Alto Saxophone & Organ SKU: AP.1-ADV7064 For Alto Saxophone and Organ<...(+)
Alto Saxophone & Organ
SKU: AP.1-ADV7064
For Alto Saxophone and
Organ. Arranged by
Friedemann Graef. Series;
Solo; Solo Small
Ensembles; Woodwind -
Alto Saxophone Solo.
Advance Music: Spirituals
for Saxophone. Sacred;
Spiritual; Traditional.
Score and Part(s).
Advance Music
#01-ADV7064. Published by
Advance Music
(AP.1-ADV7064).
UPC:
805095070644. English.
Traditional.
This
collection of pieces for
saxophone and organ or
piano, Spirituals for
Saxophone arranged by
Friedemann Graef, is
designed for use in
concert performances as
well as for church
services and other
ceremonies. This
traditional American
spiritual, Swing Low,
Sweet Chariot, has been
extended by composed
introductions and
endings, or interludes
and written solos. The
notated solos here are
the results of more than
ten years of the
arranger's personal
experience with these
tunes and chord changes.
The organ part may also
be played on acoustic
piano if the bass voice
is played one octave
lower in respective
passages---these passages
are marked. There is a
transposed part for
B-flat and E-flat
saxophones. Due to the
different register of the
tenor and alto saxophone,
a few notes of the alto
saxophone parts have been
changed for a more
effective sound.
Alto Saxophone & Organ SKU: AP.1-ADV7061 For Alto Saxophone and Organ<...(+)
Alto Saxophone & Organ
SKU: AP.1-ADV7061
For Alto Saxophone and
Organ. Arranged by
Friedemann Graef. Series;
Solo; Solo Small
Ensembles; Woodwind -
Alto Saxophone Solo.
Advance Music: Spirituals
for Saxophone. Sacred;
Spiritual; Traditional.
Score and Part(s).
Advance Music
#01-ADV7061. Published by
Advance Music
(AP.1-ADV7061).
UPC:
805095070613. English.
Traditional.
This
collection of pieces for
saxophone and organ or
piano, Spirituals for
Saxophone arranged by
Friedemann Graef, is
designed for use in
concert performances as
well as for church
services and other
ceremonies. This
traditional American
spiritual, Lord I Want to
Be a Christian, has been
extended by composed
introductions and
endings, or interludes
and written solos. The
notated solos here are
the results of more than
ten years of the
arranger's personal
experience with these
tunes and chord changes.
The organ part may also
be played on acoustic
piano if the bass voice
is played one octave
lower in respective
passages---these passages
are marked. There is a
transposed part for
B-flat and E-flat
saxophones. Due to the
different register of the
tenor and alto saxophone,
a few notes of the alto
saxophone parts have been
changed for a more
effective sound.
Tenor Saxophone & Organ SKU: AP.1-ADV7069 For Tenor Saxophone and Orga...(+)
Tenor Saxophone & Organ
SKU: AP.1-ADV7069
For Tenor Saxophone
and Organ. Arranged
by Friedemann Graef.
Series; Solo; Solo Small
Ensembles; Woodwind -
Tenor Saxophone Solo.
Advance Music: Spirituals
for Saxophone. Sacred;
Spiritual; Traditional.
Score and Part(s).
Advance Music
#01-ADV7069. Published by
Advance Music
(AP.1-ADV7069).
UPC:
805095070699. English.
Traditional.
This
collection of pieces for
saxophone and organ or
piano, Spirituals for
Saxophone arranged by
Friedemann Graef, is
designed for use in
concert performances as
well as for church
services and other
ceremonies. This
traditional American
spiritual, Swing Low,
Sweet Chariot, has been
extended by composed
introductions and
endings, or interludes
and written solos. The
notated solos here are
the results of more than
ten years of the
arranger's personal
experience with these
tunes and chord changes.
The organ part may also
be played on acoustic
piano if the bass voice
is played one octave
lower in respective
passages---these passages
are marked. There is a
transposed part for
B-flat and E-flat
saxophones. Due to the
different register of the
tenor and alto saxophone,
a few notes of the alto
saxophone parts have been
changed for a more
effective sound.
Alto Saxophone & Organ SKU: AP.1-ADV7062 For Alto Saxophone and Organ<...(+)
Alto Saxophone & Organ
SKU: AP.1-ADV7062
For Alto Saxophone and
Organ. Arranged by
Friedemann Graef. Series;
Solo; Solo Small
Ensembles; Woodwind -
Alto Saxophone Solo.
