Organ SKU: BA.BA07679-67 For Soprano, Alto, Strings and Basso Continuo...(+)
Organ
SKU:
BA.BA07679-67
For
Soprano, Alto, Strings
and Basso Continuo.
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Continuo realization:
Andreas Kohs. Single
part. 26 pages.
Baerenreiter Verlag
#BA07679_67. Published by
Baerenreiter Verlag
(BA.BA07679-67).
ISBN
9790006528851. 32.5 x
25.5 cm
inches.
Continuo
realization: Andreas
Kohs.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Organ - advanced SKU: HL.49017947 Te Deum. Composed by Enjott Schn...(+)
Organ - advanced
SKU:
HL.49017947
Te
Deum. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Collection. Die 6.
Orgelsinfonie Te Deum
ubernimmt die
Funfergliederung und
einige Motive aus
Bruckners Te Deum, um
daraus ein kompaktes von
Wucht und Gotteslob
erfulltes Werk zu werden.
Composed 2008. 60 pages.
Duration 28'. Schott
Music #ED20576. Published
by Schott Music
(HL.49017947).
ISBN
9790001157933.
9.0x12.0x0.216
inches.
With his
organ symphonies, the
composer Enjott Schneider
(born 1950) from Munich
has been a profound
sensation in recent years
and seen world premieres
at major European organ
events. The Organ
Symphony No. 6 'Te Deum'
(premiered at Bruckner's
St. Florian above
Bruckner's tomb in 2008
and recorded there on CD)
adopts the five-part
structure and several
motifs from Bruckner's
'Te Deum', thus becoming
a forceful compact work
pervaded by the
Gotteslob. 1: 'Te Deum'
is based on Bruckner's
original figuration of
fifths and eighths which
is connected with the
Latin Te Deum; 2: 'Te
Ergo' is a 'preghiera'
with pleading and praying
gestures; 3: 'Aeterna
fac' is an extremely
virtuoso perpetuum
mobile; 4: 'Salvum Fac' a
basso ostinato and
finally 5: 'In te, Domine
speravi' a toccata which,
after taking many
detours, inevitably leads
to the C major.