This unique collection of 20 Beatles tunes presents, in score format, the parts played by the band's studio session players, so that you can study and play exactly what those Violins, Harps or Trumpets were playing. / Tout Instrument

Par TAKEMITSU TORU. Détails de la formation instrumentale: 1 (auch Alt Flûte Traversière ) · 1 · 2 (2. auch Bassklar.) · 1 (auch Kfg.) - 2 · 1 · 1 · 0 - Percussion (vibr · cym.ant · t.bells · Glsp · 2cym.on pedal timp) (2 players) - harp · piano (auch celesta) - Str. (1 · 1 · 1 · 1 · 1) - Durée: 13' -/ Répertoire / Orchestre de Chambre

Arrangeur: Joseph Knaus. Par SUZUKI SHINICHI. Comprised of works from Volumes 1, 2 and 3 of the Suzuki Violin School, which have been arranged for string quartet by violinist/arranger Joseph Knaus. With lower string parts providing melodic and rhythmic counterpoint to set off the simple melodies (which match the Suzuki Method[R] repertoire), these quartets are nevertheless simple enough for beginning level players ready for their first chamber music experience. String Quartets for Beginning Ensembles are sold in sets including full score and one part book per instrument. Volume 1 contents are: Twinkle, Twinkle, Little Star Theme and Variations (Shinichi Suzuki) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go TellAunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Long, Long Ago (T. H. Bayly) * Allegro (Shinichi Suzuki) * Etude (Shinichi Suzuki) * Perpetual Motion (Shinichi Suzuki) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Gavotte (F. J. Gossec). / Niveau : Débutant / Méthode / Recueil / Orchestre de Chambre

Chamber Orch parts only - 1.1.0.0-1.1.0.0 hp. timp 2 perc. Str (13 players). Par TROTTA MICHAEL JOHN. / Date parution : 2021-11-30/ Répertoire / Orchestre de Chambre

Replay For Small Ensemble. Par STERK NORBERT. Klar BarSax Git Vl Va Vc Kb / Date parution : 2004-01-01/ Répertoire / Musique de Chambre

Par RHEINBERGER JOSEF GABRIEL. Rheinberger’s string quartets, his string quintet and his nonet for winds and strings were often performed and were very successful works during his lifetime. Their density, but also the delicateness of the scherzo movements are in the tradition of Schumann and Mendelssohn and these traits are combined with Rheinberger’s sense for the clear, defined structure of the movements and solid contrapuntal writing. The octet for winds and strings is published here for the first time and the nonet, which is actually a reworking of this octet that Rheinberger undertook some twenty years later, is also published in this volume. Rheinberger made major changes from the original octet and headded two new movements to the nonet. Both works show especially the interest and pleasure which he derived from the variety in the differentiation of colors in ensemble playing. The Thema mit Veränderungen op. 93, which until now has been known as a work for string quartet, is published here with the double bass part which Rheinberger later added./ Répertoire / Ensemble de Chambre