Organ (Organ) SKU: HL.48181042 For Organ. Composed by Olivier Mess...(+)
Organ (Organ)
SKU:
HL.48181042
For
Organ. Composed by
Olivier Messiaen. Leduc.
Classical. Softcover. 7
pages. Alphonse Leduc
#AL20068. Published by
Alphonse Leduc
(HL.48181042).
UPC:
888680868949.
9.0x12.0x0.088
inches.
The
Glorious Bodies, by
Olivier Messiaen is a
composition that exhibits
his Roman Catholic faith.
Written for organ in
1939, it is a mix between
Indian music and
Gregorian Plainsong. This
first volume includes the
first three pieces of the
whole composition: 1.
Subtilite des Corps
Glorieux, 2. Les eaux de
la Grace and 3. L'ange
aux parfums. This piece
is divided in 7 sections:
1. Subtilite des Corps
Glorieux 2. Les eaux de
la Grace 3. L'ange aux
parfums 4. Combat de Mort
et de la Vie 5. Force et
agilite des Corps
Glorieux 6. Joie et
clarte des Corps Glorieux
7. Le Mystere de la
Sainte-Trinite. Olivier
Messiaen (1908-1992) was
a French organist and
composer passionate about
ornithology and one of
the most important
composers of his century.
Inspired by Japanese
music, he had a very
special way of composing
and his work can be
identified by its
complexity, its diatonic
aspect, its harmony with
limited transposition,
its colour and its
additive rhythms. He
composed many works
related to ornithology
and birdsong, including
the Bird Catalogue in 7
volumes and the Treatise
on Rhythm, Colour and
Ornithology in 7
volumes.
Organ - Advanced SKU: MN.12-128 Composed by Harold Stover. Non Hymn-Based...(+)
Organ - Advanced
SKU:
MN.12-128
Composed by
Harold Stover. Non
Hymn-Based, Recital
Music. General.
Instrumental part.
MorningStar Music
Publishers #12-128.
Published by MorningStar
Music Publishers
(MN.12-128).
UPC:
688670121289.
The
three movements that make
up Nocturnes, Book I are
programmatic pieces that
take as their points of
departure a painting, the
rhythms of a great city,
and a poem. 1. The Starry
Night is a written down
improvisation based on
Vincent van Goghs famous
picture of the same name.
The tonal material is a
quite literal
transformation of the
visual elements of the
painting: the melismatic
cadenzas mirror van Goghs
swirling starlight, and
the powerful chords were
suggested by the sinister
trees that shoot upward
to puncture the skys
patterns. 2. Stovers Rag
is a product of the
ragtime revival of the
early 1970s, when many
composers tried their
hand at writing concert
rags. The New York night,
which was not without its
sinister element in those
days, is expressed in an
updating of the classic
ragtime format. The piece
looks backward as well,
with the old French
Baroque basse de
trompette making an
appearance in the trio
section. 3. The Song of
Shadows taps the
nostalgic mood typical of
the poetry of Walter de
la Mare. The poem of the
same name pictures a lone
musician on a winter
night, an dog sleeping
before a sinking fire,
and, at the end, the
spirits that are summoned
by music. The opening
melody, played on an 8
flute with tremulant,
suggests the blues-tinged
sound of an alto
saxophone, and throughout
the movement the organs
capacity for sustained
tone is used to suggest
and atmosphere of dreamy
timelessness. The pieces
were written in 1971 and
first performed on July
2, 1972 at the National
Shrine of the Immaculate
Conception in Washington,
DC, with the composer at
the console.
Organ - intermediate to advanced SKU: HL.49045269 For Organ. Compo...(+)
Organ - intermediate to
advanced
SKU:
HL.49045269
For
Organ. Composed by
Stefan Heucke. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Classical. Softcover.
Composed 2015. Op. 78. 40
pages. Duration 21'.
Schott Music #ED 22689.
Published by Schott Music
(HL.49045269).
ISBN
9790001163132. UPC:
841886029835.
9.0x12.0x0.14
inches.
The sonata
premiered in 2016 is
based on the Luther
chorale Komm, Gott
Schopfer, Heiliger Geist
(Come, God Creator, Holy
Spirit) and consists of
three parts: 'The first
movement transforms the
first eight notes of the
chorale melody into a
virtuoso figurative
movement, the second
movement presents the
complete chorale in a
highly chromatic
harmonization. The
concluding fugue is
treated in three
development sections
becoming successively
more animated in rhythm
and dynamics.' (Stefan
Heucke).
