored and
featuring the tenor
instruments of the band.
Taken up by the full
band, this leads back to
a recall of the
introduction and a return
to the main two themes,
which lead to a triumphal
close.
Guardian
s of the Waves werd
geschreven in opdracht
van de Japan Coast Guard
Band ter gelegenheid van
het dertigjarig bestaan
van dit orkest, in 2018.
De première vond
plaats tijdens het
jubileumconcert op 8
november van datjaar. Het
werk, dat is gecomponeerd
in een traditionele
marsvorm, begint met een
korte introductie die het
hoofdthema inleidt, dat
aanvankelijk wordt
gespeeld door het koper
en dan wordt herhaald met
een weelderige discant in
hethout. Het thema wordt
voortgezet en gaat over
in een tweede thema,
eerst tutti gespeeld en
rustig herhaald door
fagot, tenorsax en
eufonium. Dit thema voert
ons mee naar een
conventionele baslijn,
die twee keer wordt
gespeeld metvariërende
begeleiding. Daarna volgt
een kalmer triogedeelte,
dat delicaat is getoonzet
en waarin de
tenorinstrumenten van het
orkest ruimschoots aan
bod komen. Het wordt dan
overgenomen door het
complete orkest en brengt
onsterug naar de
inleiding en de twee
hoofdthema’s,
uitmondend in een
triomfantelijk
slot.
Guardians
of the Waves wurde
von der Japan Coast Guard
Band anlässlich ihres
30-jährigen Bestehens
im Jahr 2018 in Auftrag
gegeben. Die
Uraufführung fand am
8. November 2018 im
Rahmen eines
Jubiläumskonzertes
statt.Guardians of the
Waves wurde als
traditioneller Marsch
komponiert und beginnt
mit einer kurzen
Einleitung, die zum
Hauptthema führt.
Dieses wird zunächst
von den Blechbläsern
gespielt und dann von den
Oberstimmen in
denHolzbläsern mit
Verzierungen wiederholt.
Das Thema wird erweitert
und geht in ein zweites
Thema über, das
zunächst vom Tutti
gespielt und dann von
Fagott, Tenorsaxophon und
Euphonium leise
wiederholt wird.
Anschließend
erklingteine
traditionelle Melodie in
den Bassinstrumenten, die
mit unterschiedlicher
Begleitung zweimal
gespielt wird. Es folgt
ein ruhigeres Trio, das
zart besetzt ist und die
Tenorinstrumente des
Blasorchesters
hervorhebt. Dies
wirdschließlich vom
gesamten Blasorchester
aufgegriffen und führt
zu einer Wiederholung der
Einleitung und einer
Rückkehr zu den beiden
Hauptthemen, die in einen
triumphalen Schluss
überleiten.
Concert Band/Harmonie - Grade 3.5 SKU: BT.AMP-481-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.AMP-481-140
Composed by Philip
Sparke. Ceremonial
Series. Concert March.
Score Only. Composed
2021. 32 pages. Anglo
Music Press #AMP 481-140.
Published by Anglo Music
Press (BT.AMP-481-140).
English-German-French-
Dutch.
Guardians
of the Waves was
commissioned by the Japan
Coast Guard Band to
celebrate their 30th
anniversary in 2018. They
gave the premiere as part
of a 30th anniversary
concert on November 8th
that year. Set in
traditionalmarch form,
Guardians of the
Waves opens with a
short introduction, which
leads to the main theme,
played initially by the
brass and then repeated
with a florid woodwind
descant. The theme is
extended and morphs into
asecond theme, first
played tutti and then
quietly repeated by
bassoon, tenor sax and
euphonium. This leads to
a conventional
‘bass
strain’, played
twice with varying
accompaniments. A quieter
trio section follows,
delicatelyscored and
featuring the tenor
instruments of the band.
Taken up by the full
band, this leads back to
a recall of the
introduction and a return
to the main two themes,
which lead to a triumphal
close.
Guardian
s of the Waves werd
geschreven in opdracht
van de Japan Coast Guard
Band ter gelegenheid van
het dertigjarig bestaan
van dit orkest, in 2018.
De première vond
plaats tijdens het
jubileumconcert op 8
november van datjaar. Het
werk, dat is gecomponeerd
in een traditionele
marsvorm, begint met een
korte introductie die het
hoofdthema inleidt, dat
aanvankelijk wordt
gespeeld door het koper
en dan wordt herhaald met
een weelderige discant in
hethout. Het thema wordt
voortgezet en gaat over
in een tweede thema,
eerst tutti gespeeld en
rustig herhaald door
fagot, tenorsax en
eufonium. Dit thema voert
ons mee naar een
conventionele baslijn,
die twee keer wordt
gespeeld metvariërende
begeleiding. Daarna volgt
een kalmer triogedeelte,
dat delicaat is getoonzet
en waarin de
tenorinstrumenten van het
orkest ruimschoots aan
bod komen. Het wordt dan
overgenomen door het
complete orkest en brengt
onsterug naar de
inleiding en de twee
hoofdthema’s,
uitmondend in een
triomfantelijk
slot.
Guardians
of the Waves wurde
von der Japan Coast Guard
Band anlässlich ihres
30-jährigen Bestehens
im Jahr 2018 in Auftrag
gegeben. Die
Uraufführung fand am
8. November 2018 im
Rahmen eines
Jubiläumskonzertes
statt.Guardians of the
Waves wurde als
traditioneller Marsch
komponiert und beginnt
mit einer kurzen
Einleitung, die zum
Hauptthema führt.
Dieses wird zunächst
von den Blechbläsern
gespielt und dann von den
Oberstimmen in
denHolzbläsern mit
Verzierungen wiederholt.