Advance Music: Spirituals
for Saxophone. Sacred;
Spiritual; Traditional.
Score and Part(s).
Advance Music
#01-ADV7062. Published by
Advance Music
(AP.1-ADV7062).
UPC:
805095070620. English.
Traditional.
This
collection of pieces for
saxophone and organ or
piano, Spirituals for
Saxophone arranged by
Friedemann Graef, is
designed for use in
concert performances as
well as for church
services and other
ceremonies. This
traditional American
spiritual, Sometimes I
Feel Like a Motherless
Child, has been extended
by composed introductions
and endings, or
interludes and written
solos. The notated solos
here are the results of
more than ten years of
the arranger's personal
experience with these
tunes and chord changes.
The organ part may also
be played on acoustic
piano if the bass voice
is played one octave
lower in respective
passages---these passages
are marked. There is a
transposed part for
B-flat and E-flat
saxophones. Due to the
different register of the
tenor and alto saxophone,
a few notes of the alto
saxophone parts have been
changed for a more
effective sound.
By Lars Hagstrom. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuk...(+)
By Lars Hagstrom.
Method/Instruction; Organ
Method (Suzuki); Suzuki.
Suzuki Organ School.
Book. 24
pages. Alfred Music #00-
47146. Published by
Alfred
Music (
Tenor Saxophone & Organ SKU: AP.1-ADV7068 For Tenor Saxophone and Orga...(+)
Tenor Saxophone & Organ
SKU: AP.1-ADV7068
For Tenor Saxophone
and Organ. Arranged
by Friedemann Graef.
Series; Solo; Solo Small
Ensembles; Woodwind -
Tenor Saxophone Solo.
Advance Music: Spirituals
for Saxophone. Sacred;
Spiritual; Traditional.
Score and Part(s).
Advance Music
#01-ADV7068. Published by
Advance Music
(AP.1-ADV7068).
UPC:
805095070682. English.
Traditional.
This
collection of pieces for
saxophone and organ or
piano, Spirituals for
Saxophone arranged by
Friedemann Graef, is
designed for use in
concert performances as
well as for church
services and other
ceremonies. This
traditional American
spiritual, Oh Freedom,
has been extended by
composed introductions
and endings, or
interludes and written
solos. The notated solos
here are the results of
more than ten years of
the arranger's personal
experience with these
tunes and chord changes.
The organ part may also
be played on acoustic
piano if the bass voice
is played one octave
lower in respective
passages---these passages
are marked. There is a
transposed part for
B-flat and E-flat
saxophones. Due to the
different register of the
tenor and alto saxophone,
a few notes of the alto
saxophone parts have been
changed for a more
effective sound.
Alto Saxophone & Organ SKU: AP.1-ADV7063 For Alto Saxophone and Organ<...(+)
Alto Saxophone & Organ
SKU: AP.1-ADV7063
For Alto Saxophone and
Organ. Arranged by
Friedemann Graef. Series;
Solo; Solo Small
Ensembles; Woodwind -
Alto Saxophone Solo.
Advance Music: Spirituals
for Saxophone. Sacred;
Spiritual; Traditional.
Score and Part(s).
Advance Music
#01-ADV7063. Published by
Advance Music
(AP.1-ADV7063).
UPC:
805095070637. English.
Traditional.
This
collection of pieces for
saxophone and organ or
piano, Spirituals for
Saxophone arranged by
Friedemann Graef, is
designed for use in
concert performances as
well as for church
services and other
ceremonies. This
traditional American
spiritual, Oh Freedom,
has been extended by
composed introductions
and endings, or
interludes and written
solos. The notated solos
here are the results of
more than ten years of
the arranger's personal
experience with these
tunes and chord changes.
The organ part may also
be played on acoustic
piano if the bass voice
is played one octave
lower in respective
passages---these passages
are marked. There is a
transposed part for
B-flat and E-flat
saxophones. Due to the
different register of the
tenor and alto saxophone,
a few notes of the alto
saxophone parts have been
changed for a more
effective sound.
Solo Voices, Mixed Choir, Organ SKU: BR.CHB-5345-00 Composed by Louis Lew...(+)
Solo Voices, Mixed Choir,
Organ
SKU:
BR.CHB-5345-00
Composed by Louis
Lewandowski. Edited by
Andor Izsak. Stapled.
Chor-Bibliothek (Choral
Library).
The choice
of the Psalms was
determined by the
traditional liturgical
use in the synagogue.
Thanks to their German
language texts, these
easily singable settings
can also be performed by
all church choirs during
religious services or at
concerts. In ma. Psalm;
Romantic. Choral score.
