Organ SKU: BA.BA10130-67 Cantata for the Feast of St. Michael. Com...(+)
Organ
SKU:
BA.BA10130-67
Cantata for the Feast
of St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Marianne Helms. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
130. 20 pages.
Baerenreiter Verlag
#BA10130_67. Published by
Baerenreiter Verlag
(BA.BA10130-67).
ISBN
9790006490936. 32.5 x
25.5 cm
inches.
Study score
= TP 1130.
About
Barenreiter Urtext
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Bärenreiter Urtext
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¢s intentions - With
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full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
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slight yellow tinge which
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Baritone, mixed choir and piano or organ SKU: HL.49017447 Composed by Pet...(+)
Baritone, mixed choir and
piano or organ
SKU:
HL.49017447
Composed
by Petr Eben. Edited by
Veroslav Nemec. Sheet
music. PANTON. 52 pages.
Schott Music #P5046.
Published by Schott Music
(HL.49017447).
9.25x12.25x0.185
inches.
The Bitter
Earth (Horka hlina)
cantata was written in
1960 and it was
originally conceived for
a mixed choir and organ.
The composer soon found,
however, that this
instrumental
accompaniment limited the
performance possibilities
of the piece to a certain
extent and he therefore
created a piano
transcription of the
organ part for a later
edition which was printed
in 1987.The composition
sets to music the verses
of Jaroslav Seifert from
the collection Turn Out
the Lights (Zhasnete
svetla) which was written
in the period of the
nation's peril prior to
the Second World War. The
genuine and totally
non-cliched patriotism
expressed in these texts
has long outgrown the
historical connection to
the moment of their
inception and it
continues to bear wtness
to Seivert's fervent love
for this country.
Organ SKU: BA.BA10259-67 Coronation Anthem. Composed by George Fri...(+)
Organ
SKU:
BA.BA10259-67
Coronation Anthem.
Composed by George
Frideric Handel. Edited
by Stephan Blaut. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. HWV
260. 10 pages.
Baerenreiter Verlag
#BA10259_67. Published by
Baerenreiter Verlag
(BA.BA10259-67).
ISBN
9790006562244. 32.5 x
25.5 cm inches. Language
of work: English, Text
language: German,
English. Continuo
arranged by Andreas
Kohs.
Continuo
realization: Andreas
Kohs.
About
Barenreiter Urtext
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Bärenreiter Urtext
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editions as close as
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composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Organ - Level 3 SKU: BA.BA05897-67 Chorale Setting. Composed by Ge...(+)
Organ - Level 3
SKU:
BA.BA05897-67
Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 13 pages. Baerenreiter
Verlag #BA05897_67.
Published by Baerenreiter
Verlag (BA.BA05897-67).
ISBN 9790006563104.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
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Barenreiter Urtext
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Bärenreiter Urtext
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editions as close as
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composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
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Organ SKU: BA.BA10172-67 Cantata for Whitsunday. Composed by Johan...(+)
Organ
SKU:
BA.BA10172-67
Cantata for
Whitsunday. Composed
by Johann Sebastian Bach.
Edited by Dietrich
Kilian. This edition:
urtext edition. Stapled.
Barenreiter Urtext. C
major version. Single
part. BWV 172. 20 pages.
Baerenreiter Verlag
#BA10172_67. Published by
Baerenreiter Verlag
(BA.BA10172-67).
ISBN
9790006491445. 23 x 29.7
cm inches. Key: C
major.
For the
study score, see item
BA.TP1172.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Organ SKU: BA.BA10018-67 Cantata for Sunday Sexagesimae. Composed ...(+)
Organ
SKU:
BA.BA10018-67
Cantata for Sunday
Sexagesimae. Composed
by Johann Sebastian Bach.
Edited by Werner Neumann.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Leipzig Version. Single
part. BWV 18.
Baerenreiter Verlag
#BA10018_67. Published by
Baerenreiter Verlag
(BA.BA10018-67).
ISBN
9790006489954. 24 x 32.5
cm inches.
For the
study score, see item
BA.TP1018.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Organ SKU: BA.BA10175-67 Cantata for Whit Tuesday. Composed by Joh...(+)
Organ
SKU:
BA.BA10175-67
Cantata for Whit
Tuesday. Composed by
Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. BWV 175.
Baerenreiter Verlag
#BA10175_67. Published by
Baerenreiter Verlag
(BA.BA10175-67).
ISBN
9790006491537. 32.5 x
25.5 cm
inches.
Study score
= TP 1175.
About
Barenreiter Urtext
Orchestral
Parts
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love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Confluence Orgue - Avancé MorningStar Music Publishers
Organ - Advanced SKU: MN.12-121 Composed by Joseph Willcox Jenkins. Non H...(+)
Organ - Advanced
SKU:
MN.12-121
Composed by
Joseph Willcox Jenkins.
Non Hymn-Based, Recital
Music. MorningStar Music
Publishers #12-121.
Published by MorningStar
Music Publishers
(MN.12-121).
UPC:
688670121210.
Confl
uence was commissioned by
the Organ Artist Series
of Pittsburgh in
celebration of its
twentieth anniversary in
1999. Christa Rakich gave
the premier at the
closing concert of the
season at Calvary
Episcopal Church by in
April of 1999. It has
been performed frequently
since that time. The
title was given to honor
the joining together or
confluence of the three
rivers of Pittsburgh: the
Allegheny, the
Monongalela, and the
Ohio. Confluence is a
curious hybrid related to
both the sonata and rondo
forms. It is of the ABABA
design with the final A
quite extended by
polyphonic games and a
very noisy and triumphant
epilogue. The first idea
is driving, rhythmic,
nervous and agitated. The
second is quiet, gentle
and pastoral, that slowly
moves in its mysterious
ways, closing with a
plaintive row of a dozen
different pitches. The
composer delights in the
challenge of making tone
rows as approachable and
sing-able as possible.
Both ideas make slightly
varied restatements. At
the end, fugal
exploitation of the first
idea is followed by that
row, entering with
stentorian grandeur in
full pedal, heralding the
triumphant close. This
row, like the month of
March is referred to
frequently as coming in
like a Iamb, going out
like a lion.