Das Thema wird erweitert
und geht in ein zweites
Thema über, das
zunächst vom Tutti
gespielt und dann von
Fagott, Tenorsaxophon und
Euphonium leise
wiederholt wird.
Anschließend
erklingteine
traditionelle Melodie in
den Bassinstrumenten, die
mit unterschiedlicher
Begleitung zweimal
gespielt wird. Es folgt
ein ruhigeres Trio, das
zart besetzt ist und die
Tenorinstrumente des
Blasorchesters
hervorhebt. Dies
wirdschließlich vom
gesamten Blasorchester
aufgegriffen und führt
zu einer Wiederholung der
Einleitung und einer
Rückkehr zu den beiden
Hauptthemen, die in einen
triumphalen Schluss
überleiten.
Christmas in the Round arranged by Robert W. Smith. Concert Band. Concert Band. ...(+)
Christmas in the Round
arranged by Robert W.
Smith. Concert Band.
Concert Band. Belwin
Concert Band. Form:
Medley. Christmas;
Contemporary; Winter.
Grade 3. Conductor Score
and Parts. 328 pages.
Published by Belwin
Publishing
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1064151-010 Composed by Tra...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1064151-010
Composed by Traditional.
Arranged by Michael
Bilkes. Christmas
Collection. Hymns &
Chorals. Set (Score &
Parts). Composed 2006. De
Haske Publications #DHP
1064151-010. Published by
De Haske Publications
(BT.DHP-1064151-010).
9x12 inches.
English-German-French-Dut
ch.
Maria durch
ein? Dornwald ging (Blest
Mary Wanders Through the
Thorn) is a traditional
German Christmas song.
The earliest known
version is recorded in
the Andernacher
Gesangbuch from 1608.
Halfway through the
nineteenth century it was
a regional pilgrimage
song in Thüringen, and
at the beginning of the
twentieth century, the
current version was
registered in the
songbook Zupfgeigenhansl
of the German youth
movement. Michael Bilkes
used the well-known
melody to create this
attractive arrangement
for concert
band.
Maria
durch ein’
Dornwald ging (Maria door
een doornwoud trad)
is een traditioneel Duits
kerstlied. De oudst
bekende versie is
opgetekend in het
Andernacher
Gesangbuch uit 1608.
Halverwege de negentiende
eeuw was heteen regionaal
bedevaartslied in
Thüringen en aan het
begin van de twintigste
eeuw werd het in de
huidige versie opgenomen
in het liedboek
Zupfgeigenhansl
van de Duitse
jeugdbeweging. Maria
durch ein’
Dornwald ging heeftal
vele arrangeurs ge
nspireerd tot het
schrijven van
koorbewerkingen. Michael
Bilkes verwerkte de
bekende melodie in een
sfeervol arrangement voor
harmonieorkest.
Ma
ria durch ein’
Dornwald ging ist ein
traditionelles deutsches
Adventslied, dessen
früheste
überlieferte Version
im Andernacher
Gesangbuch von 1608
dokumentiert ist und
seither viele Arrangeure
zu Bearbeitungen für
diverse
Instrumentalbesetzungen
und Chöre inspiriert
hat. Michael Bilkes
verwendete die bekannte
Melodie für diese
gefühlvolle
Bearbeitung für
Blasorchester.
Maria
durch ein’
Dornwald ging è un
canto di Natale tedesco
pubblicato per la prima
volta nella raccolta di
cantici Andernacher
Gesanbuch (1608). La
versione attuale è
stata pubblicata nel
corso del XX secolo in
una raccolta di canti per
il Movimento tedesco
della gioventù.
Maria durch
ein’ Dornwald
ging ha ispirato
numerosi adattamenti per
coro.
L’arrangiamento
per orchestra di fiati di
Michael Bilkes è
basato sulla melodia del
canto.
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1064151-140 Composed by Tra...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1064151-140
Composed by Traditional.
Arranged by Michael
Bilkes. Christmas
Collection. Hymns &
Chorals. Score Only.
Composed 2006. De Haske
Publications #DHP
1064151-140. Published by
De Haske Publications
(BT.DHP-1064151-140).
9x12 inches.
English-German-French-Dut
ch.
Maria durch
ein? Dornwald ging (Blest
Mary Wanders Through the
Thorn) is a traditional
German Christmas song.
The earliest known
version is recorded in
the Andernacher
Gesangbuch from 1608.
Halfway through the
nineteenth century it was
a regional pilgrimage
song in Thüringen, and
at the beginning of the
twentieth century, the
current version was
registered in the
songbook Zupfgeigenhansl
of the German youth
movement. Michael Bilkes
used the well-known
melody to create this
attractive arrangement
for concert
band.
Maria durch
ein’ Dornwald ging
ist ein traditionelles
deutsches Adventslied,
dessen früheste
überlieferte Version
im Andernacher
Gesangbuch von 1608
dokumentiert ist und
seither viele Arrangeure
zu Bearbeitungen für
diverse
Instrumentalbesetzungen
und Chöre inspiriert
hat. Michael Bilkes
verwendete die bekannte
Melodie für diese
gefühlvolle
Bearbeitung für
Blasorchester.
Maria
durch ein’
Dornwald ging è un
canto di Natale tedesco
pubblicato per la prima
volta nella raccolta di
cantici Andernacher
Gesanbuch (1608). La
versione attuale è
stata pubblicata nel
corso del XX secolo in
una raccolta di canti per
il Movimento tedesco
della gioventù.
Maria durch
ein’ Dornwald
ging ha ispirato
numerosi adattamenti per
coro.
L’arrangiamento
per orchestra di fiati di
Michael Bilkes è
basato sulla melodia del
canto.