76 pages. Breitkopf and
Haertel #ChB 5345-00.
Published by Breitkopf
and Haertel
(BR.CHB-5345-00).
ISBN
9790004412756. 9 x 12
inches. German.
The
choice of the Psalms was
determined by the
traditional liturgical
use in the synagogue.
Thanks to their German
language texts, these
easily singable settings
can also be performed by
all church choirs during
religious services or at
concerts. In many of his
works, Louis Lewandowski
combined the practice of
traditional Jewish
synagogue music with
romantic choral
composition. World
premiere recording with
the Hungarian Radio Choir
conducted by Andor
Izsak.
Tenor Saxophone & Organ SKU: AP.1-ADV7066 For Tenor Saxophone and Orga...(+)
Tenor Saxophone & Organ
SKU: AP.1-ADV7066
For Tenor Saxophone
and Organ. Arranged
by Friedemann Graef.
Series; Solo; Solo Small
Ensembles; Woodwind -
Tenor Saxophone Solo.
Advance Music: Spirituals
for Saxophone. Sacred;
Spiritual; Traditional.
Score and Part(s).
Advance Music
#01-ADV7066. Published by
Advance Music
(AP.1-ADV7066).
UPC:
805095070668. English.
Traditional.
This
collection of pieces for
saxophone and organ or
piano, Spirituals for
Saxophone arranged by
Friedemann Graef, is
designed for use in
concert performances as
well as for church
services and other
ceremonies. This
traditional American
spiritual, Lord I Want to
Be a Christian, has been
extended by composed
introductions and
endings, or interludes
and written solos. The
notated solos here are
the results of more than
ten years of the
arranger's personal
experience with these
tunes and chord changes.
The organ part may also
be played on acoustic
piano if the bass voice
is played one octave
lower in respective
passages---these passages
are marked. There is a
transposed part for
B-flat and E-flat
saxophones. Due to the
different register of the
tenor and alto saxophone,
a few notes of the alto
saxophone parts have been
changed for a more
effective sound.
Alto Saxophone & Organ SKU: AP.1-ADV7060 For Alto Saxophone and Organ<...(+)
Alto Saxophone & Organ
SKU: AP.1-ADV7060
For Alto Saxophone and
Organ. Arranged by
Friedemann Graef. Series;
Solo; Solo Small
Ensembles; Woodwind -
Alto Saxophone Solo.
Advance Music: Spirituals
for Saxophone. Sacred;
Spiritual; Traditional.
Score and Part(s).
Advance Music
#01-ADV7060. Published by
Advance Music
(AP.1-ADV7060).
UPC:
805095070606. English.
Traditional.
This
collection of pieces for
saxophone and organ or
piano, Spirituals for
Saxophone arranged by
Friedemann Graef, is
designed for use in
concert performances as
well as for church
services and other
ceremonies. This
traditional American
spiritual, O Happy Day,
has been extended by
composed introductions
and endings, or
interludes and written
solos. The notated solos
here are the results of
more than ten years of
the arranger's personal
experience with these
tunes and chord changes.
The organ part may also
be played on acoustic
piano if the bass voice
is played one octave
lower in respective
passages---these passages
are marked. There is a
transposed part for
B-flat and E-flat
saxophones. Due to the
different register of the
tenor and alto saxophone,
a few notes of the alto
saxophone parts have been
changed for a more
effective sound.
By Lars Hagstrom. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuk...(+)
By Lars Hagstrom.
Method/Instruction; Organ
Method (Suzuki); Suzuki.
Suzuki Organ School.
Book. 32
pages. Alfred Music #00-
47140. Published by
Alfred
Music
Tenor Saxophone & Organ SKU: AP.1-ADV7067 For Tenor Saxophone and Orga...(+)
Tenor Saxophone & Organ
SKU: AP.1-ADV7067
For Tenor Saxophone
and Organ. Arranged
by Friedemann Graef.
Series; Solo; Solo Small
Ensembles; Woodwind -
Tenor Saxophone Solo.
Advance Music: Spirituals
for Saxophone. Sacred;
Spiritual; Traditional.
Score and Part(s).
Advance Music
#01-ADV7067. Published by
Advance Music
(AP.1-ADV7067).
UPC:
805095070675. English.
Traditional.
This
collection of pieces for
saxophone and organ or
piano, Spirituals for
Saxophone arranged by
Friedemann Graef, is
designed for use in
concert performances as
well as for church
services and other
ceremonies. This
traditional American
spiritual, Sometimes I
Feel Like a Motherless
Child, has been extended
by composed introductions
and endings, or
interludes and written
solos. The notated solos
here are the results of
more than ten years of
the arranger's personal
experience with these
tunes and chord changes.
