Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, In...(+)
Arranged by Brent
Jorgensen.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music
Corporation #01965.
Published
by Jackman Music
Corporation
For voice and organ. Format: organ/vocal songbook (two copies needed for perform...(+)
For voice and organ.
Format: organ/vocal
songbook (two copies
needed for performance).
With vocal melody,
lyrics, organ
accompaniment and chord
names. Hymn. 132 pages.
9x12 inches. Published by
Hal Leonard.
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced
SKU:
HL.49045437
For
Organ. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Classical. Softcover.
Composed 2016. 48 pages.
Duration 24'. Schott
Music #ED 22668.
Published by Schott Music
(HL.49045437).
ISBN
9790001162715. UPC:
841886029088.
9.0x12.0x0.168
inches.
On the
occasion of the
quincentenary of
Reformation Day in 2017,
the composer Enjott
Schneider thoroughly
studied Martin Luther the
individual and all his
contradictions. The
result is a brilliant,
demanding organ symphony
which is perfect for
concerts on the subject
of Reformation and Martin
Luther.The composer
describes the five
movements of the symphony
as follows:'1st
movement:Wir glauben all
an einen Gott with its
quintuplet-like beginning
is very Gregorian in
style, outlining the
range of Lutheran
emotionalism between the
Middle Ages and the
modern era. The
irrationality of faith
ultimately has priority
over any thought and
evidence. At the
beginning of the
movement, sounds of
knocking on wood remind
of the nailing of the
Ninety-Five Theses to the
doors of churches in
Wittenberg. The chorale
melody sometimes hides
with an almost rough
medieval saltarello,
referring to Luther's
robustness and vitality
with which he knew to
carry away even common
people.2nd movement:In
1530, the electoral
prince of Saxony
presented to Luther at
Coburg Castle the golden
signet ring with the
Luther rose which became
the symbol of his
theology of grace. A
white heart with black
cross is fixed on a
five-petalled rose. To
him, white is the colour
of angels and ghosts,
black stands for the pain
of crucification: The
just shall live by faith,
but by faith in the
Crucified. But the fact
that the rose and the
heart are the dominating
symbols shows how
Catholic Marian piety
remained an ingredient of
Luther's spirituality
throughout his life. In
line with the dominant
five-petal structure of
the rose, this movement
was composed, to a large
extent, in accordance
with the floating,
lyrical rhythm in 5/8
time.3rd movement:The
omnipresence of death and
dying - from the plague
and war to the
never-ending dangers of
daily life - was an
essential part of the
world view of that time.
Fears ensued that might
heighten into the
grotesque, e.g. in the
pictures of Hieronymus
Bosch. The Danse macabre
was a popular motif in
those years. Luther's
chorale Mitten wir im
Leben sind / mit dem Tod
umfangen from 1524
(Enchiridion from Erfurt)
is based on the Gregorian
chant Media vita in morte
sumus created in France
around 750 and, with its
idea of transience,
inspired a simplistic
air.4th movement:The
famous confession
delivered at the Diet of
Worms in 1521, I stand
here and can say no more.
God help me. Amen, are
not Luther's words but
the version later used as
text for a pamphlet.
However, it represents
quite plainly the
straightforwardness and
inevitability of his
mission. Musically, it
was made into a perpetuum
mobile, i.e. a dogged,
ostinato and never-ending
musical air.5th
movement:The Mighty
Fortress, on the other
hand, is one of the great
symbols of Martin Luther
which, with its shining C
major key, embodies the
Protestant ideology and
willful nature of the
Reformation unlike any
other song. Heinrich
Heine called it the
Marseille anthem of the
Reformation, Friedrich
Engels the Marseillaise
of the Peasants' Wars.
This disputability is not
thought through to the
end but rather
interrupted: With a
jubilant birdcall version
of the melody, the finale
shows a rather
chamber-music-like side
of the ideals of freedom
of Christians.'.
Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, In...(+)
Arranged by Brent
Jorgensen.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music
Corporation #01964.
Published
by Jackman Music
Corporation
Arranged by Mark Thewes. Organ Solo. H. W. Gray Saint Cecilia Series. Sacred. Sh...(+)
Arranged by Mark Thewes.
Organ Solo. H. W. Gray
Saint Cecilia Series.
Sacred. Sheet. 8 pages.
Jubilate Music Group
#00-GSTCM0106. Published
by Jubilate Music Group
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding ...(+)
Arranged by Hal H.
Hopson. Church-Worship,
Funeral, Funeral &
Memorial, Wedding and
Sacred. Print Music
Collection (Book). 407
pages. Published by Hope
Publishing Company.
Level: (Moderate).
Oboe d'amore (oboe), organ SKU: CA.1306300 Chorale arrangement. Co...(+)
Oboe d'amore (oboe),
organ
SKU:
CA.1306300
Chorale
arrangement. Composed
by Johann Ludwig Krebs.
Edited by Felix
Friedrich. This edition:
paperback. With
instrumental parts.
