SATB choir, organ SKU: LO.10-5230L Composed by Lloyd Larson. Choral. Sacr...(+)
SATB choir, organ
SKU:
LO.10-5230L
Composed
by Lloyd Larson. Choral.
Sacred Anthem. Octavo.
Lorenz Publishing Company
#10/5230L. Published by
Lorenz Publishing Company
(LO.10-5230L).
ISBN
9780787763978.
Base
d on the 103rd Psalm,
this stalwart anthem from
Lloyd Larson opens with a
regal melody that segues
into a freely interpreted
middle section before
seamlessly transitioning
into the timeless hymn
Praise, My Soul, the King
of Heaven (LAUDA ANIMA).
Powerful and uplifting,
this celebration of the
eternal, living God is
sure to raise the roof in
worship!
Organ SKU: HL.48184601 Composed by Johann Sebastian Bach. Leduc. Baroque....(+)
Organ
SKU:
HL.48184601
Composed
by Johann Sebastian Bach.
Leduc. Baroque.
Softcover. 86 pages.
Alphonse Leduc #AL27723.
Published by Alphonse
Leduc (HL.48184601).
UPC: 888680853914.
9.0x12.0x0.288
inches.
Part of the
Organ collection by J. S.
Bach, this Volume IX
Eighteen Chorals of
Leipzig (BWV 651-668) was
composed between 1740 and
1750, in Leipzig. This
volume is now translated
in English and French and
features the annotation
of Marcel Dupre, a French
organist, to help the
performer getting the
most of the music sheet.
This ninth book contains
a set of eighteen
religious preludes: 1.
Come, Holy Ghost 2. Come,
Holy Ghost 3. By the
rivers of Babylon 4. Deck
thyself, o my soul 5.
Lord Jesus Christ, unto
us turn 6. O stainless
Lamb of God 7. Now thank
we all our God 8. From
God I will not turn 9.
Come now, Saviour of the
Heathen 10. Come now,
Saviour of the Heathen
11. Come now, Saviour of
the Heathen 12. Glory to
God on high 13. Glory to
God on high 14. Glory to
God on high 15. Jesus
Christ, our Saviour 16.
Jesus Christ, our Saviour
17. Come, God, Creator,
Holy Ghost 18. Before thy
Throne, I now appear Some
of this prelude contains
toccatas, sarabandes,
fugues, ritornellos and
many ornaments. Quite
varied, they can also be
either joyful or full of
lamentations. The preface
of these Eighteen Chorals
of Leipzig is well
written, with
explanations of the
comments and descriptions
of the techniques to use
for a good interpretation
of this work. .
For voice and organ. Format: organ/vocal songbook (two copies needed for perform...(+)
For voice and organ.
Format: organ/vocal
songbook (two copies
needed for performance).
With vocal melody,
lyrics, organ
accompaniment and chord
names. Hymn. 132 pages.
9x12 inches. Published by
Hal Leonard.
Organ - Medium SKU: JK.01589 Composed by Various. Arranged by Brent Jorge...(+)
Organ - Medium
SKU:
JK.01589
Composed by
Various. Arranged by
Brent Jorgensen.
Difficulty Medium, Organ
Chains, Organ Postludes,
God the Father, Jesus
Christ - Savior, Joy,
Love, Peace, Prayer,
Sacrament, Supplication.
Christian, Inspirational.
Jackman Music Corporation
#01589. Published by
Jackman Music Corporation
(JK.01589).
Fifteen
favorite closing hymns
arranged for organ
prelude in a continuous
medley, allowing you to
begin anywhere and end
anywhere. Titles
included in this
volume: God Be With
You Lord We Ask Thee
Ere We Part Sing We
Now at Parting Thy
Spirit Lord Hath
Stirred Before Thee
Lord I Bow My Head As
Shadows Falls Lord
Dismiss Us Come Let
Us Sing an Evening
Hymn Abide With
Me Father This Hour
Has Been One of Joy
We Have Partaken of Thy
Love Great God to
Thee The Lord Be with
Us Now the Day is
Over Composer:
Various Arranger:
Brent Jorgensen
Difficulty: Medium.
