Organ - Advanced SKU: MN.12-128 Composed by Harold Stover. Non Hymn-Based...(+)
Organ - Advanced
SKU:
MN.12-128
Composed by
Harold Stover. Non
Hymn-Based, Recital
Music. General.
Instrumental part.
MorningStar Music
Publishers #12-128.
Published by MorningStar
Music Publishers
(MN.12-128).
UPC:
688670121289.
The
three movements that make
up Nocturnes, Book I are
programmatic pieces that
take as their points of
departure a painting, the
rhythms of a great city,
and a poem. 1. The Starry
Night is a written down
improvisation based on
Vincent van Goghs famous
picture of the same name.
The tonal material is a
quite literal
transformation of the
visual elements of the
painting: the melismatic
cadenzas mirror van Goghs
swirling starlight, and
the powerful chords were
suggested by the sinister
trees that shoot upward
to puncture the skys
patterns. 2. Stovers Rag
is a product of the
ragtime revival of the
early 1970s, when many
composers tried their
hand at writing concert
rags. The New York night,
which was not without its
sinister element in those
days, is expressed in an
updating of the classic
ragtime format. The piece
looks backward as well,
with the old French
Baroque basse de
trompette making an
appearance in the trio
section. 3. The Song of
Shadows taps the
nostalgic mood typical of
the poetry of Walter de
la Mare. The poem of the
same name pictures a lone
musician on a winter
night, an dog sleeping
before a sinking fire,
and, at the end, the
spirits that are summoned
by music. The opening
melody, played on an 8
flute with tremulant,
suggests the blues-tinged
sound of an alto
saxophone, and throughout
the movement the organs
capacity for sustained
tone is used to suggest
and atmosphere of dreamy
timelessness. The pieces
were written in 1971 and
first performed on July
2, 1972 at the National
Shrine of the Immaculate
Conception in Washington,
DC, with the composer at
the console.
Organ - intermediate to advanced SKU: HL.49045650 Organ. Composed ...(+)
Organ - intermediate to
advanced
SKU:
HL.49045650
Organ. Composed by
Jean Guillou. Edited by
Joerg Abbing. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover. 68
pages. Schott Music
#ED22611. Published by
Schott Music
(HL.49045650).
ISBN
9790001161725. UPC:
841886028548.
9.0x12.0x0.242
inches.
Organ (Organ) SKU: HL.48180057 [Concert Variations for Organ]. Com...(+)
Organ (Organ)
SKU:
HL.48180057
[Concert Variations
for Organ]. Composed
by Joseph Bonnet. Leduc.
Classical. Softcover. 11
pages. Alphonse Leduc
#AL14123. Published by
Alphonse Leduc
(HL.48180057).
UPC:
888680795702.
9.0x12.0x0.075
inches.
Composer
and organist, Joseph
Bonnet (1884-1944) is
considered one of the
most major French pipe
organ players. It is no
surprise, therefore, that
his Concert Variations
for Organ are very well
informed. Following his
studies at the Paris
Conservatoire, Bonnet
took over as concert
organist at the
institution. Concert
Variations for Organ was
compiled in 1906, soon
after his graduation. The
work begins with a
helpful index of the
organ registrations and
performance directions.
Concert Variations begins
with a virtuosic,
cadenza-like theme in E
minor. Following this,
four variations are
heard, all containing
contrast in organ sound,
tonality and exploited
melody and rhythm. For
all advanced, aspiring
organists, Bonnet's
Concert Variations is an
essential addition to the
repertoire.
Organ - Advanced SKU: MN.10-999 Composed by Janise White. Christmas, Chri...(+)
Organ - Advanced
SKU:
MN.10-999
Composed by
Janise White. Christmas,
Christmas-Sacred,
Christmas-Secular/Holiday
. MorningStar Music
Publishers #10-999.
Published by MorningStar
Music Publishers
(MN.10-999).
UPC:
688670109997.
Fanta
sy on How Great Our Joy
received its premiere at
the London Winter
Festival of Sound 2022 in
London, England at the
Croydon SDA Church by
composer and organist,
Professor Janise White.
This organ work
represents an
exhilarating work of joy
and adoration to our
Saviour, Lord and King.
As a clarion call for
Christmas, soft flutes
carry the melody over a
dreamy pentatonic
configuration with a
drone in the pedals.
Staccato trumpets exhibit
the joy chordal motif,
repeating and swelling to
a joyous cadenza on the
pedals in toccata style.
This jubilant moment
continues to intensify as
syncopated harmonies join
the final verse in
elongation on 32' pedals
to its majestic close.
Violin, organ - Level 4 SKU: BA.BA07653 Composed by Zsigmond Szathmary. E...(+)
Violin, organ - Level 4
SKU: BA.BA07653
Composed by Zsigmond
Szathmary. Edited by
Zsigmond Szathmary.
Stapled. Organova 4.
Performance score.
Composed 1994. 20 pages.
Baerenreiter Verlag
#BA07653_00. Published by
Baerenreiter Verlag
(BA.BA07653).
Organ SKU: SU.27020280 For Organ. Composed by Graham Gordon Ramsay...(+)
Organ
SKU:
SU.27020280
For
Organ. Composed by
Graham Gordon Ramsay.
Keyboard, Organ. Score.
Subito Music Corporation
#27020280. Published by
Subito Music Corporation
(SU.27020280).
(Transcription and Cadenza by Jean Guillou). Composed by Georg Frideric Handel. ...(+)
(Transcription and
Cadenza by Jean Guillou).
Composed by Georg
Frideric Handel. Arranged
by Jean Guillou. For
Organ. Schott. Schott
Music #ED21729. Published
by Schott Music
Clarinet; Organ - easy to intermediate SKU: HL.49045022 For Clarinet i...(+)
Clarinet; Organ - easy to
intermediate
SKU:
HL.49045022
For
Clarinet in B Flat and
Organ. Composed by
Barbara Heller. Edited by
Irith Gabriely. This
edition: Saddle
stitching. Sheet music.
Woodwind Solo. Dieser
Orgelchoral mit
Soloklarinette folgt in
der formalen Anlage einem
Judischen Totengebet.
Dabei steht die
Soloklarinette fur den
Gesang des traditionellen
Vorbeters, die Orgel mimt
den Nachgesang der
Synagogengemeinde.
Classical. Softcover. 16
pages. Duration 8'.
Schott Music #KLB99.
Published by Schott Music
(HL.49045022).
ISBN
9790001154277. UPC:
841886027794.
The
formal structure of this
organ chorale with solo
clarinet follows a Jewish
death prayer. The solo
clarinet represents the
chant of the traditional
prayer leader while the
organ plays the response
of the congregation of
the synagogue. The piece
ends with a cadenza of
the solo clarinet to
which an optional organ
improvisation can be
added.Barbara Heller
dedicated this chorale to
the memory of Elke Mascha
Blankenburg (1943-2013).
Talking about her before
the first performance,
the composer said: 'She
was open-hearted with a
really tender soul, very
trusting. Her creativity
knew no limits; she was
also an almost fanatical
campaigner for music by
women. In the music you
will hear now I have
attempted to convey some
aspects of her
personality: charming,
loving, obstinate,
committed, volatile,
tragic, crazy, untamed,
tender and anguished.'
The various sections of
this chorale may be
performed in a
correspondingly
contrasting manner:
searching, hesitant,
visionary, focused,
volatile, accusatory,
hopeful, etc., with use
of rubato and powerful
contrasts in dynamic and
tone quality.