Instrumental music based
on hymns. Full score.
Krebs-WV 715. 8 pages.
Duration 3 minutes. Carus
Verlag #CV 13.063/00.
Published by Carus Verlag
(CA.1306300).
ISBN
9790007167035. Language:
all languages.
In
the creative output of
the Bach pupil Johann
Ludwig Krebs,
arrangements of chorales
and freely composed works
for organ and a second
instrument occupy an
important position. They
offer a glimpse into the
so-called figural music
of the 17th and 18th
centuries, which has its
roots in Protestant
church music and
constitutes a major
aspect of music and music
making in worship
services. Until now,
Kreb's arrangement of the
chorale Wie schon
leuchtet der Morgenstern
existed only as a
fragment. The editor of
the present edition
discovered the remainder
of the arrangement, which
was previously missing,
and was able to complete
the fragment. Thus, the
complete chorale
arrangement, composed
wholly in the spirit of
Bach, is now available
for performance for the
first time.
(Enduring Gospel Favorites for the Organist). By Kenneth D Varner. For organ: 3-...(+)
(Enduring Gospel
Favorites for the
Organist). By Kenneth D
Varner. For organ:
3-staff. Sacred.
Moderately advanced.
Published by Lillenas
Publishing Company
Organ SKU: GI.G-003026 Simplified Ceremonial Music for Organ. Arra...(+)
Organ
SKU:
GI.G-003026
Simplified Ceremonial
Music for Organ.
Arranged by Kyle Johnson.
Sacred. GIA Publications
#003026. Published by GIA
Publications
(GI.G-003026).
Organists who
are not only completely
comfortable withe
instrument are still
called upon to play for a
variety of ceremonial
occasions, including
weddings. Organist and
organ teacher, Kyle
Johnson, has provided
pragmatic adaptations of
some of the core pieces
in the ceremonial
repertoire. These were
field tested by organ
students from Kyle's own
organ studio, and are
tailored for organists
who, in particular, have
a still-developing pedal
technique. In addition to
wedding staples from
Wagner, Mendelssohn,
Pachelbel, and Clarke,
some of the the other
favorites include are:
Air on the G String/Bach,
Ave Maria/Schubert, Panis
Angelicus/Franck,
Rondeau/Mouret, Air from
Water Music/Handel.
(Voluntaries (without Pedal)). Edited by Alexander Schreiner. For Organ. Book; O...(+)
(Voluntaries (without
Pedal)). Edited by
Alexander Schreiner. For
Organ. Book; Organ -
Method or Collection;
Worship Resources.
Alfred's Classic
Editions. Sacred. 184
pages. Published by
Alfred Music Publishing
(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #199).
Composed by Various. For
Organ, Piano/Keyboard,
Electronic Keyboard. E-Z
Play Today. Softcover.
528 pages. Published by
Hal Leonard
Arranged by Jerry Westenkuehler. Organ Solo. H. W. Gray Saint Cecilia Series. Fo...(+)
Arranged by Jerry
Westenkuehler. Organ
Solo. H. W. Gray Saint
Cecilia Series. Form:
Prelude. Hymn; Sacred.
Sheet. 8 pages. Jubilate
Music Group
#00-GSTCM0101. Published
by Jubilate Music Group
Organ SKU: HL.48180923 Composed by Jehan Alain. Leduc. Post-1900. Softcov...(+)
Organ
SKU:
HL.48180923
Composed
by Jehan Alain. Leduc.
Post-1900. Softcover. 16
pages. Alphonse Leduc
#AL19744. Published by
Alphonse Leduc
(HL.48180923).
UPC:
888680907976.
9.0x12.0x0.092
inches.
Composed by
Jehan Alain, Three Pieces
is a set of upper
intermediate / advanced
works for organ, with
pedal-use. The first
piece, ?Variations sur un
theme de Clement
Jannequin (Variations on
a Clement Jannequin's
Tune), should be
played?in the same way as
Couperin's Preludes:
freshly and softly. It
contains four distinctive
parts: Affetuoso,
Maggiore, Fuggato and
Grave. The second piece
is called ?Le jardin
suspendu (The hanging
garden) and features
three different parts
that can't be played
separately. The last
piece, Litanies, is quite
religious and consists of
the repetition of
lamentations. Its
introduction in vivo is
played only by the right
hand, then followed by
a?Lirico ma sempre vivo
part. These are followed
by switches between the
main tempo and some
vivacissimo parts,
sounding declamatory.
This third piece ends
really harmoniously.
Jehan Alain is a French
organist who became
famous with his Suite for
Organ. Student of Marcel
Dupre and Roger Ducasse
among others, he kept
composing all his life.
One of his most famous
international pieces is
Litanies.
2 trumpets and organ SKU: LO.30-3417L Composed by Lloyd Larson. Choral. S...(+)
2 trumpets and organ
SKU: LO.30-3417L
Composed by Lloyd Larson.