Organ - Advanced SKU: MN.12-128 Composed by Harold Stover. Non Hymn-Based...(+)
Organ - Advanced
SKU:
MN.12-128
Composed by
Harold Stover. Non
Hymn-Based, Recital
Music. General.
Instrumental part.
MorningStar Music
Publishers #12-128.
Published by MorningStar
Music Publishers
(MN.12-128).
UPC:
688670121289.
The
three movements that make
up Nocturnes, Book I are
programmatic pieces that
take as their points of
departure a painting, the
rhythms of a great city,
and a poem. 1. The Starry
Night is a written down
improvisation based on
Vincent van Goghs famous
picture of the same name.
The tonal material is a
quite literal
transformation of the
visual elements of the
painting: the melismatic
cadenzas mirror van Goghs
swirling starlight, and
the powerful chords were
suggested by the sinister
trees that shoot upward
to puncture the skys
patterns. 2. Stovers Rag
is a product of the
ragtime revival of the
early 1970s, when many
composers tried their
hand at writing concert
rags. The New York night,
which was not without its
sinister element in those
days, is expressed in an
updating of the classic
ragtime format. The piece
looks backward as well,
with the old French
Baroque basse de
trompette making an
appearance in the trio
section. 3. The Song of
Shadows taps the
nostalgic mood typical of
the poetry of Walter de
la Mare. The poem of the
same name pictures a lone
musician on a winter
night, an dog sleeping
before a sinking fire,
and, at the end, the
spirits that are summoned
by music. The opening
melody, played on an 8
flute with tremulant,
suggests the blues-tinged
sound of an alto
saxophone, and throughout
the movement the organs
capacity for sustained
tone is used to suggest
and atmosphere of dreamy
timelessness. The pieces
were written in 1971 and
first performed on July
2, 1972 at the National
Shrine of the Immaculate
Conception in Washington,
DC, with the composer at
the console.
Clarinet; Organ - easy to intermediate SKU: HL.49045022 For Clarinet i...(+)
Clarinet; Organ - easy to
intermediate
SKU:
HL.49045022
For
Clarinet in B Flat and
Organ. Composed by
Barbara Heller. Edited by
Irith Gabriely. This
edition: Saddle
stitching. Sheet music.
Woodwind Solo. Dieser
Orgelchoral mit
Soloklarinette folgt in
der formalen Anlage einem
Judischen Totengebet.
Dabei steht die
Soloklarinette fur den
Gesang des traditionellen
Vorbeters, die Orgel mimt
den Nachgesang der
Synagogengemeinde.
Classical. Softcover. 16
pages. Duration 8'.
Schott Music #KLB99.
Published by Schott Music
(HL.49045022).
ISBN
9790001154277. UPC:
841886027794.
The
formal structure of this
organ chorale with solo
clarinet follows a Jewish
death prayer. The solo
clarinet represents the
chant of the traditional
prayer leader while the
organ plays the response
of the congregation of
the synagogue. The piece
ends with a cadenza of
the solo clarinet to
which an optional organ
improvisation can be
added.Barbara Heller
dedicated this chorale to
the memory of Elke Mascha
Blankenburg (1943-2013).
Talking about her before
the first performance,
the composer said: 'She
was open-hearted with a
really tender soul, very
trusting. Her creativity
knew no limits; she was
also an almost fanatical
campaigner for music by
women. In the music you
will hear now I have
attempted to convey some
aspects of her
personality: charming,
loving, obstinate,
committed, volatile,
tragic, crazy, untamed,
tender and anguished.'
The various sections of
this chorale may be
performed in a
correspondingly
contrasting manner:
searching, hesitant,
visionary, focused,
volatile, accusatory,
hopeful, etc., with use
of rubato and powerful
contrasts in dynamic and
tone quality.