The organ part may also
be played on acoustic
piano if the bass voice
is played one octave
lower in respective
passages---these passages
are marked. There is a
transposed part for
B-flat and E-flat
saxophones. Due to the
different register of the
tenor and alto saxophone,
a few notes of the alto
saxophone parts have been
changed for a more
effective sound.
By Lars Hagstrom. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuki O...(+)
By Lars Hagstrom.
Method/Instruction; Organ
Method (Suzuki); Suzuki.
Suzuki Organ School.
Book. 24
pages. Alfred Music #00-
47143. Published by
Alfred
Music
Tenor Saxophone & Organ SKU: AP.1-ADV7065 For Tenor Saxophone and Orga...(+)
Tenor Saxophone & Organ
SKU: AP.1-ADV7065
For Tenor Saxophone
and Organ. Arranged
by Friedemann Graef.
Series; Solo; Solo Small
Ensembles; Woodwind -
Tenor Saxophone Solo.
Advance Music: Spirituals
for Saxophone. Sacred;
Spiritual; Traditional.
Score and Part(s).
Advance Music
#01-ADV7065. Published by
Advance Music
(AP.1-ADV7065).
UPC:
805095070651. English.
Traditional.
This
collection of pieces for
saxophone and organ or
piano, Spirituals for
Saxophone arranged by
Friedemann Graef, is
designed for use in
concert performances as
well as for church
services and other
ceremonies. This
traditional American
spiritual, O Happy Day,
has been extended by
composed introductions
and endings, or
interludes and written
solos. The notated solos
here are the results of
more than ten years of
the arranger's personal
experience with these
tunes and chord changes.
The organ part may also
be played on acoustic
piano if the bass voice
is played one octave
lower in respective
passages---these passages
are marked. There is a
transposed part for
B-flat and E-flat
saxophones. Due to the
different register of the
tenor and alto saxophone,
a few notes of the alto
saxophone parts have been
changed for a more
effective sound.
Organ (Organ) SKU: HL.14008416 Composed by Sir Peter Maxwell Davies. Musi...(+)
Organ (Organ)
SKU:
HL.14008416
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical. Book
[Softcover]. Composed
1999. 32 pages. Chester
Music #CH55477. Published
by Chester Music
(HL.14008416).
9.0x12.0x0.132
inches.
This
essentially contemplative
work in four movements is
based on a plainsong
fragment from the
Lamentations of Jeremiah,
traditionally sung on
Maundy Thursday in the
ceremonies spiralling
down to the sacrifice of
Christ on Good Friday.
First performed in June
1982 by Richard Hughes,
to whom the work is
dedicated.
Organ - Grade 4 SKU: HL.14019451 The Planets. Composed by Bent Lor...(+)
Organ - Grade 4
SKU:
HL.14019451
The
Planets. Composed by
Bent Lorentzen. Music
Sales America. Classical.
Book [Softcover]. 12
pages. Edition Wilhelm
Hansen #WH30405.
Published by Edition
Wilhelm Hansen
(HL.14019451).
ISBN
9788759809266.
English.
Written in
1995 as one part of
Lorentzen's 'Suite of
Seven Pieces for organ',
Mercurius is a symbol of
merchants, trade and
thiefs, traditionally
depicted with wings on
his heels, forever
restless, scurrying
about. The music is
divided into sequences of
four, resulting in a
sense of weightlessness
and hurried urgency. The
first complete
performance of 'The
Planets' took place in
1996 and was given by
Jens E. Christensen.
Organ SKU: HL.280395 Organ Solo. Composed by Bendt Fabricius. Musi...(+)
Organ
SKU:
HL.280395
Organ
Solo. Composed by
Bendt Fabricius. Music
Sales America. Classical.
Softcover. 57 pages.
Edition Wilhelm Hansen
#WH33092. Published by
Edition Wilhelm Hansen
(HL.280395).
Hymn preludes
and choral arrangements
by Bendt Fabricus (2018).
Foreword: This small
collection of preludes
and choral arrangements
is a selection of
movements, created
through more than 30
years of work as an
organist in the Danish
National Church. The
collectionis first and
foremost intended as a
useful work tool for all
my colleagues around the
Danish organ benches.
There are movements
thatare suitable for the
small one-manual organ in
the village church and
others that are intended
for the concert organ in
the large city church.