Choral. Sacred Anthem,
Ascension, Eastertide,
General. Instrumental
score and parts. Lorenz
Publishing Company
#30/3417L. Published by
Lorenz Publishing Company
(LO.30-3417L).
UPC:
000308145861.
Lift
the sound of praise
heavenward with this
lively setting of Psalm
150! The opening section
heralds the call to
praise God in His
sanctuary, and the
contrasting sections rise
through sequencing keys
and alleluias until the
final joyous acclamation
of God's praise.
Organ SKU: BR.EB-8809 New Edition in 10 Volumes - Urtext. Composed...(+)
Organ
SKU:
BR.EB-8809
New
Edition in 10 Volumes -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Werner Breig.
Solo instruments;
Softbound. Edition
Breitkopf.
You will
find supplementary
material online
Baroque period. Score.
184 pages. Breitkopf and
Haertel #EB 8809.
Published by Breitkopf
and Haertel (BR.EB-8809).
ISBN 9790004183786.
12.5 x 10
inches.
The
now-published volumes 9
and 10 have presented a
special challenge, for
particularly in the field
of the chorale
arrangements the
transmissions are more
complex than in any other
group of works. This ties
in with the crucial
question of Bach's
authorship, which has
been the subject of much
controversy in the past.
There were heated
discussions about it even
just prior to our
edition, and editors and
publisher are aware that
the present selection is
a thoroughly debatable
snapshot. More on this in
the volumes' text
sections. The situation
of the chorale partitas
is not quite so dramatic,
whereby these holdings
also had to be subdivided
for reasons of
transmission into main
section, appendix, and
online presentation. The
so called
,,Neumeister-Chorale are
incorporated in the group
of the separately
transmitted chorale
settings in alphabetical
order, because the
compilation of the pieces
does not follow any
collection idea of Bach
(such as, for example,
his larger late
collections). The
indication
,,Neumeister-Sammlung
should facilitate the
attribution. Those works
requiring further
research, besides of some
versions, are presented
online, since their
profile reveals less
evidence of the true
author. Breitkopf has
given the world a
splendid edition of the
organ works of Bach.
These final two volumes
offer a wealth of
chorale-based music
benefiting from the very
latest research. Aside
from the edition's
obvious scholarly merit,
a practicing church
organist will love the
convenience and variety
of these volumes.
Recommended without
hesitation.(Jonathan B.
Hall, The American
Organist).
Organ SKU: BR.EB-8810 New Edition in 10 Volumes - Urtext. Composed...(+)
Organ
SKU:
BR.EB-8810
New
Edition in 10 Volumes -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Werner Breig.
Solo instruments;
Softbound. Edition
Breitkopf.
You will
find supplementary
material online
ISBN 9790004183793.
12.5 x 10
inches.
The
now-published volumes 9
and 10 have presented a
special challenge, for
particularly in the field
of the chorale
arrangements the
transmissions are more
complex than in any other
group of works. This ties
in with the crucial
question of Bach's
authorship, which has
been the subject of much
controversy in the past.
There were heated
discussions about it even
just prior to our
edition, and editors and
publisher are aware that
the present selection is
a thoroughly debatable
snapshot. More on this in
the volumes' text
sections. The so called
,,Neumeister-Chorale are
incorporated in the group
of the separately
transmitted chorale
settings in alphabetical
order, because the
compilation of the pieces
does not follow any
collection idea of Bach
(such as, for example,
his larger late
collections). The
indication
,,Neumeister-Sammlung
should facilitate the
attribution. Those works
requiring further
research, besides of some
versions, are presented
online, since their
profile reveals less
evidence of the true
author. Breitkopf has
given the world a
splendid edition of the
organ works of Bach.
These final two volumes
offer a wealth of
chorale-based music
benefiting from the very
latest research. Aside
from the edition's
obvious scholarly merit,
a practicing church
organist will love the
convenience and variety
of these volumes.
Recommended without
hesitation.(Jonathan B.
Hall, The American
Organist).
Organ - Late Intermediate SKU: MN.10-438 Composed by David M. Cherwien. C...(+)
Organ - Late Intermediate
SKU: MN.10-438
Composed by David M.
Cherwien. Chant-Based,
Recital Music,
Bestseller, Offertories,
Preludes,
Partita/Variations,
Postludes. Advent.
Instrumental part.
MorningStar Music
Publishers #10-438.
Published by MorningStar
Music Publishers
(MN.10-438).
UPC:
688670104381.
The
partita is in five
movements, each based on
a text verse which is
quoted before the
movement. The first
movement, smooth and
flowing, depicts
starlight, everlasting
light, and a call to
Christ. The second
movement pastorale takes
its cue from the text
...not as a monarch, but
the child of Mary... and
quotes GREENSLEEVES. The
third movement is a firm
declamation, At your
great name...all knees
must bend. The fourth
movement is strong and
dramatic with chromatic
flourishes painting the
text, ...holy
might...defend us...from
all assaults. The final
movement is a fiery
toccata over a pedal
melody.