(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 528 pages. Published by Hal Leonard

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

For voice and organ. Format: organ/vocal songbook (two copies needed for performance). With vocal melody, lyrics, organ accompaniment and chord names. Hymn. 132 pages. 9x12 inches. Published by Hal Leonard.

Composed by Robert J. Powell. For organ: 3-staff. Sacred, Easter, General, Holy Week, Lent, Palm/Palm-Passion Sunday. Intermediate. Sacred Music Press #70/1951L. Published by Sacred Music Press

(Voluntaries (without Pedal)). Edited by Alexander Schreiner. For Organ. Book; Organ - Method or Collection; Worship Resources. Alfred's Classic Editions. Sacred. 184 pages. Published by Alfred Music Publishing

Organ

SKU: PL.PPM02210M

Composed by Anthony Giamanco. Score. Paraclete Press #PPM02210M. Published by Paraclete Press (PL.PPM02210M).

This voluntary is based on what is arguably the most famous of Easter hymns in the Western Christian Church – Jesus Christ is Risen Today. Taken from a collection of various hymns and tunes entitled Lyra Davidica (1708), the Easter Hymn is used as the springboard for a rhapsodic opening and development before a full and ravishing harmonization of the entire hymn. The conclusion, an extension of the tune itself, calls for a volcanic organ registration, sure to elicit an eruptive outcry appropriate to the day itself! .

(Voluntaries (with Pedal)). For Organ. Book; Organ - Method or Collection; Worship Resources. Alfred's Classic Editions. Sacred. 192 pages. Published by Alfred Music Publishing

Organ

SKU: BT.EMBZ14775

Composed by Ernst Von Dohnanyi. Book Only. Composed 2012. 12 pages. Editio Musica Budapest #EMBZ14775. Published by Editio Musica Budapest (BT.EMBZ14775).

Ern Dohnányi (1877 - 1960) composed his C minor fantasia in 1892, at the age of fifteen.This work, which is appearing in print now for the first time, is a real curiosity: apart from a few polyphonic stylistic exercises written while he was at the music academy, this is Dohnányi's only piece for organ. The composer later recalled his first acquaintance with that instrument thus: 'My experience with the organ actually dates back to when I was a third-year grammar school student, for beginning with that year I served as organist for the Sunday worship services in the grammar school's church. These were the first wages I ever earned through music.' The Fantasie wasprepared for publication on the basis of the composer's manuscript by the well-known Dohmányi researcher Deborah Kiszely.

Ern Dohnányi (1877 - 1960) composed his C minor fantasia in 1892, at the age of fifteen. This work, now appearing in print for the first time, is a real curiosity: apart from a few polyphonic stylistic exercises written whilehe was at the music academy, this is Dohnányi's only piece for organ. The composer later recalled his first acquaintance with that instrument thus: 'My experience with the organ actually dates back to when I was a third-year grammarschool student, for beginning with that year I served as organist for the Sunday worship services in the grammar school's church. These were the first wages I ever earned through music.' The Fantasie was prepared forpublication on the basis of the composer's manuscript by the well-known Dohmányi researcher Deborah Kiszely.

Ern Dohnányi (1877-1960) komponierte die Fantasie in c-Moll 1892 im Alter von fünfzehn Jahren. Das Werk, welches nun erstmalig in Druck erscheint, ist ein echtes Kuriosum: Abgesehen von ein paar wenigen polyphonen Stilübungen aus der Musikakademie ist es das einzige Orgelwerk des Komponisten. Dieser erinnerte sich später folgendermaßen an das Kennenlernen des Instruments: Meine erste Begegnung mit dem Orgel reicht bis zur dritten Klasse im Gymnasium zurück. Ab dieser Klasse nahm ich sonntags die Funktion des Kantors in der Kirche der Schule ein. Das war mein erstes Geld, was ich mit Musik verdiente. Die Fantasie wurde von der bekannten Dohnányi-Forscherin Deborah Kiszelynach dem Originalmanuskript herausgegeben.