Some movements are easy
to follow, even with a
simple and traditionally
constructed structure,
while others, both
harmonious and rhythmic,
offer greater complexity
and degree of difficulty.
Virtually all the kits
composed for two manuals
and pedal can also be
realized on organs that
have only one manual and
pedal. As far as
registration instructions
are concerned, my
statements are only
intended as a guide to
the sonorous expression
in a given movement, as
of course everyone is
free to find exactly the
registration that is
deemed appropriate on the
instrument in question.
It is my wish that all
organists can benefit
fromthe collection and
that it will prove to be
a useful and beneficial
supplement in the daily
work. Bendt
Fabricius.
Organ SKU: FG.55011-577-4 Composed by Lars Karlsson. Fennica Gehrman #550...(+)
Organ
SKU:
FG.55011-577-4
Composed by Lars
Karlsson. Fennica Gehrman
#55011-577-4. Published
by Fennica Gehrman
(FG.55011-577-4).
ISBN
9790550115774.
Prob
ably of folk song origin,
the Swedish hymn Den
blomstertid nu kommer was
first time published in
the 1695 Swedish Hymnal.
The Finnish version is
traditionally sung in the
end of the school year.
The rhytmic toccata,
followed by the joyful
variations and an
uplifting fuga by Lars
Karlsson is based on this
tune which strongly
associates with the
beginning of summer.
Organ - intermediate to advanced SKU: HL.49044329 For Organ Solo. ...(+)
Organ - intermediate to
advanced
SKU:
HL.49044329
For
Organ Solo. Composed
by Peter Wittrich. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover. 32
pages. Schott Music
#ED21913. Published by
Schott Music
(HL.49044329).
ISBN
9790001199452. UPC:
841886022386.
9.0x12.0x0.12
inches.
Wittrich's
modern interpretation of
one of the most famous
chorales in which
traditional forms and
structures of traditional
church music merge with
flavours of jazz, rock
and pop music.
Organ SKU: SU.80101470 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101470
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101470.
Published by Zimbel Press
(SU.80101470).
Two Folk Songs
(2011) are settings of
traditional American folk
songs, primarily
associated with
Appalachia. In keeping
with the nature of the
source material (and how
it is performed in folk
contexts), the settings
are very straightforward.
Every Night, When the Sun
Goes Down is song with
lyrics that focus on the
transcendent peace that
comes from faith,
overcoming sorrow and
death. Sourwood Mountain
is a jubilant song with a
nonsense refrain (hey-ho
diddle-um day). The organ
setting evokes the spirit
of the banjo. As often
happens in a traditional
folk band, the melody is
elaborated in a more
virtuosic fashion on each
repetition.
Instrumentation: Organ
Duration: 6' Composed:
2011 Published by: Zimbel
Press.
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: SU.80101526 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101526
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101526.
Published by Zimbel Press
(SU.80101526).
This volume
contains five unrelated
chorale preludes. Each is
based on a traditional
chorale melody from the
Germanic tradition.
However, they are all
tunes now widely used
internationally. The
chorales are: Wie
schön leuchtet; Jesus,
meine Zuversicht; Macht
hoch die Tür; In dir
ist Freude; and Es ist
ein Ros.Organ Duration:
18â?? Composed: 2021/22
Published by: Zimbel
Press.
Organ (Organ) SKU: HL.14005770 Composed by Charles Villiers Stanford. Mus...(+)
Organ (Organ)
SKU:
HL.14005770
Composed
by Charles Villiers
Stanford. Music Sales
America. Folk British
Isles. Book [Softcover].
8 pages. Music Sales
#NOV590094. Published by
Music Sales
(HL.14005770).
9.0x12.0x0.047
inches.
Char
les Villiers
Stanford was an
Irish composer, music
teacher, and conductor.
Stanford
composed a substantial
number of concert works,
including seven
symphonies, but his
best-remembered pieces
are his choral works for
church performance,
chiefly composed in the
Anglican tradition.
Admitted to Queens
College, Cambridge with
an Organ scholarship
Stanford had
written a substantial
number of compositions,
including vocal music,
both sacred and secular,
and orchestral works
before getting involved
with the university's
Musical Society. While
still an undergraduate,
Stanford was
appointed organist of
Trinity College,
Cambridge.
Part of
the'Four Intermezzi Op.
189' Intermezzo
On An Irish Air
for Organ is based on the
melody of the well-known
'Londonderry Air'. The
traditional Irish tune
was first collected in
the mid 19th century by
Jane Ross, and is
recognised all around the
world by the Irish
Diaspora. Duration ca.
6:20.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).