Organ SKU: HL.48182909 Composed by Olivier Messiaen. Leduc. Classical. So...(+)
Organ
SKU:
HL.48182909
Composed
by Olivier Messiaen.
Leduc. Classical.
Softcover. 89 pages.
Alphonse Leduc #AL24656.
Published by Alphonse
Leduc (HL.48182909).
UPC: 888680862145.
0.298
inches.
Olivier
Messiaen (1908-1992) is
known for his unique
composition style.
Incorporating complex
rhythms, harmony and
melodies, Meditations on
the Mystery of the Holy
Trinity is no exception
to the composer's
popular, distinctive
style. Composed in 1969,
Meditations on the
Mystery of the Holy
Trinity is an example of
Messiaen's use of
Serialism. The composer
first used what he called
his musical alphabet in
Meditations on the
Mystery of the Holy
Trinity, where the
alphabet includes motifs
for the concepts, 'to
have', 'to be' and 'God'.
Furthermore, 'sentences'
depict the writings of
St. Thomas Aquinas.
Messiaen's musical
alphabet, which he also
described as communicable
language is explained as
a preface to the
composition Meditations
on the Mystery of the
Holy Trinity. Divided
into nine sections
('meditations'), a
typical performance lasts
about 74 minutes.
Messiaen's Meditations on
the Mystery of the Holy
Trinity is essential to
all advanced, virtuoso
and contemporary
organists seeking to
expand and vary their
repertoire..
Organ SKU: HL.48180687 For Organ. Composed by Olivier Messiaen. Le...(+)
Organ
SKU:
HL.48180687
For
Organ. Composed by
Olivier Messiaen. Leduc.
Classical. Softcover. 28
pages. Alphonse Leduc
#AL18826. Published by
Alphonse Leduc
(HL.48180687).
UPC:
888680831998.
9.5x12.25x0.139
inches.
Olivier
Messiaen (1908-1992) is
known for his unique
composition style.
Incorporating complex
rhythms, harmony and
melodies, The Ascension
for Organ is no exception
to the composer's
popular, distinctive
style. The Ascension was
originally composed for
orchestra by Messiaen in
1932-1933. The composer
described the work as
Four Symphonic
Meditations and the
sections are; 1) Majesty
of Christ praying that
His Father should glorify
Him, 2) Serene Alleluias
from a soul longing for
Heaven, 3) Alleluia on
the Trumpet, Alleluia on
the Cymbal, and 4) Prayer
from Christ ascending
towards His Father.
Messiaen arranged The
Ascension for solo organ
a year later. The first,
second and fourth
movements are
arrangements of the
orchestral version,
however, the composer
created a new third
movement; Outburst of joy
from a soul before the
Glory of Christ, which is
its own glory. The
Ascension is essential to
all advanced organists
seeking to expand and
vary their
repertoire.
Organ - intermediate SKU: HL.49045099 Rottenburg Toccata for Organ...(+)
Organ - intermediate
SKU: HL.49045099
Rottenburg Toccata for
Organ. Composed by
Naji Hakim. This edition:
Saddle stitching. Sheet
music. Organ Large Works.
Classical. Softcover. 16
pages. Duration 5'.
Schott Music #ED22524.
Published by Schott Music
(HL.49045099).
ISBN
9781495076619. UPC:
841886028180.
9.0x12.0x0.075
inches.
The
Rottenburg Toccata
develops the choral
melody of 'Sankt Martin,
dir ist anvertraut' in
the virtuosic style of
french romantic toccatas.
The work is articulated
in three sections with
contrasted textures:
opening variation of the
melody with sextuplet
figurations, middle
variation with a peasant
rhythmicalcharacter in
the minor mode and
conclusion presenting the
choral melody on the
pedal.
Composed by John Rutter (1945-). The Oxford Organ Library. Score. 12 pages. D...(+)
Composed by John Rutter
(1945-). The Oxford Organ
Library. Score. 12 pages.
Duration 6'. Oxford
University
Press #9780193562349.
Published by Oxford
University
Press
Organ SKU: HL.14025000 Composed by Peter Dickinson. Music Sales America. ...(+)
Organ
SKU:
HL.14025000
Composed
by Peter Dickinson. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV010129.
Published by Music Sales
(HL.14025000).
This work is
based on the composer's
three-part motet John
written in 1963 to a poem
of Thomas Blackburn. The
ten sections (the last a
repeat of the first) are
variations on themes and
rhythms of the choral
piece.