Organ

SKU: BR.EB-8511

Urtext based on the Reger Complete Edition. Composed by Max Reger. Edited by Hans Haselbock and Hans Klotz. Solo instruments; Softcover. Edition Breitkopf.

Breitkopf Urtext on the basis of the Reger Complete Edition ed. by Hans Klotz, critically examined by Martin Weyer with an introduction by Hans Haselbock

Romantic; Late-romantic. Score. 24 pages. Duration 12'. Breitkopf and Haertel #EB 8511. Published by Breitkopf and Haertel (BR.EB-8511).

ISBN 9790004178041. 9 x 12 inches.

A key work in Reger's organ production from the time of its first publication in 1902 up to today, the famous F-minor Passacaglia from Op. 63 has cast its spell on generations of organ lovers. The dark bass strides quietly through the depths, persistently and secretly like time itself; a ghostly breath murmurs about the heights and rustles through light leaves; and from within emerges a voice which rises and falls in a seemingly aimless manner, and which speaks more than it sings... (Gustav-Robert Tornow on the 8th variation of the Passacaglia in his 1907 introduction to the work).

By Benjamin Culli. For organ. Funeral; Trust, Unity, Healing & Peace. Level: Moderately Easy-Moderately Difficult. Published by Concordia Publishing House.

By Kosnik. For organ. General, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

By Fred Bock. Fred Bock Publications. Size 9.3x12 inches. Published by Fred Bock Music Company.

By Robert J Powell. For organ. Organ Music. Published by MorningStar Music Publishers.
Level: Medium.

For organ. Ascension, Eastertide, General, Holy communion, Holy Week, Lent, Palm Sunday. 2-staff. Sacred organ

Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01965. Published by Jackman Music Corporation

Organ - Advanced

SKU: MN.10-999

Composed by Janise White. Christmas, Christmas-Sacred, Christmas-Secular/Holiday . MorningStar Music Publishers #10-999. Published by MorningStar Music Publishers (MN.10-999).

UPC: 688670109997.

Fanta sy on How Great Our Joy received its premiere at the London Winter Festival of Sound 2022 in London, England at the Croydon SDA Church by composer and organist, Professor Janise White. This organ work represents an exhilarating work of joy and adoration to our Saviour, Lord and King. As a clarion call for Christmas, soft flutes carry the melody over a dreamy pentatonic configuration with a drone in the pedals. Staccato trumpets exhibit the joy chordal motif, repeating and swelling to a joyous cadenza on the pedals in toccata style. This jubilant moment continues to intensify as syncopated harmonies join the final verse in elongation on 32' pedals to its majestic close.

(40 Classic Hymn Tune Settings for Organ). By Dale Wood. For organ: 3-staff. Sacred. Moderately difficult. Published by Lorenz Publishing Company

Composed by Beck. For organ/keyboard. General. Easy. Published by Concordia Publishing House

Arranged by Gregory P. Cohn. Collection for organ. With tonal registrations. Series: Organ Collection. 58 pages. Published by G. Schirmer, Inc.

For Organ. Sacred: Easter, General, Holy Communion, Holy Week, Lent, Palm Sunday. 2-staff. Book. Published by Lorenz Publishing Company

By Max Reger (1873-1916). Edited by H. Klotz / M. Weyer / Haselbock. For organ. This edition: Urtext, paperback. Edition Breitkopf. 60 pages. Published by Breitkopf and Haertel

Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding and Sacred. Print Music Collection (Book). 407 pages. Published by Hope Publishing Company.
Level: (Moderate).

By Various. Arranged by Transcriptions By Don Cook. -. For Easy Organ Book. Level: Varied. Published by Jackman Music Corporation.

Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01964. Published by Jackman Music Corporation

For organ: 2-staff. Sacred, Ascension, Eastertide, General, Holy Week, Lent. Moderately easy. Published by Lorenz Publishing Company

By Gilbert M. Martin. Organ. Sacred organ. Published by Lorenz Publishing Company.

By David Schelat. For organ. General. Level: Medium. Published by MorningStar Music Publishers.